𓆩♡𓆪

@vessel.of.decadence on instagram

[violentwavesofemotion-deactivat]

“Very startling—pixie-like, otherworldly—small, finely-built, dark hair—large eyes—her speech is overprecise—she shines and polishes each syllable with the very tip of her tongue—one feels that if one were to touch her, she would crumble into silver dust.”

— Susan Sontag, describing Anaïs Nin in As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980

[violentwavesofemotion-deactivat]

“I have created the isolation in which I find myself.”

— Anaïs Nin, from a diary entry featured in Mirages: The Unexpurgated Diary; 1939-1947

[sfsolstice]

Anaïs Nin, in a letter to Henry Miller, d. March 9, 1932, from A Literate Passion: Letters of Anaïs Nin & Henry Miller, 1932-1953

[carlboygenius]

[torianu-deactivated20190206]

The Plaque Series

The concept art of Jenny Holzer.

[postpunkindustrial]

Cosey

[vesselofdecadence]

I love this mf so much it’s embarassing

[vesselofdecadence]

Cosey Fanni Tutti

[meietitoree]

Crash (1996) dir. David Cronenberg

[vesselofdecadence]

I am one more bad day away of stabbing myself just like Isabelle in this scene

[vesselofdecadence]

Twin Peaks: The Return

[unplugstar]

Paz de La Huerta | Ph by Alexandra Carr

[vesselofdecadence]

Mia Goth for Miu Miu 2015

[vesselofdecadence]

My forever luv

[anitapallenberg]

Crash (David Cronenberg, 1996)

[vesselofdecadence]

Nan Goldin | Aurele kissing Joana in my apartment, NYC | 1999

[vesselofdecadence]

Type O Negative's Peter Steele for Playgirl | 1995

[vesselofdecadence]

Cosey Fanni Tutti