Vio Vile

[dankomaksimovic]

ph. Danko Maksimovic - Frankfurt, Germany (2026)

Film: Kodak Ultramax 400

[expressions-of-nature]

Almaty Region, Kazakhstan by Olga Kulakova

[grungeouttakesabstracts]

Study

Dublin, Ireland -- 4/26/25

[junkfoodcinemas]

Escape from New York (1981) dir. John Carpenter

[scavengedluxury]

Arcade. Leicester, May 2015.

[cinematicjourney]

Paperhouse (1988) | dir. Bernard Rose

[classichorrorblog]

Messiah Of Evil (1974)

[classichorrorblog]

Hellbound: Hellraiser II (1988)

[pneumaturgo]

Cyberpunk 2077 Tarot.

Cards designed by Jakub Rebelka.

[matthewgrantanson]

Mirror Image, New York City -- September 17th, 2025

Etsy

[scavengedluxury]

Egg boxes. Leicester, February 2015.

[milksockets]

penthouse september 1991

[putlestory]

[scavengedluxury]

St. James’ Street car park. Nottingham, February 2015.

[uncannyarchive]

The Lure (2015), dir. by Agnieszka Smoczyńska. Polish stylish dark fantasy synth-pop musical with grotesque elements belonging to the body horror genre - following the story of two mermaids, Gold and Silver, performing in a nightclub. As a feminist re-interpretation of Hans Christian Andersen’s The Little Mermaid (loosely connected), inspired by the director’s experiences as well, the film contains underlying commentaries on the exploitation of women, the Madonna-whore complex, and misogyny. In a lush visceral Lynchian realm in Warsaw, femininity shows an animalistic side. Since the angelic voice of mermaids was meant to be a way of luring men into water so they can be eaten, in the first place, eventually Gold, one of the mermaids, becomes thirsty for human blood, which causes a conflict between the sisters.

- Diana Marin

[retro-scifi-and-fantasy-art]

Janet Elizabeth Aulisio

[haaaaaaaaaaaave-you-met-ted]

Lhykhis, the Whispering Web by Miguel Mitchell Da Silva