i think if you showed minecraft or fortnite to a little medieval peasant boy he would probably start writing parodies of church hymns. it’s human nature
this has rendered me speechless

blake kathryn
Doug Jones
occasionally subtle

ellievsbear
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official daine visual archive
Noah Kahan
★
d e v o n
$LAYYYTER
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YOU ARE THE REASON
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"I'm Dorothy Gale from Kansas"

Kiana Khansmith
EXPECTATIONS
TMBGareOK. The Official They Might Be Giants tumblr
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@violet-frog
i think if you showed minecraft or fortnite to a little medieval peasant boy he would probably start writing parodies of church hymns. it’s human nature
this has rendered me speechless
had to share this
In every way this is set up to be a joke like any other short video, it even uses the trope of main character in a wig to represent their mom, but it isn't funny at all. It's just sweet and nice
tummy ache survivor
Leon's Relationship with Leadership and Authority and His (Maladaptive) Coping Strategy During 2R
*rubs my devious little psych degree hands together* This is something I've been thinking about a lot recently, but has anyone else picked up on Leon's arguably delusional adherence to formalities and the chain of the command during 2R? I made a short post about it a while ago that I think will make a good primer for this analysis, but as I mentioned in this ask, this behavior of his is something I've really wanted to study for a while now because I find it very interesting.
And of course, I have to give the disclaimer that I doubt any of this was directly intentional on Capcom's behalf. I don't think they had a therapist or psychologist or someone with any degree of psych training in the writer's room when making 2R, but it actually maps to psychological principles and theories pretty well, so for all intents and purposes... it works!
Leon’s behavior throughout the Raccoon City disaster is arguably strange and overly formal-- also very naive-- but through a psychological lens, it becomes clear that his desperate adherence to protocol and authority figures is a coping mechanism born out of trauma and instability. At its core, Leon is engaging in an elaborate form of what I'm going to call a dissociative roleplay— he clings to a predefined social role in order to preserve a sense of identity and control in a world that has spun violently out of his grasp. For Leon, that role is “rookie cop,” and rather than abandon it in the face of societal collapse, he doubles down on it, using formalities, chain of command, and procedure as emotional armor against the chaos of the zombie apocalypse.
This becomes evident almost immediately. Despite arriving in Raccoon City to find it overrun by zombies and the police force decimated, Leon insists on treating Lieutenant Marvin with formal respect, calling him “Lieutenant” at every opportunity and following his instructions to the letter. It doesn’t seem to matter that Marvin is bleeding out and barely able to stand, nor that the department’s structure has completely broken down—Leon clings to the chain of command as if it’s still intact. When referring to the fallen officers throughout the station, Leon doesn't generalize them as victims of the outbreak but rather specifically frames them as “officers he couldn’t save," reinforcing a world where cop procedure and duty still have meaning. By continuing to play the part of a dutiful rookie, Leon shields himself from the horror of acknowledging that the system he trained for has collapsed, and that, in truth, no amount of rule-following will bring anyone back. He's now seemingly the last line of defense for these survivors and feels it's his role, both as a person who is alive and there and as a cop, to do what he can to better the situation.
Similarly, Leon’s refusal to release Ben from his jail cell unless he first speaks to Chief Irons illustrates his rigid, and dare I say compulsive, commitment to procedure. Even when its clear that Irons is missing, possibly dead to Leon's knowledge, and the RPD is in total disarray, Leon can’t bring himself to override the established hierarchy. Instead of assessing the situation practically, he defaults to a black-and-white rule set—Ben is a prisoner, Irons is the authority, and without explicit orders, Leon’s hands are tied. I think his adherence to these steps is less about logic and more about staving off the terrifying realization that no authority remains and that he would have to assume that role, and he can't.
I think another good example of this, especially as it relates to his naivety, is his blind trust in Ada. She introduces herself as FBI, offering little more than a few vague statements and an air of confidence, and Leon accepts it without hesitation. Objectively, its borderline ridiculous—Leon is 21, trained to be a police officer, and should be able to recognize inconsistencies or at least exercise skepticism in this situation. Ada’s overly-polished appearance, cryptic answers, and avoidance of direct questions should have raised numerous red flags, especially in a situation where the RPD is in ruins and government presence is conspicuously absent. Leon’s clearly not stupid—he’s incredibly observant, trained, and therefore should've been aware enough to notice something's off. I think anyone that age in this situation would have some questions about why the government allegedly sent a single FBI agent, dressed in heels and sunglasses at night time no less, to deal with a situation of this scale. But instead of questioning her, he accepts it, because she fits into a structure he recognizes: authority figure, someone who knows more than he does, someone with a plan. Trusting Ada keeps him in the role he feels safe in—the subordinate, not the leader. Between his naivety and the stress of the situation, it’s easier for him to believe she’s legit than to deal with the idea that he’s on his own (again).
This reluctance to step into a leadership role is something present in him beyond just 2R too. Unlike Chris, who thrives in command and leads specialized teams, Leon rarely operates as part of a unit. And when he does, it’s usually small scale and temporary, like with Angela and Greg in Degeneration or Sasha in Damnation, where he ends up guiding them because he has to, not because he wants to. He was either ordered to do so as part of the mission, like in DG and with Ashley, or because he meets these people along the way and feels this sense of duty toward them. And we know Leon cares deeply for others and protecting them, so even if he doesn't necessarily want to be the guy in charge, he assumes that role out of necessity for them.
The few times Leon does get put in proper leadership roles, it doesn’t end well. Look at the Bethesda mission from the VD novelization-- that’s one of the rare times (I think actually the only time) he’s actively leading a squad, and it goes catastrophically wrong—his team is wiped out, and Leon spirals into a months-long breakdown filled with isolation, and what seem to be hallucinations. Being directly responsible for others’ lives, and then watching them die, reopens the wound he’s been avoiding since RC: the unbearable weight of responsibility when things fall apart. And this ties into his survivor's guilty and PTSD as well, which is especially prominent throughout the series. Both the VD and DM novelizations practically whack you over the head with it, and the "this time is has to be different" motif was even explicitly included in 4R.
Even when Leon’s technically on equal footing with others, like during the New York mission in VD, he almost immediately steps back. Despite being the "expert" Chris and Becca recruit him for, he defers to Chris without hesitation, even calling him (albeit lightheartedly) “boss,” which I think is telling, and not just of Leon's trust in Chris. It’s not about hierarchy—it’s about Leon’s deep discomfort with directly taking the lead. Chris and Leon were designed as foils, and I think that's especially noticeable in how they handle leadership. Chris is the natural-born leader, the one who carries his team on his back, while Leon constantly gravitates toward roles where he’s either working solo or letting someone else call the shots.
So it seems a part of Leon’s identity is built around this need to avoid being the authority figure or the guy directly in charge. It’s not because he lacks the skills or experience— he’s every bit as competent as Chris— but the psychological toll of being responsible for others and having to make the tough decision makes him cling to roles where he doesn’t have to bear that weight, or at least not bear it alone. Leadership, to Leon, is seemingly a burden rather than an opportunity.
Hi,i was playing re4r and in the room where the pep talk scene happened there was a broken vase with purple flowers, I tried searching them and the closest one imo was the periwinkle flower which according to google symbolizes : "everlasting love, fidelity, trust, and sweet remembrance"
I know you said you done contributing to eagleone fandom so you can keep this to yourself and check if I'm correct since it wasnt in your pep talk meta
I don't see this as contributing to eagleone fandom; I consider this general RE4make meta. Symbolism in the story is symbolism in the story. It just is what it is.
But those flowers are not periwinkles. They're violets.
Traditionally in Western culture, violets are flowers that symbolize personal depth and introspection. In the East, violets symbolize temperance and enlightenment.
Considering the fact that this broken vase is right next to the door that Ashley had entered through, the implication here via environmental storytelling is that she burst into the room in such a distraught rush that she knocked the vase over and shattered it. And since the vase is broken and the violets are scattered, this broken vase can be symbolically taken as a reflection of Ashley's mental state. Her thoughts are scattered, and her behaviors are erratic; she's unbalanced and emotionally unstable.
However...
Shakespeare also used violets quite a bit in his symbolism, and since RE4make blatantly references Shakespeare at several different points, it warrants looking at his usage of the flowers, too.
Shakespeare used violets to symbolize loyalty, faithfulness, and lovesickness; he also used them to symbolize the brevity and fragility of life -- to call attention to the inevitability of death. Sometimes, he combined those two things together and used violets to symbolize doomed love.
Looking at this through a Shakespearean lens, the scattered violets on the floor symbolize Ashley's fear of death and her abandonment (however briefly) of Leon. She wanted to stand by his side, but she caught a glimpse of her own mortality, panicked, and fled from him. She thinks she did what was in his best interest -- running from him in order to keep him safe -- but the reality is that abandoning him does nothing but bring them both closer to death.
And since we're already talking about this, let's just look at the other flowers in this room. We've already talked about the bridal bouquet, but in addition to that and the violets, there are three other kinds of flowers scattered around.
There are also begonias:
Pink roses:
White tulips:
And if we take a closer look at the bridal bouquet, what's actually in it are white roses and white carnations:
Begonias symbolize good, open communication between people; they represent reciprocity. They are also used as caution against danger and as a warning to stay vigilant.
Pink roses symbolize deep gratitude and admiration (especially for a person). They also are used to celebrate new beginnings, specifically in the context of deepening respect and love between people.
White tulips symbolize forgiveness, optimism, and honor. They're associated with comfort, support, and unconditional love.
White roses symbolize romantic love and commitment... and not much else. That's pretty much the only thing they're used for.
White carnations also symbolize romantic love and romantic commitment. They're really not used for much else, either.
The choices of flowers in this room represent the scene that takes place there.
Scattered violets to symbolize Ashley's internal struggles
Begonias to symbolize the openness between Leon and Ashley that happens in the room, as well as the very real and present danger they're both in
White tulips to symbolize Leon's forgiveness of Ashley and his honor in his support of her
Pink roses to symbolize Ashley's gratitude towards Leon and her admiration for him, as well as the deepened connection between them
A bouquet of white roses and white carnations as a backdrop to the actual scene that takes place in order to emphasize the romantic nature of all the above
And considering the fact that Hirabayashi retconned the origins of the T-Virus from a synthetic mutation of the Ebola virus to... magical fucking flowers in the middle of Africa... we have every reason to believe that he's a big fucking nerd for shit like this, and he chose those flowers deliberately for their symbolic meanings.
Based on the scene from rotk (book) where sam gives frodo his cloak🫡
I have drawn sm hannigram and forgotten to post any of it here
Hannibal (2013-2015)
3x06 - “Dolce”
have you heard the good news?
vanishing grace
Found this reference on Pinterest and this is the only thing i could think of.
They love their wife.
“we’re looking for fireflies… i’m a firefly.”
Tommy B loves his Tall wife
A Puppy's Turtle
I know I owe you a bunch of stories, and I’ve got them all lined up to tell, including Kouku and Girlgirl and Leika. I just finished with the hardest patients I’ve ever had. One was literally shredding, so needed two different stuffed animals of my own to act as models, and the other pair had fabric that was disintegrating in a way that made it sticky, so every time the needle went in and came out, I needed to clean it off! They were stuffing inside, and the top layer of their fabric was coming apart, but the backing of their fabric was sticky. It was new. :-/
But, today I am going to share the story of a turtle named Turtle, and for a rare special treat, you get to see part of the patient’s family. I don’t usually show families for privacy reasons, but, well, this is Turtle’s warm blooded being, Murphy:
They’d been together for six years, since Murphy was a puppy. Here’s their baby picture:
As you can see, Murphy has grown and Turtle has, well been worn a bit. Here are a couple of his diagnosis photos:
We agreed that Turtle needed transplants for his balding, and wounds sewn up. Usually, I don’t clean patients belonging to animals, as scent is so important, but in this case, the humans decided a spa was in order too. So Turtle flew down to the Bay Area and started his treatment with a spa:
You can already see him getting cleaner!
Once dry and restuffed, he got a heart with a bit of original stuffing:
And then the humans chose a fabric for his transplants from two options:
Soon his surgery was done and he was ready to head back north:
Normally I’d stop here, with a quote from the humans “He looks great!” But that’s not the end of the story. You see, once Turtle got home, Murphy sent some photos to make everyone smile:
Happy as a puppy that they’re together once more!
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A slightly older loner Ellie
You just know she stopped giving a fuck after SB and didn't care if she got bit again. Girl is covereeeed
LEFT BEHIND (THE LAST OF US PART I)
There are a million ways we should’ve died before today. And a million ways we can die before tomorrow. But we fight, for every second we get to spend with each other.