Hairy silver #faberge #trichomes #unknownfaberge #tmora #museumofrussianart (at The Museum of Russian Art)
Xuebing Du
PUT YOUR BEARD IN MY MOUTH
RMH

❣ Chile in a Photography ❣
will byers stan first human second
Stranger Things

Product Placement
Noah Kahan

#extradirty

No title available
Sade Olutola
𓃗

PR's Tumblrdome
cherry valley forever
EXPECTATIONS
Jules of Nature
No title available

Andulka
$LAYYYTER
KIROKAZE
seen from Türkiye
seen from Australia

seen from Ecuador
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
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seen from United States
seen from United States
seen from Russia
seen from Netherlands

seen from Argentina
@velvetdressed
Hairy silver #faberge #trichomes #unknownfaberge #tmora #museumofrussianart (at The Museum of Russian Art)
#executive_account #officesupplies #printerpaper #pencilcup
#doublebreasted #spacesaver #executiveporn #filing #executive_account
#worktreasures #hüskerdü #redwingshoes
#hanshollein #diagonalfurniture #1975
#danishmodern nod to the #xviiicentury (at American Swedish Institute)
Edward Rosenberg, March Evening, 1922, oil on canvas (at American Swedish Institute)
#QUEEN (at American Swedish Institute)
at House of Wong
#worktreasures
Shiva as Tripurantaka, Destroyer of the Three Demons, bronze, 8th century, Pallava, Sarabhai Foundation, Ahmedabad. . . . "Despite the suggestion of warrior-like weaponry held in the hands, there is no trace of distortion in the form, not a hint of agitation. What the sculptor seems to have picked up is the moment of utter calm after an upheaval. The Lord has already subdued and destroyed; he seems to say the three demons, masters of the cities respectively of iron, silver and gold, do no longer exist. Now a gentle smile hovers around Tripurantaka's lips, holding the promise of anugraha and release. The breath that one senses in the form is palpable, but there is no suggestion of it being consciously held or controlled; it seems simply to inform the entire figure, holding it together, imparting to it great warmth."