
Andulka
Noah Kahan
The Bowery Presents

oozey mess

if i look back, i am lost
Mike Driver

bliss lane
ojovivo

roma★
Aqua Utopia|海の底で記憶を紡ぐ
Claire Keane
Doug Jones
Sweet Seals For You, Always
NASA

@theartofmadeline
Today's Document
Misplaced Lens Cap
KIROKAZE
noise dept.

gracie abrams
seen from France

seen from China

seen from Malaysia

seen from United States

seen from Saudi Arabia
seen from Malaysia
seen from China

seen from United States
seen from United States

seen from Romania
seen from United States
seen from United States

seen from Canada
seen from Uzbekistan
seen from United States
seen from Bangladesh
seen from Saudi Arabia
seen from T1
seen from United States

seen from United States
@vespertill
more characters with psychic powers who get migraines and seizures after they use them. i wanna see someone kill a bunch of ppl with their mind and then lay in a dark room vomiting for two days
Like Psyduck?
Karmazid
Fangophilia Taro: Armor Gloves Gauntlet (2020)
Evening murmurs.
Stefan Bergman. Iron Maiden. Bergman Foundry, Vienna, c. 1900.
by Simon Vahala - Cairo (2008)
the mire of epiphany, lisa adams (2013)
“Fairies in a Bird’s Nest” (c. 1860), John Anster Fitzgerald
seaglass carousel by george tsypin (2015) - nyc
@naryamirie
the thing about being bullied for being weird as a kid is that even if you've always embraced being weird your brain is still always looking for the line where it's too much. you can be as proudly and intentionally weird as you want and you can love being weird but your mind is still convinced there's a point where you get too weird and people start treating you like a weird looking bug again. also it feels like you reach that point 500 times a day even if everyone you've spoken to today found you pleasant and likable and even if you're completely alone in your house with nobody looking at you at all.
I.B. Vyache, Excerpt 03.01.20
Now, unlike Michael Newton’s book of hope, I appreciate the clarity of this book’s title: Encyclopedia of Things that Never Where (1985). Stating that definitively really gets all that belief malarkey out of the way and lets us appreciate these things on their own imaginary terms (as Georgess McHargue encouraged us to do on Monday).
This book is more like a collection of several small topical encyclopedias, each discrete from the others and in their own alphabetical order. Nor do they necessarily make a perfect or intuitive sense all the way through. Things of the Cosmos is mostly gods of major mythologies, but also King Arthur and his knights. Things of the Ground and Underground collects faeries and tree spirits, but also the manticore, Minotaur and Sphinx. Things of Wonderland seems to imply things from literature, but really it collects all manner of fantastical places, from fiction, but also from legend. Things of Magic, Science and Invention could just as well have been called Things and left it at that; it collects notable items, from Thor’s hammer to Jekyll’s potion to the many unusual uses for nails. Things of Water, Sky and Air covers all the creatures not detailed in Earth chapter — Grendel is here, griffins, too, and all the sea serpents. Finally, Things of the Night details the undead and other creatures who hide from the sun, whether they go bump or not.
Robert Ingpen’s art throughout is a pure joy. There are so many illustrations, the book is awash in them, and they’re all amazing, often subverting expectation but also remaining recognizable. There’s a warmth to it, like sitting by a fire, and he has a real talent for collaging together different elements that feels less museum-like and more evokes the crowded study of an eccentric scholar. I can’t imagine the amount of time it took to put together this portfolio, but it was well worth it. It’s a treasure.
Robert Ingpen's illustration of that Aztec god felt very familar to me, so I looked it up - it seems likely he swiped the mask from this 1976 Dean Ellis cover for To Live Forever by Jack Vance. But perhaps they were both using the same reference material?