Nathan Road, Hong Kong, 1968-1970, Photograph: Gunther W. Holtorf

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Nathan Road, Hong Kong, 1968-1970, Photograph: Gunther W. Holtorf
Zinaida Serebriakova, Bathers, 1927
via
by Jack Davison for AnOther Magazine
Little Ginkgo studies: Embroidered artwork by Meredith Woolnough
Tomás Sánchez (Cuban, b. 1948), Luz de una tarde de tormenta [Light of a stormy afternoon], 1990. Oil on canvas, 22 x 28 in.
Max Ernst (German, 1891-1976), Où naissent les caprices, 1958. Oil on paper mounted on panel, 35 x 26.5 cm.
Norway, 2016
It was the end of the second day of cycling, about 200 km in. I had just had a large hamburger with fries at a gas station and was making my way up a valley at sunset, when I noticed this white horse standing in a meadow, like something out of a fairy tale.
Oswaldo Guayasamín (Ecuadorian, 1919-1999), Los desesperados, 1970. Oil on canvas, 63 x 43 in.
Lead Shot Star XI Watercolor, gouache, and graphite on paper, 11x14″ 2015
Glass facade detail, 1984. Scan
Hossein Zenderoudi (Iranian, b. 1937), FHE + JKM, 1972. Oil on canvas, 194.5 x 130 cm.
Yves Klein (French, 1928 –1962), Untitled (fire-color painting), 1962. Charred dry pigment in synthetic resin with metallic paint on asbestos-coated paper on board, 24½ × 19 in (62.1 × 48.3 cm). via jimlovesart
Egon Schiele (Austrian, 1890-1918), Portrait (Head of a Young Man), 1917. Black crayon on paper.
via afrouif
Evgeny Gorokhovsky (Ukrainian, b. 1951), Untitled, 1999. Oil on canvas, 110 x 140 cm.
https://instagram.com/p/BbGS5QcHdHd/