Leon losts his driving license and now owns a horse xD
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Leon losts his driving license and now owns a horse xD
Resident Evil 9 Pessimistic Theory!
With the latest updates that came out, I have a pessimistic theory because I don't trust Capcom :"D
So in the trailer, those voices that we all think are Leon, Jill, Chris, etc. my theory is that the female voice is Alyssa, and the male voices could be people who accompanied her to that hotel (as we see in the trailer, when Alyssa comes out it seems like someone is recording her, so she wasn't alone in that hotel)
Even the voice that says "stay close" and "they're coming" is also Alyssa's.
What I think is that in the trailer it seemed like we were going to be in Raccoon City, but in reality it will only be talked about, but we will not go there, neither Grace nor any classic character.
Who said the female voices from the first trailer of Resident Evil 9 belonged to Alyssa? This bitch
.⠀⠀⠀ ू❀𝆬 𝐃𝐀𝐃𝐃𝐘'𝐒 𝐆𝐈𝐑𝐋 . ∔
⠀ ⠀❜❀⠀˙⠀leon s. kennedy x fem!reader⠀(❁ᴗ͈ ᴗ͈)⠀˚
░⌦⠀ synopsis.⠀ ⠀domestic life with Leon pt2. 𖧷⠀⁺⠀
⠀. ⏝ི𓏶. ゜ imagine ⠀ being⠀ leon's ⠀wife⠀ ⋮
Your daughter is growing and Leon have a hard time let her go...
She’s thirteen now.
Thirteen going on fire.
She slams doors. Talks too fast. Leaves her shoes everywhere.
Her music is loud. Her laughter louder.
And when she cries, it’s like watching the moon crack.
You’re learning to give her space.
Leon—he doesn’t know how to let go. Not when it comes to her.
He watches her like she’s made of glass in a world full of hammers.
Follows her to the kitchen just to check the locks on the windows.
Drives her to school but circles the block three times after dropping her off—just to be sure.
You told him once:
“Leon. You can’t save her from everything.”
He looked at you and said, quietly,
“I have to try.”
She wants to go to a sleepover.
Just a simple one. Four girls. One big living room. Pizza, movies, laughter.
She begs. Pleads. Gives you the eyes. Gives him the eyes.
“Please, Dad? I’ll call every hour. I swear. I’ll send pictures. I’ll send a video of me being alive. Please?”
He stares at her a long moment.
Then turns to you.
Then back to her.
And he says: “...I’ll park outside.”
She screams. Falls to the floor. Clutches her heart like he’s killed her.
“YOU ARE ACTUALLY THE WORST FATHER EVER—”
He smiles. “Still alive, though.”
You finally talk him into letting go a little.
Not because he’s ready. But because Lily is.
She’s braver than both of you. Fiercer, too.
And it kills Leon a little—how fast she’s growing, how much of her life he can’t protect.
You catch him one night sitting on her bed after she’s gone.
He’s holding a stuffed lion she used to sleep with.
His fingers trail the frayed fabric like it’s a relic.
“She doesn’t need me like she used to,” he says.
You kneel behind him, wrap your arms around his back.
“She does. Just… in different ways.”
He leans into you. The lion falls into his lap.
“You think I’ll know what to do when she’s twenty?”
“I think you’ll figure it out.”
“I don’t want her to turn out like me.”
You kiss his shoulder. “She won’t. She’s turning out like us.”
Then comes the boy.
Sixteen years old. Soft voice. Soft hands.
Too pretty. Too polite.
Smells like overpriced body spray and nerves.
Leon’s smile when he opens the door is cold.
You are so close to dragging him to the kitchen when he says,
“Have you ever fired a weapon?”
The poor boy blinks. “Uh—no?”
Leon’s voice is deadpan. “Wanna learn?”
Lily nearly tackles him down the stairs.
“Dad, stop! I like him!”
Leon doesn’t respond. Just leans against the doorway, arms crossed, eyes flat and unreadable.
But that night, when you’re lying in bed, he turns toward you and murmurs,
“I don’t trust him.”
“You don’t trust anyone.”
He shrugs. “Exactly.”
Then she comes home crying.
It’s late. Almost midnight.
She stumbles through the front door—face blotchy, mascara smeared.
You’re on your feet in a second. Leon’s already behind you.
“What happened?” you breathe.
Lily just shakes her head, wipes her eyes with the sleeve of her hoodie.
Leon’s voice is quiet. Too quiet.
“Did he touch you?”
Her lip trembles. “No. He just… he kissed another girl. At a party. Said it was a mistake.”
You exhale.
Leon doesn’t.
He walks past you. Grabs his keys.
“Leon,” you say. Firm. Sharp. “Stop.”
“He hurt her.”
“He’s a kid.”
“So?”
The room goes silent.
You move to him, place your hand on his chest.
“She needs you here. Not out there being the monster in her memory.”
He looks down at you, jaw tight.
Then at Lily, who’s curled on the couch, crying into a pillow.
Small. Shaking. Still his whole world.
Leon drops the keys.
Sits beside her.
Pulls her into his arms.
“You’re okay,” he whispers. “You’re safe. I’ve got you. I’ll always have you.”
He teaches her how to shoot a gun when she turns seventeen.
He doesn’t want to. He swore he never would.
But she asks. Really asks.
Not out of rebellion. Not for fun.
Because she wants to feel safe the way he always made her feel.
Leon takes her to a private range.
Shows her how to hold it. Breathe. Fire.
Her hands shake. He’s steady as stone beside her.
“You’re strong,” he tells her, watching her hit the target dead center.
“You made me strong,” she says.
He doesn’t cry. Not then.
But that night, when she’s asleep upstairs,
you find him sitting in the dark, eyes red, hands still smelling of gunpowder.
“She’s gonna leave one day,” he whispers. “And I won’t be there to protect her.”
You kneel in front of him. Take his face in your hands.
“She’s gonna be okay. Because you raised her to be.”
She’s gone.
Not in the way he once feared—not stolen, not taken, not lost in blood and smoke and fire.
No.
Just gone the way all daughters go.
Gone the way time demands.
Moved into a new apartment. Far from home. Far from him.
Not too far. She visits every week. Calls every other day.
But Leon wakes up sometimes in the middle of the night,
thinking he hears her door creak open,
thinking he hears that sweet little voice saying:
“Dad? Can I sleep with you?”
It’s not her voice anymore.
She’s grown. A woman now.
And God, she’s beautiful.
She’s got your smile. His eyes.
Her own fire.
She’s working at an NGO now—organizing recovery for trauma victims.
Says she wants to help people the way he helped her.
It makes him proud.
It makes him ache.
“You’re everything I couldn’t be,” he tells her once.
And she just frowns.
“Don’t say that. I am who I am because of you.”
You notice it first.
The way Leon breathes heavier when he kneels.
The way his hands tremble a little when he buttons his shirt.
The growing silence in him. A deeper one than before.
You ask if he’s okay.
He lies like he always has.
He doesn’t want Lily to worry.
She’s busy. Living. Healing.
So you sit with him, in the dark, and you hold his hand while he says nothing.
She gets engaged.
You cry when she tells you. She glows with happiness.
Leon… doesn’t speak at first.
He nods. Smiles a little. Says, “That’s great, sweetheart.”
But that night, he sits alone in the garage. On the old workbench.
You find him there with an unopened beer and your wedding photo in his hands.
“She was just learning how to ride a bike,” he says. “I turned around and now she’s… marrying some guy.”
You kneel beside him. Take his face in your hands.
“She’s still your little girl.”
He laughs. Bitter. Soft.
“She was never mine to keep.”
He walks her down the aisle.
The music swells. Everyone stands.
Leon’s wearing a dark suit. The one that still fits.
Hair silver at the temples now. Face worn and carved from years of living too hard.
But his hands are steady when he holds her arm.
His voice steady when he whispers in her ear:
“You don’t owe me anything. But thank you… for letting me be your dad.”
She turns to him, tears in her lashes, and kisses his cheek.
“I’ll always be your girl.”
He walks her to the altar, places her hand in the groom’s.
Smiles. Steps back.
His jaw clenches so tight it aches.
He does not cry. Not here. Not yet.
But his whole world shifts.
He realizes—for the first time—
his job is done.
Years pass.
Photos fill the walls now.
Pictures of Lily at the beach. Holding a newborn. Laughing with her husband.
Smiling beside Leon. Always smiling beside him.
You’re older now too. He helps you with the stairs. Still brings you tea in the morning. Still calls you "honey" and "baby" and sometimes, just "you."
Sometimes Lily comes by with her children.
Little feet on hardwood. High-pitched voices calling:
“Grandpa! Grandpa!”
And Leon picks them up even when his back protests.
Hugs them close. Breathes them in like oxygen.
But sometimes he stares at them too long.
Goes too quiet.
You find him on the porch later, staring into the trees.
“Did I do okay?” he asks. “Was I a good dad?”
You sit beside him. Lean your head on his shoulder.
“You were the best. You are.”
He looks up at the sky.
Whispers, “I wanted to give her a world better than the one I knew.”
And you smile.
“You did. She lives in it.”
Sometimes at night, he dreams of Raccoon City.
He wakes in a sweat. Heart pounding. Hands clenched.
He sees Lily at seven years old.
In a burning street. Screaming his name.
He reaches for her. But the ground splits. The fire takes her.
You find him in the bathroom. Splashing cold water on his face.
“She’s safe,” you whisper. “She’s alive. She’s okay.”
He nods.
But sometimes, he still needs to hear her voice to believe it.
So he calls her.
It’s past midnight. But she answers. Always.
“Dad?”
“I didn’t mean to wake you.”
“No, no—it’s okay. I’m up. What’s wrong?”
“…Nothing. I just wanted to hear your voice.”
She’s quiet for a beat.
Then she says, “I love you.”
And he breathes. Finally.
“I love you too, baby.”
The house is quiet now.
It used to echo with laughter, footsteps, arguments, the sound of your daughter slamming doors and your husband muttering under his breath.
But the years passed. And life kept moving.
The kids are grown. Lily’s a mother of two now. She visits every week—always with flowers, always with warm hands and tired eyes that still look like Leon’s.
She tries not to cry when she sees him now.
You notice.
Because Leon is fading.
Not in the dramatic way he used to fear—no virus, no explosion, no chaos. Just… slow.
Quiet. Like dusk.
His hair is silver now. His body aches. His knees are wrecked from years of fieldwork.
But it’s not pain that’s stealing him.
It’s time.
The one thing he couldn’t outshoot, outrun, or outsmart.
You sit with him most days.
Out on the porch, where the wind is kind and the sun warms the wood under your bare feet.
He holds your hand like it’s the only thing tethering him to the earth.
Thumb brushing your knuckles. Palm still calloused. Still strong.
But softer now. Tired.
“Remember when Lily broke her arm?” he asks one morning, voice a little slow, memory drifting in and out like smoke.
You smile. “She told us she was climbing the fence to prove to the neighbor kid she wasn’t afraid of tetanus.”
He chuckles. Then coughs.
You rub his back gently until it passes.
“She’s just like you,” he murmurs.
“She’s just like you,” you reply.
He looks at you then. Really looks.
Eyes cloudy with age, but still blue. Still his.
The doctors told you not to expect miracles.
They didn’t know who they were talking to.
Leon was a miracle.
He should’ve died a hundred times.
But he didn’t.
He stayed.
Long enough to love.
Long enough to live.
Long enough to see his daughter grow up, and his grandchildren run barefoot through the grass he planted with his own hands.
But even miracles have an end.
He asks you one night if you’re afraid.
Lying in bed beside him, his body warm but weaker, curled slightly toward you like always.
You blink in the soft light. “Afraid of what?”
“Of me… not being here.”
You stare at him. Then slowly, deliberately, bring his hand to your chest.
“I carry you with me,” you whisper. “In every breath. Every step. You’ll never really go.”
His eyes fill. Just a little. He doesn’t blink them away.
“I wanted to give you more,” he says. “You deserved… the whole world.”
“You gave me you, Leon,” you say. “That was all I ever wanted.”
The last days are soft.
He sleeps more. Talks less.
Sometimes, he forgets things.
But never you.
Never your name.
Never your voice.
Never your hand.
And when the time comes, it’s not with violence.
It’s with peace.
He’s lying in your arms. Breathing slow.
Sunlight through the window, warm on his skin.
Lily is beside you, holding his other hand, weeping silently but bravely.
Leon smiles. Barely. Just enough.
His voice is faint. But clear:
“You made everything worth it.”
You kiss his forehead, just under the line of his hair.
He used to hate his grays. You always loved them.
“Go rest, baby,” you whisper. “You did so good. We’re okay now.”
And when he goes—
It’s like a breath.
A sigh.
Like someone finally laying down a burden they’ve carried too long.
No pain.
No monsters.
No regrets.
Just love.
And silence.
And you.
The house is quiet. But not empty.
Photos. Laughter in the walls. His boots still by the door.
Lily plants sunflowers in the yard.
His grandson carries his name.
And you sit on the porch with a cup of tea, wind in your hair, hand resting on your chest.
You can still feel him there.
In the way the light hits the trees.
In the soft creak of the swing.
In the warmth of your daughter’s arms when she hugs you.
Leon saved the world a hundred times.
But in the end—
he saved you most of all.
And that…
That was the miracle.
you can help me by reblogging my works with the tags and please do not repost, modify, translate or plagiarize in any way on any platforms.
I cried reading this, not lying.
Cleon?
TikTokers are such pussies when it comes to ships. “B-but they’re not canon 🥺🥺🥺😭😭😖😖” honey back in my day we shipped characters from entirely different medias uphill both ways in the snow
True lmao
Deleted scene of Chris helping Leon get his shit together
😭😭😭
a crush.
leon wasn't emotionally ready to date. he was always... stuck. stuck in his ways, stuck in the past, stuck in making bad decisions. so, when he saw his co-worker, leon decided to keep himself away from her. it wasn't because he was rude but rather he wanted to protect her.
it was obvious she had a crush on him. the way she spoke. it's was like one of those days where he complimented a shirt of hers, and her answer was an awkward thank you. when he stood beside her, she wouldn't move away. her eyes would avoid his gaze.
she was nice. nearly adorable, but... he couldn't risk her seeing his darkness.
"i hate ignoring her, but it's for the best." leon admitted to hunnigan. hunnigan looked confused for a second, "she doesn't have a crush on you."
leon's eyes widen, "i would know that." he tried to defend himself.
but she never had a crush on him. she was just awkward around everyone. he was the one with the stupid crush.
Me, after reading that in the Resident Evil Vendetta novel there is a whole scene with Leon and Chris where they talk about their emotions and how the events of Re6 affected them, realizing how similar they are. Chris talking about how Leon used to be funny, and Leon saying that nobody liked that, or at least not him. Chris saying that after China, he thought about quitting and Leon is surprised by that. Leon saying how others saw him differently after shooting the president. And that whole beautiful scene was REMOVED FROM THE DAMN MOVIE.
WHEN I CATCH YOU CAPCOM
BY THE WAY, THE DEATH ISLAND COMIC ALSO HAS A DELETED SCENE!!!
In Leon's fight with Maria, when she dies, Leon practically lets her die on his shoulder, and the line "now you can be with your father" feels much more empathetic, not a cool line. It shows how Leon feels empathy even with the "villains." AND IN THE MOVIE, THAT IS LOST!!!
What would be a good ending for Leon Kennedy?
I was just thinking about Leon and what would be a good character closure for him. Not necessarily his death, just his "exit" from the Resident Evil franchise.
I can't imagine him simply retiring from work and settling down. At this point, I don't think he'll ever "heal" all the trauma he's been carrying. Maybe a good ending for him would be to become a mentor? Or simply sacrifice himself for someone? I'm not sure. I just want the man to have a happy ending :( but in the Resident Evil universe, I think that's very difficult </3
Problems I have as a new Resident Evil fan: I don't know what is canon and what isn't.
Are remakes canon? Are the original games truly canon? Are CGI movies canon based on the original games or the remakes? Are comics canon? Are novels canon? Are the files readable in the games canon for both the original games and the remakes? Are the original games and the remakes two different timelines?
Help
Me, after reading that in the Resident Evil Vendetta novel there is a whole scene with Leon and Chris where they talk about their emotions and how the events of Re6 affected them, realizing how similar they are. Chris talking about how Leon used to be funny, and Leon saying that nobody liked that, or at least not him. Chris saying that after China, he thought about quitting and Leon is surprised by that. Leon saying how others saw him differently after shooting the president. And that whole beautiful scene was REMOVED FROM THE DAMN MOVIE.
WHEN I CATCH YOU CAPCOM
Proposal 💍🍕 || (Extra)
Resident Evil 9 Pessimistic Theory!
With the latest updates that came out, I have a pessimistic theory because I don't trust Capcom :"D
So in the trailer, those voices that we all think are Leon, Jill, Chris, etc. my theory is that the female voice is Alyssa, and the male voices could be people who accompanied her to that hotel (as we see in the trailer, when Alyssa comes out it seems like someone is recording her, so she wasn't alone in that hotel)
Even the voice that says "stay close" and "they're coming" is also Alyssa's.
What I think is that in the trailer it seemed like we were going to be in Raccoon City, but in reality it will only be talked about, but we will not go there, neither Grace nor any classic character.
Something I find funny is the ending of Resident Evil 3. They show it as if it were a "happy" ending, as if there weren't still thousands of people alive in the city who died from that bomb 😭
There's something I don't understand about the Resident Evil 9 trailer.
The trailer implies that Grace is supposed to go to the hotel where her mother died eight years ago, right? But that hotel isn't in Raccoon City. So why are we in Raccoon City? Could it be that someone kidnaps Grace from that hotel and takes her to that city?
My theories for Resident Evil 9!
1-The characters that will be playable in this game are Grace and Alyssa Ashcroft.
2-With Alyssa, we played in the past. In that hotel that appears in the trailer.
3-The rainy city scene could be Raccoon City BEFORE the outbreak in 1998 (flashback)
4-With Grace, we are in the present, in the ruins of Raccoon City.
5-As we saw in the trailer, many characters were shown, a little girl's voice, other voices that could be Leon, Jill and Chris/Carlos.
For me, it would be like this:
Present: Mysterious hooded man, man lying on the ground (I think he could be Grace's companion to RC)
Past: Little girl's voice, man sitting on the sofa, Leon, Jill and Chris/Carlos' voices.
6-The hooded man could be Wesker (it's not so far-fetched to think he survived and hid in Raccoon City), and he could have been the one who kidnapped Grace.
7-no veteran characters will be playable (Leon, Chris, Jill, etc.). I feel like if they appear, it'll only be in cinematics or flashbacks. But I doubt they'll be playable (this is only due to the age of each character).
Now, two things I can't quite make sense of are: 1. The voice that says "you're my last hope" or something like that. And the image of the zombie policeman, who looks very similar to the zombies that were in Raccoon City in 1998.
The voice sounds a lot like Ada's, but I don't have any theories about the context in which she might say that. And the police officer could be a flashback to Raccoon City during the outbreak, but I don't think it's necessary to have flashbacks to that night; maybe that was just for the trailer.
Those are all my theories! Bye :D