The tone of the writing is bleak at times. Reinaldo Arenas describes the struggles he experienced in the country during his childhood. There are sexual interactions that he had with people around him that could be considered sexual abuse. Arenas may not see it that way because it was normal to explore sexual desires with whoever or whatever was around in the countryside. The tone was ever-changing and depended on the stage of life that Arenas was in. When he was in the county, he felt in his element, but he was confused about his sexuality. Arenas tried to suppress his love for men; it created a hopeless tone for the writing. The way he speaks about the people who did not hide their sexuality is with admiration. He was impressed by those who accepted their feelings and did not hide for fear of persecution. When Arenas witnesses the support that others around him have for communist Cuba, there is a tone of fear. The political climate in Cuba is unstable, and no one is safe from Fidel Castor's control.
The atmosphere of the reading was unstable, and things were never what was expected. The sexual desire that Arenas felt was all over the place, and hiding his genuine desire for men was only making it harder for him. The political state went from one dictatorship to another. Fidel Castro took control under false pretenses, and this only creates a more fragile political state. When the people took to the streets, once they heard the truth about their leader's intention, they went along with it. They were indoctrinated into communism, and to object meant death. Arenas knew this, and it is why he pretended to show support for what happened. He was already in constant danger because he was gay, and showing his actual distrust for Fidel Castro would have put an even bigger target on his back. People were being prosecuted for their sexuality. “sweetness. Little by little, those enemies started to make headway, saying that María Teresa was a lesbian, an aristocrat, and a counterrevolutionary, and they finally managed to get her replaced” (Arenas, 72). She was accused and persecuted even though she was just rumored to be gay. Throughout the reading, I could only feel an anxiousness about what was going to happen next. The history of the book is well known, but the events that Arenas experienced were never predictable. There was danger around him, and he was close to getting outed because of the people around him. Arenas wanted to learn and improve his writing skills, and the people who were willing to help him were against Castro. His association with these people made him suspicious. Arenas is constantly on the brink of losing everything. His writing is starting to be recognized but has yet to make the impact that he wants.
While reading this, I was shocked, and at one point, I had to put the book down. I could not handle the description of animal cruelty that Arenas had written about. Arenas mentions witnessing that “Sheep would be hung by their legs to have their throats slit, and after the blood had been drawn, while they were still half alive, they would be cut into pieces” (Arenas 20). There were so much cruelty and pain around people and animals. It made me think about what the people in the town had experienced and what cruelty they do to each other. Arenas mentions, “We had returned to the times of Nero, the times when the masses rejoiced in watching how a human being was being condemned to death or murder before their eyes” (Arena, 59). People enjoyed the fact that they could get someone killed if they disagreed with Fidel Castro’s belief. Surprisingly, Arenas did not end up as a cruel person who would give up those around him in Castro's support. The university he attended had brainwashed everyone who attended, but he saw what was going on before public knowledge. Arenas even admitted that there were people in power who were openly gay but were not arrested because they supported communist Cuba. Arenas was educated and knew how to use his words to create a reaction. If he wanted to, he could have climbed the political ladder and loved whom he wanted, but he kept his viewpoint and saw the system's right and wrong.
The issues seen throughout the reading are endless. Arenas describes the executions of those who opposed Castro and the persecution that the gay community experienced. Cuba was struck by poverty, violence and people were using the system to get rid of people they did not like. Arenas depicted the unstable nature that existed within the citizens of Cuba. Whether it be people living in fear of being gay or having someone lie to get rid of them, Cuba's people were never truly safe. The trial system did not rely on evidence; if there was an accusation, it was enough for someone to be sent to jail or be executed. Arenas wrote the book not to highlight his experiences but everyone's experience. He does not only focus on himself, and he brings in everyone's beliefs and actions. In the “... decade of the 1960s, when the state assumed an ever more prominent role in policing sexual behavior and identities,”. (Lambe). The Cuban government tries to control all aspects of life. He writes to show how those around him helped him grow, but he also depicted their downfall because of communist Cuba. Arenas wanted to show how everyone under Castro's control was a victim who could not escape their captor. In the end, “the executions were thus for Fidel a measured attempt to ensure the survival of Cuba's revolution, as well as to propagate long-term political transformation. (Karl). Many people died during the revolution and suffered right after the revolution under Fidel Castro’s control.
In the end, the dissidence, homosexuality, and literature all correlate with the Cuban Revolution. The disagreement of homosexuality and censorship of literature played significant roles in the revolution. Many people died and were punished for their sexuality or even being accused of being homosexual. Arenas mention in the library chapter, “I decided the Library was no longer a place for me either. Any book that could be deemed to be “ideological diversionism” disappeared immediately. Of course, any book dealing in any way with sexual deviation also vanished”(Arenas, 73). Many things were being used to punish people if the government didn’t agree with them. This type of censorship limited the revolution and cost. Arenas was writing to spread his word and the truth about Cuba. He mentions that he had lost some of his work, and some disapproved of his writing because of its topics. “Arenas was also writing as an ‘outlaw’ since some of the episodes in which he had become involved fell within violation of sexual laws in Cuba.” (Ocasio). Arenas was becoming free through his writing. Still, in reality, he could not be seen in public without the fear of someone turning him into the government.
ARENAS, REINALDO. BEFORE NIGHT FALLS: a Memoir. PENGUIN Books, 2020.
Karl, Robert A. “Reading the Cuban Revolution from Bogotá, 1957–62.” Cold War History, vol. 16, no. 4, 2016, pp. 337–358., doi:10.1080/14682745.2016.1218848.
Lambe, Jennifer L. “Historicizing Sexuality in the Cuban Revolution.” Radical History Review, vol. 2020, no. 136, 2020, pp. 217–232., doi:10.1215/01636545-7857392.
Ocasio, Rafael. “Arenas, Reinaldo (1943-1990), Novelist and Political Activist.” American National Biography Online, 2000, doi:10.1093/anb/9780198606697.article.1602886.