Aqua Utopia|海の底で記憶を紡ぐ

izzy's playlists!

if i look back, i am lost
Show & Tell
i don't do bad sauce passes
Misplaced Lens Cap
No title available
Three Goblin Art
noise dept.

blake kathryn
Mike Driver
occasionally subtle
Xuebing Du

No title available
will byers stan first human second
Stranger Things
h
taylor price

Product Placement
Peter Solarz
seen from Canada
seen from Türkiye

seen from Germany
seen from United States

seen from Peru

seen from United States

seen from United Kingdom

seen from Romania

seen from Malaysia

seen from Germany

seen from Romania

seen from United States

seen from Belgium

seen from Türkiye

seen from Germany

seen from United States

seen from Romania

seen from United States
seen from Germany

seen from United States
@utenakun
Ceramic tiles by alchemmia
Pierrot le Fou (1965), dir. Jean-Luc Godard
Being unemployed allows you to access an alternate 'shadow world' beneath our own populated only by retirees
René-Antoine Houasse — Apollo et Daphne
Sasa Gyoker
May 2021
Takeshi Kaneshiro 90s
Digital watercolor by Geoffroy Thoorens
Twin Peaks | S02E17 Wounds & Scars
Season 2 has a lot of problems with many dropped plots and not knowing what to do with the original characters after Laura’s murder is solved. But this line hints at what led Audrey to relate to Laura so much despite not being close, (and maybe rubbing each other the wrong way) .
It gets at what made the early episodes so intriguing.
Too bad it’s too little too late.
Fern and Wood Sorrel - Paula von Goeschen-Rösler
German , 1875-1941
Gouache in blue-green, lime green, dark green, ochre, and black, silhouetted and mounted on Japanese paper , 43 x 37.8 cm.
In today's state of hyperactivity, where boredom is not allowed to emerge, we never reach the state of deep mental relaxation. The information society is an age of heightened mental tension, because the essence of information is surprise and the stimulus it provides. The tsunami of information means that our perceptual apparatus is permanently stimulated. It can no longer enter into contemplation. The tsunami of information fragments our attention. It prevents the contemplative lingering that is essential to narrating and careful listening . . . In the process of digitalization, . . . information acquires an altogether different status. Reality itself takes on the form of information and data. For the most part, we perceive reality in terms of information or through the lens of information. Information is an idea—that is, a re-representation. When reality takes the form of information, the immediate experience of presence withers. When digitalization gives everything the form of information, reality is flattened.
Byung-Chul Han, The Crisis of Narration
LAGON Digital / Riso printing on paper May 2014
Tanaka Ryohei, Remaining Snow, 1971
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