segunda improvisação gravada com boa qualidade que publicamos, para além de coisas que gravamos com o celular mesmo. por causa do direcionamento, foi para uma trilha sonora, é mais focada em algumas sonoridades e gestos do que fazemos geralmente.
Monterey Bay Aquarium
TMBGareOK. The Official They Might Be Giants tumblr
sheepfilms
Color Me Curious
Show & Tell

Discoholic 🪩
macklin celebrini has autism

pixel skylines

roma★

bliss lane

❣ Chile in a Photography ❣

if i look back, i am lost
KIROKAZE
The Bright Sessions
tumblr dot com
Fai_Ryy
Cosmic Funnies

Game Changer & Make Some Noise
Sweet Seals For You, Always

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@vacarmesassourdissants
segunda improvisação gravada com boa qualidade que publicamos, para além de coisas que gravamos com o celular mesmo. por causa do direcionamento, foi para uma trilha sonora, é mais focada em algumas sonoridades e gestos do que fazemos geralmente.
Bernard Tschumi, Advertisements for Architecture, 1976-77
In the 1960s, a small oppositional element in architecture forged its own counterculture by turning its energies away from building toward writing. Born of a desire to foreground the intellectual dimension of architecture by associating it with developments in conceptual art,linguistics, and philosophy, this turn toward writing soon engaged architecture with broader questions of pop culture, mass media, advertising, and emerging technologies.
During this period, avant-garde theorist and architect Bernard Tschumi created “Advertisements for Architecture”, a series of postcard-sized juxtapositions of words and images, based on the idea that most of us experience architecture through photographs, drawings and words in books, in other words, through our imagination and not through the experience of real space.
há tanto para fazer mas agora não posso fazer nada, apenas esperar. poderia pensar melhor no que direi amanhã, não consigo.
"aqui nenhum rosto me lembra do seu
no entanto, no meu tempo ocioso
(ainda) é você quem manda"
Éliane Radigue (1932-2026)
It is with immense sadness that we learn of the passing of Éliane Radigue at the age of 94. An early collaborator in the field of musique concrète, working first with Pierre Schaeffer and then Pierre Henry, Éliane Radigue went on to carve out her own path with unparalleled freedom and vision. She pursued an exciting musical life, moving from electroacoustic feedback to electronic music (with the help of her inseparable ARP 2500) and finally reinventing herself through fruitful collaborations with numerous instrumentalists, notably around the OCCAM OCEAN cycle. A major figure in musical creation has left us. Our thoughts are with her family, friends, and collaborators.
INA grm
em momentos de muita angústia percebo que a questão não é apenas não conseguir resolver o "grande problema", mas a possibilidade de que esse problema não será resolvido e apesar disso a vida continuará, justamente porque é isso que tem acontecido até agora. talvez eu nunca consiga lidar com esse problema completamente e talvez nunca consiga explicar que mesmo assim continuei a viver normalmente.
Yes, I will go up there
Up there where I know you cannot find me
I held on to the steel rail too long now
I know I must let go
Here I am in the ocean
Not waving but drowning
Just a nervous reaction, please don't rescue me
So cold I can't feel my toes
Oh, let them go, who needs them?
Circulation stand-still
H2O can freeze you to the marrow
Learn to love the water
It will love you like there's no tomorrow
There is no tomorrow
This Heat - Not Waving
"nossos dois filmes acabam em suicídio, talvez isso diga algo sobre nós"
Cosey Fanni Tutti