-โ โ โ โ โ โโ โ โ โ โ โaria's multi muse and it's the same but it's brat so it's not.

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@vampien
-โ โ โ โ โ โโ โ โ โ โ โaria's multi muse and it's the same but it's brat so it's not.
-โ โ โ โ โ โโ โ โ โ โ โaria's multi muse and it's the same but it's brat so it's not.
had a dream that i met nicole k.idman , baz l.uhrmann , and got to tell them how important m.oulin rouge is to me.
oh personally i'm just crying over the idea of satine getting to read d.aniel's book for the first time and just crying alone, maybe throwing it or tearing it apart, maybe tearing her own hair out or destroying her own home, maybe going out and finding all the awful men she can and just draining them on a spree.
while i'm on this tho like reading this would make her have to confront this concept of the fact that she is perceived outside of christian's eyes. that no matter how much she tried to stop performing, there's something about her that leads to people having perceptions of her and her own existence. of course, it's obvious that people acknowledge her existence, but she never ... thought about it like that, that anyone outside of christian has an image of her in their mind, and having to read louis's perception of her, or how daniel wrote about louis's perception of her or him maybe meeting her in dubai, whatever ... she has to come to terms with her own monstrous existence, her own physical form disconnected from christian, and so much -
oh personally i'm just crying over the idea of satine getting to read d.aniel's book for the first time and just crying alone, maybe throwing it or tearing it apart, maybe tearing her own hair out or destroying her own home, maybe going out and finding all the awful men she can and just draining them on a spree.
Satineโs costumes in MOULIN ROUGE!ย (2001) dir. Baz Luhrmann
i think that on satine's worst nights , her darkest nights , she probably would chop her hair off and make it hideous to absolutely try and destroy her personal image , only to wake up with it how it was , how it always will be.
(@survivores),โ โ โ โ โ โl.estat said:โ โ โ โ โ โ" am i really so horrible that you don't recognize me? "
perhaps i should've said something, rather than just stare at the other monster before me as if i had to recall from a shrouded place in my mind what he once was.โ โ โ โ โ โif he had been deserving of such kindness, perhapsโ โ โ โ โ โ...โ โ โ โ โ โyet in front of me was a contradiction of emotions, a contradiction of memories.โ โ โ โ โ โi could see us, my family and his, enjoying the new orleans nights side by side in dramatic fashionโ โ โ โ โ โ(his elegance and my own perfectly pairing alongside the quiet and thoughtful conversations of louis andโโ)โ,โ โ โ โ โ โbut i also see behind his tired eyes that seem as though they have been open without even a sliver of sleep, the very man claudia loathed, the very man claudia ran fromโ โ โ โ โ โ...โ โ โ โ โ โand finally, maybe most unfortunately, i saw a version of myself, someone who could understand the way my chest felt like caving inward anytime i thought of him, of my love.
" yes. "โ โ โ โ โ โnot the kindest answer, but it was the one that he most deserved, at least in my own mind.โ โ โ โ โ โhis disheveled appearance hardly carried anywhere close to the aura he had about him back when i knew the vampire, back when i didn't look to him with a venom on my tongue, ready to spitโ โ โ โ โ โ...โ โ โ โ โ โback when maybe i even appreciated his friendship.โ โ โ โ โ โ" you look terrible. "โ โ โ โ โ โi let the words hang in the air, for my own enjoyment and for the chance to make him feel small, as i had been craving for years, but only for a few seconds.โ โ โ โ โ โdesperation then sank in, and the reality of my outreach had landed heavily on my chest.โ โ โ โ โ โno one understood, not louis, not armandโ โ โ โ โ โ...โ โ โ โ โ โno one, as if i had anyone else to call upon but him, the poor shell in front of me.โ โ โ โ โ โ" i'm not here just to insult youโ โ โ โ โ โ...โ โ โ โ โ โlouis told me about nicki, and iโ โ โ โ โ โ... "โ โ โ โ โ โi paused then, and i could feel it:โ โ โ โ โ โmy brows sinking to the middle of my face and my lower lip trembling, the words coming next only just a whisper, as if i couldn't bear to hear them myself.โ โ โ โ โ โ" christian is dead. "
(@monstroum),โ โ โ โ โ โsantiago said:โ โ โ โ โ โ" hell's better than this shithole. "
" you're lucky no one else is around to hear you say that. "โ โ โ โ โ โthere's a playful raise of her brow, one that when thrown in the right direction, creates an enticing aura about her.โ โ โ โ โ โthere's parts of her waiting to be deconstructed, like the performance in privacy that she seeps into, opting for dramatics over vulnerabilityโ โ โ โ โ โ(and when the two mix, maybe she's truly as close as she can be to her true self),โ โ โ โ โ โbut it's hard for her to pull apart, what part of her is performing to santiago and what part is true expression?โ โ โ โ โ โ" come on now, you don't mean that.โ โ โ โ โ โyou preform to applause every night, and you're very good may i add, i would know. "โ โ โ โ โ โone leg falls over the other, an act of ease as she offers him a gentle smileโ โ โ โ โ โ(she can feel it, a genuine compliment, and slowly any anxiety of a one-on-one conversation, with transactions voided, becomes a bit simpler). โ โ โ โ โ โ" you know i used to come see you before i turned?โ โ โ โ โ โi loved it, every secondโ โ โ โ โ โ...โ โ โ โ โ โso why the long face? "
Let the Right One In (2008) | dir. Tomas Alfredson ย
Satine.
"a little birdie told me," and there comes the voice, its hollow sound, the roughness of it like radio static while she's being tuned in. except it comes from behind, breath cold as ice directly against the carotid, like a kiss before the bite. "you're alone now. truly alone, i mean. no longer holdin' on to scraps and rafts." she's mean, meaner than she was alive, meaner than she probably means to be, but satine doesn't want kindness right now, does she? christian is dead. christian is dead. daniel wants to play with the corpse of him like a puppet on strings and satine's no is an echo that meets no audience. and now? well, now she is bathing in the leftovers of a feast she did not enjoy, and there is nothing, nothing, nothing left for her to endure for.
if claudia was more than a collage of memories, more than a phantom tool of torture, perhaps she'd do more than sit in the wreckage with her, singing softly of a birdie who wanted freedom and found it wanting. she'd hold satine. she'd tell her-- it's okay. it's okay. there's more beautiful nights ahead. but claudia is dead. claudia is dead. claudia is dead. satine is alone-- truly, completely, unbearably alone. "what now? a grand fire, one last performance?" and the ghost is bitter. it's a woman who wanted a life and was thrown under the unforgiving sun, now watching her friend waste years and years because she can't get the fuck up and do something about that miserable life of hers. "disappointing." @vampien
she's white knuckling a countertop, as if gripping it will send the bird on her shoulder awayโ โ โ โ โ โ(and if that very bird didn't sing the song of someone she once knew, satine would gladly take it between her hands, squeeze it, silence itโ โ โ โ โ โ...โ โ โ โ โ โbut maybe she misses company, or maybe this is what she deserves).โ โ โ โ โ โ" stop it, claudia. "โ โ โ โ โ โthere's some sort of certainty attempted in her voice, but it fails with the misery of her own existence.โ โ โ โ โ โeyes flutter shut and she waits, hoping that that request will be enough, but no:โ โ โ โ โ โthe bird sings, and she sings and sings like satine once did to crowds of desperate men.โ โ โ โ โ โthis voice is almost worse than the occasional humming of christian right between the walls, calling out to her to come with him, disappearโ โ โ โ โ โ...
" no more performances. "โ โ โ โ โ โall she can do is whisper, and a human emotion dances over her features, furrowed brows and a quivering in her lip.โ โ โ โ โ โblame comes then, internal curses and questions:โ โ โ โ โ โwhy didn't i save her?โ โ โ โ โ โwhy didn't i stay?โ โ โ โ โ โhow could i have let someone hurt her like thisโ โ โ โ โ โโโ-โ โ โ โ โ โno matter the lack of fault at hand, guilt was always suffocating.โ โ โ โ โ โ" no one wants to see another performance of mine, "โ โ โ โ โ โnot like how people probably wished for one more of hers, of claudia'sโ โ โ โ โ โ...โ โ โ โ โ โone day their little birdie was thereโ โ โ โ โ โ(and they taunted her without their knowing, laughing and pointing at a grown woman in a cage),โ โ โ โ โ โthe next she was their monster, and the next gone.โ โ โ โ โ โnot many cared for the sparkling diamond in that way, not many cared for her like thatโ โ โ โ โ โ...โ โ โ โ โ โbeauty could be replaced, superficial dances, give them some time.โ โ โ โ โ โ" get out, "โ โ โ โ โ โshe white knuckles harder,โ โ โ โ โ โ" i'm not playing these games with you.โ โ โ โ โ โyou're dead, and i'm sorryโ โ โ โ โ โโโ-โ โ โ โ โ โi'm sorryโ โ โ โ โ โ...โ โ โ โ โ โi'm sorry.โ โ โ โ โ โso leave, leave me. "
vampire satine you have done nothing wrong.
this isn't even the original file , this is a screenshot of it because my computer stopped working : follow earthspin for this kinda stuff!
i could talk for hours about the intensity of satine's facial expressions when performing, versus how delicate her expressions usually are in moments of vulnerability or in moments of genuine feelings. like she goes through the movie with this very big personality but we get these moments of glimpses into the woman beneath the performance.
christian is a whimperer, i could expand, or i could not, but i think .... i won't.
THE FOUR DEATHS OF THE VAMPIRESS SATINE.
oneโ โ โ โ โ โ(the death of celine laurent):โ โ โ โ โ โโ โ โ โ โ โfor all intents and purposes, celine laruent is dead.โ โ โ โ โ โshe is dead in spirit and she is dead to all who knew herโ โ โ โ โ โ(and those were a very few, because to know her was to be more than a body to her, was to allow her to open herself upโ โ โ โ โ โ...โ โ โ โ โ โin retrospect, its as if no one knew celine laurent).โ โ โ โ โ โceline was found on the streets of montmarte by harold, a man who was just about to finish his creation:โ โ โ โ โ โa beautiful dance hall, a bordello as well, and he had a vision.โ โ โ โ โ โthis place, decorated with a red windmill, would need a star:โ โ โ โ โ โand there sat, starving and desperate on the streets, a red headed girl looking for somewhere to sleep, somewhere with a roof, somewhere that needed her.โ โ โ โ โ โhe offered her his hand, and celine took it with hesitation.โ โ โ โ โ โthere he asked for her name, and with one quick swing of a knife, against her own throat in her own mind, was the first death.โ โ โ โ โ โ" satine, "โ โ โ โ โ โshe answered, and he grinned, that was a name of a starโ โ โ โ โ โ...โ โ โ โ โ โin that moment, celine laurent was dead, killed by someone who was both her and not her.โ โ โ โ โ โthe name meant nothing in that very moment, and the name would mean nothing to anyone ever again.
twoโ โ โ โ โ โ(the dimming of mortality):โ โ โ โ โ โโ โ โ โ โ โit was across time that the duke had hinted at a future for satine, one beyond fame and stardom, but something so unholy it rose above that.โ โ โ โ โ โshe had learned to never care for the sanctity of her actions, and where they fell in the religious gaze of those who sat just outside of montmarte with judgmental gaze.โ โ โ โ โ โit intrigued her, but never enough to care for his timeโ โ โ โ โ โโโ-โ โ โ โ โ โuntil she needed to be a very part of his time to save herself, harold, and all the dancers who relied on her steadfast determination.โ โ โ โ โ โit was here that he promised her no more pain, no more anguish, and eternal beauty.โ โ โ โ โ โ" a gift,"โ โ โ โ โ โwas what he called it, as he sunk his teeth into her nick, and drained her slowlyโ โ โ โ โ โ...โ โ โ โ โ โslowly.โ โ โ โ โ โshe grew cold, she grew quiet, and then suddenly there was nearly nothing, with the last thing she could see being christian's face, as if he were there, as if he were watchingโ โ โ โ โ โ...โ โ โ โ โ โand the first thing she had called out was his name, after the dukes wrist dropped from her lips, after blood dripped onto the floor as she clung to each and every sound around her with an awareness she hadn't previously had.โ โ โ โ โ โit was here that satine, was officially dead, and yetโ โ โ โ โ โโโ-โ โ โ โ โ โofficially alive once more.
threeโ โ โ โ โ โ(the falsification of her last breath):โ โ โ โ โ โโ โ โ โ โ โwhen harold had informed satine that if she dared try and stay with christian, the duke would only have him killedโ โ โ โ โ โ...โ โ โ โ โ โshe believed him.โ โ โ โ โ โthe duke was, as harold described, a powerful man, and now as she sat, hearing her own blood pumping, feeling over aware of everything around her, she knew that was true.โ โ โ โ โ โshe sat in fear, she waited in fear of what the duke could do beyond the trap that he had placed her inโ โ โ โ โ โ...โ โ โ โ โ so she went the next night, right before the opening of spectacular, spectacular, to tell christian that she was choosing the dukeโ โ โ โ โ โ...โ โ โ โ โ โbut when she got to him, the sight of christian was too much, the smell of him even worse.โ โ โ โ โ โshe had wanted him before, craved his touch and his words and his love, but never like this, never with the quiver in her lip that wanted to attached onto the crook of his neck, noโ โ โ โ โ โ...โ โ โ โ โ โnever like this.โ โ โ โ โ โshe did her best, still reeling from the "gift," and left him there in shambles, screaming for her and begging to know what was wrong.โ โ โ โ โ โit pained her in a way she hadn't thought possible, as if the ache was accentuated by a drug that flowed within her.โ โ โ โ โ โit didn't matter tho, this ache was hers and hers alone, the duke was her companion, it had to be so.โ โ โ โ โ โthat is:โ โ โ โ โ โuntil christian showed up to her performance, a performance that almost drove her madโ โ โ โ โ โโโ-โ โ โ โ โ โshe knew then, as her hands shook and eyes connected to the vein in his neck, that he had to be hers, and the dukeโ โ โ โ โ โ...โ โ โ โ โ โwhatever would happen, would happen.โ โ โ โ โ โit was harold who had informed her only the night before that she was dying, and if it was a show they wantedโ โ โ โ โ โ...โ โ โ โ โ โthen it was a show they would get.โ โ โ โ โ โso she died in his arms, she took a breath and coughed up blood she spit from her inner cheek, she died to save him, she hurt him to save him.โ โ โ โ โ โto the moulin, to harold, satine had died there on the stage, where she was always meant to be.โ โ โ โ โ โthe duke, instead of ripping her apart as he wished, abandoned her, as he had many fledglings before.โ โ โ โ โ โshe would starve, and suffer, and go mad with hunger, and if he had his way:โ โ โ โ โ โshe would've torn christian's throat out instead.โ โ โ โ โ โbut, no.โ โ โ โ โ โsatine was dead to them all, to all of them except christian, for whom she revealed her fabrication later on that night.โ โ โ โ โ โsatine was declared dead, satine would no longer be a problem, not to paris, not to the moulin.
fourโ โ โ โ โ โ(the cessation of immortality):โ โ โ โ โ โโ โ โ โ โ โthere would be no forgetting of christian's voice, it was an impossibility.โ โ โ โ โ โdecades could pass, even hundreds of years and it would not matter:โ โ โ โ โ โit was there, in the back of her mind like a haunting, always ready to whisper in her ear and have her check over her shoulder for his hair or his eyes.โ โ โ โ โ โnever was he actually seen, and with every passing year, with every reckless decision, she would grow lonelier, lonelier, lonelier.โ โ โ โ โ โthat is, within itself, a madness, to crave something untouchable, to love someone that death had taken.โ โ โ โ โ โit kept making her worse, and he slowly grew louder, and louder.โ โ โ โ โ โweeping or cries, screams or whispers, she could hear every breath of him in the corners of walls or in the key of a piano.โ โ โ โ โ โand without him, mistakes became her second nature, tactics used to draw and dull the sound or subdue the hurt only became more and more of a reminder of the empty room she would sleep in, of the coffin that felt far too large for her liking without another iced body pressed next to her.โ โ โ โ โ โit was one night tho, when the voice had turned from a crying to a begging, that she stared out an open window into the moonlight that bathed her skin.โ โ โ โ โ โhe called, he called, he begged, with a whimper that she knew and neededโ โ โ โ โ โ...โ โ โ โ โ โso, it was one night when she sat outside for all hours until the sun rose, sitting and letting his voice carry in the winds to ease her until a sense of peace, even as the sun burned and pulled her apart.โ โ โ โ โ โmany men had tried to disect her like this before, but none had succeeded like him:โ โ โ โ โ โher christian, who, with his whimpers and cries, lulled her into the sun, into nothingness.