- new photos of hayley williams via spotify
sheepfilms
AnasAbdin
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will byers stan first human second

oozey mess

if i look back, i am lost
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trying on a metaphor
Claire Keane
Aqua Utopia|海の底で記憶を紡ぐ

pixel skylines

Product Placement
ojovivo
occasionally subtle
cherry valley forever

JVL
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Show & Tell
One Nice Bug Per Day

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@vesuviuus
- new photos of hayley williams via spotify
No Ordinary Love, Salman Toor. Details. Special Exhibit, Baltimore Museum of Art, 7.30.2022
The Marriage Portrait by Maggie O'Farrell
"Sadness keeps attempting to tie weights to her wrists and ankles, therefore she has to keep moving, she has to outpace it."
cheryl dunye and guinevere turner as cheryl and diana in the watermelon woman (1996) dir. cheryl dunye
Valentine Alvarez by Andy Jackson for Vogue Poland September 2023
When Lucy Dacus said “I used to be too deep inside my head. Now I’m too far out of my skin.” And when Julien Baker said “Nothing turns out like I pictured it. Maybe the emptiness is just a lesson in canvases.” And when Phoebe Bridgers said “If you’re a work of art I’m standing too close. I can see the brush strokes.” And when boygenius said “I wish I was on a spaceship. Just me and my dog and an impossible view.” And when—
On the west wall of this stupendous room is an enormous portrait of the family that owned and created it. Almost seventeen feet wide and eleven deep, Philip Herbert, 4th Earl of Pembroke, and his Family c.1635 is the largest painting ever made by van Dyck, a joint portrait of the 4th Earl of Pembroke and his children. Each of the ten figures it portrays is just larger than lifesize and they dominate, as they were meant to, the gilded space in front of them. The painting is full of grace and aristocratic poise, of riches at ease with themselves, of what now would be called privilege and was then considered nobility. It exudes a distant and forgotten handsomeness, an abandoned world of elegance and power, neither stiff nor louche, but regal and familial.
featured on: Pride and Prejudice (2005), Emma. (2020), Bridgerton (2020)
Jenny Slate, Little Weirds
lorelencoriton on ig
She grows up feeling wrong, out of place, too dark, too tall, too unruly, too opinionated, too silent, too strange. She grows up with the awareness that she is merely tolerated, an irritant, useless, that she does not deserve love, that she will need to change herself substantially, crush herself down if she is to be married
Hamnet - Maggie O’Farrell
Aweng Chuol by Abdullah Artuev for Vogue Czechoslovakia May 2023
lucy dacus promoting kissing lessons — shot by erin soorenko
Mini Architectural Sculptures by Matthew Simmonds
nigumball on ig
The indie supergroup of Julien Baker, Phoebe Bridgers, and Lucy Dacus will finally release their debut album this spring
i'm sobbing
oh to be boygenius at the beach...