sorry if i believe in an inherent magic contained within my chemical romance. As if it’s my fault.
hello vonnie
trying on a metaphor

@theartofmadeline
Peter Solarz
Misplaced Lens Cap
Lint Roller? I Barely Know Her
AnasAbdin
Mike Driver
DEAR READER

No title available

JBB: An Artblog!
d e v o n
No title available

JVL

Love Begins
we're not kids anymore.
cherry valley forever

roma★
No title available

ellievsbear

seen from United States
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@violentp0se
sorry if i believe in an inherent magic contained within my chemical romance. As if it’s my fault.
for anyone else who might be interested...
BUT - Attributed to Gustave Courbet, Study of a Nude Man, early 1840s, oil on canvas, https://www.metmuseum.org/art/collection/search/848137.
THERE'S - couldn't find this one yet! if anyone has any leads, feel free to chime in/let me know!
SHIT - Winslow Homer, The Veteran in a New Field, 1865, oil on canvas, https://www.metmuseum.org/art/collection/search/11145.
and since this painting has been featured pretty prominently in other visuals for lltbp, I’ll include its description from The Met: “Completed in 1865 … this symbolic painting embodies the tension between grief and hope after the Civil War. A discarded Union Army jacket and canteen in the lower right corner identify the farmer as a veteran, and the ‘new field’ of the title reminds us of his old one, the battlefield. This return to peaceful pursuits echoes the biblical passage from Isaiah 2:4, ‘They shall beat their swords into plowshares.’ While the bountiful harvest signifies renewal and recovery, the single-bladed scythe evokes the Grim Reaper.”
THAT - Drawings Showing Combat on Foot (Champ Clos), German, 16th century, pen, ink, and watercolor on paper, https://www.metmuseum.org/art/collection/search/34014.
I'VE - (found by both @happygerard and @slimedryer !!) Appears in a couple 1960s editions of the Better Homes & Gardens New Cook Book, can be seen in listings here and here.
DONE - Petrus Christus, Portrait of a Carthusian, 1446, oil on wood, https://www.metmuseum.org/art/collection/search/435896.
WITH - a detail of the eye from the same painting as above! (I do actually wish they had chosen to highlight the trompe-l’oeil fly at the bottom instead...it'd obviously fit the song pretty damn well)
THIS - Armor Garniture, Probably of King Henry VIII of England (reigned 1509–47), 1527, steel, gold, leather, and copper alloys, https://www.metmuseum.org/art/collection/search/22741.
FUCK - Francesco Guardi, The Villa Loredan, Paese, early 1780s, oil on canvas, https://www.metmuseum.org/art/collection/search/438116.
OF - Anonymous, after Raffaello Schiaminossi, Plate 1: Julius Caesar looking to the right, from 'The Twelve Caesars', 1610-40, etching and engraving, https://www.metmuseum.org/art/collection/search/649484.
A - W.L. Germon and W. Penny, [Family Portrait], ca. 1855, salted paper prints with applied media, https://www.metmuseum.org/art/collection/search/263070.
GUN - (found by @poolboydivision !) Juan Pedro Chabalgoity, [Photo Collage: Dog Jumping at Man], ca. 1875, albumen silver print, lithograph, https://www.metmuseum.org/art/collection/search/764786.
YOU - Launch of Minuteman laser-guided missile 30, Nov. 23, 1981, National Archives, https://catalog.archives.gov/id/6364435.
WOULD - (found by @slimedryer) T/Supply men left to right: S/Sgt. Michael H. Moran, McKeesport, Pa., Cpl. Howard M. Meddlyhas, Salt Lake City, Utah, Cpl. Larry Feldman, Brooklyn, N.Y., and S/Sgt. Robert G. Keich of Tomaque, Pa., are busy unpacking British made fibre auxiliary (U.S. Air Force Number 52350AC), National Archives, https://catalog.archives.gov/id/204879452?objectPage=2.
CRY - another mystery! anyone with a special interest in trains, please lend me your power
OUT - just a stock photo, originally uploaded here!
YOUR - Avram Finkelstein and Donald Moffett, Fact or Fiction, 1989, color photo-offset lithograph, printed in black and red inks, https://www.metmuseum.org/art/collection/search/786126.
EYES - Vienna Boys Choir, Photographs of Marshall Plan Programs, Exhibits, and Personnel, compiled 1948-67, National Archives, https://catalog.archives.gov/id/20001158.
ALL - (another find by @slimedryer !) Beatnik party/New Year's Eve party 1960s, Internet Archive, https://archive.org/details/pict-0069.
ALONG - Photograph of Lem A. Ward Putting on Make-Up, Federal Theater Project Central Files, compiled 1935-9, Records of the Work Projects Administration, National Archives, https://catalog.archives.gov/id/24200212.
my chemical romance
oh my god
📸 poonehghana
isn't insane that they were forced to read an ad right before cancer. like arguably one of their most emotional and uncomfortably raw songs made cheap and shallow by the reminder nothing is free and they and You are bought and paid for and you will eat the slop- i mean soup they feed you because there is no music without the money. not in this world. you could be slowly withering away from a disease with no cure and losing your will to live day by day and it will be scored by jingles and the greedy demands of the rich and powerful for every goddamn thing you have to give. you can turn away but you can't turn it off. You're Not Allowed.
IT'S FINE IT'S WHATEVER
Oracle Park, San Francisco, CA, 07.19.2025
📸 by stillharper (insta live105fm)
all we are are puppets primed to perform
BRISBANE
Art by • Iphigenia/ aka Foie Gras
"the new pope is problematic" well folks it's the catholic fucking church so im not really sure where your hopes were at
all i do anymore is have a cut on my finger
any shit resonates with you people
(x)
Lucy and Sweat for Close Shave
Photography by Lydia Garnett
Close Shave, an exhibition at Toppins London […] paying homage to Dyke, Butch and transmasc haircuts, style and expression. Close Shave is a collaboration between photographer Lydia Garnett, barber Zara Toppin and curator Lucy Nurnberg. Inspired by Dyke tenderness and the Butch barbershop experience, Close Shave is a body of work that explores themes of Butch-on-Butch care, love, and trust.