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Yorozu - Character Analysis + Theory
Hi, y'all! Sorry for abandoning you all two months ago........ I took a 3-week vacation back in March, but then after that, life decided to f*cked me over. So now that I got some time in my hands, I will start off my comeback with a short post about Yorozu.
On Twitter, I found this thread and it seemed interesting:
I also made a thread in response to this over there, and it would be unfair if I don't post it here.
So without a further ado, let's dive into the analysis of Yorozu's character and some of my theories about her. I divided this post into two: Before Meeting Sukuna and Meeting Sukuna.
Enjoy! WARNING: This post contains content beyond JJK season 3. Please DO NOT INTERACT if you don't want any more spoilers. Unedited; may contain grammatical errors and spelling mistakes.
Before Meeting Sukuna
We'll start off first with going over what we know about Yorozu, and my conjectures/theory and analysis based on those.
Ch 216 Kenjaku: Ahh. You guys, really [don't know] Yorozu is a person from Aizu?
To start off, we know that Yorozu is from Aizu, a region very far from the capital, Heian-kyō (present-day Kyoto), so being far from capital meant public safety is at its lowest, because the police officers (or the equivalent of them) at the time are concentrated in the capital for the nobles there. so basically you're left to fend for yourself. This is literally how far Kyoto is from Aizu:
Note: Aizuwakamatsu is the capital city of Aizu region.
It's basically an 8hr and a half drive TODAY, but back then it would've taken a long while before you reach Aizu from Kyoto!
It's basically 'ganbare, ganbare' for yourself out there.
And also because of that, it's 'normal' that she doesn't follow the norms for aristocratic women - why would nobles from the capital care for those far away from them, anyway? We can guess here that life wasn't so good for her because a place far from Kyoto is basically unimportant to the nobles and imperial family; that's why it's normal for places outside Kyoto to be in shambles (e.g. famine, high death tolls, no public safety) in this era.
In other words, Yorozu didn't live a lavish lifestyle like she did in the capital later on.
Ch 218
We also know that she knows how read - it's heavily implied that she can read kanji, because of the scrolls in front of her in the flashback when she's looking for a solution for her CE and CT issues. In Heian era, majority of information are written in Kanji or Chinese characters, while Japanese prose (e.g. poetry, short stories, novels) were written in Hiragana; so, if Yorozu was looking for a way to solve the problem about her CE inefficiency, then she would need to know how to read in Kanji if she wants to seek information as much as possible.
To be honest, before re-reading, I thought she might have been a commoner, but looking at it now, I'm theorizing that she might have been from a noble clan exiled from the capital, or low-ranking clan in charge of governing the region [I'm leaning more towards the former, tho].
It's more likely that she learned how to read as a noble lady rather than in a shrine or temple, but it's also possible she learned to read from a shrine maiden or Buddhist nun. I'm leaning more on the fact that she was a low-ranking noble lady or a noble lady from an exiled noble clan.
The intricate carving of the wood on the wall behind her suggests that her home at the time wasn't that bad. Plus, she already has the hairstyle and eyebrow style that a typical noblewoman in this period would have.
Ch 218
Then for some reason, the Five Void Generals targeted her and she defeated them when they challenged her, indicating that she might have been a curse user that posed a threat to the Fujiwara clan once she mastered using the Insect Armour during battle and the usage of liquid metal.
The fact that she was appointed to the capital by the Fujiwaras and the fact that she was living in the palace meant she was adopted into the Fujiwara clan. Usually a noble lady - who's neither a court lady, concubine nor an Empress - living in the palace meant she's a lady-in-waiting of the Empress(es) because of her rank and/or literary talent.
But, because this isJJK, it was most likely that the Fujiwaras sent her to the palace because of her talent and reputation as a sorcerer + her rank as the adoptive daughter of the clan. This is basically a massive upgrade from her former life way before she fought the Five Void Generals.
Ch 219
Also, the fact that she was adopted into the clan suggest that she wasn't a slave or commoner like Uro - another proof that she was most likely a noble but not high ranking. So based on all the information we have, we can conclude that:
Yorozu was most likely a low-ranking noble lady
She was a curse user and became strong enough to catch the eye of the Fujiwaras
She was adopted by the Fujiwaras, thus enabling her to live in the palace
She doesn't follow the etiquette and modesty because she's from Aizu
My Analysis:
To me, she was basically someone who wanted to rise the social ranks, and did so by using the systems in place at the time - jujutsu, the survival of the fittest, the Fujiwaras, the social hierarchy (Ritsuryō). Being in Aizu, far away from the capital, meant that the livelihood there isn't the best.
She's also egotistical in the fact that she takes so much pride in her power, abilities, and her standing to the point that she ignores the norms in place without repercussions - but it's understandable since she's a powerful sorcerer and she has the Fujiwaras' backing, so who would dare lay a hand on her!
Due to her rise in power (at least in the capital city), she basically became the top of the food chain, fueling her ego and becoming The Strongest or The Best (assuming that the Fujiwaras' units are the most powerful there.... I don't know about Angel, though). She has the best reason to treat those around her like bugs - she's untouchable!
Meeting Sukuna
Ch 219
I think meeting Sukuna was the first time she felt 'passion' reignite in her. This is a woman who has 'conquered' the Fujiwaras and the nobility, has risen up the ranks, and is more powerful than the sorcerers in the capital.
Yorozu has defeated the 5 Void Generals - a unit that rivaled Uro and her Celestial squad. It basically screamed to everyone in Heian society (the nobility, at least) that she is more powerful than both the Fujiwara clan's subjugation and assassination units.
She was The Strongest Woman. She sat at the top of the social and jujutsu hierarchy (not the very top for the latter).
(Though, we have no idea where Angel fits in the social hierarchy nor how strong she was as a sorcerer compared to her during this era)
Yorozu was basically untouchable! She was able to get away with her 'barbaric' behaviour because the nobles can't do anything about it because she is The Strongest - not even the Fujiwaras can stop her, so who can?
Ch 219
But, as a result, life must've become monotonous for her - she has 'perfected' her jujutsu, is living lavishly, and had tasted what the world around her has to offer.
The first thing we see in ch 219 flashback is Yorozu lounging in her room in the Imperial Palace, eating a piece of nut or small fruit and not even giving a single flying f*ck about her servant's (and the court ladies') predicament. Her servant's pleas even annoyed her so much. She was relaxing, but I think she was bored, too.
Then, just like that she walks off to where the Harvest Festival is being held wearing a kosode (not properly, tho).
Ch 219
Which leads to her very first encounter with Sukuna (and Uraume)!
The Deity, The Strongest, The Best of the Best
One look at him and she definitely recognized him with as a kindred spirit - though, she must've thought of him in her mind as a 'soulmate'.
She 100% felt the solitude he was experiencing and I think, for the first time, she has finally met someone who she can connect with - I mean she is at the top of the food chain in the capital and no one has challenged her. She doesn't have any friends nor someone she would call a companion - she herself is basically filled with loneliness. No one can connect with her and vice versa. Her temperament, personality, and attitude aren't helping either.
In any case, we can conclude that this was basically what happened in this scene:
Ch 219
The Strongest Woman 'fell in love' with The Strongest Man.
It's true that, to Yorozu, Sukuna is her 'soulmate' (I digress - he's a kindred spirit). That she recognized someone who can relate to her, who can alleviate her loneliness, and shares the 'same' loneliness as her. She tells him that She thinks that she should be the one to be by his side since 'she won't allow that person [Sukuna] to have those lonely eyes' - a claim that she could do.
Her recognition of Sukuna's loneliness and her declaring that she will be the one to alleviate his loneliness are basically her admitting that she had felt loneliness all this time without outright naming it.
Ch 219Yorozu: It is alright. I am here!! You are not alone by yourself!! Yorozu: From today onwards, the one who will stand there is I. Had it been I, I would have not allowed that person to have forlorn eyes."
At the same time, in my opinion, she doesn't see him as a person, but as a trophy to claim.
Ch 219
For Yorozu, it would mean:
Having him as her husband, which in Heian era would mean, he will always visit her at night and depend on her the most (and maybe live with her; we know she's gonna do so at all cost). Remember she would only be the wife, no concubines or lovers allowed, which meant his attention would all be towards her and no one else! Everything that was his would be hers and she would be his.
(see my post on her marriage proposal here)
OR
Possess his corpse, the corpse of a defeated Sukuna
These are her win conditions for their decisive battle, which would not happen until the midst of Culling Games. A battle where "only he should kill her, and only she should kill him." This also meant that Sukuna had been avoiding her in Heian era and attacked her when it was inevitable, in which case proposing to be the one to be by his side (or even a marriage proposal.... who knows how many times she left the palace to pursue him).
Obviously, her "love" led to her true death in the end of her decisive battle with her 'soulmate'.........
Ch 219Yorozu: This [I shall give] to you. Think that it is I and use it with utmost devotion.
In hindsight, this 'love story' was tragic for Yorozu.
Yorozu's 'love' is basically a manifestation of her craving for a connection, loneliness, and her superiority complex. She mistakes this 'love' as romantic when it's basically unhealthy obsession, unhealthy admiration, and unhealthy coping mechanism. She chases for a man who she thinks will ease her loneliness (which she never acknowledged nor realized until the end), a man who she thinks won't be lonely if it was her beside him, and a man who she seeks to validate herself.
Majority of the readers saw Yorozu vs. Sukuna as just a fight between him and a woman gooning for him, a fight to sink Megumi's soul deep in the abyss, and a fight to show off Sukuna having tamed Mahoraga.
But their fight is between The Strongest Woman in Heian era vs. The Strongest Man in Heian era. A fight where The Strongest Woman is fighting to obtain The Strongest Man, her most beloved, to validate her love, and to prove herself worthy of standing beside him; while The Strongest Man is fighting to kill her as a means to an end for his second life. It's basically the climax of the tragic love story between The Strongest Man and Woman that began more than 1000 years ago on the fateful day of the Harvest Festival, and it ended with the Woman sacrificing herself to the Man, who never reciprocated her 'love', for his benefit moving forward.
Yorozu died fulfilled, but never realizing that her 'love' wasn't actual love nor that all this time, she had been feeling loneliness deep down.
So basically, this is the end of my analysis and theories on Yorozu. I hoped you enjoyed and see you in my next post!
Do let me know if I miss anything on her character, though...........
Recommended Readings from My Blog:
Yes, this is shameless advertisement.
The Shrine Maiden Isn't Yorozu!
The Details You Missed & The Context Behind Yorozu's Marriage Proposal to Sukuna
Soul Swapping & Sukuna's Lies in Ch 265
Translation Series - Rereading Jujutsu Kaisen - Sukuna Scenes ONLY
mhm
loved for the last time (в последнее раз) - kudoichi shortt animation [to yoichi’s version]
yeah never animating again (if u cnt tell this is my first lip sync animation. using a foreign language was probably not the best choice to start with either. also didnt use any animation program either)
anyways here r the still shots!!
Sandbox love never dies
First meetings and last goodbyes
The Details You Missed & The Context Behind Yorozu's Marriage Proposal to Sukuna
WARNING: This post contains content beyond JJK season 3 (cour 1) episode 3. Please DO NOT INTERACT if you don't want any more spoilers. Very long post; unedited
Note: I am tagging this under sukuna x reader and related tags for girlies' inspiration (marriage and proposal) for historical fics.
JJK Chapter 217 (Raws)
I'M BACK FROM THE DEAD!!!
To start off my resurrection, we will dive deep on Chapter 217, the infamous marriage proposal to Sukuna by none other than the legendary simp of Heian era - Yorozu.
In this post, you will learn about:
Heian Marriage Customs (Nobility)
Deep dive of Yorozu's proposal (+ marriage life in Heian era)
The one translation mistake both by Viz and unofficial scans (+ a bit of poetry 101)
So, without further ado, let's go.
Dividers by @/uzmacchiato
Marriage of Nobles in Heian Era
With the exception of arranged marriages, here's how the aristocrats in Heian Era usually get married:
Man courts the lady via intermediary
The lady (and her family) accepts the man's courting and proposal
Wedding Ceremony: Man will visit the lady and spend the night for three nights
Wedding Reception: The families will celebrate the marriage
#1 & 2: Courting & Accepting the Proposal
The man will send an intermediary (usually a servant from his household) to send his poetry to the woman he wants to wed. Then, the woman's mother (and her besties) will judge the man's character through the poetry he sent [or if the woman is independent, divorced and/or working at the court as a lady-in-waiting or what not, the woman will personally judge]. Is the poem beautiful? Is his calligraphy impeccable? Is the paper high quality, and does it smell good?
Genji's son Yūgiri (夕霧; "Evening Mist") reads a letter. Genji Monogatari Emaki, 12th century handscroll, Gotoh Museum.
If he fails in one of these criteria, forget marriage - the family (or the woman) dumps him. Hey, but if they see that those three are at least satisfactory enough and they approve, then they give the poem to the woman who is the intended recipient so she can see and if she likes it, she or a female member of the family will send a reply via her servant from her household. If the man sees the reply to be satisfactory, then he will continue courting the woman.
This courting period can last for months or years. Once the woman accepts and all parties agree to the marriage, the wedding ceremony goes through.
#3: Wedding Ceremony: Spending Three Nights Together
Once the proposal is accepted, they move to the next step - the wedding ceremony. At this time period, the ceremony isn't something like the Shinto wedding that we see these days. The wedding is basically unceremonious and doesn't need any documents to register it.
So, the man visits the woman at her home - almost always her family's - at night, goes to her room, and spends the night with her. This is basically a 'secret' visit [both families of the groom and bride are aware lmao]. The first night is the first opportunity for him to see what she actually looks like because now, there's no screen or blinds hiding her from him.
(Also, the man uses his hakama or whatever the outermost jacket part of his kimono is called as the futon for the two of them)
So this goes on for three nights, with the man leaving the woman's home at dawn in the first two nights and sends a morning-after poem to her through a messenger. The family, then, offers wine and presents to the messenger who delivers these poems.
During these three nights they spend together, they...... indulge in passion..... and have sex........ at least that's what was expected of them...... yeah.......
You can basically say that the ceremony is mostly...... them having sex and doing the lewd things like making out........ unless you also count talking while holding hands????
Anyways, so on the third night - called tokoroarawashi or "exposure of the event" - the he stayes by her side until daylight, where he would be 'discovered' by the woman's parents. Then the couple would be offered breakfast with rice cakes called mikayamochi or "third night cakes", which the family prepared during the night. These mochis represent the married gods Izanami and Izanagi.
And that's it for the wedding ceremony.
#4: Wedding Reception
Even though everyone in the streets should know about the marriage between the man and the lady because word travels very fast, the couple (with the help of their families, mostly the lady's side though) would tend to host a feast some time over the few days after the ceremony just to show off. That is, if they can afford it.
So a wedding reception includes a simple Shinto rite conducted by a Shinto priest, and other rituals related to marriage. The man, the groom, 'officially' meets his in-laws in this occasion.
So pretentious
That's it for the most part..... aside from the food, I can imagine they would also have group poetry session, dances, music, games, contests, archery, or whatever the families could afford.
That concludes the marriage of nobles in Heian era.
Sources: [1], [2], [3], [4], [5], [6], [7], [8]
Chapter 217 - The Marriage Proposal of Yorozu to Sukuna
Now, I'll start actually translating and analyzing, using our knowledge of Heian era and the info you just learned above.
#1 & 2: Courting & Accepting the Proposal
So we know that Heian marriage starts with courting initiated by the man.......... but we know that's not the case here because Yorozu took on the role of the man for this role.
Yorozu: It's love. Love. [Refers to Yorozu recognizing Sukuna in his vessel instantly] Within the precepts and the loathing that comes from it, nothing could surpass love. Yorozu: Say, Sukuna. I want to be the one to kill you, I want you to be the one to kill me. Even so, if you are still alive after I win, what will you give me? Sukuna: Everything. It's an impossible occurrence, but if it's the case that I lose, I might as well be dead. Yorozu: *pauses* Then, then. Even something like ma- ma- ma- ma- ma- marriage? Sukuna: Do what you want.
Basically the courting is a battle to the death, and the condition of the marriage is if Yorozu and Sukuna are both alive, which both parties have agreed to.
I mean Yorozu's love goes back to Heian era in the year 1000s, as depicted in chapter 219, so who knows if she had proposed to him or sent letters to him sometime after this:
JJK Chapter 219
I won't be surprised if this was the culmination of the years Yorozu courted Sukuna in their lifetimes and the 'revitalization of love after more than 1000 years of separation from each other' (-Yorozu, probably).
Also, she also has another condition in her marriage proposal:
Yorozu: I'll be the primary wife!! Concubines or anything similar are not allowed (ever or else)!!
Yorozu wants to be the only wife and the primary wife at that. Being the primary wife means she will be the priority in his visits. You see, in the Heian era, the wife doesn't move into the husband's household.... they live separately for a long time. They live in their homes where they grew up in. The husband usually visits the wife/wives (whether primary or secondary) and his lovers at night in their households, then leaves at dawn.
As the primary wife, the husband would have to visit her the most out of his wives and lovers, and if the time comes when they decide to live together (usually years after their marriage), the husband either: moves either into his primary wife's residence, or to a separate residence that's usually provided by either the wife's or husband's family (or the husband himself if he is rich, which is rare). Very rarely the wife moves into her husband's home. If not, they can choose to live separately until the end.
So if Yorozu was, hypothetically speaking, the primary and only wife, then Sukuna would have to visit her very often, and obviously would have to eventually move into her house, if we're going to follow the nobility customs. As his primary and only wife, Sukuna's clothes would have been made by her, and economically he would be dependent on her (not that it mattered).
But knowing Yorozu, she'd be the one visiting him and moving into his home....... if he has one. [did Sukuna even have one, though, when she met him in Heian era?] And clothes? Forget it - Sukuna is a minimalist and Yorozu loves being naked.
And no concubines meant no secondary wives, so that meant his attention to her won't be divided and he won't need to leave her, worry about whether he'll visit her at sunset, nor would she have to kill to maintain her place as the primary wife.
#3: Wedding Ceremony: Spending Three Nights Together
Now this is where it gets........ disturbing.......
Yorozu: For our wedding ceremony, let us destroy three villages at the very least.
We still remember the traditional Heian wedding, right?
They would have had to spend three nights together. So, while in this panel, Yorozu proposes that they destroy three villages at the bare minimum, it has disturbing implications.
So for one, as part of the wedding ritual, they would have to destroy one village per night. BUT, Sukuna is the strongest jujutsu sorcerer in Heian era and Yorozu is a strong one, too, so destroying villages won't take long at night. So for the rest of the night after........... you get the gist.
This is the one time where I'm so, so glad Sukuna clocked her and beat her ass up. The fact that their vessels are step-siblings makes this interaction pseudo-incest.
So.... yeah..... glad it didn't and will never happen.
That One Translation Mistake by both VIZ & Unofficial Scans
Remember that we are still looking into Yorozu's marriage proposal.
#4: Wedding Reception
This is a bit of a feature because I need to clarify what Yorozu was talking about. The translators, both official and unofficial, have made mistakes.
So let's first look at the English translations:
JJK Chapter 217Left: Viz Translation (Official ENG TL) Right: Unofficial Scans (Unofficial ENG TL)
These are both the right in that Yorozu was talking about the fun part of what would be their wedding reception, that they'll have the shrunken head or decapitated head of the handsome man, and that they'll write poem. But here's where they messed up: that they would only take the most handsome man in the village, and that they'll write Haiku, which is what annoys me the most.
Here's the translation of this panel - I will feature MegKuna's face because it's so funny:
Yorozu: For the entertainment part [of the wedding reception], we should make shrunken heads of the most handsome man in those villages, and write poetry with everyone about their appearances that gradually changes.
It's funny how the unofficial scans captured almost the entire meaning/translation of this panel better than the official translations, but yeah, there are just a couple of mistakes.
So first off, one thing that you have to keep in mind is that the Japanese language relies a lot on context, and ir almost always don't indicate plural words in their sentences. Also, when the context is obvious or people know what they're talking about, they can omit stuff like in this panel - they omitted three either for villages or the handsome men (三つ for villages, 三人 for handsome men).
We know that Yorozu was talking about destroying three villages for the wedding ceremony, so we should already know that when she started talking about the shrunken heads part, we readers should have already understood that she would take the heads of the most handsome man in each of the three villages for the poetry session.
Which is why the illustration of Yorozu's poem featured three human heads:
JJK Chapter 217 - Illustration Accompanying Yorozu's Verse
Speaking of poetry, both translations said 'write Haiku'. Haiku DID NOT exist in the Heian era. It didn't become a thing until hundreds of years later.
So in Yorozu's dialogue, we see the kanji 句 (pronounced as ku). which literally means stanza. So Yorozu literally says 'make stanzas' and I cleaned that up to writing poetry. Because she said, 'write poetry with everyone', this means that the second [the first being decapitating heads] fun part of the wedding reception would be a collaborative poetry session with the guests. There's only one kind of collaborative poetry that is popular in Heian era.
It's called Renga (連歌), the predecessor of Haikai, which was the predecessor of Haiku. Basically the grandparent of Haiku.
Originally, it began as a two stanza poem that involved two poets or writers, which is categorized as Tanrenga. The first writer writes the first stanza in a 5-7-5 form then the second one writes the last stanza in a 7-7 form. As Tanrenga became more and more popular, it became more complex and intricate that it gained popularity as a game, and events were held to create the best ones. Eventually, because there were more participants, other forms like Chourenga (Long Renga) and Hyakuin Renga (100 stanza Renga) were created, with the 100 stanza Renga eventually becoming the basis for what we know as Renga today. [basically this is the summary of the Wiki page]
In this collaborative poetry, the first to write poem has one job - write the first stanza (called Jouku 上句 in tanrenga and Hokku 発句 in Hyakuin Renga). The first stanza has to be the only verse in the entire poem that can be considered to be a stand-alone poem. It also must illustrate the ba, which is the location (e.g. garden), the season, and so on. The structure is basically the same as Haiku - a 5-7-5 verse with a cutting word (Kireji, see the Reddit post here for some examples) and a seasonal word/reference (Kigo, see this site for examples of Kigo used in Haiku). It is the hardest to write, so usually the most experienced and talented poet starts it off.
Which makes Sukuna's face even funnier:
Yorozu was basically proposing that the most entertaining part of the wedding reception would include doing a Renga session with the guests, where they would write about the three shrunken heads of the most handsome men from the three villages destroyed. Then she wrote this verse and showed it to him:
Even handsome men If dried out, becomes flaky Truly exquisite – Yorozu
It is in the 5-7-5 form and has a cutting word (し) at the very last line. It sets the topic. Also, I love how most of the vocabulary are modern Japanese words except いとおかし, which are Heian-era words with いと meaning 'very, truly' and おかし holding various meaning like 'beautiful, funny, interesting, awesome, marvelous, cute, lovely, amazing, and so on'. Though she should've written the sentence as いとをかし, the original way it was written back then.
BUT it doesn't indicate the location (e.g. garden) and IT DOESN'T HAVE A SEASONAL WORD.
The word that would've illustrated the season and would've allowed the participants to determine the words they should use [Yes, there are rules in poetry that all the nobles follow].
That's why Sukuna is alarmed that there's no seasonal word because what Yorozu wrote would have been the first stanza of the Renga poem, and it's a disaster!
Also knowing how people judged others' poems during this era, as you've seen how poems of men sent to the lady he was courting in the Heian marriage section, I don't think Sukuna was only horrified at the lack of the seasonal word.
This man must've been judging her poem. He'd be looking at her penmanship [she must've used a pen not ink], the vocabulary she used, and the substance of what she wrote........ and safe to say, he doesn't like what she wrote at all. It's funny to us, but at an objective standpoint, it's crap. Basically, brainrot in Heian era standards.
So you can't blame Sukuna's expression here.
But given what we know about Yorozu, I'm not surprised she's breaking all the rules even in writing poetry. What's surprising, though, was that Sukuna, the most hedonistic man in JJK, respects tradition and rules (in the arts and jujutsu, at the very least).
That's about it. I'm glad Sukuna killed Yorozu or else we'll see some pseudo-incest sh*t going on even though the ones inhabiting Megumi and Tsumiki aren't related at all.
Plus, we don't need to eat Monkey Brain Potage at a wedding reception..... can't believe Yorozu chose this as the main dish for a wedding reception:
Yorozu: Let's have them [Uraume] be responsible for cooking. Monkey Brain Potage is a must (no matter what)!!
It would've been hilarious if Kenjaku in Geto's body had eaten this, ngl.
See you in the next post or reblog!
sukume brainworms. i think uraume is sooooo cute but they must be some kind of freak on sukuna's level if they hang so well together :V
Completely relatable for Yoshiki to give in to his attachment to the not-Hikaru so early on. If I was an isolated, closeted gay teenager who’d lost my best friend (who I was in love with), and the eldritch horror that replaced him came back validating my feelings every second of every day, telling me how much he loved and appreciated me, touching me constantly, giving me honest, unfiltered declarations of devotion?? Shit, I’d fold too


