Tomio Ogata posted more Trigun art recently and I'm normal about it
and by normal I mean heart racing foaming at the mouth seeing one of my absolute favorite artists for one of my other top 3 things ever do more fanart for Trigun
Summary: Usually, you fill his phone with messages, photos, and little pieces of your day while heâs away, counting down the hours until heâs back. But this time, your replies are scarce, your silence heavy, and when Spencer comes home, heâs bracing for the worst...never imagining that the thing hurting you isnât loud or visible.
Words: 5,8k.
Warnings & Tags: based by this request. mentions of cm stuff, panic attack, anxiety and academic validation. established relationship. hurt/comfort. english isn't my first language (sorry for my mistakes, be kind please).
Note: I took this request very personally and kind of self-inserted into it, so I really hope it touches your heart in some way. This is just my personal experience turned into fanfic lol
Something is wrong long before he can prove it.
Spencer Reid notices patterns the way other people notice colors, and your absence, your shift, is a pattern he cannot ignore. You have always been consistent in a way that steadies him: messages scattered throughout the day like quiet check-ins with the world, small observations about things most people would overlook, pictures that arenât remarkable to anyone else but carry weight simply because they are yours. He has catalogued them without realizing it, filed them somewhere between routine and attachment, stored with the same unconscious precision he applies to everything else. A picture of tomatoes you bought to make a salad. A blurry snapshot of a book you almost purchased. A message sent too quickly, full of typos, because you were thinking of him in passing. None of it extraordinary. All of it essential. So when the rhythm breaks, when the messages come hours late, stripped down to a handful of careful words, when your replies feel distant, reduced to emojis he canât quite interpret, when there are no pictures at all, no fragments of your day offered up without prompting, it does not register as coincidence. It registers as absence within presence. As something missing where something should be.
 It registers as deviation.
 And deviation, in his world, never exists without reason.
 At first, he tries to rationalize it, because that is what he does, he builds explanations the way other people build reassurance. There are dozens available to him within seconds, all statistically plausible, all grounded in ordinary human behavior. People get busy. People get tired. People misplace their phones or forget chargers or lose track of time in ways that have nothing to do with danger. He even considers technical failures, dead batteries, signal interruptionsâanything mechanical, anything impersonalâbecause assigning your silence to something external is easier than allowing it to mean something internal. But none of those explanations settle properly. They linger, incomplete, like variables that refuse to align. Because even when you are busy, you tell him so he knows to step back. Even when you are tired, you send something small, something minimal, because you know he will notice the absence otherwise. Even when everything else slips your mind, you do not forget him. That is the constant his brain cannot reconcile, the fixed point that makes every alternative explanation collapse under its own weight. It is not the silence itself that unsettles him. It is how unlike you it is.
 By the second day, his thoughts begin to widen, stretching outward into darker, sharper possibilities with a precision he cannot disable. He knows too much about the worst versions of the world, has seen too many cases where silence was not emptiness but warning, where the absence of contact was the first and only indication that something irreversible had already begun. His mind supplies information without invitation: response time irregularities, behavioral withdrawal patterns, statistical correlations between sudden communication gaps and distress. He hates the direction his thoughts take, hates how quickly logic transforms into fear, but he cannot stop the process once it begins. Reason does not comfort him the way it usually does. It refines the panic, gives it structure, sharpens it into something more difficult to dismiss. Every hour that passes without a real response becomes a data point. Every unanswered message becomes evidence. Every absence becomes louder than anything you could have said.
 By the time the jet lands, he is no longer capable of waiting.
 He does not say a proper goodbye. There is no careful explanation, no polite acknowledgment, just abrupt movement, urgency overriding protocol in a way that feels unfamiliar even to him. The street is too loud, too slow, too full of obstacles, and the subway becomes an unacceptable variable the moment he considers it. Too many stops. Too many delays. Too much time spent underground, unable to act if something is already wrong. He takes a taxi instead, the decision made in less than a second, driven entirely by the need to eliminate delay. His heart is beating too fastâtum, tum, tumâloud enough that it disrupts his concentration, interferes with the precise calculations he usually relies on. When the ride ends, he hands the driver money without counting it, numbers blurring together in a way that would normally be impossible for him. He knows it is too much. He does not care.
 The key feels heavier in his hand than it should.
 There is a tightness in his chest he recognizes but cannot regulate, something bordering on panic but quieter, compressed into something sharp rather than explosive. His mind prepares him for impact, for something visible that will justify the urgency clawing at him: disarray, broken objects, absence, anything that aligns with the fear he has already constructed. But when the door opens, there is nothing.
 No broken windows.
 No overturned furniture.
 No blood. No sound.
 Everything is exactly as it should be.
 And that, somehow, is worse.
 The apartment is too still, too untouched, as if time has not passed but paused. The air feels unchanged, heavy with a silence that is not peaceful but hollow, like something has been removed rather than settled. There is no evidence of interruption, no sign of struggle, no visible explanation he can hold onto. The normalcy strips away every external possibility he has tried to rely on, leaving him with something far more unsettling: the realization that whatever is wrong is not something he can see.
 It leaves him alone with the one explanation he has been trying not to consider.
 He finds you after a moment, and the relief is so immediate it almost disorients. Youâre there. Sitting exactly where you should be, exactly how you should be. Whole. Breathing. Safe. His lungs finally pull in air properly, his shoulders loosening just slightly as his mind scrambles to reconcile the reality in front of him with the catastrophe it had already begun to construct.
 Youâre there. Youâre safe.
 But then he looks closer.
 And the relief doesnât settle the way it should.
 Because something is still wrong.
 Itâs not obvious. Not immediate. It doesnât exist in the kind of visible damage he was bracing himself to find. Itâs quieter than that, subtle enough that most people wouldnât notice, buried in the small details of your body. Itâs in the way you sit, not relaxed but contained, your shoulders drawn inward just enough to suggest tension rather than comfort, like youâre folding into yourself without realizing it. Itâs in the way your movements feel slightly delayed, like thereâs a fraction of a second between stimulus and response, like your mind has to catch up to your body. Itâs in your eyes, lifting to meet his just a little too slow, like you had to remind yourself to look up at all.
 The coffee on your desk has gone cold.
 You havenât noticed.
 That alone is enough to unsettle him further.
 His gaze shifts, instinctively cataloguing the environment the same way he always does, but now every detail feels loaded with meaning he hasnât fully uncovered yet. The desk is cluttered in a way that doesnât feel like simple mess, it feels excessive, almost frantic. Books are stacked unevenly, opened and filled with notes that bleed into the margins, lines underlined too many times, handwriting layered over itself like repetition might force something to stick. Pens are scattered everywhere, uncapped, some fallen to the floor, others abandoned mid-use. The coffee cup sits forgotten at the corner, untouched long enough to lose heat completely.
 And then there are the pictures.
 Theyâre wrong.
 Not gone, not damaged, justâŚshifted. The photos of your younger self that used to be carefully placed along the wall are slightly out of alignment, some tilted, some moved closer together, others spaced apart like youâve handled them too many times, adjusted them over and over without settling on a final position. Itâs subtle, but itâs deliberate. Not accidental. Not random.
 His eyes move to your computer.
 The screen is still on.
 The university website is open, tabs layered over tabs, information pages, schedules, requirements, but behind it, not even hidden properly, is something else. A page from your old high school. Familiar in a way that feels out of place now. Outdated.
 It doesnât fit.
 None of it fits.
 âOhâhi,â you say, your voice just slightly breathless, like youâve been caught mid-thought rather than mid-action. You look surprised, but not in the way he expects, not fully present in it, like the reaction doesnât reach all the way through you. âDidnât know youâd be here today.â
 Thereâs a small delay before he responds, not because he doesnât know what to say, but because heâs still processing, still aligning what heâs seeing with what he understands.
 âHi.â He sets his bag down on the sofa, the movement automatic, his attention never leaving you as he steps closer. âI sent you a message.â
 Itâs meant to be neutral. An observation. A simple statement of fact.
 But it comes out tighter than intended.
 âYou didnât answer.â
 Your reaction is almost nothing.
 Almost.
 A flicker in your expression, a hesitation so brief it would be invisible to anyone else, but not to him. Never to him.
 âIâm sorry,â you say, and the apology lands heavier than it should, disproportionate to the situation, immediate and reflexive in a way that makes something in his chest tighten again. âI wasâŚlooking a few things, you know. Study and all.â
 Study.
 The word doesnât settle any better than the others, because nothing about this looks like studying.
 It looks like circling something.
 It looks like getting stuck.
 It looks like youâve been here for hours without moving forward.
 He doesnât interrupt you. Doesnât correct you, even though the inconsistency is obvious, almost loud to him. He lets the explanation exist, even if it doesnât hold, because pushing it apart too quickly would only make you retreat further. Instead, he watchesâjust for a second, then anotherâtaking in everything youâre not saying. The stillness in your hands, the tension you havenât let go of, the way your gaze brushes past him instead of settling.
 And then he does what he thinks you need.
 What you always seem to need when words get too complicated.
 âI missed you.â
 Itâs quiet, softer than anything else heâs said since he walked in, stripped of analysis, stripped of concern, left intentionally simple. He steps closer, careful in the way he always is with you when something feels fragile, and presses a gentle kiss to the top of your head. Not invasive, not demanding, just present.
 An offering, not a question.
 Something that doesnât require you to explain.
 You donât move at first.
 Not away from him. Not toward him either.
 You justâŚstay.
 Still, in that same careful way, like even the smallest shift might cost you more than it should. His lips barely linger against your hair before he pulls back, not because he wants to, but because heâs paying attention to you, to the way your body holds itself, to the invisible line he doesnât want to cross without permission.
 Up close, itâs clearer.
 Your breathing isnât uneven, not like panic, not sharp or erratic, but shallow, like youâre forgetting to take in enough air. Your fingers are curled slightly against the desk, not tense enough to tremble, but not relaxed either.
 Like everything in you is paused mid-motion.
 âI brought you something,â he says after a moment, voice still soft, like heâs testing how much sound the room can take without breaking. Itâs not entirely trueâhe hadnât planned it, hadnât thought about bringing anythingâbut he reaches into his bag anyway, pulling out a small, slightly crumpled paper bag from a bookstore near where heâd been working. He sets it gently beside your cold coffee.
 Inside, thereâs a book. Something simple. Something he thought you might like days ago, before this silence started.
 He doesnât push it toward you.
 Just leaves it there.
 âI bought the same one yesterday,â you say suddenly, your voice slipping back into the room like it had been waiting at the edge of it. You gesture faintly toward another bagâneater, untouchedâresting near your desk.
 For a second, he stills.
 âOhâŚâ he answers, softer now, something in his tone shifting almost imperceptibly. âI didnât know if you already had it.â A pause, small but present. âYou usually tell me.â
 Thereâs no accusation in it. Just a fact. Just something that used to be normal.
 The space stretches again, not as sharp as before, but still heavy. He watches the way your eyes flick toward the bag, then away, like even that small gesture feels like too much to process.
 And thatâs when he understands it, at least partially.
 This isnât avoidance.
 Itâs overload.
 His gaze shifts back to the desk, to the pages filled with overlapping notes, the repetition, the density of it all, and then back to you again.
 âHeyâŚâ he says gently, crouching down slightly so heâs closer to your level, careful not to block your space, not to corner you. âHow long have you been sitting here?â
 Not what are you doing.
 Not why didnât you answer.
 Something simpler. Something you might actually be able to answer.
 Your shoulders lift just barely.
 âI donât know,â you admit, voice quieter now, less structured, like the effort to sound normal is slipping. âI justâŚneeded to finish something.â
 But your eyes flick to the same page.
 The one you havenât turned.
 The one filled with the same sentence written three different ways.
 He nods slowly, like that makes sense, even if it doesnât.
 âOkay,â he murmurs. âWe donât have to finish it right now.â
 You donât respond.
 Not immediately.
 Your gaze stays on the desk, like youâre still halfway somewhere else, like letting go of it, even for a second, feels wrong.
 âI canât just stop,â you say finally, and itâs not defensive. Itâs quiet. Frustrated in a way that sounds more like youâre explaining something to yourself than to him. âI was trying to get it right and then I kept forgetting what I was doing and then I had to start again andââ You cut yourself off, your breath catching slightly, not sharp, but strained. âItâs stupid.â
 âItâs not,â he answers immediately.
 Too quickly to be rehearsed.
 Too certain to be polite.
 You go quiet again, your fingers tightening just slightly against the edge of the desk.
 âCan I sit here?â he asks softly, gesturing to the space beside you.
 You nod.
 He moves slowly, taking the seat next to you without disturbing anything, without touching anything he doesnât need to. For a moment, he just exists there with you, not speaking, letting the room settle around both of you instead of trying to change it.
 Then, after a beatâ
 âCan you tell me what you were trying to finish?â
 His voice stays gentle, but thereâs something grounding in it now, something structured. Not overwhelming, not analytical, just enough to give you something to hold onto that isnât everything at once.
 You hesitate.
 ââŚItâs just one paragraph,â you say. âIt shouldnât be this hard.â
 He nods again, like thatâs completely reasonable.
 âOkay,â he says. âThen weâll just look at the paragraph.â
 Not the whole assignment.
 Not everything on the desk.
 Just that.
 Your eyes shift to him, just slightly more focused this time.
 âJust that?â you repeat, like the idea itself feels unfamiliar.
 âJust that,â he confirms.
 A small pause.
 ââŚand if itâs still hard,â he adds quietly, âthen we can make it smaller or try later.â
 Something in you loosens, not enough to undo everything, but enough to register. Your shoulders drop a fraction, your next breath comes deeper, and your eyes gloss over just slightly, like the suggestion itself hits somewhere you werenât expecting.
 But thenâ
 âNo, itâs late,â you say, too quickly, like the moment closes before it can settle. You push your chair back and stand, creating distance where there hadnât been any. âYou probably want to sleep.â
 Itâs abrupt. Not rude, justâŚredirecting. Like youâve stepped out of something before it could fully reach you.
 And when you move, he notices it immediately.
 Your hair is still damp.
 Not freshly washed, no, itâs been long enough for it to stop dripping, but not long enough for it to dry. It clings slightly to your neck, uneven, like you never finished taking care of it. Like you stopped halfway through something else, too.
 Like everything today.
 âYouâre going to get a cold,â he says softly, the concern slipping out before he can filter it. His hand lifts almost without thinking, fingers brushing lightly along a strand of your hair, tucking it back just enough to get it off your skin.
 âIâm okay,â you answer.
 And thereâs nothing defensive in it. Nothing sharp, nothing that pushes him away outright.
 Just distance.
 Flat distance that settles into the space between you and gently closes the conversation without ever saying itâs over.
 For a second, he almost pushes past it.
 You can see it, the way his breath shifts, the almost imperceptible tension in his shoulders, the way his lips part like heâs about to ask again, differently this time. Not are you okay, but something more precise. Something that might reach the part of you thatâs slipping away from him.
 But he doesnât, because heâs learned you.
 Learned the difference between silence that can be questioned and silence that has to be approached carefully, like something fragile resting just under the surface.
 And right now, this feels fragile.
 âOkay,â he says quietly.
 He shifts his weight, putting just enough space between you without making it feel like distance. His hand brushes the back of the chair as he moves, not absentmindedly, but grounding, like he needs something solid to keep himself steady before letting go of the moment.
 âIâm going to take a shower,â he adds, tone gentle, casual in a way that doesnât demand attention. âWarm up a bit.â
 Thereâs a pause, small but intentional.
 His eyes flick to your hair again, then back to your face.
 âYou canââ he starts, then lets the sentence fall away before it becomes something heavier. Not you should. Not you need to. Just a suggestion left unfinished, open enough that you can step into it or ignore it without feeling watched.
 He doesnât wait for your response.
 Doesnât make you choose in front of him.
 Instead, he turns, moving toward the hallway with quiet steps. Nothing abrupt, nothing that disrupts the delicate stillness youâve built around yourself. The bathroom light flicks on, casting a warm glow that spills outward, stretching into the dimness of the apartment.
 And when he reaches the door, he doesnât close it.
 He leaves it open.
 Not wide enough to be intrusive, not enough to make his presence unavoidable, but enough. Just enough that the line between rooms isnât sealed off. Enough that the light reaches you. Enough that the space between you doesnât feel like separation.
 A moment later, the sound of water begins.
 And for a long moment, you stay exactly where you are, standing in the middle of the room as if your body hasnât quite received the signal to move forward. The apartment feels different now, filled with the distant rush of water spilling against tile, a constant sound that replaces the oppressive quiet from before. It softens the edges of everything just enough to make it bearable, just enough to keep your thoughts from pressing in all at once.
 Eventually, you move.
 Not back to the desk. Not back to the paragraph that still sits unfinished, waiting in the exact same place you left it, heavy with effort that never quite turned into progress.
 You turn instead toward the bedroom.
 Your movements are slow, automatic, like muscle memory is carrying you through something your mind isnât fully present for. Lights are switched off without you really noticing when. The hallway dims behind you. The bedroom feels colder somehow, emptier, even though nothing has changed.
 You change clothes without thinking about it, fingers fumbling slightly at the edges of fabric, your coordination just a fraction off in a way that would be easy to miss if you werenât already so aware of yourself. Your hair is still damp, cool against your neck and shoulders, leaving faint, uneven patches against the fabric of your shirt.
 You donât dry it.
 You donât think about it.
 You just lie down.
 The mattress dips beneath your weight in a way that should feel familiar, but it doesnât settle right. It feels distant, like your body hasnât fully arrived with you, like youâre only partially there, suspended somewhere between movement and stillness. The sheets are cool against your skin, faintly wrinkled beneath your hands, and the pillow barely shifts when your head meets it, like even gravity feels muted.
 You stare up at the ceiling, eyes unfocused, tracing nothing. Your gaze drifts without anchoring itself to any one point, slipping across the faint shadows in the corners, the subtle variations in texture you donât consciously register. Your mind is quiet, but not in a restful way, empty in the way that feels hollow rather than calm, like thoughts are trying to form but dissolve before they can become anything solid enough to hold onto.
 For a few seconds, thereâs nothing.
 Just the distant sound of water running down the hall. The quiet hum of the apartment. The steady rhythm of something that should feel normal.
 Then your chest tightens.
 Itâs subtle at first, so small you almost miss it. A slight pressure, like your body is sitting wrong inside itself, like your lungs didnât quite expand the way they were supposed to. You shift instinctively, adjusting your position, one shoulder rolling back, your hand tugging the blanket higher across your chest as if warmth might fix something you canât quite name.
 It doesnât.
 The tightness lingers.
 And then, slowly, it grows.
 Not suddenly. Not sharply. But steadily, quietly, like something invisible is pressing inward, narrowing space you didnât realize you needed. Your next breath comes in shallow, stopping halfway through your chest before it can settle. It feels incomplete, like a sentence cut off too soon. Your body tries again automatically, faster this time, a little more urgent.
 Still not enough.
 Your fingers curl into the sheets without you noticing, nails catching faintly in the fabric, grounding yourself in something solid even as your body begins to feel less so. Your heartbeat shifts, not racing at first, not erratic, but louder, each beat landing with a weight that draws your attention inward whether you want it to or not.
 Something is wrong.
 You try to take a deeper breath.
 Your chest tightens further, the pressure sharpening into something that almost hurts now, and suddenly youâre aware of it, of every breath that doesnât go deep enough, of the way air seems to pass through you instead of filling you, of the growing space between what your body needs and what itâs getting.
 Your thoughts begin to fracture.
 They donât form fully, donât settle into anything coherent, just flashes, incomplete and overlapping.
 Why does it feel like thisâ
 No, Iâm fine, I just drank a lot of coffeeâ
 Another breath.
 Too fast.
 Your lungs burn faintly now, a dry, aching sensation that spreads with every shallow inhale. Your throat tightens, your breathing slipping out of rhythm entirely, pulling faster and faster without ever satisfying the need behind it. Your hands grip the sheets harder, fingers tightening until the fabric bunches beneath them, until itâs the only thing you can feel clearly.
 But even that starts to fade.
 The room shifts, like the air has thickened, pressing against your skin instead of moving around you. Your chest tightens again, sharper this time, enough that your shoulders draw inward instinctively, curling slightly as if youâre trying to protect something fragile inside you.
 Your breathing stutters.
 You try to slow it down but you canât.
 It speeds up instead, dragging you with it, your body moving faster than your mind can follow, and thereâs this rising, overwhelming certainty, irrational but absolute, that something is about to go very, very wrong.
 You donât call for Spencer.
 The thought doesnât even exist long enough to become an option.
 Everything is too loud inside you, too immediate, your body taking over in a way that leaves no space for anything else.
 The water is still running.
 The door is still open.
 And he hears it.
 Not immediately, not as something clear or distinct, but as a disruption. A subtle break in the pattern of sound he hadnât consciously realized he was following. The apartment doesnât feel the same anymore. Beneath the steady rush of water, thereâs something uneven, something strained, something that doesnât belong.
 He stills.
 And then he hears it.
 Your breathing.
 Fragmented. Irregular. Wrong.
 The water shuts off instantly.
 âHeyâ?â he calls, not loudly, but sharp enough to carry, to cut through the space between rooms.
 No answer.
 Just the sound of you trying to breathe.
 Thatâs enough.
 He doesnât think after that and he just moves.
 Quick, stepping out without hesitation, the cold air hitting his damp skin as water still clings to his hair, his shoulders, trailing down his arms in uneven lines. He barely registers it, barely notices the way it chills against him as he grabs a towel, securing it hastily around his hips without slowing down.
 The bathroom light spills behind him, warm and bright, stretching down the hallway as he moves through it, his footsteps quiet but urgent against the floor.
 He reaches the bedroom in seconds.
 And there you are.
 Curled slightly into yourself, not tightly, not fully, but enough that something in his chest tightens sharply at the sight. Your body is caught between stillness and motion, your hands clenched in the sheets, your breathing uneven and too fast, each inhale shallow, each exhale incomplete.
 âHeyâhey, look at me.â
 Heâs at your side almost instantly, his voice softer now, controlled in a way he forces it to be, steady despite the urgency running underneath it. He leans in just enough to be in your space without overwhelming it, anchoring himself before reaching for you.
 Your eyes flick toward him, unfocused, like youâre trying to see him through something else entirely.
 âI canâtââ you manage, your voice breaking midway, caught on the same edge as your breath. âI canât breatheââ
 âYou can, baby,â he says immediately.
 His hands hover for a fraction of a second, not unsure, just careful, before settling lightly around your wrists, his touch firm enough to be grounding but gentle enough not to trap you, not to add to the overwhelm already building in your body.
 Your pulse is fast.
 Too fast.
 âStay with me, okay?â he murmurs, leaning in slightly so he stays within your line of sight. âJust look at me.â
 Your gaze struggles, flickering, unfocusedâŚthen, slowly, it lands.
 âGood,â he says softly, his voice lowering, steadying further. âThatâs good.â
 One of his hands shifts, sliding into yours instead, his fingers wrapping around yours in a consistent grip. His thumb begins to move almost immediately, tracing small, repetitive patterns against your skin, so predictable, something your body can latch onto even when everything else feels like itâs slipping away.
 âBreathe with me.â
 He exaggerates it, making it visible, deliberate, something you can follow instead of something you have to figure out.
 âIn through your noseâŚslow. Just try, love.â
 You try.
 It catches.
 Your breath stutters halfway in, breaking before it can complete.
 He doesnât react to that.
 Doesnât let it become something wrong.
 âOkay,â he says gently. âThatâs fine. Again.â
 His voice doesnât change. Doesnât rush. Doesnât rise.
 âFour seconds,â he continues quietly. âIâll count.â
 He does.
 âAnd out through your mouthâŚlonger.â
 Your breath breaks again, shaky, but it follows him just enough.
 Again.
 And again.
 His grip adjusts instinctively when yours tightens, never letting go, never pulling away. The rhythm of his voice threads through the chaos in your head, giving it something to settle against, something consistent when everything else feels like itâs unraveling.
 âIâm right here, love,â he murmurs, closer now, his forehead nearly brushing yours, his presence steady and unyielding. âNothingâs happening to you. Your body just thinks it is.â
 Your breathing is still too fast, still uneven.
 But something shifts, just enough that the edges of the panic donât feel as sharp, donât feel like theyâre closing in quite as tightly.
 Your grip tightens around his hand.
 He holds on.
 âStay with me,â he repeats softly.
 And he doesnât let you drift.
***
You donât cry the same way the whole time.
At first itâs uneven, sharp inhales that break apart, your shoulders shaking in small, uncontrollable movements like your body is still catching up to everything that just happened. But slowly, it softens. The panic drains out of it, leaving something quieter behind. The kind of crying that doesnât fight you as much, but stays.
 Spencer adjusts without you having to ask.
 His hand never leaves yours. If anything, his grip softens just enough to follow yours instead of holding it in place, his thumb still tracing those repetitive motions like itâs the most natural thing in the world. His other arm shifts around you more fully, careful but steady, guiding you closer until your forehead brushes against his shoulder. He doesnât pull you in abruptly, he lets you lean, lets you choose it, but once you do, he stays there. Warm. Unmoving in the way you need.
 âItâs okay,â he murmurs again, softer now, his voice barely above a breath. âYou donât have to hold it in.â
 Thatâs what does it.
 Because you have been.
 For hours. For days, maybe longer.
 Your fingers curl into the fabric of his shoulder, clutching lightly like you need something to anchor you while everything else slips, and your voice breaks again when you try to speak.
 âI donât think I can do this anymore,â you admit, the words fragile but real, like theyâve been sitting there for a long time waiting to be said. âI donât think IâmâŚI donât think Iâm good enough for anything anymore.â
 His arm tightens around you, not enough to trap you, just enough to say Iâm here without interrupting you.
 âYou are,â he says quietly.
 But he doesnât push it, doesnât argue it like a fact you have to accept. He just lets it sit there beside what youâre feeling.
 You shake your head against him.
 âIt doesnât feel like that,â you whisper. âIt feels like Iâm falling behind something I used to understand.â
 Your voice cracks again.
 âAnd if I canât get it back, then what happens?â you continue, the words spilling out slower now, like youâre finally letting yourself look at them. âWhat if I justâŚcanât do it all anymore? What if this is it?â
 He shifts slightly, his hand coming up to rest gently against the back of your head, fingers brushing through your still-damp hair in careful motions.
 âThatâs a really big âwhat if,ââ he murmurs, voice warm, grounding. âYour brainâs jumping really far ahead, angel.â
 You let out a weak, humorless breath against his shoulder.
 âI know,â you say. âBut I canât stop thinking about it.â
 His fingers keep moving through your hair, so patient.
 âYou donât have to stop it,â he says quietly. âYou just donât have to believe it right now.â
 You stay quiet for a second, your breathing finally evening out, your body no longer trembling the way it was before.
 âIâve always had this,â you say after a moment, your voice smaller now, more tired than broken. âSince I was younger. I always knew what I was doing. I always knew what I was good at.â Your fingers tighten slightly in his shirt. âIt made everything make sense.â
 He hums softly, encouraging without interrupting.
 âAnd now I donât,â you admit. âAnd if I donât have that anymore, then I donât know what I am.â A pause. âI feel like I lostâŚmy purpose or something.â
 That word sits heavy between you.
 Purpose.
 âI donât want to just be nothing new,â you add, almost under your breath. âI donât want to be someone who used to be good at something.â
 Thereâs a quiet stretch after that.
 Spencer doesnât rush to fill it.
 He lets your words settle, lets them exist fully before he responds, his hand still gently combing through your hair, his other thumb brushing slow circles against your knuckles.
 When he speaks, itâs softer than before.
 âYou know,â he starts, a little thoughtful, like heâs choosing something personal on purpose, âwhen I was younger, I didnât really question what I was good at either.â
 You shift slightly, just enough to listen.
 âIt wasâŚobvious,â he continues. âEverything made sense quickly. Patterns, information, outcomes. I didnât have to work for it the way other people did.â A small pause. âAnd I thought that meant it would always feel like that.â
 His hand stills for a second, then resumes, gentler.
 âBut it didnât,â he says quietly. âThere were times where it slowed down. Where things got harder. Where I couldnât access things the way I usually could.â He exhales softly. âAnd I thought that meant I was losing it too.â
 Your fingers loosen just slightly.
 âI wasnât,â he adds.
 Not defensive, just certain.
 âI was overwhelmed. Tired. Sometimes scared in ways I didnât recognize right away.â A small, almost self-aware pause. âAnd my brain didnât stop working. It just stopped working the same way.â
 That settles somewhere deeper than reassurance.
 Because itâs not trying to fix you, itâs meeting you where you are.
 âYouâre still that person,â he says gently, shifting just enough to tilt his head so he can look at you properly, his forehead brushing yours again. âThe one who understands things. The one who cares about doing it right. That didnât disappear.â
 Your eyes flicker, still wet, still uncertain.
 âIt just feels like it did,â you whisper.
 âI know,â he says softly.
 His hand cups the side of your face now, careful, his thumb brushing lightly under your eye where your tears havenât fully dried.
 âBut feeling like you lost something and actually losing it are not the same thing.â
 He doesnât rush you to respond.
 Doesnât push you to agree.
 He just stays there, close, his touch grounding in a way that doesnât overwhelm, just reassures.
 âYouâre allowed to not recognize yourself for a little while,â he adds quietly. âThat doesnât mean youâre gone.â
 Your breath steadies a little more.
 âAnd youâre definitely not ânothing,ââ he murmurs, almost a whisper against your skin. âEven on your worst day, youâre stillâŚyou.â
But it closes a little too firmly, a little too carefully controlled, and thatâs how you know.
You look up from where youâre curled on the couch, the soft glow of the TV painting the room in low light. For a second, he just stands there with his hand still on the handle, shoulders slightly hunched like he hasnât quite made it all the way back yet.
âHey,â you say softly.
His head lifts at your voice. The tension in his face shifts, not gone, just⌠tucked away. Filed under something neater.
âHi.â
Itâs automatic, the way he crosses the room to you. Like muscle memory. Like youâre part of the routine he trusts. He leans down, presses a quick kiss to your lipsâgentle, familiarâbut itâs over before it can settle into anything.
Too quick.
âCase ran long,â he adds, already pulling back, already halfway somewhere else in his head. âIâmâuhâIâm gonna shower.â
âSpenceââ
But heâs already moving.
You watch him disappear down the hallway, the quiet click of the bathroom door following a second later. Then the rush of water.
And just like that, the apartment feels⌠off.
You frown slightly, staring at the space he left behind. The way he didnât linger. Didnât ramble. Didnât even really look at you beyond that quick, checking-in glance.
Somethingâs wrong.
Not catastrophically wrong. You know what that looks like. Youâve seen it before.
This is quieter than that. Heâs wound too tight.
You mute the TV, the silence settling in around you, filled only by the distant sound of running water. Your mind runs through possibilitiesâbad case, lack of sleep, something that stuck with him longer than usual.
Probably all of the above.
You push yourself off the couch, padding down the hallway. The bathroom door is still closed, steam already curling faintly from beneath it. You hover there for a second, considering knocking.
You donât.
Instead, you lean your shoulder against the wall, arms crossing loosely as you wait.
The water runs longer than usual.
When it finally shuts off, thereâs a pause. A long one. Like heâs just standing there, gathering himself, piecing something back together before he has to step out and be a person again.
Your chest tightens a little.
The door opens a minute later, and Spencer steps out, hair damp, t-shirt clinging slightly where it hasnât fully dried him off. He looks⌠better, technically.
Cleaner. Still not okay.
He blinks when he sees you there. âOhâhi. I didnâtâuhârealize you wereââ
âWaiting?â you offer.
He gives a small, sheepish nod, rubbing at the back of his neck. âSorry. I didnât mean to disappear like that.â
âItâs okay,â you say, but your eyes narrow just a little, studying him. âYou just got back. Youâre allowed to be weird for at least, like, an hour.â
That earns you the faintest hint of a smile. It flickers across his mouth, brief but real. âOnly an hour?â
âMhm. After that I start charging you for emotional distance.â
A quiet huff of laughter leaves him, softer than usual, but itâs something. Still, he shifts his weight like he doesnât quite know where to go next. Like standing still might let something catch up to him.
You tilt your head slightly, softer now. âHey⌠are you okay?â
Spencer doesnât answer right away.
His gaze drops somewhere between you, unfocused, like heâs flipping through thoughts too fast to grab just one. You can almost see the calculations, the quiet sorting, the way he tries to find the most accurate answer instead of the easiest one.
A few seconds pass before he exhales.
âIââ He stops, presses his lips together, tries again. âI will be.â
Itâs honest. Not reassuring, not entirely comforting, but real. And youâve learned thatâs what matters with him.
You nod, stepping a little closer, your hand brushing lightly against his arm. âOkay. âWill beâ is acceptable.â
His shoulders loosen a fraction at that. Not fully. Just enough to breathe a little easier.
âI think I justâŚâ He rubs at the back of his neck again, damp curls catching between his fingers. âI should probably sleep. Reset a little.â
âYeah,â you murmur. âThat sounds like a good plan.â
Thereâs another pause, smaller this time. Hesitant.
Then, quieterâalmost carefulââWill you⌠come with me?â
Itâs not a big question. Not really. Youâve done this countless times before. Fallen asleep together, limbs tangled, his breathing evening out beside you.
But thereâs something different in the way he asks it now.
Less routine. More⌠needing.
Your expression softens instantly. âOf course.â
Something in him settles at that. Not all the way, but enough that the sharpest edges dull.
âOkay,â he says, almost to himself.
He shifts, gesturing faintly down the hall like heâs not entirely sure how to transition from standing here to actually moving. You donât wait for him to figure it out. You slip past him, bumping your shoulder lightly into his as you go.
âCâmon, genius,â you tease gently. âDoctorâs orders. Bed.â
A quiet breath of amusement escapes him, and this time the smile lingers just a little longer.
He follows you.
The bedroom feels softer somehow. Dimmer. Safer.
You tug the blankets back and climb in first, settling into your usual spot without thinking. Spencer hovers for half a second before joining you, movements slower, more deliberate, like heâs still shaking off the outside world piece by piece.
The mattress dips under his weight. Thereâs that same brief hesitation. Then he shifts closer.
Not dramatic. Not even fully intentional, maybe. Just instinct. His arm slides around you, tucking you in against his side, his hand resting warm and steady at your waist.
You hum softly, adjusting so you fit better against him, your cheek brushing his shoulder.
For a moment, neither of you say anything.
You can feel it, though. The tension still coiled in him. Quieter now, but not gone. His fingers flex slightly against your side, like he doesnât quite know how to let go of everything yet.
Your gaze flicks upward.
Heâs staring at the ceiling. Wide awake.
Yeah. No. Not happening.
A small smile tugs at your mouth.
âYouâre terrible at this,â you murmur.
Spencer blinks, glancing down at you. âAt what?â
âSleeping.â
âI just laid down,â he protests mildly.
âMhm. And youâre already thinking too loud.â
His lips twitch faintly. âI donâtâthink loudly.â
âYou do when youâre trying not to.â
That earns you a slightly more real look. A little more present.
Good. But you have another idea.
You shift suddenly, twisting out of his hold just enough to grab one of the pillows from behind you.
Spencer frowns, confused. âWhat are youââ
You hit him.
Not hard. Not enough to hurt. Just enough to surprise.
The pillow makes a soft whump against his arm.
He stares at you. You stare back.
ââŚDid you justââ he starts.
You hit him again. That does it.
âOkay,â Spencer says slowly, pushing himself up onto one elbow, eyes narrowing just a fraction. âI see whatâs happening.â
âDo you?â you grin, already backing up on your knees across the bed.
âI was under the impression we were going to sleep.â
âRevised plan.â
He watches you for a second longer. Then, something shifts.
Itâs subtle, but you catch it. The way the tension in his shoulders loosens, replaced by something lighter. Sharper. Awake in a different way.
âYou know,â he says, reaching for a pillow of his own, âthere are several strategic disadvantages to your current position.â
âOh yeah?â
âYes. For oneââ
You donât let him finish. You swing the pillow, aiming for his chest.
This time, heâs ready for it. And just like that, the room changes.
Laughter breaks through the quiet, sudden and bright, as Spencer catches the pillow and immediately retaliates. The first hit he lands is clumsy, glancing off your side, but the secondâ
âHey!â you laugh, scrambling away as he moves forward.
The bed dips and shifts under both of you, turning the whole thing into unstable territory. You grab another pillow, swinging wildly, barely dodging his reach as he tries to corner you.
âYou started this,â he reminds you, breath already a little unevenâbut lighter now, threaded with something almost playful.
âAnd youâre losing,â you shoot back.
âI am not losing.â
âYou absolutely areââ
Your sentence dissolves into laughter as he lunges, catching the edge of your pillow mid-swing and using it to yank you forward. You barely twist out of it in time, scrambling off the bed entirely with a soft thud of your feet hitting the floor.
âOh, thatâs cheating!â you accuse, already darting backward.
Spencer sits up fast, pushing his hair out of his face, eyes brighter nowâreally bright, the kind that only shows up when heâs fully, genuinely in something.
âThatâs not cheating,â he argues, grabbing his pillow and sliding off the bed after you. âThatâs adaptation.â
âYouâre literally making up rulesââ
âYou didnât establish any rules!â
You laugh again, breathless, backing toward the door as he advances. Thereâs something delightfully unfair about him like thisâlong limbs, quick reflexes, a surprising amount of coordination when heâs not overthinking every step.
âYouâre supposed to be bad at this!â you protest.
âThat seems like an assumption you made without evidence.â
âYou trip over air, Spencer!â
âI trip when Iâm thinking,â he corrects, already closing the distance, pillow raised like a very soft weapon. âIâm not thinking right now.â
âOh, thatâs terrifyingââ
You dart sideways just as he swings, the pillow grazing your arm instead of landing square. You laugh, breathless, circling back toward the bed like itâs home base, except heâs already anticipating that, cutting you off with a step thatâs just a little too quick.
Unfair.
âYouâre taking this too seriously!â you accuse with a laugh, backing up until the mattress bumps into the backs of your legs.
âI take all competitive activities seriously.â
âThis is not a competitiveâSpencer!â
He lunges.
You try to dodge, really you do, but he catches your wrist mid-retreat, momentum carrying both of you forward. The mattress dips hard as you fall back onto it, a surprised laugh punching out of you as he follows, one knee landing on the bed beside your hip, the other sinking into the blankets for balance.
The pillows are forgotten somewhere in the chaos.
You twist beneath him, still laughing, trying to shove him off, but heâs already got youâhands catching your wrists, pinning them lightly above your head as he leans over you, hair falling into his eyes, glasses slightly crooked.
âGot you,â he says, a little breathless, a little triumphant.
âYou cheated,â you counter immediately, though the words dissolve into another laugh.
âI adapted,â he corrects again, but thereâs a smile tugging at his mouth nowâreal, unguarded, lingering.
You both go still for a second.
Not fully. Your chests are still rising and falling too fast, breaths mingling in the small space between you. But the movement slows. The laughter fades into something softer, quieter, like the room is catching up with you.
Spencer doesnât let go of your wrists right away.
His gaze flickers over your face, like heâs remembering where he is. Who heâs with. The shift happens again, subtle but unmistakable, the playful edge softening into something warmer. Something heavier.
âHi,â you murmur, softer now.
His lips twitch faintly. âHi.â
âI missed you,â you say softly.Â
âI missed you too,â he says, and it lands softer than everything elseâlike something he didnât realize he was holding onto until it slipped out.
Your chest tightens in that quiet, familiar way.
You donât rush it. You just⌠shift.
One of your wrists twists gently in his grasp, and he lets it go immediatelyâof course he does, thereâs no resistance, no hesitation. Spencer has never been someone who holds on when you pull away.
But youâre not pulling away.
Your freed hand slides up, fingers curling lightly into the fabric of his shirt, and you tug him down.
The kiss meets him halfway.
Itâs warm and intentional. Your lips brushing his first, testing, and then settling when he exhales softly against you like something in him just⌠gives. He melts.
His grip loosens on your other wrist, not dropping it entirely at first, just easingâlike heâs making sure you donât want to move again. When you donât, when your fingers tighten slightly in his shirt instead, he lets go completely.
His hand slides down, slow and careful, tracing the line of your arm before settling at your side.
The kiss deepensânot dramatically, not all at once. It builds. Soft turns into something warmer, something that lingers a second longer each time your lips meet. His breathing shifts, uneven at the edges, like heâs still catching up to the moment.
Like he didnât expect this. Like he needed it anyway.
You hum faintly against him, and that does somethingâsomething visible. His hand tightens just a little at your waist, pulling you closer without thinking, pressing you more firmly into the mattress beneath him.
Grounding. Needing.
When he pulls back, itâs not far. Just enough to breathe, to look at you, curls falling messily into his eyes.
Thereâs still a trace of that earlier tension in himâbut itâs changed now. Softer. Warmer. Redirected into something that hums low under his skin.
âIs thisâŚâ he starts, voice quieter, a little rougher now. âIs this your official treatment plan?â
Your lips curve, brushing his again, lighter this time. âMhm. Very advanced technique.â
He huffs a small breath of laughter, forehead dipping briefly against yours. âPeer-reviewed?â
You laugh. âExtensively.â
Another kissâshorter, but more certain.
His hand shifts at your waist, thumb brushing absent, slow circles like heâs thinking without meaning to. The rest of him follows in small waysâhis weight settling more comfortably over you, one knee adjusting against the mattress, his body fitting closer instead of hovering.
Less distance. Less thinking. More here.
You slide your hand up from his shirt to his jaw, thumb brushing lightly along the edge, and his eyes flicker shut for a second at the contact.
When he kisses you again, thereâs less hesitation in it. Still gentle, still Spencer, but steadier nowâlike heâs chosen this instead of stumbled into it. He sighs when he pulls away, a deep and satisfied sound that makes you smile again.
summary: you and Spencer head to penelope's office at the end of the day
includes: part 30, workplace romance, friends-to-lovers tension, sex dream mention (non-graphic), embarrassment humor, teasing friends, mutual attraction reveal through implication, light sexual conversation framing (non-explicit), consent-respecting curiosity, emotional vulnerability disguised as humor, found-family banter, hand-holding, slow-burn romantic confirmation, awkward affection, playful interrogation, gentle intimacy, workplace setting
The bullpen exhales at the end of the dayâchairs rolling back, files closing, the low murmur of voices tapering into goodnights and see-you-tomorrows. The fluorescent lights feel softer somehow, like even theyâre tired of being on.
You shut down your computer, the screen dimming to black, and stretch your arms over your head. Your back protests. Your feet definitely protest.
âOccupational fatigue,â Spencer murmurs beside you, already gathering his things with precise efficiency. âExpected after prolonged cognitive exertion combined withââ
âDonât,â you cut in, but thereâs a smile tugging at your mouth.
He glances at you, a flicker of amusement in his eyes. âI was going to say âstanding for extended periods.ââ
âMm. Sure you were.â
He hums, noncommittal.
âShould we go see Garcia now?â
The walk down to her lair feels different after hours. Quieter. The hum of the building is more noticeable. Air vents whispering secrets to no one. The kind of silence that makes every footstep feel just a little louder than it should.
When you reach her door, you look at Spencer.
âReady?â you ask.
He nods once. âYes.â
You reach for the handle before you can overthink it. The door creaks open just enough to peek in and immediatelyâ
âSTOP RIGHT THERE.â
You freeze. Spencer freezes.
Inside, Penelope doesnât even turn around from her monitors. One hand is lifted dramatically in the air like she sensed your presence through sheer emotional vibration alone.
âI knew it,â she says, slowly swiveling in her chair now, eyes already narrowing with theatrical suspicion. âI knew I felt a disturbance in the force.â
You glance at Spencer. ââŚWe didnât even say anything.â
âI donât need you to say anything,â she says, rising to her feet, pointing at you like youâve personally betrayed her. âYou think I didnât notice the energy shift today? The vibes? The glow?â
Spencer leans slightly toward you. ââŚHer observational accuracy is impressive.â
âI heard that,â Garcia snaps, without missing a beat.
Then she gasps. Again. But this one is quieter. Sharper. More dangerous. Her eyes flick down.
To your hand. To Spencerâs.
Because at some point between the bullpen and here you laced your fingers together. And you didnât let go.
Garciaâs hands fly to her mouth. âOh my goodness.â
You wince. âPenââ
âOh my goodness!â she repeats, louder this time, backing up a step like she needs physical distance to process the magnitude of this. âYouâre holding hands. Youâre actively holding hands!â
Spencer laughs lightly. âWe are aware of the hand-holding.â
âIâm spiraling,â she informs you. âI am fully spiraling right now.â
You take a cautious step inside. âOkay, but like⌠in a good way?â
âOh, honey.â And suddenly sheâs moving. Fast.
She crosses the room in three strides and pulls you into a hug that is somehow both careful and crushing at the same time.
âI knew it,â she says into your shoulder, voice thick with triumph and something softer. âI knew it was coming.â
You laugh a little, hugging her back. âYeah, apparently everyone did.â
She pulls back just enough to look at youâreally look at you. Her hands land on your arms, eyes scanning your face like sheâs reading a headline sheâs been waiting years to see.
âAre you happy?â she asks, quieter now.
You smile, softer than anything youâve given anyone else today.
âYeah,â you say. âI am.â
Garciaâs expression melts. âOh, I just can't handle it!â she exclaims, and then she's pulling you in for another hug. âYou're dating! You're finally dating!â
Garcia pulls backâhands still gripping your arms, eyes shiningâHer gaze snaps between you and Spencer, something delighted and absolutely feral lighting up her expression.
âWaitââ she says, pointing at you, then at him, then back at you like sheâs connecting invisible red strings on a conspiracy board. âWAIT.â
You already know. You already regret everything.
âDoes this mean you told him about the dream?â
âPenelope!â
âWhat dream?â Spencer asks.
Heat floods your entire body so fast itâs almost impressive.
âNothing,â you say immediately. Too quickly. Too brightly. âThereâs no dream. There was no dream. I donât know what sheâs talking about.â
Garcia makes a noise like sheâs been physically wounded by your denial.
âOh, do not even try that,â she says, pointing at you again. âYou cannot just erase that conversation from existence like I donât have a steel-trap memory and a deeply vested emotional interest. Besides, I have JJ and Prentiss as witnesses!â
âI regret saying anything to you three.â
Spencerâs brows knit together slightly, attention sharpening.
âYou had a dream,â he repeats, slower now, like heâs assembling a puzzle piece by piece. âAbout⌠me?â
You make a strangled sound. âNo!â
Garciaâs eyes go wide. âYES.â
âPenelopeââ
âIt was vivid,â she continues, talking right over you now, hands gesturing wildly. âThere was blushing, there was spiraling, there was detailââ
âOkay!â you cut in, louder than you intended. Your face is on fire. âWeâre done talking about this!â
Spencerâs ears are turning pink. You notice. That does not help.
ââŚWhat kind of dream?â he asks, and his voice has dropped just slightlyâquieter, more careful. Like heâs not sure if he should be asking but cannot physically stop himself.
Garcia claps her hands together once, delighted. âOh, I love this part.â
âWas it,â he starts, then hesitates, recalibrating mid-thought, âa stress-related dream? Given the timing, that would be statistically probable. The brain often processesââ
âIt was not a statistical event, Spencer,â Garcia cuts in, scandalized.
You make a noise somewhere between a groan and a plea for mercy.Â
Garcia leans in like sheâs about to spill classified information. âIt was a sex dream.â
Silence. Utter silence.
Spencer freezes. Completely. Like someone just unplugged him from reality.
You close your eyes. âIâm going to walk into traffic.â
âPlease donât do that,â Spencer says immediately.
Itâs not even delayed. Not even processed. Just pure instinct, voice firm and earnest and a little alarmed, like youâve just proposed something genuinely catastrophic instead of dramatically embarrassing.
You drag your hands down your face. âI wonât actuallyââ
âI know,â he says quickly, softer now, recalibrating. âItâs a hyperbolic expression of distress. But statistically speaking, pedestrian accidentsââ
âSpence.â
âRight.â He clears his throat.
Silence settles again, thick and charged and deeply, deeply unfortunate.
Garcia is vibrating. You can feel it. Like she might combust into glitter and chaos at any second if no one intervenes.
Spencer, meanwhile, has gone very still beside you. Thenâslowlyâhe looks away.
Not abruptly. Not sharply. Just⌠a quiet shift of his gaze toward the side, like he suddenly finds one of Garciaâs lava lamps deeply worthy of study.
His ears are still pink.
ââŚWell,â he says, and thereâs the faintest hitch in it, like his brain is carefully stepping around something fragile, âwas it⌠a good dream?â
Garcia makes a sound that can only be described as spiritual ascension.
You stare at him. Actually stare.
Because that was not deflection. That was not avoidance. That wasâ
âOh my god,â Garcia whispers, clutching her chest. âHe asked.â
âI heard him,â you hiss.
Spencer shifts his weight slightly, still not looking at you. Thereâs a very specific kind of composure happeningâlike heâs trying to maintain neutrality while standing directly in the blast radius of something he absolutely wants the answer to.
âItâs a reasonable question,â he adds, quieter now. âFrom a⌠psychological standpoint.â
Garcia spins toward him so fast itâs honestly impressive. âOh, sweetheart, that was not clinical curiosity.â
âIt can be both,â he says, a little defensively.
You let out a long, suffering breath, tipping your head back toward the ceiling like it might offer divine intervention. âThis is the worst day of my life.â
âOh, no,â Garcia corrects immediately. âThis is the best day of mine.â
You drop your head back down and look at Spencer. He finally looks at you too.
And thereâs something thereâsoft, curious, a little uncertain, but threaded with something warmer. Something that says heâs asking carefully⌠but he is asking.
Your face is still burning. But your mouth betrays you anyway, tugging just slightly at the corner.
âYouâre unbelievable,â you mutter.
âIâve been told,â he replies, and thereâs the faintest hint of a smile threatening at the edge of it.
Garcia makes a high-pitched noise. âI need popcorn. I need emotional support snacks. I needââ
âPenelope,â you cut in, pointing at her. âIf you say one more word, I will actually walk into traffic.â
She zips her lips dramatically. Then immediately mimes unlocking them. âIâm just saying,â she stage-whispers, âif it was a good dream, thatâs excellent foreshadowing.â
âPENELOPE.â
âIâm going!â she says immediately, hands up in surrenderâexcept sheâs already backing toward her desk, fingers flying for her phone. âBut just so weâre clear, I am texting the group chat. This is historical information. This is cultural.â
âPenââ
âNope!â she sing-songs, spinning in her chair. âI gave you time. I gave you space. I let this simmer like a slow-burn romance novel. My patience has been exemplary.â
Spencer exhales through his nose. âThat is not an accurate characterizationââ
âLove you both!â she cuts in brightly, already dialing. âDo not do anything scandalous without me!â
And then sheâs gone, murmuring into her phone as she walks away, her voice dropping into an urgent whisper that is somehow still incredibly loud.
The two of you just stand there for a moment, left alone in silence in Penelopeâs lair.
And then, beside you, Spencer clears his throat. Soft. Careful. âSoâŚâ he says.
You close your eyes briefly. âDonât.â
Thereâs a beat. ââŚThat wasnât a denial,â he points out.
You turn your head slowly, narrowing your eyes at him. âI know I've said it before, but you are unbelievable.â
âI asked a question,â he says, but thereâs something almost tentative under it now. Less teasing. More⌠genuine curiosity. âItâs not unreasonable to want clarification.â
âYou do not need clarification.â
âI might,â he counters.
âYou absolutely do not.â
He shifts his weight slightly, one hand lifting like heâs about to gesture and then thinking better of it. His gaze flicks to you, then away, then back againâlike heâs trying to decide how far he can push this without tipping the balance.
ââŚWas it,â he starts again, quieter now, âa positive experience?â
You stare at him. âSpencer.â
âYes?â
âYou cannot just rephrase it and make it sound like a survey question.â
âIâm notââ he pauses, recalibrates mid-thought, ââIâm attempting to be considerate of phrasing.â
âThat is not helping.â
A flicker of something warm crosses his expression. Amusement, maybe. Or nerves disguised as it. ââŚI can stop asking,â he offers.
You watch him for a second.
Because he means it. You can see it in the way his shoulders ease back just slightly, like heâs already preparing to let it go. To not push. To give you space. And thatâ
That does something unfair to your chest.
You exhale slowly, dragging a hand down your face before letting it fall.
âIt wasâŚâ you start, and then stop.
He goes very still.
You can feel it without even lookingâthe way his attention sharpens, quiet and complete, like the entire world just narrowed down to this one answer.
You glance at him, just briefly. ââŚIt was not a bad dream,â you finish, carefully neutral.
Thereâs a pause. Thenâ
ââŚThat is extremely vague,â he says.
You let out a short laugh despite yourself. âAnd that's all you'll get. Now, come on. You said you'd make me dinner.â
Spencer just smiles at you, and holds out his hand so you can re-intwine your fingers with his.
summary: You and Spencer decided to keep it under wraps for now. But as the Halloween party gets louder and Reid grows more flustered â much to your amusement â it becomes increasingly difficult to keep your distance.
pairing: early!seasons spencer reid x bau!reader
warnings: none? fluff, reader is described as wearing makeup and dress
wc: 1,2k
inspo: "Cupid's girl" by MARINA
Dun.
His skin prickled where the suden pressure had landed between his shoulder blades â not painful, but enough to knock his train of his thoughts of the rail. Startled by the unexpected impact, Spencer spun around. The confused gaze of his big brown eyes darted around the room in an attempt to figure our where it came from.
And then, his eyes found yours in the crowd.
Your soft, lustrous off-white coloured wings glimmered silver under the dim glow of string lights. Like an angel, fallen from the heavens above, you stole his breath away â it must be a dream, he thought to himself.
Noticing the glint of awe in the depth of his caramel irises, the apologetic smile you wore just moments prior took on a more playful shape.
When you, leaving Penelope behind, began to push your way through the buzzing sea of vibrant bodies, Spencer's throat went dry. The feeling he was all too familiar with began to rise up inside him. It was an odd kind of excitement bordering on anxiety â all he ever sought was your attention, yet whenever it was aimed his way, all he wished was for the floor to swallow him whole.
A quick look around only confirmed his growing suspicion, that you, indeed, was headed his way.
"Hi, Spence." Eventhough shouted over the loud music, the sweetness in your tone made his cheeks deepen in colour.
"H-hi," was all his brilliant mind could manage.
Great.
"I didn't mean to," you said sheepishly, tucking a curled strand of hair behind your ear. "Garcia and I were in the middle of taking pictures, and the arrow...it just slipped. I hope it didn't hurt."
"No-no!" Reid blurted out â unable to bear the meer thought of you carrying even a shred of guilt on his account â twisting the edge of his hat between his palms. "Your costume...it's-it's nice. Really nice, actually."
The syllables were lost in the rhythmic thrum of the speakers, so you bridged the gap â solely for the sake of hearing him better, of course. And if you ended up close enough to feel the hitch in his breath? Well, that was just a lovely bonus.
His throat tightened as he swallowed, his focus narrowing down to the soft shimmer of your lips. He tried to follow the thread of your words, but they were quickly becoming background noise to the thudding rhythm of his own heart.
"What?"
With a playful roll of your eyes, you caught his hand in yours and began to lead the way. He followed, captivated by the sudden, grounding warmth of your palm against his that his own feet seemed to forget their purpose. He stumbled, a flush creeping up his cheeks, but the sting of embarrassment dissolved the moment your giggle reached his ears, a sound far sweeter to his ears than the music you were leaving behind.
As the door swung shut, Spencer tried to take a hold on his racing thoughts. His composure tended to crumble whenever you caught his eye â especially when you watched him through your lashes with that playful, hooded gaze. In an attempt to steady his hands, he grabbed a plastic cup from the counter and began filling it with water.
"Well..." you trailed off, flashing him a slow, knowing grin as he took another gulp of water. "As I was saying, your costume...it's cute. Especially the scarf." Closing the remaining distance, you caught the edge of the long scarf, rolling the yarn playfully between your fingertips.
Spencer looked away, his ears turning a soft pink, but he couldn't quite hide the shy smile blooming on his face. "Thank you. I-I made it...made it myself."
"Yourself?" you echoed as your gaze dropped back down, your thumb traced the soft texture of the wool with a newfound sense of awe. Seeing your eyes light up over his knitting sent a jolt through Spencerâs chest.
In the sudden silence of the kitchen, he finally allowed himself to really take you in â you were a vision of pink and white, a literal goddess of love standing in a linoleum-floored kitchen before him. His gaze traced the delicate shimmer on your eyelids and the tiny pink hearts that adorned the outer-corners of your eyes. Whenever you moved, your short satin dress caught the overhead light, rippling likr a liquid silver.
"I never would've thought you knew how to knit."
"Yes, um...actually," he cleared his throat, but as you tilted your head, his eyes betrayed him by dropping instinctively from your shimmering eyeshadow to the soft, glossed curve of your lips. "knitting was-was once a male-only occupation. As a matter of fact, th-the first knitting union was established in Paris in 1527 and didnât even allow women to joinâ"
The soft, melodic timbre of his voice was a comfort you could listen to for hours, but your patience was wearing thin.
"Thatâs fascinating, dear, truly," you murmured, your voice dropping an octave as you stepped further into his space. The history of knitting was the last thing on your mind with his mouth so close to yours. "But I didn't bring you in here for a history lesson."
Pulling him a fraction closer by the ends of his scarf, you batted your lashes, a playful, knowing smile curving your lips. Spencer simply forgot how to breathe. His heart hammered a frantic rhythm against his ribs â a chaotic mix of adrenaline from your proximity and the looming fear that someone might burst through the door at any second. He wasn't sure which prospect was more terrifying â the risk of being caught red-handed, or the agony of enduring another heartbeat without your lips on his.
Noticing the sharp edge of his nerves â which, with Spencer, was never a difficult task â you softened. Your fingers reached up, gently brushing a stray lock of hair from his forehead â instinctively, he leaned into the warmth of your palm like a kitten seeking comfort.
"If someoneâ" he started, his voice a strained whisper.
"Shhh." You reached up to capture his face, squishing his cheeks until the worry on his face was replaced by a look of adorable, wide-eyed confusion. You couldn't help but giggle. "Itâs okay. Even if someone walks in, well...we are bound to be caught sooner or later. Baby, you just need to relax."
He let out a low, shaky hum, a small nod of surrender as his gaze dropped to the curve of your mouth. The second your glossed lips met his, the rigid tension in his shoulders finally dissolved. With a slight tremble in his touch, his palms found their home at your waist, drawing you flush against him. You smiled into the kiss, your arms looping around his neck as your fingers tangled in the soft curls at the nape of his neck, giving a gentle tug.
And if Emily Prentiss happened to stroll into the kitchen that evening just as things were getting good...and if startled Spencer happened to knock a cup of water over in a panic, soaking you both?
Well, that would be a completely different story. One involving a lot of paper towels and a very smug Prentiss.
reblogs, like and comments are always appreciated<3
summary: thereâs been some noticeable tension between the two of you
The case had been brutal from the start; long hours, too many dead ends, and just enough close calls to keep everyone on edge. By the time the team finally wrapped for the night, the tension wasnât just about the unsub anymore.
It hadnât been for a while. You felt it every time you stood too close to Spencer. Every time his arm brushed yours while passing files, or when heâd lean over your shoulder just a little too long, explaining something you already understood. It was subtle, so subtle no one else wouldâve noticed.
Except they had, especially Morgan.
âYou two gonna figure that out or keep dancing around it?â heâd muttered earlier, earning himself matching glares from both of you.
Now, hours later, you and Spencer were walking down the dimly lit hallway of the hotel floor, the hum of the vending machine the only sound breaking the quiet.
âYou were right today,â Spencer said suddenly, his voice softer than usual.
You smiled faintly. âYou got there eventually.â
He stopped walking. You took a couple more steps before realizing, turning back to find him staring at youâreally staring this time. Not the distracted, analytical look he usually had, but something deeper. Something that made your stomach flip.
âWhat?â you asked, quieter now.
âI donât think I just âgot there eventually,ââ he said, stepping closer. âI think Iâve been⌠distracted.â
Your breath hitched. âSpencerââ
âI know itâs not appropriate,â he rushed, words tumbling over each other the way they always did when he was nervous. âWeâre coworkers, and this is a case, and statistically speakingââ
âSpencer.â
That stopped him. You were close now. Too close for this to be just another conversation.
âJust⌠stop thinking for one second,â you murmured.
That was all it took. His hand came up, hesitant at first, hovering near your arm like he was giving you time to pull away. When you didnât, his fingers brushed your sleeve, then your wrist, like he was grounding himself.
And then he kissed you. It wasnât rushed. It wasnât messy. It was careful, like everything Spencer did, but there was years of unspoken tension packed into it. The kind that made your chest tighten and your hands instinctively grab onto the front of his shirt, pulling him closer.
He made a soft, surprised sound against your lips, like he hadnât expected you to respond so quickly, so strongly. But he didnât pull away. If anything, he deepened it.
The wall at your back was cool when he guided you toward it, his hand now more certain, settling at your waist. The kiss shiftedâless cautious, more real. Like he was finally letting himself feel it instead of analyzing it.
Your fingers slid up into his hair, tugging slightly, and thatâthatâwas what broke whatever restraint he had left.
âOkay,â a voice cut in, amused and far too close, âI knew it.â
You both froze. Slowly, painfully slowly, Spencer pulled back, his face flushed, lips slightly parted, eyes wide behind his glasses. You turned your head.
Standing a few feet away, leaning casually against his doorframe with his arms crossed and the biggest grin youâd ever seen, was Morgan.
âOh my God,â you muttered, dropping your head back against the wall.
Spencer looked like he wanted the ground to swallow him whole. âIâI can explain,â he started immediately.
Morgan held up a hand. âPretty Boy, I donât need a dissertation. Iâve had eyes.â
You groaned. âPlease tell me no one elseââ
âRelax,â Morgan said, pushing off the wall. âTeamâs asleep. Your secret makeout session is safe⌠for now.â
Spencer looked like he might pass out.
Morgan paused beside him, clapping a hand on his shoulder. âTook you long enough, man.â
Then he glanced at you, smirking. âYouâre good for him.â
Before either of you could respond, he disappeared back into his room, the door clicking shut behind him.
Silence settled again. You and Spencer stood there, still too close, still a little breathless.
âWell,â you said finally, a small smile tugging at your lips, âthat wasnât exactly subtle.â
Spencer let out a shaky breath, adjusting his glasses. âStatistically, the probability of being interrupted wasââ
You kissed him again and this time, he didnât hesitate at all.
All my stories are R18. IÂ write smut, and I may touch sensitive topics or topics that are not intended to be read by minors.
YOU ARE RESPONSIBLE FOR YOUR OWN CONTENT CONSUMPTIONS.
Masterlist
Pairing: Spencer Reid x F!Reader
Warning/Tags: Inexperienced Reader, Smut with barely any plot, Fluff, Virginity Loss, Spencer talks you through it, unprotected sex (wrap it before you tap it!), use of petnames (just honey). If there's another warning I forgot, I may add it later. It's proofread, but if you see any mistakes, feel free to point them out!
Word count: ~3.7k
Summary: After months of being together, Spencer comes to the realization that you don't like him enough, just to realize you are nervous about taking a step further.
Author's Note: So, I'm technically in a hiatus, but I owed something to my Spencer's girls. I might be posting small things to not let my blog die, but I can't promise much.
The bar had a dim lightâcold light with blue hints through the whole venue. You were trying to enjoy the sweet drink you had had in front of you for almost twenty minutes. The ice had already melted long ago. A pretty notorious guy had been staring at you for the last ten minutes, even when you tried not to look at him.
You were stirring the drink while you hummed the song that was playing when you noticed the same man was now trying to avoid completely staring at you. When you turned your head, you finally saw him.
Blonde, more like a caramel-colored, and unsheveled hair, tired and glassy eyes that could ask you for anything, and you would say yes without hesitation. Perfect, almost heart-shaped lips, thin but⌠somehow inviting. A white shirt with a blue cardigan made him look even more handsome.
You smiled at himâafter all, with just his mere presence, he had made that man stop staring at you. He pursed his lips in a smile.
"Thank you," you said a bit louder to be heard. He shook his head in response.
"Why? I just sat here, and somehow that was enough for him to just stop staring."
You chuckled and smiled, "Well, it did more than my ignoring tactic."
"That rarely worksâ" He sighed and stopped himself.
He was about to start talking about behaviour in depredators and statistics when he reminded himself he was there to try to make friends that had nothing to do with his job.
You furrowed at his sudden silence, "What are you drinking?"
"Iâjust whiskey, I guess. This is what I started drinking some months ago, and I stuck to it."
He noticed how your legs started to point at him while your shoulders started to relax as the conversation kept flowingâhe was happy that someone could see something else in him than just someone who was broken.
And he finally decided, when he saw you were looking at your phone constantly, to ask for your number.
Without noticing, that first night led to late-night textingsâto 'Have a great day at work. :)' when you didn't even know what he did at work.
He asked you to leave his work outside of the conversations as long as possible.
You understoodâyou were a teacher, but understood well what it meant to bring your job home, to stop planning around you and your wishes and start planning around your work necessities. So, you never really asked, he promised you that he was not on illegal thingsâquite the opposite, but he was trying to live a life outside of all that.
Then, those late-night textings became date after date.
Holding hands, kisses that got heated on the street, lingering touches on clothed skin, make-out sessions that leave you both breathless.
But nothing else.
He was never a man of much desire. Until he met you.
You were the first person in a long time who made him daydream. He would find himself thinking about how your soft skin would feel on his fingers, how pretty you would sound when he found those sensitive spots that made you moan his name.
But he was never going to push anything you didn't want to. He could accept anything you gave him.
This was his setting until the team started to tease him about the fact that he was distracted in the officeâhe seemed even pent up when someone even mentioned a spicy topic. Everyone could see he was eager to be with you, but every time he tried something, you just backtracked.
One late night at your apartment, you were already in your pajamas while he had on some sweatpants with a fitted shirt. His hair wasâlike alwaysâunsheveld and looking perfect at the same time.
His mind was racing from thought to thoughtâhe couldn't even hide that he was not completely paying attention to the movie that had been playing for the last hour. He could only think about how, some minutes ago, you were straddling his hips, kissing him as you could devour him, and now you were relaxed, watching a movie like nothing had happened.
"Spencer, do you want to leave for the night?" You finally spoke, touching his legs, trying to soothe his anxiety.
He choked on his own saliva and shook his head, "No. Iâ" He sighed, "I can't like and say I'm fine, right?"
"No, you can't. You haven't even told me a fact about any of the actors we've seen."
He sighed, "Are youânot attracted to me?"
Your mouth fell to the floor immediately. "What do you mean, Spencer? I love you. You look likeâdear lord, I can't even express how much I like you."
"Or are you in a kind of sexual spectrum that I'm not aware of? Because I could simply accept it⌠I don't mindâ"
You chuckled and held his hand to make him stop rambling, "What are you even talking about?"
"We've been together for months nowâand even when I'm not a person with a high sex drive, I can notice you⌠avoid going further."
You sighed and looked down.
"No. Wait. I didn't meanâI don't mind. I don't care." He tried to apologize, but you shook your head.
"It's not that I don't like youâit's not even that I don't want to have sex with you." You paused, "I'm just⌠nervous."
He furrowed.
"Why would you be nervous? It'sânot like I have a big experience on the field⌠Believe meâŚ"
A scoff that feigned to be a laugh escaped your lips, "Spencer⌠I don't have any experience."
That sentence felt like a brick for him.
He could notice that you got anxious when someone mentioned previous relationships, and you made clear he was just your second partner in your whole life, but he didn't ask for more details. He didn't care about them.
"I haven't had sex⌠nor anything related to that." You finally admitted, "And I know it's ridiculous, but I⌠was not interested in it until I met youâand I wanted to tell you, but every time I backtrackedâŚ"
"Why?" He tilted his head.
"I thought you were going to think it was sadâ"
He bracketed your cheeks with his hands and stared at you for a second.
"I'm trying to find the concussion that made you think such a thing."
You snorted a laugh, "I'm being serious."
He furrowed, his hands still in your cheeks, "And I'm being serious too. I can't believe you have spent these last months thinking I would laugh at something that important."
You looked down.
"I will be ready when you're ready." He mumbled, caressing your cheeks.
"I⌠think I'm readyâŚ"
He shook his head, "You don't have to be ready right now, you know it, right?"
"I⌠know⌠I've been ready for quite a time now⌠I just didn't know how to bring the topic without sounding desperate or⌠eager."
"I don't care if you had sounded eagerâcause you have no idea how desperate I'm for you⌠and for how long I've been."
He moved his hands from your cheeks to your hips, making you stand up at the same time as him. You looked at him, confused.
"What are you doing?"
"Not wasting any more time."
He held your hand and walked you to your bedroom. He sat you on the bed, and while he knelt in front of you.
"We will do as much as you wantâand if you want to stop, we will stop immediately." You nodded and bit your lips.
He sighed, "Now⌠I'm going to talk you through it, so you know what to expectâŚ"
"CanâI ask for something first?" Your voice was a thread almost impossible to hear. He nodded at you. "Can youâtake your shirt off?"
He put his hands on the hem of his shirt and pulled it over his head, exposing his bare chest now. He was completely hairlessâhis white skin with a sun-kissed hint made him look terribly handsome.
Then you noticed some scars on his chest; they were not recent, but they seemed significant.
"I promise to tell you later⌠just let me have this moment," he mumbled when he noticed your eyes fixed on his scars.
You noddedâhe had been hinting that his job was something unusual, but never really gave more than that information.
"I'm going to take your sweatpants now." You nodded slowly, and he started to pull down your pajama. When your bare legs were exposed, he just sighed at the sight.
"Do you want me to take off your shirt or do you want to stay dressed?" You shook, lifting your arms. He chuckled.
"I'm gonna take it off, but you need to use your words, honey. I need to hear you."
He noticed your underwear matchedâit was not on purpose. Just plain black underwear, but it was driving him insane.
The way your chest heaved unevenly, how your birthmarks bedecked your skin, how your scars somehow made you look even more beautiful in his eyes.
"Stop staring," you said shyly.
"I can'tâlook at you. You're something I thought I didn't deserve."
He leaned over you and kissed your forehead, while his hands found the back of your bra.
"Can I?" He mumbled on your forehead.
"Please."
When he clasped open your bra, he was sure he was about to drop dead. His fingers traced their path to your breastsâhis middle finger circled one bud carefully, and his free hand was placed on your hip just above the hem of your underwear.
"Do youâ touch yourself?" His voice dropped, making you tremble. His eyes were still fixed on your chest.
You nodded, "SometimesâŚ"
"Do you want to show me?" Your breath hitched at his words, "Just if you wantâ"
Your glaze dropped to your underwear, heaving your hips to take your panties off. His hands were resting on your side, giving you enough space to get rid of your underwear. You bit your lips when your core was finally exposed to himâyour fingers worked their way to split open yourself, two fingers slid inside while your palm caressed your nub, he was agape staring directly at you.
You felt sinful, while he could just think about how gracious you looked with your fingers inside yourself, reaching a pleasure he wanted to give you himself.
When he noticed how your hips started to thrust, trying to reach the climax, he stopped your fingersâjust to latch onto your cunt immediately, his tongue delved on your clitoris while his finger dug into your thighs, his eyes were closed, completely engulfed in the taste of your core.
You were completely lost on the feelingâthe way he stopped your climax from coming just to immediately make you reach your highest again. The sounds of his tongue stripping on your slit sounded through the whole of your bedroom while you threw your head back, letting the feeling fill your whole.
You knew what orgasms wereâyou gave yourself some every once in a while. But the way your body was reacting to his tongue and touch was completely new. Was life-changing. You knew there was no comeback from this feeling.
You were shatteredâyou could feel a fire pooling low in your abdomen, while a trail of electricity roamed through your whole body, and your vision faded to blackâstill trembling, he stopped just to stare at the way you were coming undone.
He waitedâhe didn't say anythingâdidn't even dare to touch you since he didn't want to overwhelm you if you were already sensitive.
"How are you feeling?" He finally asked, leaning over your bodyâtowering over you.
A nod was the only thing you could give as a response; you were really trying to speak, but your mouth was dry, your voice didn't follow your instructions, and you knew that even if you could talk, you weren't going to make any sense.
He smiled and nodded, "Can I kiss you?"
"PleaseâŚ"
His lips still with your taste on them found yoursâhis tongue delved yours, but the sudden slight touch of his bulge still covered made you squirm, you giggled with the feeling, and he sighed with a grin on his face.
"Did you like it?"
"It⌠was amazingâŚ" He smiled, pecking your lips again.
"Can you handle the rest, or do you need to wait?"
"Can⌠we try?"
Furrowing his eyebrows, you could see how his mind was racing through a million thoughts.
"What?"
"I⌠didn't bring any⌠barrier." Your mouth fell open. You never really thought about it.
But somehow you knewâyou didn't want to wait any longer.
"Iâ" you swallowed, "I don't mindâ"
Chuckling, he pulled his sweatpants down, his briefs strangled his length, "I will take care of you, do you trust me?"
"More than anyone." You bracketed his cheeks and kissed him again.
He knelt between your thighs, his briefs showed the figure of his twitching dick, and when he finally set it free, your mouth watered with the sight.
It was bigâyou knew the lengths shown in porn were not something normal, and you didn't really expect to see something like that in real life. But his cock was almost perfectly shapedâit seemed big enough to hurt you if he tried to put it in immediately, but somehow it looked perfect for you.
"Iâ" He was looking down at his length when you interruped, "I⌠want to suck youâŚ"
His gaze softened, the hand that held his cock stroked it slowly, while the hand that steadied him tensed.
"You don't have to just because I did it, you know it, right?"
"I know itâand I still want to do it."
The way you asked for it made him acceptâhe stood up and made you kneel in the bed, your mouth was almost lined to his cock. He stroked himself slowly while his hand stroked your hair.
"As much as you want, honey. We don't have to push it too much." You licked your lip and nodded. "So, give me your hand."
His strong hand covered yours and made you stroke him with care. His eyes rolled back when you finally moved your hand, a guttural sound left his throat, and he tried to compose himself.
His hand was still gripping your hair carefully, and you leaned closer to his cock. "You can kiss it, lick it, whatever you want to do."
Biting your lips, you cut the distance between your lips and his tip, and you kissed it. His hips twitched, making his leaking tip pass through your lips. The salty taste took you by surprise, "I'm sorry, honey. I'm so sorry."
"IâIt's fine." You opened your mouth and swirled your tongue around his cock, "Be careful, slow. You're doing pretty good."
His mouth was agape while he stared at you as if you were a master piece with his cock in your mouth.
Your tongue had already roamed through his whole cock when you finally decided to put his cock inside your mouth, your lips closed around the tip, and you looked up, trying to seek some kind of approval.
"You're doing great, honey. Try to hollow your cheeks to create some suction."
You did as you were told. He grunted at the feeling, and you felt almost proud for making him feel that way.
"I'm going to start moving my hips, just tap my hip if it's too much." You tried to say something, but the vibration of your throat made him heave involuntarily.
A giggle came after, and you just tapped his hip to make him understand he was clear. He started to move his hips fucking your mouth with care. Slow, deliberate.
"You look so pretty like this, being completely mine."
Clenching at his wordsâyou could feel arousal drowning your cunt.
You felt his cock twitching on your mouth, and he immediately stopped and pulled out.
"Iâ'm sorry, did I do something wrong?"
Breathing hard, he was trying to recompose himself when he looked at you.
"You did nothing wrong, honey. Iâdidn't want to cum in your mouth."
"Oh."
Lazily, he leaned over you again, making you lie down, "Do you really want to do it?"
"Please, please."
"This might hurt or be overwhelmingâif you need to stop, just say it." He was stroking himself again, and he teased your slit with his tip. You gasped and dug your fingers into his arms.
"Now⌠I'm going to try to put it in." You slowly nodded.
Staring where your bodies connected, you saw how he lined his cock to your cunt, and then with his free hand, he started to circle slowly your clit, and he slid in slowly, thrusting carefully, in and out, just the tip, which made your eyes roll back.
He chuckled at your reaction. "Enjoying?"
When your arousal was already flooding your cunt he slid fully in. You gasped and arched your back at the overwhelming feeling. You found his back and made him lean closer. He stopped mid-thrust and stayed still.
"I'm sorry, honey. Are you okay?"
"It was too muchâŚ" He shook his head.
"Do you want me to pull out?" You reacted immediately and straddled him, making him impossibly closer.
"No! NoâŚ"
"Get it⌠get it⌠Don't pull outâI just wanna be sure you're not overwhelmed."
"I'm not⌠please don't stop."
He started thrusting slowly again, inch by inch, sliding in and out, focusing on your face, trying to find any trace of pain, any trace of backtracking. When the burning feeling finally faded away, you were feeling the real ecstasis, your mouth was watering, while your nails dug traces on his back. He was now hugging you from the back of your neck while you were kissingâalmost biting his neck.
You knew it was wrong, but you needed a kind of relief from all the pleasure he was putting you in.
"You're doing just great, honey." His low-pitched voice in your ear made your legs weak.
"Don't stop, Spencer⌠Please."
The ringing tone of his phone took him out of his trance. He didn't want to stopâyou didn't deserve to be left all pent up after finally setting yourself free. He was determined to make you come undone, even if it meant he would have to arrive at Quantico with a strangled erection.
"Do youâ?" You asked, trying to make your words make sense, he shook, straightening his body. His eyes were now completely focused on your face.
His thumb circled your clit while he thrusted slightly faster, just enough to make you gasp and clasp your hands on the comforter.
You were trying to stop the coiling shockwaves rocketing in your abdomen. He furrowed when he noticed how you were trying to delay your orgasm.
"What are you doing?"
"You haven't finishedâ" you mumbled, he laughed.
"This is for you⌠This is all for you."
He leaned closer and trapped one of your nipples on his lips, licking itâand that was it. The last string holding your orgasm snapped.
Everything cut to white noise, your arms and legs went numb, while he felt proud of the way your body was now responding to all the work done. He didn't stop thrusting until he noticed you were squirming out of overstimulation.
He slid out, and you gasped at the sudden emptiness.
He dropped down next to you; his completely nude body was quite a sight. He took you in his arms and kissed your cheeks.
"Thank you so much for letting me be your first." He mumbled.
You smiled, "I'm happy that I waited this muchâ"
Then, you finally heard againâhis phone ringing.
"Spencer⌠I'm not dumb⌠I know you gotta leave." He grunted in your hair.
"I can't say I was sleeping." his voice was muffled as he was hiding his face in the crook of your neck.
"No, you can not." You sighed, "I'll be here when you get backâand then we are going to talk."
He furrowed, and then remembered that you finally saw his scars.
"I owe you a hell of an explanation, right?"
"You can bet you do."
"You are not angry? We just⌠and I have toâŚ"
You sighed, "I wish you could stay, but I know you have things to do, and I know you prolonged your stay."
"You know I love you, right?"
"I've never doubted it."
After a quick shower, he left your apartment reluctantly, his aching erections being strangled by his briefs didn't help at all, and the drive to Quantico was hell. Even after the shower he took, your aroma still lingered on his whole body, your nails around his body burned with the friction of his clothes.
When he arrived at Quantico, the team was already heading out to the jet. Luke looked at him and smiled immediately.
"I think we interrupted our wonder boy." Luke snorted a laugh, JJ furrowed at the sight, and then noticed it too.
"I was just sleepingâ"
They all knew he had a girlfriendâand that he spent most of his time in her apartment, but what gave him away was that reddened mark you left on his neck that he didn't notice on his way out of your apartment.
JJ took a mirror from her purse and showed him what they meant. Spencer's cheeks flushed immediately. He tried to hide it with his hand, but it was too late. The whole team had seen it.
"I think I got some concealer on my purse, just get in the jet, and we will cover it." JJ laughed and patted his back.
After months of Spencer having his mind all over the place, it was the first time the case was solved in record time. They were back at the jet in only two days.
He was sure of somethingâhe needed to finish what you two had initiated. And a stubborn unsub was not going to interfere.
summary: after a toxic ex stirs old insecurities, spencer shows up, protective and insistent, proving that you deserve better
includes: no use of y/n, smut (MDNI), coworkers/friends-to-lovers, insecure reader, bar/alcohol, ex jealousy/freakout, protective spencer, implied (scarcely mentioned) age-gap, reader has a small panic/anxiety attack, sarcasm as a defense mechanism, slow burn/teasing, oral (f receiving), unprotected sex (pull-out), fingering, praise/dirty talk, mutual release, post-sex aftercare, intimacy, age gap/daddy kink undertones, bedroom setting, clumsy fumbling, lingering touches, sweat and heavy breathing, consent-focused
this is the longest one shot I've posted. usually I try to edit them down, because I don't want people to have to pause and try and come back later and remember where they were. but for this one I just kept writing, and I decided to leave it long as hell because why delete all that work? lol
based on this request
The room is too warm.
Sheets tangled low around your legs, twisted into something that feels more like restraint than comfort. The air smells faintly of himâsoap and something sharper beneath it, something youâve never quite been able to name but have always associated with this: these visits, these nights, this version of yourself.
Heâs beside you, chest rising and falling, breath still uneven. Spent. Satisfied.
And youâ
Youâre not.
The difference sits heavy in the space between you, unspoken but obvious. Your body still caught somewhere in the middle of something that never quite reached its end. A tension with nowhere to go. A quiet, unfinished feeling youâve learned not to look at too closely.
James shifts beside you with a quiet exhale, like the moment has already left him.
Thereâs no lingering touch, no absentminded brush of his hand against your skinânothing that suggests heâs still here with you in any way that matters.
He stretches. Itâs casual. Unbothered. Like this is routine. Like you are routine.
The mattress dips as he sits up, running a hand through his hair before swinging his legs over the side of the bed. The air moves with him, cool against your skin where the sheets have slipped too low.
âIâve got an early day tomorrow,â he says, voice rough but detached, already halfway somewhere else.
You donât answer. You donât need to. Because then he glances toward the door. Just for a second. And thatâs all it takes.
The rest of it settles into place like it always doesâquiet, practiced, familiar in the worst way. He doesnât tell you to leave. He never has. He doesnât have to.
You know the pattern. You know your place in it.
You sit up slowly, the sheets dragging against your legs as if reluctant to let you goâor maybe thatâs just you projecting something human onto something that isnât. Wouldnât be the first time tonight.
James stands, already reaching for his clothes. Thereâs no urgency in it, no embarrassment. Just efficiency. Like heâs completing a task.
Like you were one.
Your chest tightensânot sharp enough to hurt, just enough to remind you itâs there. That something is.
You gather your things from where theyâve been discarded, movements quieter than they need to be. Careful. Always careful. Like if you take up too much space, the illusion might break completely.
Like if you donât, maybe it wonât.
A soft buzz breaks the silence. Not loud. Not intrusive. Just enough to fracture what little stillness is left.
Jamesâs phone lights up on the nightstand.
You donât mean to look. You really donât.
But your eyes are already there, dragged by something instinctive, something tired and aching and quietly bracing for impact.
The screen glows in the dim light.
You donât read the message. It's the wallpaper that gets your attention.
The girl in the picture is pretty. Effortlessly so. Long blonde hair spilling over her shoulders, bright blue eyes caught mid-laugh. Thereâs a softness to her expression, something open and certain. Happy.
James' arm is wrapped around her waist, pulled in closeâfamiliar in a way that makes your stomach drop.
Heâs kissing her cheek. And sheâs smiling. Holding up her hand. A ring catching the light.
Your eyes close.
Fuck.
Itâs quiet in your head for a second. Completely, unnaturally quiet. Like everything just⌠stops. No thoughts. No rationalizing. No soft excuses youâve been feeding yourself for monthsâyears, maybe.Â
Just that image. Burned in.
You inhale slowly, but it catches halfway in your chest. Stutters. Doesnât quite settle.
Of course.
Of course thereâs someone else.
Of course thereâs always been someone else.
Behind you, James exhales like nothingâs changed. Like the room hasnât just tilted on its axis. Like you arenât standing there, half-dressed and suddenly very aware of how little space you actually take up in his world.
He reaches for the phone. The screen goes dark. Just like that. Gone.
âYou good?â he asks, glancing at you briefly as he pulls his shirt over his head.
Casual. Offhand. Like heâs asking if you remembered your keys.
Your throat tightens. You nod anyway. Because of course you do. Because thatâs the part you know how to play.
âYeah,â you say, and it comes out softer than you mean it to. Thinner.
He hums, distracted already, fingers moving over his phone now that itâs in his hand. Typing something out. Quick. Easy. Unbothered.
You wonder if itâs her.
You donât ask. You wonât ask.
That would imply something youâve never been allowed to be.
You finish gathering your things, movements slower nowânot hesitant, just⌠heavier. Like each small action carries more weight than it should.
Like something has shifted, even if nothing outwardly has.
Your shoes. Your bag. Your jacket. You pause for half a second longer than necessary, fingers brushing over the fabric before you pull it on.
Waiting.
For what, youâre not entirely sure.
For him to say something, maybe. To stop you. To explain. To choose.
But nothing comes. It never does.
James doesnât look up right away.
His attention stays on his phone, thumb moving in short, practiced motions. Whatever conversation heâs stepped back into seems to take priority over the one he hasnât even bothered to finish with you.
Then, like he remembers youâre still thereâ
âIâm slammed this week,â he says, almost as an afterthought. His tone is easy, unaffected. âMeetings. Late nights. The usual.â
You nod once. Of course.
He glances up briefly, just enough to check that youâre listening. Not long enough to actually see you.
âI head out Saturday,â he adds, tugging his watch onto his wrist. Adjusting it with a small, precise movement. âBut Fridayâs open.â
Thereâs a beat.
Then, like itâs already decidedâlike it always isâ
âEight work for you? Just come here.â
Not do you want to. Not are you free. Not even your name.
Just an expectation. A slot in his schedule. A space youâre meant to fill.
You nod again. Because thatâs what you do.
âYeah,â you say, quieter this time. It barely lands in the room.
He hums in acknowledgment, already moving on. Conversation over. Box checked.
You stand there for a second longer than necessary, like your body hasnât quite caught up to the fact that thereâs nothing left to wait for.
There never is.
So you leave.
The hallway outside is cooler.
It hits your skin in a way that feels sharper than it should, like youâve stepped out of something thicker than air. Something that clung.
The door clicks shut behind you with a soft, final sound.
And thatâs it.
No footsteps following. No voice calling you back.
Just quiet.
Friday comes anyway.
It always does.
But it feels different this timeânot in any loud, dramatic way. Nothing that announces itself. Just a subtle misalignment. Like something inside you shifted a fraction to the left and never quite settled back.
You go through the motions of your day. Work. Conversations. Background noise. The steady rhythm of everything thatâs supposed to feel normal.
The cursor blinks.
Steady. Patient. Indifferent.
You havenât typed inâwhat, minutes? Longer than that. The document on your screen sits untouched, words from earlier staring back at you like they belong to someone else. Like they were written by a version of you that knew what it was doing. A version that wasnât⌠this.
Whatever this is.
The office has shifted around you without you noticing. The low hum of conversation has thinned out, chairs scraping less frequently, the rhythm of people packing up settling into something quieter. End of day.
Your fingers rest lightly against the keyboard, unmoving. Your eyes fixed somewhere just past the screen, unfocused. The kind of staring that isnât really seeing anything at all.
Eight oâclock.
The thought drifts through, uninvited. Lands heavier than it should.
Just come here.
Your jaw tightensâbarely, but enough that you feel it. A slot in his schedule. A space. Something to fill.
âAre you coming?â
The voice cuts clean through the fog. You jolt.
Itâs small, but sharpâyour shoulders tensing, breath catching just enough to betray how far gone youâd been. Your head turns too quickly, like your body is scrambling to catch up.
Reid is standing a few feet away from your desk.
Thereâs a flicker of something in his expressionânot quite concern, not quite surprise. More like confirmation. Like heâd suspected you werenât really there long before he said anything.
His bag hangs loosely from one shoulder, one hand hooked around the strap. He tilts his head slightly, studying you in that way he doesâtoo observant, too precise. Itâs never invasive, exactly.
Just⌠thorough.
âThe teamâs going out,â he says after a moment, voice gentle but clear enough to anchor you back into the room. âLuke found a place a few blocks over. Apparently they haveââ he hesitates, searching for the phrasing, ââstatistically above-average reviews for their bourbon selection.â
A beat. His gaze doesnât leave your face.
âWeâre heading there now.â
Thereâs a pauseânot empty, not accidental. Intentional. He gives you space to respond, but not enough to disappear into.
âAre you coming?â
The question lands softer than it should. Or maybe youâre just more aware of it.
You open your mouthââUmââbut it doesnât go anywhere. Your eyes drop instead, almost instinctively, to your phone where it sits on your desk.
Dark screen. Still.
He doesnât comment on it, but something shifts behind his eyesâsome quiet recalibration, pieces sliding into place. Heâs good at patterns. Better at people than he likes to admit.
Heâs seen this before. Not the specifics. Not the details. But the shape of it. Waiting. Hesitation. Obligation dressed up as choice.
You look back up.
He hasnât moved. Hasnât filled the silence. Just stands there, steady, patient in a way that doesnât feel like pressureâbut doesnât let you hide either.
âYeah,â you say finally. âSure.â
The bar is louder than the office.
Not overwhelmingly so, but enough that it fills the empty spaces in your head with something externalâmusic threading through conversation, glasses clinking, laughter rising and falling in uneven bursts. Warm light spills across polished wood and crowded tables, the air carrying the sharp, sweet burn of alcohol.
Your phone glows dimly in your hand.
Thread open. Messages stacked one on top of the other, a timeline of something that always felt like more when you were in it than it ever looks like now.
Short texts. Late-night logistics. Half-finished conversations that never needed finishing because they always ended the same way.
You scroll.
Your thumb hesitates over one from a few weeks agoâYou up?âand something in your chest tightens, small and familiar. Predictable.
Itâs just after eight.
You glance at the time again like it might change if you look at it differently.
No new message.
No are you on the way, no where are you, no irritation at your absence. Nothing to acknowledge that you didnât show. Nothing to suggest he cares that you didn't.
Your teeth catch the edge of your thumb before you realize youâre doing it.
Across the table, laughter breaksâLuke saying something you donât quite catch, JJ swatting his arm, Rossi shaking his head with that low, amused huff. Itâs easy, natural. Effortless in a way that feels⌠distant.
A glass taps down in front of you.
You blink, pulled back just enough to look up as Emily slides a shot onto the table with a small, decisive nod.
The glass catches the lightâamber, sharp. You stare at it for a second like youâre deciding whether youâre allowed to have it.
Then you pick it up.
Everyone cheers.
Itâs loud, overlappingâLukeâs easy grin, JJâs bright laugh, Garcia already halfway to a dramatic âbottoms up!â before the rest of the table catches up. Even Rossi lifts his glass with a quiet sort of approval, something softer tucked beneath it.
Spencer raises his glass of water too.
His fingers curl loosely around it, the motion a fraction delayedâlike heâs watching first, cataloging, before participating.
His gaze flicks briefly toward you, quick enough that no one else would notice. Long enough that he registers the way your grip on the shot glass is just a little too tight.
Then you drink.
It burns. Sharp and immediate, a clean line of heat down your throat that should anchor you, should pull you fully into the moment. For a second, it almost doesâyour eyes squeezing shut, your breath catching on the exhale.
But it doesnât last.
It never does.
Soon, the group begins to scatter.
JJ and Garcia vanish first, drawn toward the dance floor like itâs a magnet, laughter trailing behind themâbright, unrestrained, a kind of joy that feels almost dissonant after the quiet heaviness of the week.
Emily and Tara drift toward the bar, conversation already picking up mid-thought, something low and conspiratorial threading between them.
Luke and Rossi stay, leaning in over the tableâvoices dropping into that familiar rhythm of debate, something about whiskey aging processes and whether it actually makes a measurable difference.
And just like that, the space shifts.
Your shoulders drop before you even realize youâve been holding them tense.
The noise of the bar swells and dips around you, laughter rising somewhere to your left, the low hum of conversation weaving in and out beneath itâbut it all feels⌠distant. Like youâre listening through a wall. Like youâre not entirely in the room so much as adjacent to it.
Your phone buzzes.
Itâs subtle, barely noticeable over the musicâbut you feel it. Your gaze drops immediately, like itâs been waiting for the excuse.
James.
Your thumb hovers for half a second before you tap the screen. The message is a picture. You donât open it. You donât need to.
You already know what it isâhis version of an invitation. A summons, really. A wordless where are you? wrapped in something thatâs never actually been about you.
You turn the phone face down against the table, like that somehow dulls the weight of it. Like it isnât still sitting there, waiting. Expecting.
Your fingers curl loosely around the edge of the table instead.
You could leave.
The thought slips in quietly, familiar as a well-worn path.
You could make an excuseâsay youâre tired, say you forgot something, say anything at all. No one here would question it. Theyâd nod, tell you to text when you get home, maybe tease you lightly about being the first to bail. And then youâd go.
Back to the hotel. Back to him. Back to something predictable. Easy.
Your teeth catch your thumb again before you can stop yourself.
You donât belong here.
The thought settles in, heavy and certain.
You grip the edge of the table, knuckles whitening, and for the first time tonight you notice how small the space feels around you. Everyone else is laughing, moving, drifting through their easy rhythms like they belong here. And you⌠youâre just a shadow at the edge of it, fresh out of the academy, six months in, surrounded by people whoâve been this team for a decade. Youâve been trying to fit. Trying to catch up. Trying not to be noticeable.
Youâre just a shadow at the edge, watching everyone else move like they belong here.
âHey⌠you okay?â
Your chest tightens, breath stuttering. You snap your head up, startled, and your eyes catch Reidâs. Heâs standing there, calm, patient, his gaze scanning you like he always does.
âIâm fine,â you say, softer than you mean to.
He tilts his head, suspicion flickering in his eyes. You know he sees through you, and the thought makes your stomach twist. You need movement, something to anchor yourself. âIâm getting another drink,â you tell him. âAnyone want anything?â
Rossi shakes his head without looking. âNo thanks, kid.â
You nod, forcing yourself to push away from the table. The chair scrapes the floor, the sound louder than it should feel, echoing in the hollow space of your chest. Step by step, you move toward the bar, each one deliberate, grounding yourself in the smallest act of choice youâve taken all night.
The hum of conversation and clinking glasses feels distant, muffled by the tension crawling up your spine. You take a breath, shallow, careful, like the air itself might betray you.
A quiet shift to your left makes you glance over. Reidâs there. Close enough that the warmth of his presence nudges your awareness, but not so close that it feels like intrusion. His hands rest lightly on the bar, posture relaxed, shoulders squared. Calm. Steady. The way he always is.
âI thought you didnât drink,â you say, voice half curiosity, half challenge, like it matters.
He shrugs. âI donât.â
You just nod, not because it surprises youâbecause it doesnâtâbut because you need the distraction. Something to ground yourself in the ordinary. You catch the bartenderâs eye, raising a hand.
âVodka cranberry,â you say, forcing your voice steady. âDouble.â
The words feel heavier than usual, like the alcohol isnât just going into the glassâitâs for you, to hold on to, to push the buzzing of your chest down just a little. You watch the bartender pour, the ruby-red liquid spilling over ice, the glass catching the warm bar lights.
Reid doesnât comment. Doesnât question. Just leans there beside you, quiet, presence solid and patient. You can feel him cataloging, observing, and itâs both comforting and infuriating. His gaze isnât demanding, not interrogatingâitâs just⌠aware.
You shift slightly, curling your fingers around the glass when it lands in front of you. Cold against your palms, weight real and grounding. You lift it to your lips, sip carefully, and let the burn of it anchor you to the moment.
You glance at Reid over the rim of your glass, letting the drink settle on your tongue for a beat before you speak. The words are sharp with a thread of sarcasm, more shield than truth.
âDid you⌠just follow me here to watch me drink?â
Reid blinks, the faintest hint of a smile tugging at the corners of his mouth. Itâs subtle, quiet, like heâs trying not to let the joke slip fully free, but it lands anyway. The kind of smile that reaches only his eyes and leaves the rest of him calm, unreadable.
âNo,â he says, voice low, even, measured. But the smile lingers, a small curve of humor in the steady precision of him. âIâI thought you looked like something was bothering you.â
You donât know why his words sting a little. Itâs not exactly the concern you wanted, but itâs the first thread of recognition youâve had all evening that someoneâsomeone who actually seesâmight notice you.
You set the glass down, careful, deliberate. Eyes meeting his, something in your expression half-asked, half-daring.
âYou⌠you didnât have to,â you mutter, voice low, and maybe itâs a statement. Maybe itâs a question. Maybe itâs both.
He tilts his head, that same patient tilt, as if weighing what to say, how much to share.
âI know,â he admits softly. âBut Iââ He pauses, eyes scanning you again, lingering on the tension youâve carried in your posture, the way you brace yourself in space. âI just wanted to make sure you were⌠okay.â
You stare at him for a second. Normally, youâd nod, mumble, âYeah, fine,â and push him away with a wall built out of routine, out of habit, out of every self-preserving instinct youâve honed. But now⌠now something else is threading through you, quiet but insistent.
You let your mouth open before your brain can catch up. âMy boyfâThis guy I was seeing⌠It turns out he's engaged.â
âAnd of course heâhe doesnât care,â you blurt, voice catching on the last word. âI mean, not like itâs supposed to matter to me, right? We had this sort of unspoken agreement that this thing wasn't serious. But I was thinking about how if it was unspoken, was it really an agreement?â
Your hands gesture helplessly, tapping, twisting, grasping for purchase in the air. You hate how much of this is spilling out. You hate how much of this is just you, raw and unfiltered.
âAnd the worst part is that I couldnât even⌠I couldnât even hate him properly â you continue. âJames has always been like this, I've always known what this was. It's my own fault, really. I started thinking it was something more than what I deserve.â
Reid frowns. Opens his mouth, something on the tip of his tongue, but the words never leave his mouth.
They don't get the chance.
âWhat the hell?â
Your head snaps around. Heart stutters. There he is. Standing too close to the bar, shirt untucked, hair combed back, angry eyes locked on you.
âJames?â
âYouââ he starts, then cuts himself, eyes narrowing, voice low but tight. âYou blew me off⌠for him?â His gaze flicks toward Reid, and you feel your chest tighten at the way he says it, the edge in his tone: himâlike the word itself is a judgment.
You open your mouth, but your voice barely rises above a whisper. âIâJames, itâs notââ
âNot what?â he yells, teeth clenched. âNot what? Youâre supposed to care about me! I waited. I actually waited for you tonight!â His chest heaves.
You feel heat rush to your face, your chest tightening. Words stick in your throat. You try again, voice weak, small. âI didnât mean toââ
âOf course you didnât,â he spits, waving a hand at you, eyes blazing. âYou never do. You just⌠just take. Always taking. And now youâre here, with some⌠some old nerd?â
You canât stop it. The word nerd bouncing off Jamesâ teeth makes you snort before you even realize it. Small, sharp, ridiculous.
His eyes flick toward you, narrowing. âWhatâwhatâs so funny?â
You tilt your head, letting the corner of your mouth twitch. âYou. You actually said that. Nerd. Thatâs⌠kind of sad, actually.â
The laugh dies quickly in your throat when you notice how fast his expression hardens. His jaw clenches. Fingers curl, like heâs balancing between self-control and something darker.
His voice drops, low and dangerous. âYouâyou think this is funny?â
You glare, something snapping in your chest thatâs been coiled too long. The last weeks, the tension, the weight of always being small in his world, the image of her burning itself into your mind.
âNo, actually, it's not funny,â you spit, voice sharper than you intend. âBecause unlike you, some of us actually care about other people. You know, like, your fiancĂŠe. Or does that not matter in your little world?â
Jamesâ nostrils flare, the heat in his face rising. âThatâs none of your business!â he hisses, stepping forward, closing the distance, chest nearly brushing yours. His hand lifts, threateningâlike he thinks he can push you back with sheer weight.
You donât even flinch. Not because youâre braveâthereâs no room for fear, no time for hesitationâbut because Reid is already there.
In one fluid motion, Spencerâs hand clamps around Jamesâ wrist, yanking it behind his back. His other hand presses firmly to Jamesâ shoulder, and suddenly the ex is face-down against the bar, pinned with a precision that leaves no room for argument.
âDonât touch her,â he says, voice low, each word clipped and deliberateâthe same tone heâd use when taking a violent suspect into custody.
James struggles, shoving lightly at first, trying to regain some semblance of control. âHeyâwhat the hell, man?ââ
Then a flicker of rage crosses his face. His eyes narrow, jaw tightening, as he shoves and strains against Spencer with increasing force.
âDo you know who youâre dealing with? You have no ideaânoââ Jamesâs face reddens, frustration mounting. âGetâoffâme! You littleâ!â
âLet him go, Reid,â you say. âIt's not worth it.â
Reidâs grip doesnât vanish all at once. It loosens in increments, controlled and deliberate. Like he doesnât trust the space yet. Like he doesnât trust him.
You can see itâtension coiled in Reidâs arm, the restraint it takes to let go at all. And then James wrenches himself free.
Itâs messy and abrupt, a sharp pull that breaks whatever control Reid had just barely eased into. James stumbles a half-step forward before he catches himself, chest heaving, shoulders tight with anger that has nowhere left to go but outward.
He turns to you. And for a second, you see it. Not affection, nor regret. Itâs not even the hallow imitation of either heâs always fed you
Itâs pride, bruised and ugly.
âYou know what?â he snaps, âIâm done.â
The words land harder than they should. Theyâre expected, sure, but theyâre still his. Theyâre supposed to mean something, theyâre supposed to matter. Youâd feared hearing those words from him for months.
âIâm done waiting around for you,â he continues, running a hand through his hair in frustration. âDone dealing with your bullshit, yourâyour games.â He laughs, but thereâs no humor in it. âYou want to throw yourself atâwhat, coworkers now? Fine. Have fun with that.â
Your throat tightens. You should feel something. You do feel something. Just not what you expected. You feel the sting youâd expectâthe tinge of hurt. But beneath that, beneath the instinctive urge to apologize, smooth it over, shrink yourself into something easier to handleâ
You feel relief.
James exhales sharply through his nose, shaking his head. âWhatever,â he mutters. âYouâre not even worth it. This is pathetic.â
He turns sharply, shoulder clipping someone as he shoves his way through the crowd, muttering under his breath, anger radiating off him in waves that part people before he makes it to them.
Itâs only then, in the space he leaves behind, that you realize just how many people were watching.Â
The noise of the bar doesnât stop, but it shifts. Warps around you. Conversations falter at the edges, eyes linger a second to long before pretending they werenât looking at all.
Thereâs a circle. Not a full one, not obvious, but enough. Enough to make your stomach drop. Enough to draw your eye to the woman standing just a few feet away, brows drawn slightly together and a frown on her lips.Â
Prentiss shifts forward when you make eye contact, and suddenly your chest caves in on itself.
She saw.
Every word, every crack in your voice. Your fingers curl in on themselves, nails biting into your palms.Â
You want to disappear.
The thought hits hard and immediate. If you could just step back, just slip out, just vanish into the crowd and out the doorâ
You wouldn't have to see the way theyâre looking at you. You wouldnât have to feel it. The shame curling low in your stomach and sharp in your chest, worse than anything James said.
Your throat tightens, breath catching too high in your chest. You shouldnât have come. You shouldnât be here. You donât belong here.
You take a small step back, then another. Your vision tunnels slightly, the edges of the room blurring as your focus narrows to one thing: out. You just need to get out.
âHey, what haââ
âI, uhâI just need some air,â you blurt, the words tripping over each other. You donât wait for a response.Â
You turn too quickly, nearly bumping into someone as you push past, murmuring a half-formed apology. The door is right there. You donât think, you just move. Push.
The cool air hits you all at once. It cuts through the heat clinging to your skin. You inhale hard, too fast, like your lungs forgot how to do it properly and are scrambling to catch up. Cold air floods in. Again. And again.
Your hands come up instinctively, bracing against your ribs like you can physically hold yourself together.
Itâs quieter out hereâthe traffic is slow, the music is muffled. Less noise, less pressure.Â
You bend slightly at the waist, dragging in another breath, slower this time. Trying to make it stick. Trying to make it work.
Your breathing evens out first, but your heart doesnât get the memo as quickly.Â
It keeps racing, thudding hard and uneven. You take another deep breath and lean back against the brick wall, the rough texture pressing through your clothes. Solid. Grounding, in a way.
Your knees give out before you really decide to sit.
You slide down slowly, controlled at first and then not, until youâre on the sidewalk, the cold seeping through the fabric of your pants. It bites, but you donât move. Your head tips back against the wall. Eyes close.
For a second, you wish you were a smoker.
The thought is absurd. But right now⌠right now feels like it would make sense. Something to do with your hands. Something to focus on.
The door creaks open behind you. Footsteps follow, measured and unrushed.
Thereâs a small, stubborn part of you that hopes that if you stay still enough, whoever it is might just leave. Give you a second longer to exist in the quiet, nothing expected of you.
The footsteps stop anyway, just to your left.
You crack one eye open, lashes sticking slightly where theyâd pressed too tight together. Your vision takes a second to focus, the streetlight catching on something glassy, redâyour drink.
You open your other eye, gaze tracking up to the person holding it out to you. Reid.Â
Heâs standing in front of you, one hand holding out your vodka cran, the other tucked loosely into his pocket. His poster is relaxed, but thereâs something careful to itâlike heâs making a conscious effort not to crowd you, not to overwhelm you.
His eyes flick over your face quickly, taking in more than youâd like him to. The slight flush still lingering on your cheeks, the uneven way your breath settles, the way your fingers curl loosely against your knees like youâre not entirely sure what to do with them.
Your gaze drops back to the glass in his hand.
âYouââ your voice comes out a little rough, like you havenât used it in a while. You clear your throat. âIâm pretty sure youâre not supposed to leave the building with alcohol.â
âWhat are they going to do, arrest me?â he winces slightly, like he regrets his own joke before heâs even fully said the words.
âWell, then I guess youâre a repeat offender now, huh?â The words leave your mouth before your brain can veto them. You wince, exactly the way Reid just did.
âIâm sorry, I didnâtââ
But Reid just lets out a quiet, low laugh. Sudden and surprised, like he wasnât expecting you to say something like that. âDonât be sorry. I joked first.â
You let out a breath you didnât realize youâd been holding and reach for the glass. Your fingers brush his as you take it, the warmth seeping through your skin. âThanks,â you murmur.
He doesnât speak, just tilts his head and slides down onto the curb beside you. You stiffen immediately. âDonât,â you whisper, a little sharp. âYouâre⌠youâre wearing a suit.â
He glances down at the neatly pressed fabric, then back at you, corners of his mouth twitching in that faint, crooked smile that somehow disarms all argument. âI can,â he says simply. And then, like itâs the most natural thing in the world, he does.
Reid shifts slightly, leaning back on his hands. âAre you⌠okay?â His voice is careful, gentle, like heâs handling something fragile.
You glance down at your knees, still gripping the glass a little too tightly. âIâm⌠embarrassed,â you mutter. Your throat tightens. âMy boss⌠just saw me get berated by some guy in a bar.â The words taste bitter on your tongue. You imagine her eyes on you, all judgment and concern, and you want to crawl into yourself, disappear.
Reid lets out a quiet laugh, soft but impossible to ignore. âShe actually saw me pin him to the table,â he says, voice teasing, but still calm, controlled. âArguably, thatâs a worse situation.â
A laugh escapes you, small, shaky, but genuine. You shake your head, a little of the tension leaving your shoulders. âYeah⌠okay. Iâll give you that. Definitely worse.â
He tilts his head, gaze curious, unreadable. âPrentiss doesnât care that it happened. She just wanted to know if youâre okay.â
You swallow, letting the words settle. Somehow, knowing that sheâs not judging, not holding it over your head, makes the heat of humiliation fade a little. âI⌠I think I am,â you admit softly, letting your fingers relax around the glass. âThanks⌠for defending me.â
âAny time,â he says. âYou donât deserve to be treated that way. Not by him. Not by anyone.â
Your breath hitches a little. The words settle in your chest, heavy and warm, threading through the lingering embarrassment. You glance up at him, half-expecting teasing, half-expecting judgmentâbut thereâs none. Just⌠that steady presence that makes it feel like the world outside this curb has stopped.
âYou deserve better,â he adds, more softly this time. âNot just protection from him, but someone who actually respects your time, your space, your⌠everything.â
"You really think that?" you ask, your voice barely above a whisper. The skepticism is instinctive, a reflex you've built up over years of being told you're too much, or not enough.
He doesn't flinch. He doesn't look away. "I know it.â
You take a sip of your drink to hide the way your mouth wants to twist, letting the vodka burn sharp and distracting on the way down. You stare out at the streetlights, watching the traffic pass, needing to look at anything but him.
"Well," you say, letting your head loll back against the brick to look at him, your voice dipping into that familiar, jagged sarcasm you wear like armor. "Let me know when you find someone who does that, will you?â
Reid doesnât laugh. He doesnât even smile. He just looks at you, eyes soft but intent, reading past the deflection like itâs written in a language heâs fluent in. The traffic rushes by, filling the silence between you, but he doesnât look away.
"I know someone whoâs willing to try," he says.
The air between you seems to still, the rush of traffic fading into a dull, distant roar. Your grip on the glass tightens automatically, a knee-jerk defense against something that feels dangerously like hope. You search his face for the punchline, the awkward hesitation that tells you heâs just being nice, but there isnât any. Just that steady, calm regard, like heâs stating a fact as simple as gravity.
Itâs terrifying. Itâs the most genuine offer youâve had in years, and it comes from the person you least expected to dissect the messy, jagged parts of you and still want to stick around. You force a short, skeptical breath of a laugh, trying to shove the moment back into the box labeled ' impossible' before it can crack you open. "You," you start, your voice rougher than you intended, "you realize I'm a disaster, right? That'sâthatâs what tonight was. Thatâs what I am."
Reid just shifts slightly, turning his body toward you so his knees bump yours, a deliberate, grounding point of contact. "I don't think you're a disaster," he says softly. "I think youâre a person whoâs been treated like an option for too long by someone who didn't know what he had." He glances down at the drink in your hand, then back up, eyes catching the streetlight with a quiet intensity. "I know the statistics on recovery. I know it takes time to unlearn that kind of treatment. But I'm good at waiting. And I'm very patient.â
You nearly choke on your next swallow, the burn of the vodka suddenly nothing compared to the heat rushing up your neck. You pull away, shifting so youâre not pressed quite so close to his side, putting a fraction of distance between you on the concrete.
"Wow," you breathe out, shaking your head as you stare at the traffic passing on the street. "You really... you actually just cited statistics at me to try and get me to sleep with you." You turn back to him, arching a brow, letting your lip curl just enough to be sharp. "That isâthat is impressively unsexy, Reid. I mean, truly.â
The words barely have time to hang in the cool night air before the regret hits you. Itâs instant and sickening, washing away the cheap defense of sarcasm and leaving behind the raw ache underneath. You watch his face, expecting him to bristle, to get up, to mutter some logical comeback and leave you there on the curb to finish your drink in solitary humiliation.
But he doesn't flinch. He doesn't look away. He just looks at you.
He holds your gaze with that same steady, infuriating patience. He saw the twitch in your hand, the way you spiraled, and instead of calling you out on the cruelty, he just waited. Like he knows you're already punishing yourself enough for the both of you.
"I didn't mean that," you blurt out, the words rushing together in a desperate attempt to take it back. You set the glass down on the pavement beside you, your hands suddenly feeling useless and trembling. "I'm sorry. That wasâthat was mean. I was just... deflecting."
"I know," Reid says softly. The forgiveness is immediate, absolute, and devoid of the hesitation youâre used to receiving. âBut I mean it. I know itâll take time. I know it wonât be easy to believe. But I want to be the one who proves that you deserve more. Who actually gives it to you.â
You bite the inside of your cheek, words catching in your throat. Your voice is quieter now, softer. âAnd if I⌠if I push back? Or yell? Orââ
âYou will,â he says, eyes locking on yours. âI know you will. And thatâs okay. Iâll wait. Iâll listen. Iâll⌠handle it.â His gaze doesnât falter, doesnât waver. Itâs steady. Enough to make the rest of the night, the bar, James, and everything else fade just a little.
Your laugh is small, shaky, like a bird testing the air for flight. âYouâre⌠insane.â
âMaybe,â he admits, corners of his mouth twitching in that crooked, infuriating smile. âOr maybe I just think youâre worth it.â
You lift your gaze, meeting his steady eyes again. Thereâs a pull thereâsomething magnetic, something dangerous in the way he looks at youâbut itâs not reckless. Not threatening. Safe. The kind of safety that makes your chest ache with longing youâve barely let yourself feel.
You shift slightly, closer, more instinct than conscious thought, just enough to brush against the warmth of him. Your hand hovers near his arm, and before you know it, itâs resting lightly against his sleeve. You almost pull it away, reminding yourself of restraint, of boundariesâbut the warmth of him there, steady, grounding, feels⌠essential.
Reidâs gaze follows your movement, patient but intent. He tilts his head, a faint, knowing smile tugging at the corner of his lips. âYou donât have to be careful with me,â he murmurs, voice low, a rasp that makes the air shiver around it.
His hand shifts subtly, brushing against yours, fingers threading just slightly, testing.
âDo youâŚ?â Your voice trembles, small and unsure, carrying the question you canât quite form. âDo you⌠want this?â
âI want whatever you want,â he says simply. âI want you. But only if you want me too.â
Thatâs enough to tip the fragile line youâve been teetering on. Impulsively, hesitantly, you reach up, tracing the edge of his jaw with your fingertips, memorizing the planes of his face, the way his skin is warm beneath your touch. He leans slightly into the gesture, breath hitching just enough to tell you he notices, that he feels it.
The world narrows. Just you. Just him. The faint buzz of the city, the distant headlights, the cold concrete pressing against your legsâthey all fall away until thereâs nothing but the hum of possibility between you.
Your lips hover near his, and you freeze, heart hammering. Youâre not sure if you want thisâif you want him, or just the safety, the closeness, the heat of someone who sees you and still wants you. But the thought of pulling back, of losing this chance, makes your chest ache.
He tilts his head, brushing a strand of hair from your face, thumb lingering against your cheek. âYou can stop,â he murmurs. âOr you can try.â
Something in you unravelsâthe careful walls, the sarcasm, the self-protective reflexes. You close the last fraction of distance, lips brushing his. Soft. Gentle. A spark, a question, a yes whispered in the language of a kiss.
Reid doesnât hesitate. He meets it, tilting his head to deepen the contact, hand moving to cradle your face, the other brushing along your arm. Safe. Warm. Patient, but insistent enough to let you know he wants this too.
His hand is warm where it cups your face. Steady. Intentional. Not demandingânever thatâbut there, present, like heâs giving you something solid to hold onto while everything else inside you threatens to tilt.
You expect it to feel overwhelming. It doesnât. It feels⌠quiet.
Your lips move against his again, a little more certain this time, testing the shape of it, the reality of it. And he followsâcarefully, like heâs reading you even now, adjusting in real time to every shift in your breath, every slight change in pressure. Thereâs no rush. No taking. Just⌠meeting you there.
Your fingers curl slightly where they rest against his jaw, and you feel the way his breath catchesânot dramatically, not exaggerated, just enough to tell you it matters. That you matter.
It does something dangerous to your chest.
You lean in a fraction more, and this time the kiss deepensâstill soft, still controlled, but warmer now. Real. His thumb brushes lightly along your cheek, a slow, grounding motion, like heâs reminding you that youâre here. That this is happening. That you can stop at any point and heâll let you.
And somehow, that makes you not want to stop at all.
Your other hand shifts, sliding from his sleeve to his wrist, then upâhesitant at first, then more certainâuntil your fingers rest against the side of his neck. His skin is warm. Steady. You can feel his pulse there, quickening just slightly under your touch.
You like that.
The realization hits you quietly, but it lingers.
Reid exhales softly against your lips, and thereâs something different in it nowâsomething a little less restrained, a little more felt.Â
âHeyâŚâ you murmur, pulling back just enough to meet his eyes. Your voice is soft, a little breathless. âWalk me home?â
He blinks, just the faintest flicker of surprise crossing his features before it smooths into that steady, calm look you know so well. âOf course,â he says, the words low, sure, certain.
You stand, brushing the chill off your pants, and he falls into step beside you without hesitation. The city night feels quieter now, the hum of traffic and distant sirens softened by the rhythm of your walking. Your hand brushes his at first accidentally, then deliberately, and he doesnât pull awayâdoesnât need to. The warmth seeps through your nerves, that quiet shock that says youâre alive, that youâre wanted.
There's that look in his eyes again: steady, observant, but carrying a promise that heâll meet you where you are. That heâll wait, if necessary, but that he wants this, too.
Your chest tightens. The city lights stretch shadows across the sidewalk, painting him in sharp angles and soft curves. You wonder how itâs possible for someone to feel so steady and so incendiary at once.
When you reach your building, the air seems thicker, heavier with unsaid words and barely restrained energy. The lobby is empty, quiet, the distant hum of the city muffled behind the glass doors. You pause, hand brushing against the wall for something to hold on to, grounding yourself.
âYou can⌠come up,â you murmur before your brain has time to talk you out of it. The words are uneven, hesitant, carrying all your insecurities. âIf you want.â
He tilts his head, watching you carefully, reading every microexpression like he always does. âI do,â he says softly. And he follows you inside without hesitation.
Youâve done this before. Let someone follow you upstairs. Let it mean something it wasnât supposed to.
This feels different.
The hallway stretches a little longer than usual, your footsteps echoing softly against the floor. You donât look back, but you can feel him there. Half a step behind you. Like heâs giving you the space to stop. To turn around. To change your mind.
The key slips once in your grip before you manage to steady it, the metal clicking against the lock louder than it should be. Your pulse jumps with it. You push the door open and step inside, the familiar quiet of your apartment settling around you like something held too tightly.
For a second, you just stand there. Then, he steps in after you. The door closes with a soft click.
âYou can stillââ he starts, voice low, careful.
But you close the distance before he can finish.
Your hands find him firstâfisting lightly in the front of his shirt, pulling him in like youâre afraid he might disappear if you donât anchor him there. His breath catches, just barely, and then your lips are on his again. Itâs different this time. Less careful. Less questioning.
Thereâs urgency in it nowâsomething thatâs been building, coiling tight all night finally snapping loose. You press closer, rising onto your toes, and he meets you immediately, hands coming up to steady your waist, your backâeverywhere all at once, like heâs trying to keep up without overwhelming you.
You tug at him, guiding, half-walking, half-pulling him down the short hallway toward your room. He follows without resistance, but thereâs a shift in himâsomething grounding, something deliberate beneath the heat.
The bedroom door bumps open. You barely register it before youâre turning back to him, hands already moving again, lips finding his jaw, his neckâanything you can reach. Itâs a little messy, a little rushed, your breath uneven as it tangles with his.
And thenâHis hands catch yours.
âHeyââ he murmurs, voice low, breath warm where it brushes your cheek. âHey⌠itâs okay.â
You blink, the moment stuttering. Your chest rises and falls too fast, your pulse still racing ahead of you, like you havenât quite caught up to your own body yet.
âI justââ you start, but the words donât land. Youâre not even sure what you were going to say.
He doesnât make you finish. âI know,â he says softly.
His thumbs brush lightly over your wrists where heâs still holding them, grounding, steady. Not restrainingâjust there.
âWe can slow down,â he adds. âWe donât have to rush anything.â
The certainty in his voice disarms you in a way youâre not prepared for.
Your shoulders drop a fraction. Your breath stutters, then steadies, just a little.
ââŚokay,â you whisper.
The word feels fragile. New. But he treats it like something solid.
Reidâs hands loosen, giving you the space to pull away if you wantâbut when you donât, when you stay right there in front of him, he lets his fingers slide more gently along your arms instead. Up. Slow. Intentional.
Like heâs learning you. Like he wants to.
His hands find the edge of your shirt, fingertips brushing the fabric where it clings to your skin. He pauses, lifting his gaze to yours, as if asking permission without a word. You nod, breath trembling.
His lips brush along your collarbone, soft and feather-light, following a trail only he seems to know exists. One hand slides up your side, fingertips pressing gently against your ribs, mapping the curve beneath the thin fabric. The warmth of him, the deliberate patience, makes your knees weaken.
âDo you⌠want me to?â His voice is low, rougher than usual, carrying that quiet certainty youâve come to rely on.
âYes,â you whisper. âYes, please.â
His fingers curl into the hem of your shirt, and then itâs goneâlifted slowly, deliberately, like heâs giving you time to change your mind even as it slides over your head.
He leans back in immediately, lips brushing yours, but your hands are fidgety, unsure, tangling in his shirt, pulling too hard, then too soft. Your fingers move to your pants, fumbling the button, and a tiny groan escapes youâhalf frustration, half embarrassment.
Reid chuckles against your lips, warm and low, the sound vibrating through you. Itâs soft, not mocking, just amused, and somehow it makes you grin despite yourself. You canât help itâa little laugh escapes between kisses, breathless and uneven.
You take a shaky breath and try again, dragging the fabric down with more determination, though youâre still clumsy, tugging at them too fast before pausing, then yanking them the rest of the way. They pool around your ankles, and you step free, kicking them asideâslightly off balance, but he catches you with a hand on your hip.
You tug him closer, heat building between you, and your hands find his, pressing them to the small of your back for a moment before slipping, guiding his fingers along the slope of your sides.
Your pulse hammers in your ears, and you can feel him stiffen slightly under your touch, a shiver running through him as you lead his hands upward to the clasp of your bra. The soft click of the hooks under your fingertips sends a jolt straight through your chest.
He pushes the straps off your shoulders, the soft fabric falling to the floor.Â
The air feels cooler against your skin immediately. Sharper. Youâre suddenly, acutely aware of itâof yourself.
Of him.Â
You donât give yourself time to think about it. Donât let the hesitation creep in. Your hands are already reaching for him again, pulling him forward, chasing the warmth you just hadâ
Your breath catches, confusion flickering across your face as you look up at him.
âIââ you start, but the words falter when you see the way heâs looking at you.
Not rushed. Not hungry in that careless, consuming way youâre used to. Focused. Intent.
âI want to look at you,â he says quietly.
It lands heavier than anything else heâs said tonight.
Heat rushes up your neck instantly, blooming across your cheeks, your chest tightening as your instinct is to turn away, to fold in on yourself, to hide. You almost laugh it offâalmost deflect, make a joke, cover the sudden vulnerability clawing up your throat.
But his hands are still there, resting lightly at your waist.
His gaze doesnât waver. Doesnât flick away to give you an out. But itâs not trapping, either. Itâs patient. Open.
Like heâs asking. Like it matters.
Your fingers twitch at your sides before you force them to still. You draw in a slow breath that doesnât quite steady you but helps enough. And then you nod.
Reidâs eyes move over you thenânot in a way that feels like heâs taking something, not like heâs cataloging flaws or comparing or measuring. Itâs slow. Careful. Like heâs trying to understand something heâs been given permission to see.
His thumb brushes lightly along your side, a small, absent motion that somehow keeps you grounded while his gaze lingers.
âYouâreââ he starts, then stops, like heâs recalibrating, searching for the right word and discarding the wrong ones before they ever reach you.
His jaw shifts slightly.
ââyouâre incredible,â he settles on, voice quieter now, like itâs something meant just for you.
Your heart skips a beat.
It shouldnât hit as hard as it does. Itâs a simple word. Easy. Overused.
But not like this. Not from him.
You swallow, gaze dropping for a second before you force yourself to look back at him, even as the heat in your cheeks refuses to fade.
Something shifts in your chest, a sudden, impatient flare that has nothing to do with words and everything to do with heat, want, the ache of waiting too long. You pull him toward you. Harder than planned. A startled breath escapes him, warm against your neck, and the sound alone makes your pulse spike again.
He stumbles slightlyâboth of you caught in the sudden motionâbut instinctively, he catches himself. His hands land on either side of you, bracing against the bed, his chest hovering just above yours. You can feel the warmth radiating from him, the subtle tension in his arms, the deliberate strength thatâs always been there but now feels dangerously immediate.
Your hands roam down his chest, fingers catching on each button as you work them open. The fabric parts beneath your touch, revealing warm skin, the steady rise and fall of his breathing just a little less even than before.
Your hands drag down his chest, fingertips tracing the subtle lines of muscle beneath warm skin, feeling the way his breath shifts under your touchâjust a little deeper now, just a little less controlled.
Then back up.
Over his shoulders, pushing the fabric down his arms, your palms following the movement like you donât want to lose contact for even a second. The shirt catches at his elbows before he shrugs it off completely, letting it fall somewhere behind him without looking.
Your palms trace the warmth of his chest one last time before they drift lower, brushing the waistband of his pants. A rush of heat floods your chest, anticipation curling in your stomach. You inch your hands forward, imagining the weight and warmth beneath the fabric.
He stops you with a gentle but firm grip on your wrists.
âThis⌠isnât about me,â he murmurs, voice low, rough with something deeper. âItâs about you. I want to make you feel good first.â
You swallow, heat pooling between your thighs at the deliberate weight of his words. Your hands drop, and for a moment, you let yourself just be held, just feel him.
Then his hands are movingâsliding along your ribs, over your hips, brushing over the swell of your breasts, ghosting over your nipples.
Your chest lifts instinctively under the pressure, the featherlight friction making your pulse stutter.
He leans back just slightly, eyes locking onto yours, searching, reading every flicker of reaction. âTell me if itâs too much,â he murmurs, but the way he holds your gaze is unwaveringâcommanding but gentle. âOr not enough. I want to know.â
You arch, pressing into him without thinking, letting the heat of anticipation spill into something more tangible. âNot⌠not enough,â you whisper, voice low, trembling with want.
A small, satisfied sound escapes himâalmost a growl, almost a purrâand his hands move with careful precision, cupping you fully now, thumbs brushing circles over your nipples, slow, deliberate, eliciting shivers that roll down your spine. You bite back a moan, but it escapes anyway, breathless, catching in the quiet of your bedroom.
His hands slide lower along your hips again, brushing teasingly over the swell of your thighs.Â
âMay I?â he murmurs, voice low, husky, as his fingers brush the waistband of your underwear. You nod, barely able to speak, breath hitching in uneven gasps.
He hooks his thumbs under the edges, letting his gaze lift to yours. No hurry, or shame. Just that commanding, attentive certainty that makes your knees weak.
He slides them down your legs, inch by careful inch, letting the fabric brush your skin, teasing, slow, patient, until he can discard them with the rest of your clothes. His hands drift back up your legs, tracing the curve of your inner thighs, stopping just shy of the place thatâs already slick with need. You gasp, hips tilting instinctively toward him, heart hammering.
Finally, he lowers himself, his lips brushing the sensitive skin of your inner thighs, feather-light at first, tracing circles that leave sparks behind.
The sensation travels inward, unhurried and deliberate, nothing like the frantic, selfish encounters youâre used to. When his mouth finally reaches where you need him most, the shock of it steals the breath from your lungs. It isn't rushed or performative; itâs attentive, his tongue moving with a focused precision that feels almost academic. One hand rests firmly on your hip, anchoring you to the mattress, a grounding tether as he begins to unravel you, lick by slow, devastating lick.
Your free hand finds its way into his hair, fingers tangling in the soft waves to hold him close, your hips lifting off the bed in a silent, desperate plea. He hums against you, a low, vibrating sound of approval that only sends fresh waves of pleasure rolling through your nerves, encouraging you to let go. Every flick of his tongue is a question he already knows the answer to, reading the tremor in your thighs and the broken cadence of your breath like data points on a graph, adjusting the pressure and speed until the only thing you know is the heat of his mouth and the rapidly tightening coil in your belly.
The pressure builds to a breaking point, overwhelming and sharp, and when you fall over the edge, you do so with a cry that you try to stifle against your own arm, a lifetime of conditioning making you shy away from being too loud, too much. But Spencer doesn't let you hide; he carries you through it, slowing his movements to draw out every last aftershock until youâre a trembling, boneless mess against the sheets.
He doesnât pull away immediately. Instead, his lips start a slow, deliberate ascent from your inner thigh, pressing open-mouthed kisses against the sensitive skin. Itâs a reverence in motion, a silent worship that has your eyes fluttering closed.
The scrape of his teeth against the curve of your hip draws a sharp, hitching gasp from you, your hips bucking involuntarily. He just smiles against your skinâa dark, knowing thingâand soothes the sting with his tongue, his hands continuing their slow, grounding glide up your sides. Heâs taking his time, mapping the topography of your body like he has all night, like he has a lifetime.
His mouth finds the dip of your navel, lingering there, his breath hot against your stomach. Your muscles jump and flutter under his attention, your breath coming in short, shallow bursts as the heat coils tighter, low and demanding. The sensations are overwhelmingâevery nerve ending feels raw, exposed, and terrifyingly alive.
He moves higher, tracing the line of your ribs with a devotion that feels almost holy. Your breath stutters, catching in your throat as the ghost of his breath feathers over your racing heart, the steady thump-thump-thump betraying just how undone you are. He presses a lingering kiss right over that frantic beat, as if trying to soothe the ache there with his own rhythm, his hands sliding up to bracket your waist, thumbs stroking the sensitive skin of your sides in a slow, hypnotic pattern.
He nips gently at the soft skin where your neck meets your shoulder, and your head falls back against the pillow, exposing more of yourself to him in a gesture of surrender that feels foreign yet terrifyingly right. You can feel the tension in his arms where they cage you in, the tremor of restraint running through him as he takes his time, leaving a trail of fire in his wake that burns away the lingering memory of every cold, careless touch before him.
Finally, his face hovers above yours, blocking out the dim light of the room until heâs the only thing you can see. His lips are red and swollen, his breathing ragged as it mingles with yours in the scant space between you. He doesnât kiss you immediately; he pauses, searching your eyes with that piercing, analytical gaze that sees too much, stripping away every last defense. Then he lowers his mouth to yours, slow and deliberate, and the taste on his tongue is youâsalt and musk and a sharp, intoxicating proof of exactly how much he wants you.
He breaks the kiss just enough to rest his forehead against yours, his breath still coming in ragged, syncopated bursts. The air between your bodies feels charged, electric with the lingering static of what just happened and the mounting pressure of whatâs coming next. His eyes search yours, dark and intent, stripping away any last defenses you might have thought you had.
"Tell me what you want," he murmurs, the words low and rough, vibrating against your lips. His hand drifts down, thumb tracing the curve of your jaw, tilting your chin up so you can't look away, can't hide from the weight of the question. "I need to hear you say it."
Your pulse hammers against your ribs, a frantic, uneven rhythm that matches the ache settling deep in your bones. Thereâs no room for hesitation here, no space for the deflective sarcasm or the practiced diffidence you usually hide behind. Not with him. Not like this. You force yourself to meet his gaze, to let the want show plainly on your face, raw and unvarnished.
"I want you to fuck me, Spencer. Please."
The words leave your lips in a rush, jagged and desperate, stripping away the last of your composure. You expect him to hesitate, to offer you another slow, sweet reassurance, but instead, his control snaps. A low, ragged sound tears from his throatâhalf-groan, half-growlâand his mouth crashes into yours, searing and demanding, swallowing the gasp that rises in your throat. Thereâs no patience left in him now, only a starving intensity that matches your own, his hands gripping your hips like heâs afraid you might vanish if he lets go.
He shifts above you, his weight pressing you into the mattress in a way that feels grounding rather than trapping. You can feel the hard, deliberate line of him against your thigh, the heat radiating through his clothes, a stark reminder of how much heâs been holding back. He makes quick work of his belt, the metal buckle clinking softly in the quiet room, followed by the hurried slide of fabric. Every movement is precise, efficient, but his hands are trembling just slightly, betraying the depth of his own need. When he finally settles back between your legs, skin against skin, the sensation is overwhelmingâa perfect, frictional fit that makes your hips lift instinctively, seeking more.
He pauses for a second, tilting his head slightly as his hand drifts from your hips to brush along your lower stomach. âDo you⌠want me to use a condom?â His voice is low, careful, giving you the space to answer.
You let out a sharp curse, half-laugh, half-frustration. âI⌠I donât have any. James alwaysâI donât have any.â The words stumble out, messy, just like your racing heart.
He opens his mouth, as if to say something, but you cut him off with a hurried shake of your head. âJust⌠pull out,â you murmur, voice a little breathless.
He blinks. âWhat?â
âPlease,â you say quickly, looking up at him, heat in your cheeks, pulse hammering. âIâif youâre okay with it.â
Thereâs a brief pauseâa beat of hesitationâbut you can feel it more than see it, that careful weighing of trust, of boundaries, of desire. Then his hands settle on your hips again, steady, grounding, as his lips brush yours in a soft, lingering kiss.
âOkay,â he murmurs, voice low and certain.
He pushes forward with a torturous slowness, letting you feel every inch as he stretches you, filling you so completely it steals the air from your lungs. Itâs intenseâa heavy, burning pressure that borders on too muchâbut itâs anchored by the way heâs watching you, his jaw tight with restraint, his focus entirely on the micro-expressions crossing your face. Heâs waiting for you to adjust, treating your body with the same reverence he treats your mind, giving you time to catch up to the reality of him.
Your breath hitches, a sharp, uneven sound, and instinct overrides everything else. You surge up, crashing your lips against his, needing the distraction, needing the connection. Your hands clutch at his shoulders, nails digging into the skin as you pull him closer, deeper, and your legs wrap around his waist, locking him in.
The movement changes everything. It breaks the careful control he was holding onto by a thread. He groans low into your mouth, a sound you feel vibrate through your chest, and his hips snap forward the rest of the way, burying himself to the hilt. The sudden depth drags a cry from your throat, which he swallows instantly, his kiss turning hungrier, more demanding. He doesn't withdraw; he stays there, deep and pulsing inside you, letting you feel the weight of him, the sheer reality of being this close, before he finally begins to moveâno longer slow, but deep and rolling, matching the desperate rhythm of your heart.
A sharp cry tears from your throat as he sets a rhythm that obliterates your ability to think, each stroke hitting deep and precise, dragging a desperate sound from your lungs that you canât hold back. Your body reacts instinctively, legs tightening around his waist, arms locking around his shoulders to anchor yourself as the intensity builds, threatening to pull you under. Itâs overwhelming in the best way, a tide rising higher and higher with every thrust.
"I've got you," he breathes, the words ragged against your mouth, punctuated by the sharp, uneven cadence of his breath. "You're incredibleâgod, look at you."
He doesn't stop moving, doesn't let up, his hips snapping into yours with a focused, driving rhythm that feels relentless and careful all at once. But even in the middle of it, he finds the air to speak, his voice a low, rough hum that vibrates against your lips.
"So good," he murmurs, his forehead pressing tight against yours, the words ghosting over your mouth in between the relentless, deep thrusts that make your vision blur. "You feel so good, taking me like this. You have no idea." His voice cracks on a groan, the restraint finally splintering as he buries himself impossibly deeper, grounding you with the weight of his body and the raw honesty in his tone. "Youâre perfect. Absolutely perfect."
Your fingernails dig into the sweat-slicked planes of his shoulders, holding on for dear life as the coil in your belly winds tighter, threatening to snap. Every praise feels like a brand, searing away the old, jagged memories of being too much or not enough, replacing them with the undeniable reality of how much he wants you right now. "Spencer," you gasp, his name sounding broken on your tongue, and he captures the sound with a searing kiss, swallowing your cries like they're something precious.
"I know, I know," he soothes, though his hips are losing their rhythm, becoming erratic, urgent. He shifts slightly, changing the angle just enough to make you see stars, his hand sliding down to grip your hip, holding you steady for the force of his thrusts. "Let go for me. I've got you, always." He presses his lips to your temple, your cheek, the corner of your mouth, worshiping every inch of skin he can reach. "Come on, baby. I want to feel you."
Your body arches off the mattress, seeking more of him, more of this grounding, overwhelming connection, and when the release crashes over you, it blinds out everything else. Itâs a blinding whiteout of sensation, your entire world narrowing down to the feel of him inside you, the weight of his body pressing yours into the mattress, and the sound of your own cry echoing in the quiet room. You clamp around him, your inner muscles fluttering and gripping as the pleasure rips through you, leaving you trembling and gasping in his arms, your fingers still digging desperately into his shoulders.
The way you tighten around him tears a ragged groan from his throat, his control finally shattering completely. He buries his face in the crook of your neck, his breathing turning harsh and uneven against your sweat-dampened skin. "That's it," he chokes out, the words strained and low, vibrating against your collarbone. "You're beautifulâso beautiful like this." He chases his own high then, his movements becoming jagged and desperate, thrusting deeper, harder, his grip on your hip almost bruising as he lets himself go.
You can feel the tension in every muscle of his back, the way his movements are becoming less calculated, more desperate, driven by pure instinct. Heâs right there with you, hovering on that precipice, and for a second, you think heâs going to let go completely.
But then his rhythm stutters. He gasps sharply against your skin, and with a herculean effort that seems to cost him everything, he tears himself away.
The sudden loss of contact leaves you feeling empty, cold for a fleeting second, but he doesn't go far.
He moves his hand, but before his fingers can close around himself, your hand is there, brushing his aside.
He lets out a shattered gasp, his eyes flying open to find yours, dark and wide with surprise. The heat of him is heavy in your palm, slick and desperate, and you don't hesitate. You wrap your fingers around him, stroking firmly from base to tip, taking over the rhythm he had denied himself.
"Godâ" The word breaks apart on a groan, his head falling back, exposing the long, pale line of his throat. His jaw goes slack, his lips parting on a silent exhale that turns into a low, guttural sound of pure surrender. Heâs powerless to stop it, the tension in his body snapping like a wire drawn too tight.
The pleasure overtakes him in a rush, and with a guttural moan that sounds almost like relief, he spills hot and wet across your stomach. You don't stop; your grip stays firm and sure, thumb brushing over the sensitive head as you stroke him through every pulse, intent on wringing every last bit of pleasure from him. He shudders violently above you, his whole body bowing under the intensity, his hands fisting in the sheets on either side of your head to keep from crushing you as he rides out the aftershocks.
As the tremors finally begin to subside, the frantic energy leaves him, replaced by a heavy, bone-deep exhaustion. His arms give out, and he lowers himself carefully, mostly collapsing onto you but catching his weight on his elbows to keep from smearing the mess between you any further. He buries his face in the crook of your neck, his breath coming in ragged, cooling gusts against your overheated skin, his heart hammering a frantic rhythm against your ribs that gradually begins to slow.
You let your hand release him, fingers drifting instead to the hair at the nape of his neck, combing through the damp strands in a slow, soothing cadence. The room is quiet now, save for the shared sound of your breathing, the air thick with the scent of sex and sweat.
He presses a lazy, open-mouthed kiss to your shoulder, then another to the curve of your jaw, seemingly unwilling to break the connection just yet, content to simply exist in the warm, heavy aftermath of it all.
But eventually, he shifts, pressing one last lingering, soft kiss to your forehead, and pushes himself up. The mattress dips and lifts as he climbs out, the cool air of the room rushing in to fill the space he left behind.
You watch him, your body still thrumming, muscles heavy and liquid, but your mind instinctively bracing for the shift.
This is the part where the silence gets awkward. This is the part where he finds his shirt on the floor, pulls it on, and mutters something about an early morning or a meeting.
But he doesnât even glance at his clothes. He turns, padding silently toward the bathroom in his bare feet, disappearing into the slice of light spilling from the open door.
The water runs for a momentâthe sound jarringly domestic in the quiet apartmentâbefore cutting off.
You blink, staring up at the ceiling, your heart rate settling into something resembling normalcy even as your brain struggles to catalog this deviation from the script. Youâre still bracing for the sound of a zipper, for the click of a belt buckle, but instead, you hear the soft tread of his return.
Spencer comes back into the dim light of the bedroom, a damp washcloth in his hand. He isnât dressing. He isnât rushing. He sits on the edge of the mattress, the dip in the springs shifting you slightly toward him, and reaches out with a gentle hesitance, waiting for a flinch that doesnât come.
When he touches the warm cloth to your stomach, the heat is shockingânot painful, but incredibly grounding, chasing away the chill of the drying air and the sudden, hollow fear that you were just a convenience.
He wipes the skin with meticulous care, his eyes focused on the task as if itâs a delicate procedure requiring his full attention. Thereâs nothing perfunctory about it; he cleans you up with the same steady reverence he explored you with, drying your skin with the corner of the cloth before tossing it onto the nightstand.
He leans in then, pressing a kiss to your shoulder, your collarbone, your lipsâsoft, unhurried thingsâand then he simply pulls the quilt up over you, his hand lingering on the sheet as he looks down at you, making it clear that for tonight, at least, he isn't going anywhere.
The silence stretches, comfortable but fragile, and suddenly the vulnerability of the moment feels heavier than the pleasure did. You feel a ridiculous lump forming in your throat, a shy, terrifying question sitting on the tip of your tongue. Itâs just asking him to stay, but it feels like asking for everything.
"Will you..." You start, then stop to clear your throat, your voice barely above a whisper. "Will you lay with me?"
Spencer doesnât hesitate. He doesnât look for an excuse or a clock. He just turns those soft, serious eyes on you, his expression softening into something so open it makes your chest ache.
"Of course," he answers immediately, as if it were the only logical conclusion, the only option worth considering. He shifts, sliding under the quilt with an easy grace, and the mattress dips under his weight as he settles in behind you. Thereâs no fumbling for space, no awkward negotiation of limbs; he fits against you like he was always meant to be there, his chest pressing flush against your back. The heat of him is immediate and grounding, seeping through your skin and chasing away the last of the lingering chill.
He reaches out, gathering you up with a gentle, insistent tug, pulling you back until you are completely cocooned in his embrace. One arm slides beneath your pillow, cradling your head, while the other drapes over your waist, his hand splaying wide across your stomach to hold you close. You can feel the steady, rhythmic thrum of his heartbeat against your spine, a slow, hypnotic cadence that anchors you in the present moment and makes it impossible to spiral into your usual doubts.Â
You let your body relax into his, melting against the solid length of him, and for the first time in a long time, your mind goes quiet. The insecurities, the voice that whispers that youâre too much or not enough, the habitual shrinking you do to make room for othersâit all fades into the background, silenced by the undeniable reality of him holding you.
Spencer presses a soft, lingering kiss to the back of your neck, his lips brushing the sensitive skin there with a reverence that feels like a seal, a promise that you don't have to be anything but exactly who you are right here. Safe, wanted, and held.
"We'll never be ready. So I guess that means we're as ready as we'll ever be," Neal Shustermen
tags: girl!reader, angst (eventual fluff ugh), undercover, mild slow burn
a/n: hi! this is chapter two (shorter chap). see chapter 1 below. chapter 3 coming soon
word count: 1.7k
chapter 1 | chapter 3
...
You climbed behind Spencer up the staircase, using the time to reset yourself. Sure you were in a gown and sure your lips were swollen from him but you were an FBI agent and this was a case and you needed to focus, regardless of everything else.Â
There was no one on the balcony. You wondered if you'd walked into a blitz attack until you heard jazz music drifting from a room on the left, mixing with the low laughter of an indistinguishable amount of men.Â
You stopped in place, where the carpet met the top stair, and waited. For what, you werenât sure exactly, but something in you still wasnât ready. Spencer squinted at you, expecting an explanation. You didnât tell him how scared you were. How embarrassing that would have been to admit.Â
That was a mistake on your part. If you had told him he would have said how determined he was to make sure nothing happened to you. Heâd protect you like his life depended on it, like he always did in the field, like heâd done for years now without vocalizing it. Like heâd do for Morgan or Prentiss or JJ or Hotch or Rossi or you. Most definitely for you.Â
And yet there was nothing but silence between you. Youâd never be fully ready, this much was clear now that your pause offered you no peace. You reached for your gun without conscious instruction and Spencer let himself watch as you lifted the hem of your dress, exposing your leg and the holster around your ankle, and only when you were finished did he grab his own out of his waist band.Â
You lined up against the wall just outside the room. The wall vibrated, unable to contain the volume of the music, and you made an effort not to lean into it. Itâd only rattle you further and that was something you couldnât afford.
He turned over his shoulder, both hands firmly wrapped around his gun, and he nodded. And you nodded. And then one hand wrapped delicately around the crystal door knob and the music spilled out into the balcony and you were in.Â
âFBI, everyone put your hands up,â Spencer announced in that commanding voice he only used in situations like this and the one you rather liked hearing but you never told him that.Â
The men, not the ones from the table but similarly dressed and much more threatening, didnât move. They looked to each other, eyebrows raised, one even stifling a laugh.
âHands up,â you demanded, brushing past Spencer further into the room.
âWere coming in,â Morgan said in your in-ear but it didnât quite register because you were too focused on how the man closest to you was contemplating something.
âPut your fucking hands up!âÂ
Your voice didnât sound like your own and you decided that was a good thing. You pointed your gun at the man looming to your left, barrel less than a foot from his chest. You stepped back, put some distance between you because that was best practice, your shoulder pressing against Spencerâs arm. But the room was small and rather cramped and the golden light from lamps around the room illuminated the smoke wafting through the air and all the sudden the man, the one you couldnât put enough distance between, wrestled the gun out of your hands.
Spencer said something you couldnât hear over the rushing of blood in your ears. The man put you in a head lock, spun you around to face Spencer, and pressed the cold metal of the barrel into your temple. You didnât feel much. You saw your hands gripping the manâs forearm but you couldnât feel his skin. Your fingers looked foreign and the aching of your feet from the heels was gone. But you felt that metal on your temple and that was enough.
Spencer smashed the butt of his gun into someone on his rightâhe fell to the ground with a thud and blood cascaded over his forehead and onto the oriental carpet beneath him.Â
Someone charged him, knocking the wind out of him as it did you. He got a shot off, just one, and you were sure it hit the man coming after him but he didnât slow. He flinched but he didnât slow and now Spencer was pressed against the wall with someone elseâs gun to his neck.Â
It wouldnât be long now before the others arrived and that was the only thing keeping you sane. Youâd just have to outlast them.
You writhed in the unsubâs arms until his grip tightened against your neck to the point where air had been cut off. You did your best to pull him off, just enough to get a breath, but you were unsuccessful.
âWhatâs wrong, princess?â The man growled in your ear. Suddenly you felt sick and wondered if vomiting on him would help at all.
You opted to bite his arm because at least it was something. His skin tasted of sweat and the alcohol from his cologne and for a fleeting moment you missed the way Spencerâs scotch tasted on his mouth.Â
It was a risky move that you learned quickly would have no pay off. Before you knew what was happening your head slammed against the wall. You were still afforded no air because his hand was wrapped around your neck. You clawed at him with one hand, the other bracing yourself, the texture of the wallpaper under your fingers bringing some feeling back to life.
âItâs over,â Spencer said, his voice heart-wrenchingly strained. âItâs over and you know it. Let her go.â
The man restraining him looked at you, rather amused, remarking that it didnât look âover.â
He was looking at you. His eyes were locked on yours and everyone in the room was looking at you too and no one was looking at Spencer.Â
He must have hidden his gun somewhere because there was a shot. The man collapsed on the ground next to his accomplice and now Spencer was free. More shots rang out and you flinched each timeâthat was something you never became accustomed to, just how loud a gunshot was.
Three men were on the ground now, another staggering towards Spencer but before he could reach him, all attention was drawn to the sound of Morganâs voice in the hallway, and then the countless guns that appeared in the doorway. To you they looked like unblinking eyes and the sweet relief of safety.Â
Officers poured into the room, as many as could fit, and the men were apprehended without a fight. You were released from the wall but you still felt the warmth of his belly against your own.Â
And as you looked around at the commotion, eyes finding Spencer with a frantic worry, a thought appeared: he hadnât been touching you anywhere but your neck.Â
That explained the fear in Spencerâs eyes, it was similar to your own but much more urgent. Not the look youâd expect after the threat was neutralized.Â
You followed his line of sight to your abdomen, a patch of dark green blooming where a nice, earthy green once was. You fingered the fabric to find it was wet, but nothing hurt. Why did nothing hurt?
He caught you before you even realized youâd collapsed, a hand cradled the back of your head before it could hit the leather couch next to you.
âItâs a lot of blood,â you said. You didnât know that. You meant it more like a question but it didnât come out that way. You didnât want to look because you assumed the sight was much less easy on the eyes than the man above you.Â
âYouâre fine,â he said, pressing a hand over your stomach. He yelled for someone but you didnât hear it because you were transfixed on the way the dim light cast shadows under his cheekbones and eyelashes.
âHow did I get shot?âÂ
Your voice didnât sound like your own but this time it didnât feel like a good thing.
âYouâre fine,â he repeated, avoiding the question. Maybe he didnât know or maybe he was so concerned with the fact that you were not fine to hear what you said.
He called into the hallway again, a medic, you heard that one. You still didnât feel any pain but you were cold and you knew exactly what that meant. There was no dread in your chest and you categorized that as just another thing you should be feeling and couldnât.
You didnât tell him you were cold because you didnât want to worry him further, the creases between his brows couldnât get any deeper, and maybe he could feel it. Maybe as he was caressing your arm he could feel that you were growing cold because there wasnât enough blood to keep you warm anymore.Â
You breathed out a laugh and didnât look anywhere but his eyes. âI had fun tonight.â
His eyes flicked between you and the hallway. There was too much going on around you for him to hear you, or perhaps too much going on in his mind to answer.
âDid you?â You raised a hand to his chest but you didnât have the strength to keep it there. Your fingers caught on one of his buttons long enough to grab his attention. âDid you have fun?â
You could tell he tried to smile and you appreciated that but his lips twisted into something that didnât resemble a smile at all.
âI had so much fun,â his voice was softer now.
âWe should do it again sometime, I think.â Your eyes were fluttering now, you think because you werenât seeing as much of his face as youâd like.
âNo, no, stay awake, youâre fine,â he shook you but it did little to keep you conscious.
âWhat do you think?â You repeated, only concerned with his answer and nothing more.
âIâd love that,â he nodded but his mind was elsewhere. You werenât offendedâyou understood why.
âReally?â You felt yourself smile and maybe youâd be blushing if your body was capable.
âYeah,â he sighed with relief, fixing the front pieces of your hair. âYeah, certainly."
And then he was gone, you were on a stretcher and he wasnât with you anymore and that made you sad, but only for a brief moment because soon you were asleep. Soon you werenât anything at all.
i am super sick right now so please enjoy this short little something that i wrote from my bed, staring up at my ceiling and itâs disappointing lack of glow in the dark starsâ¤ď¸
synopsis: when your space-loving son is upset that he canât see the stars, spencer decides to bring them to him instead.
genre: fluff !
wc: 1.4k
tags/notes: late seasons/professor spence !! boy dad spence !! i am not good at mythology so i apologise that itâs vague and i apologise if itâs not entirely right but we ball but i do love a good stargazing session
masterlist // pls reblog if you enjoy it helps promote the fic so much !!
As soon as your son had begun showing an interest in space, Spencer was overjoyed.
He had always hoped he would, but Spencer was never one to push. Of course heâd always told his son stories, bought him books about the planets and pyjamas with little cartoon stars on them, but he had always vowed to never try and mould his sonâs interests into his own. He would nourish whatever passion his wonderful little brain pursued. But when that passion just happened to be space? Spencer was all in.
There were regular planetarium trips, ones that had him counting down the days to his next sabbatical that was marked with a tiny gold star on his sonâs planet-of-the-month calendar. There was a tent in the basement that came out to the garden during warm summer nights, an observatory all their own where they lay beneath the stars and told each other stories until the littler of the two fell asleep. He was then carried to bed, where his moon-shaped night light watched over him until the sun came up and took over.
That was how you had ended up like this. The three of you somehow crammed into a small little-boy-sized bed as you gazed up in wonder at the ceiling. Little pockets of light reflected in your sonâs glasses as he hugged his plush alien toy to his chest, your husbandâs warm voice filtering out into the darkness as if he were narrating one of his old space documentaries.
âAnd this one,â Spencer spoke lowly, pointing up at a cluster of glow-in-the-dark stars stuck to the ceiling, âis the Ursa Major. Also known as The Great Bear.â
âThe Big Dipper.â You chimed in, earning a soft chuckle from him.
âExactly.â He gave the little boy between you and light, loving nudge. âYour Mommy is so smart.â
âItâs one of the original 48 constellations listed by Ptolemy. Placed in the sky by Zeus after Callisto was turned into a bear. And over here,â he paused, your sonâs wide eyes following his finger as it drifted along the stars to an almost identical, but smaller, constellation, âthe Ursa Minor.â
âThe Little Dipper.â Your sonâs sleepy voice sounded. It was his favourite constellation, the one whose pages were dog-eared in every book about the stars that he owned.
âGood memory.â Spencer murmured proudly.
âAnd what can you tell us about this one, Professor?â With a smile you turned your head on the pillow, just in time to catch a glimpse of the dimple on his cheek as he chuckled.
âArcas. Callistoâs son. Also transformed into a bear and placed in the sky by Zeus for protection.â He shifted slightly as his own son nuzzled further into his side, smiling to himself as a head of messy curls found his chest. âThe Little Dipper is also the constellation that contains Polaris, the guiding star.â Spencer trailed off, pausing to press a kiss to the crown of his sonâs head. âAs long as heâs there, youâll always find your way back home.â
A serene silence stretched out before you as the three of you gazed up at the make-shift sky shimmering above you. It had started a few days ago. Your son had been complaining that the stars had been âhidingâ from him, a streak of bad weather making it impossible to spot them amongst the dark clouds that seemed to be lingering over your house. Like a man on a mission Spencer had raced to the nearest toy store the moment your son had been dropped off at school, loading his arms with packets upon packets of little plastic stars without so much as a second thought. You had wondered into his bedroom with an armful of laundry to put away and found Spencer precariously balancing atop a stepladder, tongue poking out in deep concentration as he carefully stuck each star down with robotic precision. When you stepped closer, you recognised the familiar shape of Orionâs Belt beneath his fingertips.
âOh wow,â you breathed with a small grin, âyou know, most people just stick them down wherever.â
âHis favourite part is pointing out the constellations.â He answered without missing a beat, sticking down the third star in the belt. âI want it to be as accurate as possible. Of course I canât fit all 88 up here but these are all the ones we usually see from our house this time of year.â
âThis time of year?â You repeated as Spencer stepped down, putting his hands to his hips as he looked over his work. âAre you planning to change them all over later?â
âOf course.â He nodded immediately, before turning to you with a furrowed brow. âWhy, do you think itâs too much?â
You padded up beside him, slipping your hand into his and giving it a squeeze. âHeâs going to love it.â
And so every night passed just like this. With your son nestled between you, his alien tucked tight in his arms as he listened to his dad tell him stories heâd already told him a dozen times before and yet the magic never ceased. Every night it was as if the stars came to life, jumping from the ceiling and conjuring tales of mythology before his eyes until he eventually drifted off to the sound of Spencerâs voice, a lullaby that followed him into his dreams.
âTell me that one, Daddy.â His little voice whispered, his baggy pyjama sleeve falling down his wrist as he jabbed a finger up at the ceiling. Spencer followed it to two constellations side by side.
âOh,â Spencer breathed, tugging him impossibly closer as he whirled his head towards you. âPerseus and Andromeda. Two of my favourites.â
Time passed simultaneously all at once and not at all. It felt like the world had frozen still as you lost yourself in his stories, in your sonâs mesmerised gasps that slowly got softer and softer until he was teetering on the edge of dreamland. Before you knew it your eyelids were beginning to grow heavy too.
âI think itâs about time we said goodnight to the stars, what do you think?â You murmured eventually, propping yourself up on your elbows to keep yourself awake.
âJust one more, Daddy.â Your son whined, tilting his tired head up at his father with big, round eyes that matched his own. âPlease?â
Spencer dropped an apologetic kiss to his forehead, gently brushing his soft curls back with his hand. âYou need your sleep, sweetheart.â
Your son let out a quiet whimper, sparing a longing look at the stars shining over him. Beside you, you could practically hear your husbandâs thoughts as he fought the urge to give in, mentally calculating how fast he could get through each and every tale until your son was satisfied.
âTheyâll still be there when you wake up.â You cooed, slowly rising to your feet and pulling his planet-themed bedsheets back for him to snuggle into. âTheyâre not going anywhere. I promise.â
He nodded hesitantly, barely pulling his eyes away from the ceiling as you pulled his blankets up over him until you were lifting his glasses from his face, carefully folding them and placing them beside the moon still glowing on his nightstand. His eyelids were drooping finally, his small body sinking into his pillows at long last when a quiet peeling sound from above interrupted the silence.
You turned just in time to see Betelgeuse fall from Orion, a quick flash of yellow that tumbled to the ground with a sound no greater than a pin dropping, but to your son it may as well have been a cut tree crashing down with a thunderous roar. In an instant his eyes shot open, tracking the faint glow as it landed on the floor. His bottom lip trembled, threatening to jut out in a tearful pout, but Spencer was quicker.
âA shooting star.â He gasped, full of awe and wonder and everything that reminded you exactly why you loved him. âHow lucky are we?â
âWoahâŚâ The little boy mused, sinking back into his bed, his grip on his alien loosening as dreamland crept up on him once again.
âYou know what that means?â Spencer whispered, flicking off the nightlight so that all that remained was the hazy, warm glow of the stars.
âClose your eyes.â You instructed softly, and your son followed.
Spencer knelt down beside him, heart swelling at his peaceful face as his breathing soon evened. He pressed a final kiss to his head before retrieving the fallen star, clasping it tight in his hand. âMake a wish.â
NOTHING SERIOUS ⢠spencer reid x greenaway!reader
summary: you agree to girlsâ night to celebrate your first week back at work and end up a little too drunk, a little too honest, and very much forced to confront how serious your relationship with spencer has gotten.
genre: fluff tags/warnings: reader is elle's sister, alcohol consumption, drunken girlsâ night shenanigans with Penelope & Emily & JJ, and they are nosyyyyyy, knight in shining armor spencer reid, drunken attempt at seduction lmao but nothing explicit happens, deep relationship talk, tooth-rotting sweetness, no use of y/n. 6k words
a/n: GIF creds to @reidgif đŤśđź
greenaway!reader masterlist đĽ
By the end of your first week back at Quantico, youâve realized two things.
One: you are still very good at your job.
Two: being back at your job means everyone around you suddenly has opinions about what you should be doing with your Friday night.
Youâre halfway through slowly packing up your things when Garcia appears at your desk with a mischievous grin on her face.
âNo,â you say immediately.
She puts a hand to her chest. âThat is so rude. I havenât even spoken yet!â
âI can feel your schemes in the air, Penelope.â
JJ stands nearby, bag in hand, looking far too calm for someone participating in an ambush. âWeâre going to OâKeefeâs.â
You finally glance up. âAnd?â
âAnd,â Garcia says slowly, as if speaking to a child, âyouâre coming with us! It's girlsâ night.â
This is not the first time, nor will it be the last, that your teammates have tried to force you out with them. You say yes more often now than you used to, because, against all odds, theyâve somehow weaseled their way into your life as genuine friends, but youâre not exactly what one would call a reliable attendee. Especially not on a night like tonight, when all you want to do after your long-awaited return to functional society is eat takeout on the couch with Spencer, take a long hot shower (also with Spencer), and pass out (again, with Spencer).
You stare at them. âFunny, I donât remember agreeing to that.â
Emily, leaning against the edge of a neighboring desk with her arms folded, lifts one shoulder. âThatâs because we didnât ask. Weâre telling.â
You grimace and lean back in your chair. âI just got through my first week back, you guys. Iâm exhausted.â
Garcia softens. âExactly. You got through your first week back! We need to celebrate, honey.â
You glance over toward Spencer on instinct, and heâs already looking at you. Garcia follows your line of sight and lights up.
âOh, good idea. Reid! Tell your girlfriend she should come with us.â
You narrow your eyes at him. âDonât you dare.â
Spencer, who should most definitely understand the danger heâs in, simply pushes back from his desk and says, very calmly, âI think you should go.â
You blink at him, utterly betrayed. âEt tu, Reid?â
Morgan lets out a bark of laughter from across the room. Emily actually smiles. Garcia clutches her chest.
Spencer, to his credit, has the decency to look a little apologetic. âYou made it through your first week back,â he says. âYou should celebrate.â
Emily nods toward him like heâs finally said something useful. âSee? Even Boy Wonder thinks you need a drink.â
âAnd fries,â Garcia adds. âAnd female companionship. And a chance to talk about something other than work or the deeply haunting state of Reidâs current hairstyle.â
You drag a hand down your face. âWhy are you all like this?â
âBecause,â JJ says, âyouâre our friend, and youâre back, and we want to hang out with you.â
Garcia nods emphatically. âExactly. You survived a gunshot, surgery, physical therapy, what I can only assume is the worldâs clingiest boyfriend, and your first week back on the job. You can survive one night of dive bar drinks with the hottest women the FBI has to offer. Women who happen to adore you, I might add.â
You blink at her. âThis is emotional terrorism,â you say with a deep sigh.
Garcia beams. âSo thatâs a yes!â
âItâs not aââ You stop. Exhale. âFine. One drink.â
JJ smiles immediately. Emily looks pleased in the most annoying way possible. Garcia claps once like a Disney villain.
Emily reaches over and grabs your bag off the floor before you can change your mind. âGreat. Letâs go, ladies, before Greenaway remembers she has free will.â
You stand with a huff thatâs mostly for show and shrug into your jacket. Spencer is already there by the time you straighten, close enough that nobody else would clock the way his hand brushes your elbow.
âYou okay?â he asks quietly.
âNo, Brutus.â You give him a look. âYou betrayed me.â
He chuckles softly. âIâll come pick you up later,â he says. âWhenever you want to leave.â
You glance up at him. âI can just take a cab home, Spence. You donât have to do that.â
âI know I donât have to,â he says. âI want to.â
Garcia is already halfway out of the bullpen. âGreenaway! Move your brooding little booty. Weâre leaving.â
You roll your eyes and sling your bag over your shoulder.
Spencer catches your wrist for one brief second, just enough to turn you back toward him.
âHave fun,â he says softly.
Then, before you can say something sarcastic and ruin it, he leans in and presses a quick kiss to your temple.
He steps back like he didnât just do that in the middle of the office, and you stare at him.Â
âWhat?â he asks.
Morgan passes behind Spencer and lets out a low, entertained whistle.
âShut up, Morgan,â you and Spencer shout at the same time, still looking at each other.
Morgan just grins wider and keeps walking.
Spencer nods toward the door. âGo. Iâll see you later.â
Emily appears at your side and pushes you out of the bullpen and toward the elevators with an arm around your shoulder. âThat was disgusting.â
Garcia grins. âNo, it was adorable. Big difference.â
JJ presses the down button and smirks. âIâm suddenly much more interested in our topics of conversation this evening.â
The elevator opens with a ding, and Garcia ushers everyone in with entirely too much enthusiasm. You step in last, turning just in time to catch one more glimpse of Spencer standing by the bullpen doors, hands in his pockets, watching you leave with that soft, wrecked look he never quite manages to hide anymore.
â
The familiarity of OâKeefeâs hits you all at once the second you push through the door.
Warmth. Noise. The sticky smell of beer and fried food. The hum of conversation layered over a game playing on one of the TVs in the corner and music from the jukebox near the bar.
âOh, thank god,â Garcia sighs, pressing one hand dramatically to her chest as she leads the group towards a booth in the back. âA room full of alcohol and bad decisions. Iâm home.â
You exhale through your nose at that and sit down, accepting your fate for the evening.
âOkay,â Garcia says, clapping once as the waitress appears. âWe need mozzarella sticks, fries, and something colorful with lots of tequila in it.â
Emily glances at the drink menu. âNo tequila for me tonight. Jack and coke, please.â
JJ laughs and hands the menus back in a neat stack. âIâll just take a beer.â
You look down at your own menu without really reading it. âWhiskey, on the rocks.â
Garcia hands over the menus with a satisfied sigh. âPerfect. Weâre off to an excellent start.â
Emily glances at you. âYou still have time to fake a migraine and leave, you know.â
âDonât tempt me.â
The drinks come, and feel your shoulders unclench by accident after your first sip.
You realize this feeling is another thing nobody tells you about getting injured badly enough to disrupt the whole architecture of your life. Everyone focuses on the obvious parts â surgeries, scars, whether youâll be okay, whether youâll be normal, whatever that means. What no one really prepares you for is how strange it feels to start participating in your own life again once the worst of it is over. How bizarre it is to sit in a bar on a Friday night, in jeans and boots and lipstick with your girlfriends around a wooden table, and realize the world kept spinning while you were busy focusing on surviving.
Thereâs also the more humiliating part, which is that you havenât done this in what feels like forever. Drinking, or hanging out with friends, or just simply sitting still and talking and existing without a doctor asking whether your pain is sharp or dull or a man you love watching your face too closely every time you stand up. The whole thing feels weirdly high stakes for something as stupid and simple as greasy fries and cheap liquor.
Garcia raises her glass. âTo Greenaway,â she says, voice softening in a way that makes you self-conscious, âbeing back at work and a semi-willing participant in girlsâ night.â
Emily lifts her glass. âA triumph.â
JJâs smile is warm when she reaches in with hers too. âTo Greenaway.â
You look at all three of them over the rim of your glass. âThis is disgusting,â you mutter, which is about as close to thank you as youâre willing to get.
You let your glass clink against theirs anyway.
For a while, the conversation behaves itself. Garcia launches into a story about a disastrous blind date with a man who described himself as âalpha-adjacent,â which makes Emily nearly choke on her drink. JJ talks about Henryâs current refusal to sleep unless one sock is missing, which Garcia insists is âactually very chic of him.â After a waitress drops off the fries and mozzarella sticks, Emily tells a story about a truly alarming hostel she once stayed at in Prague, and before you know it, youâre contributing your own horror story about a motel in Kansas that smelled like mildew and bad choices.
Penelope points at you with a fry. âSee? This is nice. Youâre socializing,â to which you roll your eyes in response.
By the time youâre halfway through your second whiskey, the room feels warmer, the edges softened just enough that you stop noticing how many people are around you and start noticing smaller things instead. The exact shade of Emilyâs lipstick. The glitter worked into Garciaâs eyeliner. The way JJ laughs with her whole face when she actually lets herself. The fact that youâre here at all.
Youâre halfway through a story about the worldâs most idiotic suspect trying to outrun Morgan during a case in Vermont last year when your phone buzzes against the table.
You look down, and Spencerâs name glows up at you from the screen alongside a text preview:
Howâs it going? I hope youâre having fun.
Your mouth twitches before you can stop it.
Emily clocks it instantly. âThere it is.â
You look up. âThere what is?â
âYour face,â Garcia says, delighted. âYou have a face!â
You cock a brow suspiciously. âEveryone has a face, Penelope.â
Emily leans back, arms folded. âNo, she means your Spencer face.â
You stare at them. âMy what.â
âYour Spencer face! You get this, like, very specific look on your face when you talk to him, or hear other people talking about him, or anytime you even think about him. Sorta smug, sorta soft, very in love. Itâs adorable,â Garcia explains.
You pick up your phone and groan, âI hate all of you,â before typing back under the table:
iâm⌠surviving. no rescue required yet but itâs minute-by-minute
Three dots appear almost immediately.
Glad to hear it. Love you.
âItâs undeniable,â Garcia says, catching your expression. âThat is, without a doubt, your Spencer face.â
You slide your phone face-down onto the table. âSay that one more time and Iâm leaving.â
Garcia leans both elbows on the table and gives you a look thatâs far too bright to be trustworthy. âOkay. So. Since Reid has officially entered the chatââ
âNo.â
ââwe have questions.â
âAbsolutely not.â
Emily lifts a shoulder. âYou had to have known this was coming.â
Well, she has a point there.
Garcia starts firing off questions immediately. âHow clingy is he? Are you moving in together? Who fell first? Who said I love you first? Did he cry when you said it? Did you cry? Was there background music? Candles? Rose petals? Should I be offended that I wasnât invited as a witness?â
JJ snorts into her beer.
You put your glass down carefully. âYou all need professional help.â
âDonât worry, I have a therapist on speed dial,â Garcia says. âWhat I donât have is information.â
Emily tilts her head. âCâmon, Greenaway. You canât really expect us not to be curious about our two coworkers who are dating.â
The thing is, theyâre not wrong to be curious. The Spencer they know isnât the same Spencer you know. They know the version of Spencer with brains and facts and a perpetually crooked tie, the one who hides half his personality behind statistics and awkwardness until people make the mistake of thinking thatâs all there is to him. But you, by some impossible stroke of luck or an undeserved & pre-determined string of fate, have been granted the privilege of knowing thereâs so much more. And somewhere along the line, without asking permission, he stopped feeling like a part of your life and started feeling like the shape of it.
Maybe thatâs why this line of questioning makes your skin feel too tight â because they arenât asking about a silly little coworker crush like they had been at that margarita night Garcia hosted many months ago. Now theyâre asking about your actual life. About something real enough that if you look at it directly for too long, the brightness and warmth nearly blinds you.
âYou gave him a key to your place, didnât you?â JJ asks, breaking you out of your trance.
The table goes quiet for half a second.
You look at her. âWho told you that?â
JJ shrugs. âNo one had to. When he first came back to work after you got shot, he was so worried about leaving you alone all day, so I went with him to check on you at lunchtime. He let himself into your apartment with a key on his usual keyring, and he looked very comfortable doing it.â
You look down at your drink. âYou people are so invasive.â
Garcia points at you triumphantly. âAha! Thatâs not a denial!â
You take a long sip of whiskey that does absolutely nothing to save you.
âIt was⌠practical,â you say, which immediately sounds like a lie, even to you. âI gave it to him when I was still stuck at the hospital so he could bring me things from my place. Then he didnât want me to be alone while I was recovering, andâŚâ You lift one shoulder. âHe still has the key.â
Emilyâs mouth curves. âVery practical.â
âShut up.â
âSo,â Emily says. âHow serious is this thing, really?â
You could dodge. You should dodge. You should say something glib and slippery and let them all chase their own tails around it.
Instead, because your second glass of whiskey is now treacherously empty and because these women have somehow figured out how to disarm you with minimal effort, you hear yourself say, âUm. I guess itâs⌠pretty serious. Yeah.â
Garcia actually slaps a hand over her heart. âDefine pretty, please. Pretty pretty please!â
âGod, I donât know, you guys,â you say with an exasperated sigh. âSerious enough that, yeah, he has a key to my apartment. Enough that I canât remember the last time I spent more than, like, four hours without talking to him, outside of when weâre asleep. Enough that everyone in this room is apparently allowed to bully me about him.â
JJ leans forward slightly. âDo you see a future with him?â
You look at her, then at the table, then at your empty glass. The honest answer rises before you can kill it.
âYeah,â you say quietly. âThatâs kind of the problem.â
Garcia goes so still youâd think someone muted her with a remote. Emilyâs brows lift. JJ just watches you.
You let out a short, humorless laugh. âNot, like, a problem-problem. Not in a bad way. Just⌠I think he got serious about it before I realized I was letting him get serious, and then I was already in it too, apparently, before Iâd even noticed that was happening, and then one day I looked up and he was justâŚâ You stop, irritated by the catch in your own voice. âEverywhere. In every corner of my life.â
You swirl your glass against the table and stare at the condensation gathered on the rim, trying very hard not to think about how exposed you feel right now.
Then, because the alcohol has successfully eliminated your usual filters, you add, âHeâs annoyingly good at staying, through pretty much anything. And⌠I think heâs teaching me how to be good at staying too.â
Garcia makes a strangled noise and beams at you.
âOh my god,â she whispers. âYou are in love-love.â
You roll your eyes. âThatâs not exactly breaking news.â
âItâs not,â JJ says gently. âAnyone with eyes can see it nowadays. But itâs still nice to hear you say it out loud.â
You stare at her â at all of them, really: Garcia glowing with vindication and affection, Emily pretending not to be touched, JJ looking so proud it hurts, and another thought arrives uninvited: they love you too. Not in the way Spencer does, obviously â not in the all-consuming, low-voiced, hand-at-your-waist way. But still, in a real way, in a way you donât think youâve ever been loved by friends before. In the show-up, drag-you-out, celebrate-your-first-week-back, make-fun-of-you-until-you-stop-deflecting way.
You laugh despite yourself, because what else are you supposed to do with this? These women, this bar, this absurd line of questioning, this life that somehow expanded around you while you were busy trying not to die?
Garcia pulls your focus back to the conversation at hand. âNow I need to know if heâs actually romantic or if this is all just the natural result of extreme pining and good bone structure.â
You shake your head and reach for another fry. âYes. Fine. He can be romantic,â you admit.
Garcia leans so far across the table youâre worried sheâs about to fall into the mozzarella sticks. âIn what way?â
You hesitate, because how do you explain Spencer as a boyfriend? How do you explain that privately heâs still Spencer, still dorky and earnest and too smart for his own good, but also softer than anyone would guess, and sharper too? That he remembers everything you say and acts like thatâs normal? That he takes every tiny thing he knows about you into consideration before planning dates? That even the physical things with him somehow feel impossibly specific, like heâs learned your body with the same frightening thoroughness he learns everything else? That he can be so maddeningly practical one second and then look at you like youâve just hung the moon in the sky with your bare hands the next?
Eventually, you say: âHe notices things.â
Emilyâs expression shifts first, like she gets exactly how loaded that answer is.
Garcia, predictably, wants more. âSuch as?â
âEverything,â you say. âIf Iâm cold. If Iâm tired. If Iâm trying to pretend Iâm not either of those things. He remembers stupid little things I say and then acts on them weeks later like thatâs normal behavior. Like, last week, he bought me this ridiculously expensive brand of coffee beans from a cafe on the other side of the city because I mentioned them once in passing. He keeps my favorite pens stocked at his desk and in his bag because he knows I chew on mine until they stop working.â
You grimace. âYeah, well. Donât encourage him. I canât handle much more of it and still keep my dignity intact.â
Emily props her chin on her hand. âHow bad?â
You look at her. âWhat does that mean.â
âOn a scale from one to ten, how embarrassing is he as a boyfriend?â she asks with a shrug.
âHonestly?â you say. âPretty bad.â
Garcia crows in triumph. âI knew it.â
You look away. âI mean, Iâm sorta embarrassing too.â
That catches all three of them off guard. You feel your face warm and immediately regret opening your mouth. But itâs too late now, so you plow forward.
âI miss him when heâs in the next room,â you mumble. âWhich is humiliating and codependent and probably very concerning.â
JJ gives you a look that is somehow both sympathetic and deeply entertained. âThat doesnât sound concerning. It sounds sweet.â
Garcia puts both hands over her heart. âYou are so disgustingly gone. I love it.â
You lean back in the booth and look up at the ceiling like maybe some god out there in the universe will mercifully strike you down before this gets any worse.
The strike never comes.
â
At some point after their humiliating interrogation, the conversation drifted. Garcia got louder. JJ got funnier. Emily, somehow, got both meaner and more affectionate at the same time. Somebody put more money in the jukebox. A second basket of fries appeared and disappeared. Then another round showed up, and then maybe another one after that, and after a while, keeping count lost its appeal.
Garcia made a passionate argument about who from the BAU would last the longest in a zombie apocalypse (âSurvival isnât just about brute strength! Itâs also about adaptability and vibes!â). JJ reached that dangerous stage of tipsy where everything struck her as deeply, genuinely hilarious, including your comparison between Rossi in reading glasses and the Tootsie Pop owl. Emily had one elbow on the table, chin in hand, and the sort of lazy, amused smile that meant she was enjoying everybody elseâs nonsense immensely.
The whole room has gone pleasantly soft around the edges. Warmer. Louder. The lights above the bar blur into dull gold halos. Every time Garcia laughs, it seemed to set off the whole table half a second later. Your own body has gotten looser too, the good kind of loose â shoulders unclenched, thoughts less guarded, the usual sharp corners of you sanded down just enough.
But beneath all of it, quiet and constant, is the simple thought that if you asked, Spencer would come pick you up in a heartbeat.
You didnât realize how much you were counting on that until the room tips one degree too warm and the thought of trying to get yourself home without him suddenly felt both very impossible and completely undesirable.
So you text him.
come get me?
And, because heâs Spencer, his reply comes almost immediately.
You got it. On my way.
The fuzziness only intensifies after that, but youâre at least mostly aware of whatâs happening around you. Garcia has somehow moved on from zombies to explaining why she could absolutely win a bar fight if motivated by love. JJ is smiling into the rim of her drink. Emily has abandoned subtlety entirely and is now openly enjoying your slow descent into drunken sentimentality, which is rude but expected.
Then OâKeefeâs front door opens, and there he is.
Spencer pauses just inside the bar for half a second, scanning the room. His shoulders ease the second he spots you, that familiar little drop in tension so slight most people would miss it. You donât. You never do.
He makes his way over, tie gone, coat on, hair a little wind-mussed from the cold outside. He looks tired in that way only he can: wrung out around the eyes but still put together, still handsome even under shitty bar lighting and the accumulated weight of a work week.
He stops beside the table and waves awkwardly to the entire group.
âHello,â he says.
You tip your face up, far too happy to see him for someone with any pride left. âHi, baby.â
The entire table goes silent.
Spencerâs brows lift the tiniest amount. Then his mouth softens into that look â that one that always makes your pulse jump.
âHi,â he says softly, just to you.
Garcia clamps both hands over her mouth. Emily looks delighted. JJâs expression has gone so calm it circles back around to dangerous.
You point a finger at all three of them. âDonât.â
âNo one said anything,â JJ says, holding both hands up defensively.
Garcia lowers hers from her mouth just enough to whisper, âYet.â
Spencer, because he is either merciful or trying very hard to be, just asks, âYou okay?â
You nod a little too emphatically. âMâgreat.â
Emily deadpans, âSheâs drunk.â
âIâm not drunk,â you say, while reaching for Spencerâs hand and missing on the first attempt. âIâm just⌠friendlier than usual.â
Spencer takes your hand himself and laces your fingers together before you can fumble again. âOf course.â
He says it so gently that it almost makes you emotional, which is very much not helping the situation.
Garcia, meanwhile, has given up all restraint. âShe told us things.â
âPenelope,â you warn.
Spencerâs gaze flicks from her to you, faintly alarmed now in the way of a man who knows there are degrees of terror in your mind and that drunken honesty ranks highly among them. âThings likeâŚ?â
Emily takes pity on him, sort of. âNothing classified.â
JJ sets her glass down. âWe mostly just confirmed what we already suspected.â
Spencer, still holding your hand, blinks once. âWhich is?â
Garcia leans in, beaming. âThat youâre absolutely, totally, completely obsessed with each other.â
You look at the tabletop. The wood grain is suddenly fascinating.
âAh,â he replies with a soft chuckle.
JJ hands you your purse from where you abandoned it at the opposite end of the booth. âText us tomorrow so we know youâre alive.â
Garcia points at Spencer. âTake care of her, loverboy.â
He nods. âAlways.â
You wish, briefly, for the floor to open up and swallow you whole. But instead, Spencer helps you stand with such absurd care itâs almost offensive. His hand settles lightly at your waist as he steers you through the bar, and your body goes willingly.
â
The night air outside is cold enough to bite.
It hits your face sharply but clears none of the pleasant fuzz in your head. The city glows around you in smeared headlights and neon and streetlamp glow, and Spencer guides you toward the curb where his carâs parked, one hand still warm at your back.
He opens the passenger door and looks at you with that quiet, attentive expression that makes you feel both cherished and mildly threatened.
âYou good?â he asks.
You lean against the car and squint at him. âThey interrogated me.â
Spencerâs mouth twitches. âThat does sound like them.â
You point at him. âItâs all your fault.â
âMy fault?â
âYou made me go!â
He waits while you lower yourself into the passenger seat and leans in just enough to buckle you, and the whole thing is so stupidly sweet that you have to look away and pretend the dashboard is wildly interesting. He closes the door once youâre settled and walks around to the driverâs side.
When he gets in, he glances over at you as he starts the engine. âI didnât make you do anything. I just encouraged a night out with your friends.â
âStill Brutus,â you mutter, which is met by a low chuckle and shake of the head from Spencer.
The rest of the drive home is quiet in a good way. Spencer keeps one hand on the wheel and the other resting open between you, and somewhere around the second red light you lace your fingers through his.
He looks over.
âWhat did they ask about?â
The questions blur together in your whiskey-soaked brain. âEverything,â you say after thinking for a moment. âThey were very nosy and a little deranged.â
You turn your head to look at him properly. His profile is too familiar now â the slope of his nose, the soft concentration in his mouth, the line between his brows that shows up when heâs listening carefully.
âThey asked what youâre like as a boyfriend,â you add.
Spencer glances over, faintly amused. âAnd?â
âAnd I had to say things.â
His brows lift. âTragic.â
You nod dramatically. âExactly. It was.â
By the time he parks outside your building and gets you upstairs, your thoughts have all softened into a single, inconvenient ache.
He helps you out of your coat, sets your purse down on the table, gets you water without asking. You sit on the edge of the bed while he moves around the room, toeing off his shoes, unbuttoning his cuffs, setting his watch on the nightstand.
Heâs tired. You can see it in the slope of his shoulders and the care heâs no longer even trying to hide. Heâs always gentler with you when heâs exhausted, as if all the extra effort it usually takes to conceal the full force of how much he cares has finally burned off.
You watch him longer than you mean to, and he catches you.Â
âWhatâs up?â
You shake your head. âNothing.â
Spencerâs expression shifts. He comes over and kneels in front of you, hands resting lightly on your knees.
âWhat is it?â he asks softly.
And there it is â that awful tenderness. That exact, patient attention that always seems to make honesty feel both easier and much, much worse.
You look at him and find, with some irritation, that the words do not want to come out in anything resembling order.
âThey askedâŚâ You stop, frown, start again. âUm. They asked if this is serious.â
Spencerâs face softens so visibly itâs almost unbearable.
âOh,â he says.
You nod, suddenly more nervous than you were in the bar, which makes no sense because itâs just him. Just Spencer, the man who has a key to your apartment and alphabetizes your spices and picks you up without hesitation and tells you he loves you at least five times a day.
But thatâs exactly why itâs so nerve wracking, maybe.
You look down at the front of his shirt instead of his face. âAnd I told them yes.â
A beat of silence.
Then, quietly: âOkay.â
You let out a breath that sounds more annoyed than relieved. âNo, see, thatâs not enough.â
Spencerâs left hand moves from your knee up to your chin, guiding your face up just enough that you have to meet his eyes.
âWhat do you need me to say?â he asks gently.
âIââ You stop. Try again. âI donât know. Something normal. Or not normal. JustâŚâ You gesture vaguely between the two of you because apparently language has abandoned you. âThey asked and I said yes and now Iâm in my head about it because weâve never actually said so out loud in those words, and I know thatâs stupid because, like, obviously weâre serious. Duh. We say I love you. You have a key to my freaking apartment and we havenât spent a night apart by choice in months. I know what this is. But I justââ
You stop again, mortified.
âItâs not stupid,â he says.
You swallow. âItâs not?â
âNot at all.â His thumb brushes once across your cheek. âAnd yes. Weâre serious.â
The simplicity of it makes your throat go tight.
Spencer gives the smallest, softest little playful shrug. âI mean, think about it. You have a key to my apartment too.â
You almost laugh. It comes out sounding too close to a sigh.
Spencer watches your face for a second, then adds, quieter, âI think about it all the time, you know. How serious this is for me. How serious you are to me.â He glances down for half a second, then back up. âBut I didnât know if saying that would make you feel pressured, so I was trying very hard to let you get there however you needed to.â
Something in your chest folds in on itself.
Itâs not even the serious part that gets you, not really. You already knew that. Itâs the rest of it â the fact that heâs been thinking about it too; the fact that heâs been intentionally careful not to crowd you into saying something before you were ready. Itâs so unfairly him that, for a second, all you can do is stare.
You look at him for a little too long, then reach for the front of his shirt and tug. He comes without resistance, mouth brushing yours, soft and warm and patient.
The kiss deepens slowly. His hand slides to your waist and yours goes into his hair, because you like the little sound it pulls from him. You slide your other hand down his chest, mouth skimming his jaw, and in your softest, most shameless voice, you ask, âAre you going to fuck me now, or do I need to make a more persuasive argument?â
Spencer closes his eyes and laughs softly against your cheek. âNo, angel, Iâm not.â
You blink. âRude.â
âYouâre drunk,â he reminds you softly.
âIâm also charming.â
âYou are,â he agrees.
âSoââ
âSo no.â
You grumble. âYou hate joy, Spencer Reid.â
âI love joy,â he insists. âIâm a huge fan of joy. Iâm less of a fan of taking advantage of you when youâve had too much whiskey.â
You squint at him. âWhat if I said âmake loveâ instead? Does that move the needle at all?â
Spencer actually breaks at that, shoulders shaking with a laugh he tries and fails to suppress.
âNo,â he says, still smiling, one hand sliding up to cradle the back of your neck. âIt doesnât.â
You sigh dramatically. âThis relationship is so one-sided.â
âThat is an absurd statement and you know it,â he says with a laugh, and leans in again â one long, slow kiss that leaves your knees weak and your head warm. When he finally pulls back, he brushes his thumb over your bottom lip. âTry again when youâre sober. Iâll do anything you ask.â
You smirk. âAnything? Thatâs a very dangerous offer.â
Spencer stands, mouth twisted in an exasperated grin. âGo brush your teeth, silly girl.â
You glare. He waits. You lose and grumble dramatically as you trudge into the bathroom.
Eventually, exhaustion starts to take hold. Spencer helps you out of your clothes, hands you one of his old shirts, gets you under the blankets. He climbs in beside you after turning off the lamp, and the room goes dark around the warm shape of him.
You roll toward him instinctively, your body finding his like a puzzle piece. His arm settles around you as you lay your head on his chest and tangle your legs with his. The two of you fit together too easily now, which is still a bit alarming if you think about it for too long.
For a minute, neither of you says anything.
Then you murmur, already half gone, âYou liked when I called you baby.â
Spencerâs chest rises under your cheek with a silent laugh. âMaybe a little.â
You smile into his shirt. âKnew it.â
âYouâre not going to start calling me that all the time now, are you?â
âGod no. You know how I feel about using pet names.â You tilt your head just enough to look at him in the dark. âBut⌠maybe sometimes.â
Spencerâs hand slides up your back, slow and warm. âIâll take it.â
His breathing evens out under your ear. Yours follows a second later.
âSweet dreams,â he whispers sleepily. âLove you.â
Your heart still flutters in that same embarrassing way it did the first time he said those words.
âLove you too,â you whisper back.
Tomorrow, youâll wake up and remember enough of this to want to throw yourself violently into the Potomac. Youâll remember the bar and the interrogation and the pet name and the failed attempt at seduction and the deeply incriminating declarations of emotional seriousness.
But thatâs a problem for tomorrowâs version of you. Tonight, Spencerâs body is warm against yours, his mouth is still soft from kissing you, and the awful, frightening shape of your future no longer feels quite so awful or frightening when itâs lying here breathing beside you.
Serious, you think, right before sleep pulls you under.
Yeah.
That sounds about right.
á°.á
this fic is part of the greenaway!reader universe/series! you can read more about this pairing here âĽď¸
PSA: likes do very little for promoting posts on tumblr! if you'd like to support a fic, please reblog!
tags:
spencer reid x fem reader, agent reid x forks resident reader, spencer reid x twilight, criminal minds x twilight
slow burn, psychological horror (ish), unreliable perception/unreliable narrator(s), dual pov, parallel investigation, eventual vampirism
word count: 4,688
character count: 28,449
prologue/case file here
â------------------
on the failure of pattern recognition
it doesnât begin with the body.
that would imply a discrete origin, an event sufficiently bound to be observed, documented, and, with sufficient rigor, understood. bodies permit that kind, reid knows, of handling. they yield, eventually, to pattern, to taxonomy, to the quiet arrogance of human comprehension. they shift with viewership and formulate themselves to ink on paper, to be filed and placed into a box, which will be either, a) brought to court and debated to decide the course of a life, or b) sat on a shelf, collecting a thin layer of dust atop others with a similar fate.
this, however, resists.
dr. spencer reid first registers the discrepancy in the interval between review and comprehension, when the files, otherwise unremarkable in both their structure and content, fail to stabilize under the routine repetition that comes with working a case.
there is absolutely no precedent for escalation in this town.Â
and yet he canât shake the unease that flooded through him upon crossing into forks. perhaps it was something in the rainwater, collected through the soil, seeped into the tall sourwoods that loomed hauntingly overhead. uncanny, almost.Â
the incidents accumulate. not in frequency - which would be legible - and not in method - which would be classifiable.Â
he reads the report again, itâs terms clinical and concise, clean of any adjectives that could carelessly cradle subjectivity.Â
male. twenty-seven. missing forty-eight hours prior to recovery. found three miles into woodland area, off-trail. cause-of-death: exsanguination. preliminary conclusion: large animal attack.
itâs important to see to see that reid doesn't dispute this classification. at least not immediately; not now, when he lacks concrete evidence.
he notes, instead, some of the reportâs phrasing.
âconsistent with.â
not confirmed. never confirmed. nor does it read as verified, supported, corroborated, proved, certified, substantiated, affirmed, or declared.Â
he flips the page, the lip of the sheet nicking his thumb in a way that makes him hiss and shake his hand to his side, willing the air to sweep the sting away. there is no medical basis to efficiency of this act, just patterns in human behavior, passed on over time.
another file, this time, with a different name, a different date. the same language drizzles over, no clear basis or guarantee in its slogans.Â
the pattern is not explicit, then. it doesnât announce itself in ways that would usually earn him praise from his team. lines donât jump out in his mind, maps donât triangulate themselves in front of his eyes. reid feels no need to run towards a corkboard and weave together a new storyline.Â
the pattern resists, which, in itself, constitutes a colder sort of data.Â
he leans back slightly, eyes still fixed on the page as if distance might force the coherence he so desperately craves at this moment into place.Â
it does not. and so he closes the file.Â
note: do not mistake this for reid being finished. that he is not. he closes the folder because continuing, at this stage, would produce diminishing returns - an economic framework that rationalizes the disorder in his mind.
spencer knows, as he always does, as he always must, that there is something between the black ink of the lines - which have begun to dampen and bleed as they swirl with the heavy humidity of the townâs air that bleeds into the forks police department - that has not articulated itself. something darker, misaligned and disarrayed.
and until the data speaks for itself, until numbers and mathematical principles and concrete evidence jump off of the pages, he waits.Â
â
the forests and their inhabitants deny reliable methods of articulation in this part of the pacific northwest.
here, it is not silent, per say, as this would suggest absence. among the trees -Â feeling taller as they loom over agents in vests, ages old and knowing something they donât, secrets coiled into the roots that threaten to break the groundâs surface. threatening reputably focused agents to stumble - it is acoustically attenuated, as though sound itself is absorbed before it can fully propagate: wind disperses without continuity, birdsong fractures mid-distance. the intrusion - the forests have made it glaringly clear that this is just that - of human movement - boots against wet soil, the low, crackling static of radio communication - fails to establish dominance over the space.Â
the effect is not quiet, but contained. held back.Â
reid notes this without comment, mimicking the natural restrictions of the space around him.
subjective anomalies, while inadmissible as evidence in a court of law, often precede the identification of structural irregularities. reid knows, objectively, they are not reliable, alongside hearsay, illegally seized material, and speculative testimony.Â
paradoxically, they are also not irrelevant.Â
âÂ
morganâs voice cuts through the radio, distorted by static crackles and stinging squelch tails, but intelligible. âreid, you seeing this terrain?â
âyeah,â reid replied, gaze tracking the uneven ground. his voice feels lowered in the chilled air, his sharp analyses soddened by a heavy-hanging mist. greyer, perhaps. âlow foot traffic. soil composition retains impressions longer than average - if anything were to have been dragged, weâd have clearer disruption patterns.â
âmeaning?âÂ
âmeaning whatever happened here was either stationary,â reid says, âor controlled enough to avoid leaving a trace.â
thereâs a pause on the other end, indistinguishable in its nature from either contemplation or poor signal.Â
âcontrolled,â morgan repeats hesitantly. âthatâs not what weâre supposed to be dealing with, kid.â
it isnât.
reid crouches near the indicated site, careful not to disturb the perimeter markers. he notes the way that theyâre almost ironic in their bright, yellow coloring - theyâre meant to draw attention to a location, whether this be to forensics teams seeking out their evidence to collect, or for detectives to avoid leaving their designer footprints in. in a space this expansive, reid wonders if they truly make a difference at all.
the ground bears evidence of disturbance - this, spencer notes as a fact, in the rustled leaves, matted down everywhere else in the woodland from footsteps and rains repeating their cycle of compaction - but not violence. not in the conventional sense, at least.Â
here, there is no scatter pattern. no defensive displacement or clear struggle.Â
spencer stands again, feeling the movement in the socket of his knees. weighed down. he studies the spacing. the angles. the absence. there is always absence, reid knows. he cannot possibly gather every detail of every scene, place himself directly in the moment of the crimeâs occurence. no matter how many PhDs he collects, his mind wears, and he can only calculate so much. but this? it feels⌠curated.Â
in many ways, they are staring at a textbook scene - the body is central, the location is ideal, there are forensics teams collecting trace evidence left behind, swiping tabs in blood droplets and measuring their distance from one another. this is the issue.Â
itâs as if someone had ripped a page out of safersteinâs âcriminalistics: an introduction to forensic science,â and completed a worksheet out of it, or recreated for a forensics 101 lab - a live staging of sorts.Â
âreid,â morgan says again, quieter this time, his voice close. spencer didnât even hear him approach. âtalk to me.â
reid doesnât look up as the words flow out of him, as if he is a computer translating code for human consumption. âthereâs no evidence of predation behavior consistent with large fauna native to this region,â he says. âno tearing pattern. no feeding pattern. the body wasnât consumed.â
âthen why call it an animal attack?â
âbecause the alternative requires a level of precision that doesnât align with known offender typologies,â reid replies, stilling in his tracks. he tilts his head in one direction. pauses. tilts it in another. pauses again.
âand what - this does?â morganâs voice is distant, confused when the path is not linear. spencer feels guilt thinking about his friend like this, but shoves it aside as he finally looks up. itâs not that morgan wasnât âsmartâ - of course he was. and itâs certainly not that reid felt⌠superior - oh, god no. but he couldnât deny a natural⌠capriciousness, for lack of a better term.Â
âno,â he says with a tense shake of his head, the extension feeling heavier now than it had when he arrived.
â------------------
you register the deviation before it is technically named.
after all, forks doesnât change. which, in many respects, is the point.
its predictability is not incidental, but maintained. youâve noted it before as an equilibrium sustained through habit, restraint, and a collective understanding of what remains unexamined. variations occur, of course, but they tend to resolve before they accumulate.Â
there is a car accident outside of the school every now and then, caused by students rushing to get off of the property they deem the seventh circle as soon as they can. forks high gathers teens into the aging gymnasium and sits them in creaking bleachers, repeating a yearly lecture on safe parking lot procedures.Â
a child went missing, once. the town stirred for a bit before she was brought back home, calling in private investigators and offering casseroles of comfort to the family - which, in reality, simply served as a way for the community to clear their refrigerators. even then, the case was closed when the girl was found hours later - she had forgotten to tell her mother that she planned on sleeping over a friendâs house after school, the next town over, and her cell had died in her locker earlier that day.Â
this had accumulated.Â
â
you do not require proximity to confirm it. information, even diluted through repetition, like a game of telephone, retains structural integrity when the pattern is simple enough. sure, the details may get distorted from person to person - was it a dog or a frog that jumped the fence? was there a watermelon or a wastebasket on the other side? - but the basic structure of the findings remain relatively as they began.
now, it read as follows:
missing.Â
found.Â
animal attack.
the classification the fbi released is convenient - situated on the olympic peninsula, surrounded by nearly a million acres of national parkland, there were bound to be animals, and as such, people who got too close. curiosity killed the cat, or however the saying goes.
this classification, albeit reachable, is also incorrect. less solid of a fact, but veritable.Â
â
you close the book youâd been flipping the pages of absent-mindedly in your lap without marking the page. you will remember where you left off with a quick skim. you always do.
â
outside, the light is wrong. its quality is diffused beyond expectation, holding the kind of looming overcast that flattens depth perception and renders distance unreliable. you were sure the agents had added that to a manilla folder somewhere, and chalked another death up to whatever the procedural term for âclutzâ was - someone had fallen on a treeâs root, unbeknownst to them, as the light rays bent in a way that yielded no other outcome but a cracked skull.
you watch the treeline not because you expect to see anything, but because you donât. that is the point at which observation becomes necessary, youâve noticed. it matters not what lays in plain sight, but what lurks beyond the shadows.Â
thereâs a shift in the environment, not visual or auditory, but in the most functional manner. itâs almost as though something has passed through recently, and the space has not yet recalibrated - something has held mother nature back, vetoed her vote in the space beyond your property line, and holds her captive as the blood is slowly sucked from her neck.
you inhale slowly, taking so long that you feel lightheaded and your nostrils begin to suction in on themselves. recalibrating. the question youâve been trying to answer is not whether the situation is contained - this you know, for a fact once more, is not true - but whether it ever was. contained, that is.
â------------------
the house next door is empty, but not abandoned. thereâs no dust accumulation or structural neglect - the usual, visible signs of maintenance erosion. the warm wood siding of the dwelling doesnât appear rotting or spongy. the glass is not foggy or chipped, no windows are broken. the gutters have yet to rust, or gain the signs of old age resembled in flowers or sprouts and their time-consuming germination.
the house next door has been vacated, then. recently.
reid stands at the threshold, eyes scanning without entering. the door is unlocked, so there was no forced entry in the disappearance. no obvious disruptions to life as was. interruption, sure, but no dismantling.Â
â
âfamily?â morgan asks, stepping up behind him.Â
ânone listed locally,â reid replies, closing a briefing and placing it carefully on the corner of a black, granite countertop. it still smelled of polish. âmoved here eight months ago. limited social integration. employment history consistent, but largely isolated to the hospital.â
âneighbors?âÂ
âthereâs one,â he says.
â------------------
you see him before he knocks.Â
donât mistake this for subtly, because that, the man surely wasnât. you notice him precisely because he isnât. the crimson shadows that rest in the outer creases of his eyes, underneath the large bags they carry, announce a presence.Â
federal agents carry themselves with a particular kind of⌠discipline. it acts as an awareness of observation without the need to conceal function - everyone knows why theyâre around, and lets them act accordingly. itâs clinically efficient, and obviously identifiable.
you watch, not moving from your place at your kitchen table, the worn oak scratched and the coating bearing circles of coaster-less coffee mug contact from late nights pouring over texts, days spent sat and scrolling through online articles, the extensive blue-light contact forming similar fuchsia linings around your aperture, you were sure.
the man pauses before the door, assessing. his gaze shifts, briefly, to the windows. itâs like he is a robot, noting the spacing between the structures, the line of sight one could have from inside your home, planting himself there subconsciously.
â
you stand to open the door before he knocks, a calculated breach of expectation, which you know, doubtless, he registers.Â
âdr. spencer reid,â he says, producing credentials with minimal emphasis, going through a series of mechanical motions that heâd conducted dozens of times before, in your town alone. âiâm following up on your neighbor.â
you take in the identification without adjusting your posture, your eyes scanning the glossy card and the shiny, silver badge, wrapped in an authoritative black leather. âi assumed,â you reply.
a pause. one second that carries evaluation, estimation, appraisal, and analysis.Â
âiâm told you may have seen him prior to his departure,â reid continues.
âi saw him leave,â you say. âif thatâs what youâre asking.â
âwhen?âÂ
âtwo days ago.â
he does not write that down. he doesnât write any of this down. you donât even think he has the presupposed, yellow legal pad on his person.Â
âtime?âÂ
you consider the question.
âearly,â you say.
âthatâs not particularly specific.â
âneither is your line of inquiry.â
another pause, marginally longer now. you can tell heâs retracing the conversation, trying to crack your shell through the handful of words youâve given him. something quieter than amusement passes through you, but it remains brief - contained and unindulged. you wonder, shortly, what role heâs assigned you in his internal schema. you wonder how disappointed he would be to find it incorrect.
âapproximately,â he says now. his tone is not bored, as one would assume given your arid returns. exacting, may be the better word. levying - yes, that was it.
you allow it. âseven,â you say. âpossibly earlier.â
âalone?âÂ
âyes.â
âdid he indicate where he was going?â
âno.âÂ
âwas that typical?âÂ
âyes.âÂ
a pattern, for once, establishes in your interaction with the agent: question, answer. itâs so beautifully cut and dry, so preciously black and white that you forget youâre being interviewed, swept up in the simplicity of dialogue that didnât swirl into forksâ natural greylands.Â
âdid he usually come back?â he says, the momentâs pattern now broken. the black and white begins to fade as his head ticks slightly, his eyes narrowing imperceptionally.Â
you look at him, properly for the first time. the question is unexpected, but you do not falter.
âmost people do,â you say, the response sidestepping the informative, intentionally.Â
agent reid, as heâd introduced himself, holds your gaze for a fraction longer than necessary. he notices that you do not look away. probably notes it in his head to scribble onto a whiteboard somewhere. maybe if you were lucky, a photo of yourself would be bound to the scene with a red string, like in the true-crime documentaries you were obsessed with, once upon time. before there was an emphasis on the true aspect of the recordings.Â
âhave you noticed anything unusual in the past week?â he quizzes.Â
you consider smiling. âunusual is a relative designation. youâll have to be more specific, iâm afraid.â
âa deviation from routine,â he clarifies, not taking your bait. âbehavioral, environmental, interpersonal.â sharp. academic. straightforward.Â
you tilt your head slightly, earnest in the motion. âis that how youâre classifying this?â you ask. âa deviation?â
âyes.âÂ
you consider him. his structure, grammatically. itâs odd⌠a divergence from the cops in your town, to say the least.
âno,â you say.
he waits. âfor what?â
âfor your answer. nothing unusual.â
and itâs not a lie, not entirely. but you know his eyes are watching you, taking a photograph of your physical reactions with the instantaneous closing of his lids, adding them to a mental photo album like a childrenâs book plotline that sat dusty on your shelves, pushed behind books overborrowed from the public library. now, the aged beams sat filled with history so jarringly adult that it almost resembled young adult fiction.
âthank you,â he says, eventually.Â
you incline your head as he steps back. he doesnât engage, and neither do you.
â------------------
reid walks away before he understands fully why he doesnât trust the exchange. his uncertainty did resemble distrust in the conventional sense, for there wasnât any detectable deception pattern, or microexpressions consistent with typical evasion of the truth. he couldnât detect any linguistic markers that indicated fabrication, there wasnât fidgeting in her posture or a stance that indicated closure of the conversation.Â
her responses were consistent, efficient, controlled. almost too controlled.Â
he replays the interaction. note: the interaction, not the content. after all, she answered every question. she provided no information, which, in itself, is not unusual in questioning, especially in a town like forks. people tend to be⌠secluded.Â
the thing reid focuses on is her lack of hesitation. there was no search latency in what he asked, no cognitive lag in her processing of questions and return of response. she selected her answers, almost off of a mental list of possible replies, rather than retrieving them from the memories themselves.Â
he breathes out, releasing a breath he didnât know he was holding.
âsomething off?â morgan asks, tilting his head and narrowing his eyes at reid.Â
he doesnât answer immediately, instead looking back at the house. the forest green door is closed now, the pattern of the wood underneath beginning to show through the wear of the rain. there was no movement behind the windows. in fact, they were open, uncovered by the conventional dated, lace curtain cliche. the house indicated nothing of the interaction that just occurred.Â
âyes,â he says, finally. simply.
âyeah?â morgan presses.Â
reid hesitates here, his explanation for his unease insufficient. what was he supposed to say? that she opened the door, answered every inquiry, and waited until he had initiated finality before closing the door?
âi donât know what yet,â he sighs, the sound of the gears of his mind almost louder than the washington wind that whipped around them.
â------------------
you wait until he leaves your line of sight, a disciplined habit youâd had since you were little, unaware when it had started but unable to change your cautious behaviors.Â
then, and only then, do you close the door. lock it, maintaining a habitual structure of surface politeness when a guest is present.Â
as you move back to the window, you note that the agent - spencer, his first name was - is still visible at the edge of the property line, speaking to his partner. his posture has shifted since he stood on your porch step, though. he stands less formally, his badge back in his pocket, his hands in his pockets, his head down, but not relaxed. judging by the obvious tension in his shoulders, you wonder if heâd ever felt true tranquility. then again, you wouldnât be the right person to assess what that looked like anyway.Â
his head tilts slightly as he listens to the man next to him, processing his words in an unemotional, instinctive manner.Â
youâd expected him to reconstruct your interaction, as every police officer, sheriff, bureaucrat, and agent before him had done. youâd anticipated him to analyze your posture, watch for shuffling, record any deviations from normality. but this new delegate was doing so to an imperceptible degree.Â
so, naturally, you pick through your own behaviors - and subsequently, the academicâs adjustments - replaying the exchange scene by scene from a birdseye view.
his questions were strangely vague, purposefully leaving room for you to trip, say something you shouldnât. the sequence, the deflection, the new sense of measurement mid-conversation.Â
a cool disquiet ferments in your stomach, vining up your spine, whispering in your ear that he is closer than the should be to the structure of the truth. how inconvenient.Â
your gaze shifts slowly, intuitively, toward the tree line, a natural fir boundary between poised realism and a murky mythos. the forest remains unchanged, the spruces and cedars still fixed in the soil beneath them. this is, increasingly, the problem.Â
â------------------
reid returns to the site before sunset. anywhere else in the world, this position of the sun would cast a golden radiance across each surface, illuminating even the dullest of displays with an optimistic warmth. in forks, the evergreen abnormality, the airspace carries a green-ish hue, darkening the jaded shades that have seeped into every aspect of the locality.Â
he stands at the edge of the marked area, the once-yellow âcrime sceneâ tape turned chartreuse, watching as the light shifts further, diffusing.Â
the team has cleared out, all gone their separate ways - hotch to call jack; emily, jj, and morgan to a local diner; rossi to precinct, mumbling about needing to shine the italian leather of his boots and complaining about the townshipâs abundance of mud. none of them argued when reid said he wanted to take another look. none of them noted that he really didnât need to.Â
reid steps past the tape, no longer looking for evidence, but absence thereof. this time, in the green-gold light of the late-afternoon, he searched for discontinuity, anything that might resist typical classification.Â
the ground is unchanged - because of course it is - but there is something new this time around. not tangible, not something that couldâve been packaged and sent back to quantico. not visible either, no need to call in a photographer or whip out his cell phone camera and snap a grainy shot. he doubted the pixels would calibrate properly through the mist that undoubtedly wouldâve clung to his lens.Â
a sensation, perhaps? no. not that. an⌠awareness. yes, that was it. an awareness that he wasnât alone.Â
reid straightens slightly, still and listening. nothing. obviously, nothing.Â
he exhales. turns and stops. turns and paces. takes a tentative look back, pretends to be distracted by something else - a squirrel maybe, and returns his gaze to the scene beyond the tape. it looks the same.Â
i mean, what did he think would happen? that this was an elementary game of wax museum? that when he wasnât looking, the site would giggle under its breath and change positions, cheekily awaiting the moment his back would turn again.Â
reid pressed two fingers to the space between his eyes, which constantly seemed to hold pressure these days. heâd tried sunglasses, wondering if this was a bout of migraines, a reaction to caffeine overconsumption, a bad mix of hemicrania suppressants.Â
a thought - the thought - the one heâd fought daily to subdue, pushed back into the depths of his intellect, sought to cuff into an unlit edge of his mind like the subjects he dealt with daily. because they were crazy. they - the killers, the robbers, the ones who did bad - where the ones who had âschizophreniaâ written down in the file that followed them to lock up.Â
and yet, even then, normalcy aside, reid still couldnât help the feeling this place carried. it was wrong. so, so wrong, as though something within its structure had shifted position, not moving actively, but past moved. so there he stands, not calling for backup on the walkie that he had silenced upon entering the curtain of pine. there, he observes, stews, sinks his feet into the dampened land beneath him.Â
â------------------
from the timberline, you watch him. some would call this stalking, but that would constitute a pattern of repeated, unwanted, and obsessive attention, while this was simply a one-off occasion of⌠noticing.Â
you noticed that he was here alone. he was not supposed to be, which was data to be added to your set as far as you were concerned.Â
every other investigator that came into forks relied on reinforcements for safety, for verification. fact: observation is stabilized through census. this is where the philosophical debate of the tree falling in the forest arises. if the agent were to find something groundbreaking in this moment, if the stage in front of him were to reset itself and spell out a lead, would anything come of it?
he, whoever he was, had removed that variable. interesting, you thought. very interesting.Â
you noticed that he steps into the space with a deliberate precision, each movement considered and each placement overly intentional.Â
you notice his idiosyncrasies in the fact that he does not retreat, but repositions when he, eventually, comes up empty of evidence.Â
objectively, there is no benefit in escalation. youâd get your name in a file you were sure was already pages long. this one would leave, eventually, as they always do. the death of your neighbor would be chalked up to a mountain lion, a bear, or, if this team was feeling nuanced, a more unique species of local fauna, with a disease that causes it to feed on human flesh, but surely, given the time since the attack, would have taken the poor beasts life by now. a pamphlet on animal-spread illness would be distributed to concerned residents, and secondary-school teachers would warn their students to stay away from the forests at recess for some time. life would come as it does. vita procedit, vita manet.Â
but as you continue to notice him, still standing there, still scrapping for resolve in something that refuses resolution, you briefly experience something closer to interest, which, you decide, is significantly more dangerous than any creature that may lurk beyond mapped lines.Â
â------------------
reid leaves after dark, the turquoise tint to the town now twisting into a myrtle, midnight shade. the conditions have changed as night introduces erratics he cannot yet account for.Â
he walks back toward the winding road, his mind still working through the same undetermined sequence; all consistent, all inadequate:Â
case file.
scene.Â
witness.Â
he cannot prove the something he feels is here. he cannot prove its presence, not abstractly or metaphorically, or in some roundabout derivation from an equation used by mathematicians decades past. not yet.Â
but he will, because patterns - no matter how resistant - are eventually bound to break. he questions now, so terribly long gone in his lone exploration, what will no doubt emerge when they do.
summary: after every case, the same bad decisions draw you and spencer reid together like magnets. you tell each other it's just sex, and you tell yourself that you hate him; but you can't deny the ache you feel in your ribs when he kisses you, and he can't deny the surge of jealousy he feels when you insinuate that he may not be the only person you're sleeping with.
genre: smut (MDNI) word count: 5.5k
tags: fem!reader, insufferable coworkers, enemies with benefits, handjobs, oral (m receiving), fingering, unprotected p in v, they're freaking it raw, kissing, making out, biting, switch(?) spencer, he fluctuates a little, teasing, hotel sex, trying and failing to keep it down, "love to hate you, hate to love you", spell-checked but not proofread
notes: req from this comment! | first smut oneshot...kinda nervous....
âSo I cross my heart, and I hope to die
that Iâll only stay with you one more night.â
â Maroon 5, One More Night
The BAU havenât been the same since you joined, or so youâve been told. Nobody really knew what to think of you when you burst into the bullpen two years ago, armed with little more than a communications degree and a tongue too sharp for your own good, but you were determined to make a good impression.Â
Unfortunately, that determination had lasted barely five minutes, because that was all the time you were afforded before he came into your life. Doctor Spencer Reid, the awkward, bumbling golden boy; irritating on his best days, and downright insufferable on his worst. He had tried to befriend you at first, you think, but it was hard to gauge what he thought of you when he couldnât seem to stomach speaking to you for more than a few seconds at a time. No matter where you were, be it the break room or the courtyard, Spencer always found a way to escape any conversation you tried to initiate. Trying not to take it too personally, you had just brushed it off as social anxiety; he was just nervous, and heâd warm up to you in time, right?
Wrong.Â
One week after your arrival, you were called in on your first case: a series of homicides had occurred in Florida, and the local PD were practically begging for help. Looking back on it, it was one of the more cut-and-dry cases youâve worked on during your time here, but it was hard to see it at the time for the headache that Spencer had caused you that weekend.Â
He cut you off every time you tried to speak. Whenever you had a theory, he had something more important to say.Â
And every time he spoke over you, heâd apologise. It had seemed genuine the first time, and you had continued to let it slide the second, third, and fourth time he interrupted you. You tried to give him the benefit of the doubt, you really did, but tolerance is a virtue you lack even at the best of times, and Spencer Reid seemed as though he had been put on earth just to test you. He was a broken record of rudeness and regret, always grovelling but never learning, and you couldnât deal with it; there was no way he wasnât doing it on purpose.
It all spiralled out of control from there. You then began interrupting him out of spite, which he didnât take too kindly to. Of course, he got all pissy about it, and his mood had only worsened when you started insinuating that his actions were sexist, and thenâŚhe refused to speak to you for the rest of the day.
But his silence did nothing to settle the tension between the two of you, and so the cycle continued the next day, and the day after that, and the day after thatâŚ
And now itâs just routine. Spencer and you butt heads wherever you go; big cities, rural villages, it doesnât matter. You chide, you bicker, and you ping-pong insults across every table you find yourselves at, regardless of who else is present. Chiefs of police, decorated detectives, everyoneâs been made a witness to your dysfunctionâif Spencer canât keep his mouth shut, then why should you?
â
âI think itâs pretty clear that this unsub is suffering from some kind of religious psychosis; something that has caused him to believe thatââ
âIf thatâs the case, then he skipped bible study.â
Youâre sitting in a conference room slap bang in the middle of New York city. The bright sunlight peeking through the blinds is mocking you, youâre sure of it; God, what you wouldnât give for a picnic in Central Park right about now. But, as always, the worst cases come with the best weather, and you and the team are stuck chasing an unsub killingâ no, sacrificing his victims in some of the most brutal ways possible.
âObviously,â Spencer mutters in response to your quip, âbut that doesnât negate the possibility of psychosis.â
âIâm not saying it does, butââ
âThen why are you interrupting me?â
Oh, if looks could killâŚSpencerâs glares wouldâve put you in the ground years ago. Heâs staring daggers at you from across the table, arms crossed, lips curled in disgust like youâre the unsub and not just a coworker trying to voice a theory.
You mirror him, leaning back in your chair as you cross your arms. âBecause I feel like it,â you say, shrugging.
Spencer scoffs. âAnd this is why I have such trouble working with you. You alwaysââ
Biting back a smile, you turn away from him and redirect your attention to Hotch. âWhatâre the odds of this unsub consciously misappropriating ancient catholic rites?â
Hotch frowns at your question, but his expression reads more as intrigue than disagreement. âFor what purpose?â he asks.Â
âForâŚâ you puff air into your cheeks, realising you hadnât fully put together your theory before deciding to speak up. âI donât know, maybe becauseââ
âSee?â Spencer cuts you off, huffing. âSheâs just contradicting for the sake of contradicting.â
âOr maybe Iâm contradicting because Iâm right.â
âOh, yeah,â he sits up, nodding with enthusiasm, âyouâre right. I mean, just look at all the evidence you have!â he flashes you a smile before his expression returns to that sour distaste youâve grown used to. âWeâre wasting time.â
âSheesh,â you raise your eyebrows, smirking as you mutter, âsomeone didnât have sex last nightâŚâ
Spencer freezes at your words. His face pales slightly as he stares at you, trying to keep a lid on his reaction to avoid garnering any suspicion from the team.
ââŚexcuse me?â
âNothing,â you turn back to Hotch and lean forward, resting your elbows on the table. âThe unsub could be trying to throw us off by incorporating religion into his kills. Or thereâs a chance that he was religious, and heâs now bastardising the teachings of the Old Testament as a way ofâŚdealing with religious trauma, maybe. Whatever it is, I donât think heâs experiencing psychosisâ and Iâm not just saying that to piss Reid off,â you add quickly, before he can interrupt you. âI just think this unsub is too organised to be suffering from something that is known to make people disorganised.â
On the other side of the table, Spencer is grinding his teeth.
Hotch regards you for a moment in silence, mulling over your suggestion before saying, âItâs possible.â
Suppressing a grin, you shoot a smug glance in Spencerâs direction, relishing the glare you earn in return. âWell, would you look at that?â
â
You would pay a fortune to know what was going through Hotchâs head when he sent Reid and you to assess the most recent crime scene. He should know by now that neither of you want to spend any more time together than strictly necessary, and that continuing to pair you together like this will only end in disaster. But maybe thatâs why heâs doing this. Hotch makes a point to keep his personal life as drama-free as this job will allow; he probably gets a kick out of seeing his agents squabble like childrenâonly when it doesnât hinder the investigation, of course.
Youâre standing in a shaded alleyway, trying to drown out the sounds of the media beyond the cordon as you watch the local CSI team photograph what is now the fifth murder tied to this unsub. You have to tread carefully, lest you knock over one of the dozen half-burned candles carefully placed around the scene. Itâs impressive, really, that this unsub can commit such intricate crimes in broad daylight without getting caught, but that only makes it all the more infuriating.
The most infuriating thing about this situation, however, is the conversation unfolding behind you.
âSorry, did you say three PhDs?â
Instead of profiling the scene like heâs supposed to be doing, Spencer has found himself caught in a conversation with a young, pretty police officerânot that you care about her appearance. You wouldnât be bothered by their interaction at all if his voice werenât so damn grating.
âYes,â he says. You can hear that stupid smile in his voice as he speaks. âChemistry, engineering, and mathematics.â
âHe also has an IQ of 187, an eidetic memory, and he can read twenty thousand words per minute,â you say, glancing back at the pair over your shoulder. Spencerâs smile vanishes the moment he hears your voice and, instead, you smile at him. âWhat? Iâm hyping you up,â turning your gaze to the officer, you add, âheâs a genius, categorically.â
She raises her eyebrows, seeming genuinely impressed. âOh, wow.â
âGraduated high school at twelve, too,â you continue, slipping your hands into your pockets as you step closer. âMakes you wonder how that mightâve affected his psychosexual development.â You shoot him a smirk and watch as he clenches his jaw. âStill stuck in the latency phase, are we? Is that why you havenât been able to lose your virââ
âThatâs rich coming from the woman who spends an obscene amount of time complaining about her dating life,â he counters quickly. âMaybe if you made yourself a little more palatable people might be able to stomach you.â
You shrug. âIâm palatable where it counts, and just because I donât date doesnât mean Iâm not getting laid, Reid. Unlike someone, I have no trouble finding people to sleep with,â stepping up to him, you don your most overly sweet, mocking voice and say, âI could send you my contact list, if youâd like. Iâm sure thereâs gotta be some women on there who are willing to give you a chance, even if it means they have to close their eyes.â
Watching the way Spencerâs already angered expression further curdles into something closer to disgust brings you immense joy. His cheeks flush an almost painful-looking shade of red and, like a faulty car that wonât start, he begins sputtering. Choking on his retort like your words have poisoned him.
The police officer, God bless her, politely averts her gaze and turns her attention back to the crime scene. She thinks Spencerâs horror stems from the little comment you made about girls only fucking him with their eyes closed, but youknow better than that.Â
Spencer stopped caring for your insults to his looks a long time ago, because he knows you donât mean it. No, heâs reacting to the implication that you may be sleeping with other people.Â
Heâs jealous. Jealous of the mere idea of you having sex with anyone that isnât him.
And by God, itâs the best thing youâve seen all week.
â
In the end, you were right: the unsub wasnât experiencing religious psychosis, and the team managed to track him down by scouring local church records for anybody who fitted the profile. Itâs crazy how easily a case is solved when peopleâReidâactually listen to you.
You return to your hotel room that night feeling lighter than air; yet again, you have managed to prove the resident genius wrong and re-established yourself as the better half of the bitchy duo, as certain members of the team have taken to calling you. So, you treat yourself to a long, hot shower, scrubbing yourself clean with complimentary hotel supplies before accidentally dropping the soft towels and miniature shampoo bottles into your go-bag.
Unfortunately, your peace does not last long.Â
Spencer Reid always knocks to the same rhythm, itâs one of his oh-so-adorable quirks that never fail to irritate you. You hear it, that familiar rap of his knuckles, as you prepare to dry your hair, and thereâs no doubt in your mind that he is standing on the other side of your door, no doubt armed with obnoxious complaints and petty insults. So, naturally, you ignore it.
And he knocks again. Louder, this time. You hear him call out your name.
âBusy,â you bark back before turning on the hair dryer, hoping to drown him out.
But then, out of the corner of your eye, you see the door handle jiggle. Lowering the hair dryer, you watch in disbelief as Spencer actually triesâand failsâto force his way into your room. You let him struggle for a few moments, hoping that maybe heâll give up if you ignore him for long enough, but you know he wonât.
Sighing, you set the hair dryer down and crack the door open.
âI said I was busy.â
âCan you let me in?â
He has one hand on the doorframe, leaning against it as he raises his eyebrows expectantly.
You shrug. âIÂ can, butââ
And heâs squeezing himself through the gap in the door. Great.
âOr justâŚcome right on in, thatâs fine,â you mutter, raising your hands in surrender as you step away. âSeriously, Reid, what is your problem?â
âMy problem?â he hisses, shutting the door behind him. âYouâre asking what my problem is? As if you havenât made it your mission to ruin my day?â
âIs this because I was right about the case?â you scoff. âJesus, get over itââ
âYou know this has nothing to do with the case.â Crossing his arms, he steps closer until heâs right in front of you. âThis is about you humiliating me in front of an officer. There was no need for suchââ
âTrue,â you say, nodding, âyou probably wouldâve done it yourself, if I hadnât. You do love making a fool of yourselfââ
âAm I not enough?â
You blink at him. ââŚhuh?â
âFor you,â he says, voice firm. âAm I not enough for you?â
For once, heâs rendered you speechless, even if itâs only for a moment. Sure, you knew your little comment would get under his skin, but you werenât expecting him to confront you about itâespecially not like this.Â
His question is serious. Too serious. Itâs unsettling. Vulnerable, almost.
âAre you jealous?â you ask, narrowing your eyes.
âAm Iââ his words jam in his throat. He stammers for a moment before abruptly turning away. âIâm not doing this.â
âWaitââ
âNo. Iâm sick of this. Weâre done. I canât keepââ
Before he can make it to the door, you grab him by his arm and turn him back around to face you. Emotions flash across his face like strobe lightsâfrustration, irritation, and something you canât placeâas he stares down at you, looking as though he canât decide whether to yell at you or kiss you.
Fortunately, he opts for the latter.
A hand slips behind your neck, pulling you into him with an urgency that never fails to surprise you, and you melt almost as soon as his lips meet yours. Your hands find his face, thumbs pressing into his flushing cheeks, and he doesnât waste another second before pushing his tongue past your willing lips and into your mouth.Â
His fingers dig into the fabric of your shirt as he backs you up against the nearest wall, using his body to cage you in.Â
âIâm done,â he manages to hiss between frantic kisses. His words are as empty as they always are, spoken only for the purpose of maintaining a façade you both know to be fake.
You shake your head. âNo, youâre not.â
âI am.â
With an exasperated huff, you push him away, putting an end to the kiss so you can cook up at him.Â
âLeave, then,â you say, feigning indifference. âNo oneâs stopping you.â
He responds, as you knew he would, by latching back onto your lips, kissing you like he needs thisâneeds youâand you donât dare push him away again. Your fingers work their way into his hair, losing themselves in the dark strands as easily as you lose yourself in him, and you only get to come up for air as his focus shifts from your mouth to your jaw. He peppers kisses along your skin, trailing down until he reaches that sensitive junction between your neck and shoulder. He grazes it with his teeth, and you feel that familiar twist of arousal in your gut that damn near snaps as those teeth sink into your skin, stealing a shuddering moan from your lips as you lean your head back.Â
He tugs at the collar of your pyjama shirt, stretching the fabric as he continues attacking your skin with starved kisses. You can feel his erection pressing against your stomach, feel the need flowing through him as his hand wanders down, tracing your curves until his fingers find the hem of your shirt. Before he can start to undress you, your fingers curl into his hair, giving a gentle tug to encourage him to meet your gaze.
God, heâs perfect like this; brown eyes wide with need, face flushed and, above all, heâs quiet. For once, Spencer Reid does not utter a word. He just watches you, toying with the hem of your shirt as he waits for you to tell him what you want.
ââŚon the bed.â
And he obliges without question. Releasing your shirt, Spencer backs away from you and takes a seat on the edge of the bed. You stay leaning against the wall for a moment, watching him with a barely suppressed smirkâadmiring him, if youâre being honest with yourself; Morgan doesnât call him pretty boy for nothing.Â
Taking a deep breath, you grasp the hem of your shirt and peel it off over your head, promptly abandoning it on the floor as you make your way over to him. You swear you see his pupils blow to twice their regular size as he takes in your half-naked form, wearing nothing but a thin pair of pyjama shorts, like itâs something he ought to worship.
You slow yourself between his legs, taking his face into your hands before kissing him again. His hands grab the backs of your thighs, then momentarily settle on your ass, your hips, your waist, before finally finding their place on your chest, cupping your tits. You canât help but gasp into his mouth as he rolls a nipple between his forefinger and thumb, and he makes this smug, satisfied little noise in response. Leaning forward, you plant one hand on the mattress to steady yourself as you press your lips to his jaw, allowing your free hand to skim over the fabric of his shirt.
âWe canât keep doing this,â he whispers, breathless.
All you give him in response is a gentle hum as your fingers make quick work of his belt.Â
âIf the team find outââ
âLet them.â
âIâm serious.â
You unbutton his trousers, keeping your mouth on his skin as you murmur, âSo am I.â
Spencer huffs. âYou are soâ GodâŚâ
He shudders as your hand slips past his waistband, silencing his complaints as you wrap your fingers around his cock. He presses his face to your bare shoulder in an effort to hide the way his face contorts in pleasure under your touch.Â
âYou want me to stop?â you tease.
You can hear him trying to keep his breathing steady, trying not to come apart in your hands as he has done time and time before. When he doesnât answer you, you bring your lips to his ear.
âReid.â
âNo,â he mumbles quickly, shaking his head as your hand threatens to come to a standstill. ââŚno, donât stop.â
You canât stop the smirk that creeps up your face when you hear just how needy he sounds. âYou like that?â you ask, keeping your voice soft and light and smug as you work his cock.
His breath catches, and he nods eagerly. âMâmhmâŚâ
His hands drop from your chest to your waist, fingers anchoring themselves in your soft flesh as he resigns yourself to your touchâŚ
âŚand then you stop.Â
Raising his head, he looks almost offended as you pull your hand from his trousers. His brows furrow in a petulant frown, but whatever complaints were on the tip of his tongue vanish the moment you lower yourself onto your knees. Your fingers hook under the waistline of his slacks, asking a silent question that he answers without second thought by lifting his hips, allowing you to take them offâand his boxers, too.Â
His hands settle in your still-wet hair as your press languid kisses to the sensitive insides of his thighs, and you watch through half-lidded eyes as he catches his bottom lip between his teeth. You nip at his skin, earning a choked little whimper and, as quiet of a noise as it is, you decide to run with it all the same.
âYouâll need to keep it down, okay?â you murmur. âEmilyâs next door.â
âIâŚâ Spencerâs voice trails off as he watches you spit into your palm. He averts his gaze, blinking hard as he stiffly mutters, âI always keep it down.â
âRightâŚâ you return your hand to his cock, studying the slight twitches in his expression as he clenches his jaw. âAnd remind me, how did we almost get caught last time?â
âThatâ that wasnât even me,â he argues, trying to fight off the slight shake in his voice to no avail. âIt was you whoââ
He clamps a hand over his mouth, muffling a moan as you run your tongue along the underside of his sensitive cock. Youâve barely touched him, and heâs already struggling to keep it together. Itâs adorable.
Sighing, you shake your head. âWhat did I just say?â
Before he can try to argue with you further, youâre taking his cock into his mouth, relishing in the way his protests devolve into whimpers as you swirl your tongue around his tip. Instinctively, he pushes your head down, gently guiding you to take more of him as he breathes out a shaky sigh, and he stops just shy of where he knows your gag reflex will kick in. You look up at him through your lashes, at his flushed face, and the tension in his jaw, and that concentration in his eyes that wavers slightly with each dip of your head. You hear him curse under his breathâa rare occurrence, even in bedâas he tilts his head back, fingers tangling in your hair as he inches closer and closer toâ
âStop, stopâŚâ
He pulls you from his cock so fast youâd think you had tried to bite it off. The way he tugs at your hair both pisses you off and sends a jolt of heat straight to your core, and you feel yourself clench around nothing.
Raising your head, you pout and say, âBut youâre so closeâŚâ
âExaâexactly,â he mutters. âI donâtâŚI donât want toâŚâ
âThereâs a first,â you rest your head against his leg, smirking as you run your fingers along his inner thigh, âyouâre usually so eagerââ
âI donât want to finish before I get to fuck you.â
You wonder for a moment if youâre hearing things, but when you look up at him you find him staring back at you with nothing but serious, resolute desire.
ââŚoh.â
It isnât often that youâre rendered speechless, especially not in front of Spencer. Maybe itâs the tone of his voice, or the fact that he said fuck like it was nothing, or maybe itâs his phrasingâget to fuck you, like how someone gets a reward, like youâre something special. Whatever it is, youâre pretty sure itâs soaked you right through your shorts.
And then his hands move to your face, gently pulling you up as he leans forward and whispers, âSo stop, please.â
Youâre nodding before you can think. Spencerâs gaze strays from your face to your body, to the way youâre kneeling with your thighs clenched, and he presses the pad of his thumb to your lips. Without second thought, you open your mouth and, as he smears spit across your bottom lip, you canât help the way your hips shift despite your attempts to remains still.
âCome up here,â he says softly.
His hands trail down to your waist as you stand up, and he guides you forward to straddle his lap. He presses a kiss to your shoulder as his fingers dance across your stomach, and he looks up at you with an almost thoughtful expression.
âThe other people you sleep with,â he murmurs, keeping his voice achingly gentle as his hand slips between your legs, cupping your aching cunt through your shorts, âdo they make you feel this good?â
Beneath his mocking tone is a question being asked in earnest. You know that, and yet you still cannot pass up on the opportunity to toy with him.
You raise your hips, practically grinding against his hand as you mimic his tone and say, âso what if they do?â
Spencerâs jaw clenches, and thatâs all the confirmation you need to know that he is genuinely jealous. You smirk at him, and he retaliates by slipping his hand into your shorts. His fingers push into you with practiced ease, drawing out an involuntary moan from you as you shift your hips, allowing him better access to that spot that is bound to make you come apart. Itâs embarrassing, really, how shameless you can be for himâand only for him.
You try to hide your face in the crook of his neck, but a quick tug on your hair is all it takes for you to keep your head raised. He brushes his nose against yours as his fingers work at a steady pace, coaxing soft sighs as his brown eyes flick between yours, searching for something.
âHow many?â he asks calmly.
âSpenceâŚâ
He curls his fingers, and you choke back a whine as you buck against his hand. Itâs rare for him to be soâŚcomposed in moments like these. So in control. You must have really struck a nerve.
âHow many other people are you sleeping with?â he presses, keeping his hand tangled in your hair so you canât look away.
You stumble over your words, stammering like a fool in the face of such a simple question. His thumb presses against your clit, rubbing slow circles against the sensitive bud until your thighs start to tremble and you can barely form a coherent thought.
ââŚnone,â you finally manage to say. âNone.â
Spencerâs movements cease immediately.
âWhat?â he asks, ignoring the way youâre shifting your hips against his hand, desperate for him to keep going.
âIâmâŚIâm not sleeping with anyone else,â you confess, breathless.
âYouâŚlied?â
You flash him a sheepish smile. âI just wanted to piss you offâŚlooks like it worked.â
Thereâs a pause. A handful of seconds where the only thing he can do is just stare at you with this unreadable look in his eyeâsomething between disbelief and relief. Something new.
And then he pulls his hand from your shorts and pushes you down onto the bed. He crawls on top of you, effectively pinning you to the mattress as he captures your lips in a harsh, demanding kiss. He tugs at your shorts, pulling them off and casting them aside as he ravages you. And then you feel it. The bare head of his cock pressing against your entrance.
As though youâre possessed, you hook your let over his hip instinctively, inviting him to fuck you raw. You have no idea whatâs gotten into you, what switch heâs managed to flip somewhere deep in the depths of your mind, but the only thing you want right now is for him to take you just like this.
But he doesnât. Breaking the kiss, he looks down at you with this half-smug, half-surprised expression that would piss you off if you werenât so damn desperate.
âIs that what you want?â he asks.
He sounds genuinely curious, the way he always does when he learns something about you he hadnât expected.
When you donât respond, he pushes you that little bit further. He gives the slightest movement of his hips, just enough to tease you with the head of his cock, and he watches you fall apart underneath him. He silences your whining with a kiss, but it does little to muffle the way you cry out when he pushes the tip of his cock inside of you. Itâs just the tip, but it has you mewling like youâre going to comeâand you will, if he keeps going like this.
âShh,â he whispers. âEmilyâs next door, remember?â
Youâd cuss him out if you could, but the only thought in your mind is of him fucking you raw, stuffing you with his cock and claiming you as is. Youâve lost your damn mind, youâre sure of it.
âPleaseâŚâ
The words tumble out of you before you can stop them, whispered frantically against his lips in a pathetic plea. Youâre begging for this.
Pulling back slightly, Spencer looks down at you with a serious, yet oddly soft expression and asks, âyouâre sure you want this?â
You just nod, unable to trust yourself to speak without saying something utterly humiliating.
He presses a kiss to the underside of your jaw, nuzzling the skin before finally giving you what you want. He moves slowly, at first, taking care not to cause any discomfort as he buries himself inside of you. Your attempt to stifle a moan only leaves you whimpering, and you hide your face in the crook of his neck, holding him tight as you try to keep your breathing steady even though you know itâs no use. You take him all the way to the hilt and, God, sex with Spencer is always goodâitâs the one thing youâll never argue with him onâbut this is on a whole other level. This is filthy, and youâre loving every moment of it.
Your fingers dig into the fabric of his shirt, and you feel him shudder, barely keeping it together himself, as he adjusts to being inside of you like this. No barriers. No inhibitions. Nothing. Youâve broken every rule that was established when this whole thing started, every safety measure that was put in place to protect you from this. Attachment. Anything that dared run deeper than simple hatred and lust.
Youâre both screwed, but thatâs the last thing on your mind as Spencer finds his footing and begins rutting into you. You wrap your legs around his waist, lifting your hips so he can hit that spot that would have you screaming if you couldâif you werenât surrounded on all sides by your stupid coworkers. You keep your face pressed into his neck, muffling the barely contained whimpers that spill out of you with each thrust of his hips until youâre damn near crying from pleasure underneath him.
His breath in your ear is almost hypnotic. Heâs panting against your skin, scarcely able to suppress his own moans as he fucks you until youâre seeing stars. You curl into him, sinking your teeth into his shoulder and hoping the fabric will absorb some of the noise as he brings you closer and closer to orgasm.Â
And thatâs when heâs grabbing your thigh. He hooks your leg over his shoulder, fucking himself into you at a pace so brutal thereâs no stifling the atrocious noise you make. With a head full of static, all you can do is stay latched to his shoulder and pray these walls are soundproofed as your vision begins to fizzle out around the edges and, all too soon, you feel something inside of you snap as you come onto his cock.
His hips sputter and, the very moment your orgasm reaches its peak, he pulls out with a guttural groan and finishes on your stomach. Releasing his grip on your leg, he collapses on top of you, mumbling something you canât make out as you both try to catch your breath.Â
You bury your face in the crook of his neck, searching for comfort where you know you shouldnât, and he gives it to you. His hand cups the back of your head, holding you close as he presses a gentle kiss to your shoulder. You donât dare speak. Neither of you do.
Speaking would mean addressing all the things that have thus far been ignored. It would mean having conversations, too many of them, about boundaries and feelings and where exactly you fall on the spectrum of hate andâ âŚthe other option.
Speaking would mean acknowledging that this little arrangement of yours is no longer just a one-night thingâif it ever was to begin with. And it would mean acknowledging that neither of you want this to be a one-night thing.Â
But, of course, speaking is what Spencer and you tend to do best, even when you shouldnâtâespecially when you shouldnât. So, after regaining some semblance of composure, you break the silence with your usual sarcasm.
ââŚthis is the past where you tell me you arenât sleeping with anyone else either, by the way.â
To your surprise, he laughs. Itâs a quiet, tired chuckle, but itâs a laugh, nonetheless.
âNo,â he mumbles, continuing to lazily graze his lips against your shoulder. âNo, Iâm not sleeping with anyone else.â
ââŚcool.â
You opt to leave it at that, content with the knowledge that the two of you are, in some way, on the same page.
And even if you werenât, one more night wouldnât kill anyone, right?
i don't have a taglist for these posts but i'm sneakily tagging @theoneeees for leaving the original comment and also @crime-bunny because i know you were excited for this one.......i hope it lives up to expectations i'm very nervous about this