David Inshaw (b. 1943), Allotment
Alisa U Zemlji Chuda
Peter Solarz

pixel skylines
todays bird
No title available
almost home

Discoholic 🪩

Kaledo Art

Origami Around
d e v o n
art blog(derogatory)
Aqua Utopia|海の底で記憶を紡ぐ

roma★

No title available
Today's Document

shark vs the universe
dirt enthusiast
styofa doing anything
Claire Keane
Sade Olutola

seen from Malaysia
seen from Canada

seen from United States
seen from Malaysia

seen from Colombia
seen from United States
seen from Canada
seen from United States
seen from United States
seen from United States

seen from Singapore
seen from United States

seen from United States
seen from United States
seen from Indonesia

seen from Germany
seen from United States

seen from Brazil

seen from Malaysia

seen from United States
@v0rtexc0rdis
David Inshaw (b. 1943), Allotment
David Inshaw, “Lower Bockhampton II”, 2007. UK artist.
The mosaic floor of a dining room in a Roman villa in Antandros in Anatolia, which was occupied between the 3rd and 6th centuries AD.
Anonymous (Peruvian, 18th century) ~ Angel with the Garment and Dice (Angel of The Passion)
[Source: Christie’s]
Buddhapada, Footprints of the Buddha, depicting a dharmachakra (Wheel of Dharma) at the centre of the sole, 2nd century, Kushan Period, grey schist, Yale University Art Gallery, New Haven
Pablo Picasso, Femme à la bougie, combat entre le taureau et le cheval, 1934
Sun Mask, Haida (Artist unidentified), c. 1870.
RoundelThe Cloisters Collection, 1936 Metropolitan Museum of Art, New York, NY Medium: Pot-metal glass, colorless glass, and vitreous paint
Antonio Saura Maja Oil On Canvas 1957
Jumana El Husseini(Palestinian, 1932-2018)
Untitled 2000 mixed media on paper 80×65cm via
Drakensberg Cave, San Rock Art, South Africa, ca. 500 BCE
Nepalese Lingzhi Fungus Mask, probably 19th century
This extraordinary mask has been formed from a large, single Lingzhi fungus (Ganoderma Lucidum). The natural structure of the fungus has been coaxed into forming a nose, ears, a mouth and eyes. Two holes on either side allow for a natural twine to have been threaded through so that the mask can be either worn or hung for (perhaps) ritual display. The surface is hard, glossy and dramatically wrinkled. It is believed that such masks were worn ritually to frighten off malevolent spirits. Most extant fungus masks are of black (or blackened) Lingzhi fungus. Pannier (2009, p. 68) illustrates a mask translated as a ‘mushroom’ mask which appears to be made from a single fungus – possibly a Lingzhi – but coloured with red pigment. Nepalese fungus masks are rare. Dating them is difficult. There are few in private or museum collections. The surface is glossy and encrusted with a varying patina suggesting some significant age. Possibly it was darkened with soot although there is no residual smokiness present. The example here is in an excellent, stable condition with just the odd small loss to the extremities as might be expected. The texture is hard and robust rather than crumbly and friable. It has a wood-like consistency.
Incense of a New Church, Charles Demuth, 1921
Claude Coirault. Polynesian Tattoos, N. D. (book published 1993)
-The Grand Canal from Palazzo Flangini to the Church of San Marcuola-
The Yellow Tree, La Granja, 1906, Joaquín Sorolla
Medium: oil,canvas