damn

antistress scrolling down

[fjellblomst-deactivated20180409]

This Work Never Ends - Jenny Hart, 2002 hand embroidery on salvaged cotton 

[mrhoneybunny]

Laura Jones

“Asian Green Grocer”

2015, oil on linen, 112 x 112 cm

[dis-amistade]

“È il solito problema di sempre, se non parliamo siamo infelici, e se parliamo non ci comprendiamo.”

— José Saramago (via anormalguywithabnormalmind)

[magrittee-deactivated20190104]

Les yeux sans visage (1960)

[unt4itled]

Tom Jean Webb

[unt4itled]

All roads lead to snow Roma, II-2018

[nevver]

Katy Wang: Ma Mama

[simobutterfly]

Torso del Belvedere, Apollonio - I sec. a.C.

[foxesinbreeches]

From the series Life and Love on the New York City Subway by Stanley Kubrick, 1946

Couple playing footsies on a subway Woman waiting on a subway platform Men sleeping in a subway car Passengers in a subway car  People on escalators in a subway station

[redlipstickresurrected]

Clare Grill (American, b. 1979, Western Springs, IL, USA, based Queens, NY) - Yoke, 2010  Paintings: Oil on Linen

[lawrenceleemagnuson]

Phil Greenwood (UK ,Wales. b.1943) Red Doors etching 67 x 69 cm http://www.philgreenwood.info/

[pasticciaccio]

La quantità di persone alle quali, entrando in quel salotto, bisognava chiedere come stessero, mi scoraggiava completamente.

Stendhal, Ricordi d’egotismo (via pasticciaccio)

[harrysbugger]

Y tu mamá también (2001) Dir. Alfonso Cuarón

[luthienne]

Love? I wanted to go with him, to be on the strong side, for him to spare me, like one who seeks shelter in the arms of the enemy to stay far from his arrows. It was different than love, I was finding out: I wanted him as a thirsty person desires water, without feelings, without even wanting to be happy.

Clarice Lispector, from Complete Stories; “Obsession” (via lonecowgirl1)

[lleftism]

Leftovers, Karin Mamma Andersson

[amalgammaray]

Louise Bourgeois, 2007

[blueberrymodern]

Hermann Fischer, Design for a Bauhaus wallpaper, c. 1932 / Bauhaus-Archiv Berlin