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@vivrephile-blog
My creativity is at an all time low, but please enjoy this comfy kitty.
Work in progress.
If life ever goes back to normal, I'd like to sell some yarn from our sheep. I was thinking of using this little sketch of Blue as a logo. As for the cutie mark, yes, he actually has that spot and it is shaped like a heart.
Screaming into the Void
I doubt anyone will care, but here goes. Not only am I ashamed to be out of work and living with my parents again at my age(global pandemic, I know), but I’ve fallen into the role of caretaker of absolutely every animal on the farm AND my mother, who is sick *and* injured to the point she didn’t even feel up to driving today. Now, I don’t mind taking care of the animals. I like taking care of the animals. I don’t mind looking after my mother. But I am a little pissed that I get zero recognition for the workload I’ve taken on, and just hear what a selfish bitch I am all the time.
They don’t actually used the words ‘selfish bitch’, that’s my own self-revulsion speaking. But, caring for the farm night and day gets zero reaction. Caring for my mother gets zero reaction. But taking a shower before my stepfather even though he expressed no intention of taking one?! I really need to think of others before myself!
I just . . . I just want to hear a few words of appreciation, but apparently that’s way too much to fucking ask. I just need to become a mail order bride for a sheep farmer on the opposite side of the planet. That sounds like a plan.
Waterbound.
Inspired by Rapunsmurf, from the Smurf Village game. I *looooooooove* uber-long haired characters, so I had to do some fanart. You can’t really see what she’s wearing in the game because of the way her hair drapes, so I gave her a dress I thought felt sufficiently princess-y. But going by the look on her face, I don’t think she can swim. Or at least wasn’t planning on a dip.
My smurf OC, Bad Example (Exie for short), looking sweet.
So relatable
Fun little thing about medieval medicine.
So there’s this old German remedy for getting rid of boils. A mix of eggshells, egg whites, and sulfur rubbed into the boil while reciting the incantation and saying five Paternosters. And according to my prof’s friend (a doctor), it’s all very sensible. The eggshells abrade the skin so the sulfur can sink in and fry the boil. The egg white forms a flexible protective barrier. The incantation and prayers are important because you need to rub it in for a certain amount of time.
It’s easy to take the magic words as superstition, but they’re important.
The length of time it takes to say a paternoster was a typical method of reckoning time in the Middle Ages. It’s likely that whoever wrote this remedy down was thinking of it both as a prayer and a timespan and that whoever read it would have understood it the same way.
I wonder if this shows up in other historical areas besides medicine?
I ask because I have a very Italian, very Catholic friend who was once describing how she makes pizzelles. They’re cooked in a specific press, similar to a waffle iron, long enough to get light and crispy but not burnt, and in her own words: “I don’t know the exact time it takes to cook them in seconds, but I usually do either two Hail Mary’s or an Our Father and a Glory Be.”
I would be extremely surprised if medieval people didn’t use prayers while cooking. You don’t want to roast an egg for too long, have it explode, and get hot yolk in your eye. :P
I know that church bells were definitely used as timekeepers.
Before oven thermometers existed, one way to check the temperature of your oven was to stick your hand inside and recite an Our Father. The length of time before you snatch your hand out was timed by how far you’d gotten in the prayer. The shorter the time, the hotter the oven. So you knew that if you wanted a hot oven to bake bread, you wanted your hand out by “kingdom” (for example) but to slow cook a stew, you might want the oven cool enough to get to “trespasses”.
This popped up in “Nanny Ogg’s Cookbook” as well, though there the timing method wasn’t prayer but X verses of “Where Has All The Custard Gone?”
Other timing methods are “a while” (approx. 35 mins) and “a good while” (variable, up to 10 years, which the book suggests is a bit long to let batter rest before making pancakes…)
All absolutely standard, and also varied from region to region. The use of prayer was more common than most, since the Catholic church had a monopoly on… well, pretty much everything. And all the prayers were in Latin, and at a specific cadence, so the effect is similar to watching the second hand on a clock today.
it’s important to note that to the medieval people the prayers were important because of timekeeping AND god. like, i think as modern people we do tend to want it to be “just timekeeping, they weren’t just superstitious idiots, they had a good reasonable scientific reason!” but it’s also important to remember just how culturally steeped in a mystical religion they were, a relationship with christianity entirely unlike the modern relationship found in modern american culture even amongst the most religious people. i have no doubt that in the medieval mind, they were aware of the prayer being the time it took but also if there had BEEN another way to measure that time, the prayer would have been held to be preferable and important in its own right because of the importance of spiritual assistance in worldly things like bread-baking
Definitely, this is a great point! I was talking to somebody in the comments who was saying that medieval medicine was mostly bunkum because it involves spirituality, supposedly meaning it couldn’t also have logical basis behind it. But that’s a really modern way to see it. To the medieval worldview, those things aren’t contradictory. They’re part of each other. Think about how many medieval Christian scientists were monks, nuns, and priests.
*INHUMAN SCREECHING*
M Y T I M E H A S C O M E
You guys don’t understand how excited it made me to read this post, I literally wrote my master’s thesis on this exact topic.
STORY TIME
Sometime in the 10th century in Anglo-Saxon England (for context, this is before the Norman Conquest and near-ish to the reign of Alfred the Great), a dude named Bald asked another dude name Cild to write a book. Not just any book. A leechbook, which was essentially the medieval version of WebMD for practicing doctors. BUT NOT JUST A LEECHBOOK. This leechbook was gonna be the damn Lamborghini of leechbooks. This thing was going to be split into two parts, the first dealing with external medicine and the second dealing with internal medicine—something that was unheard of at the time. It was going to be organized (head to toe, like all the good leechbooks were). It was gonna be nice (leather and vellum). It was gonna use all the best ideas (from all over the known world). And the whole thing was going to be written in Anglo-Saxon. Now, a few medical books had been compiled in Anglo-Saxon before, but none like this. This one was going to be EPIC. And it was—and still is.
Bald’s Leechbook (also goes by the more boring but more informative MS Royal 12 D XVIII over in the British Library) contains a lot of medical remedies. A lot of them rely on things like prayers and chants and odd charms, like one for a headache, which recommends plucking the eyes off a living crab, letting the crab back into the water, and wearing the eyes about your neck in a little sack until you feel better. However, it’s worth pointing out that the really wild remedies, the stuff that makes absolutely no freakin’ sense, is most often recommended to treat ailments that are hard to treat even today—migraines, toothaches, cancer. These things are really painful or deadly and, without modern medicine, almost impossible to treat. So are you going to make up some nonsense to make your client at least feel like they’re doing something, and hey, if it sort of works, it works? Of course you are. You want to help people. Even if it sounds crazy, what else are you going to do? You have to try something, and the people who are suffering are willing to try anything.
But there’s also things that make complete sense. To echo concepts that have been mentioned by commentators above, there is a recipe that calls for the recitation of the paternoster while boiling a honey-based salve meant to treat carbuncle. The book instructs the physician to bring it to a boil, and sing the paternoster three times, and remove it from the fire, and sing nine paternosters, and to repeat this process two more times. A century ago, historians read the use of the paternoster as a magical incantation, but today, most agree that in lieu of a stopwatch, the paternoster is just meant to make sure you don’t burn the honey.
BUT THAT ISN’T NEAR THE COOLEST THING.
Now, this book was compiled by a master physician (we don’t know if it was Cild himself or if Cild was the scribe for an unnamed author) who was compiling recipes that had been written down for some time, and had, as many things do, gone through various permutations over the years. Many came from Greece or the western Mediterranean, and had been adapted for local English horticulture and herbs. Some came from around what is now Germany, and some ideas came from farther away in the Middle East (King Alfred was a sickly king; some scholars believe that he had his physicians seek out cures from all over the world in an attempt to treat himself). But there is one recipe that has only ever been identified in England. Not only has this recipe only ever been identified in England, it’s only ever been identified in this one manuscript. When translated into modern English, it reads as follows:
Work an eyesalve for a wen [stye], take cropleek and garlic, of both equal quantities, pound them well together, take wine and bullocks gall, of both equal quantities, mix with the leek, put this then into a brazen vessel, let it stand nine days in the brass vessel, wring out through a cloth and clear it well, put it into a horn, and about night time, apply it with a feather to the eye; the best leechdom.
For those who don’t know and/or are lucky enough to have never had one, a “wen” or a stye is a bacterial infection that manifests like a boil or a cyst that on the eyelid. They hurt something awful, and can cause larger infections of the eye. They are usually caused by Staphylococcus aureus.
With me? Okay. Fast-forward to 1988. A former biologist turned historian called M.L. Cameron decides to take a look at this old medical leechbook to see what he can see. He takes a good look and says “Lads I do believe these Anglo-Saxon leeches weren’t nearly so daft as we thought they were” (he did not and probably would never actually say that, I’m paraphrasing). Cameron was particularly interested in the recipe above. As a scientist, he knew a few things:
Garlic and cropleek (leek or onion, or another related plant) have been known to have antibacterial qualities for centuries.
Wine (alcohol) also has antibacterial qualities.
Bullocks gall (literally bile taken from a bull) is known to have detergent properties, and has long been used as an additive to soap for particularly tough stains.
A brazen vessel, or a vessel made of brass, contains a good amount of copper in it. And that copper, when left to sit around for, I don’t know, about nine days, would have plenty of time to react with the acids in the onion and garlic and the tartarates in the wine to create copper salts.
Coppers salts, as it happens, are cytotoxic, meaning they kill everything: tissue and bacteria.
What an interesting find.
Fast-forward again to 2015. A paper is published by a team from the University of Nottingham, who’ve been working on an ‘Ancientbiotics’ project to investigate ancient medical remedies and see if they actually work. They’ve turned their sights to the Anglo-Saxons, and are, as was Cameron, particularly interested in this recipe for an eye salve. Without boring you with the finer details of the experiment and its various trials (read it yourself!) I will spoil the ending by telling you that they discovered a few things:
This recipe, which was over 1,000 years old when they tested it, worked.
It worked well.
It worked extremely well.
So well, in fact, that (in a lab setting) they even got it to kill Methicillin-resistant Staphylococcus aureus, or as it’s more commonly known, MRSA. MRSA is a modern superbug that has built up a resistance to the antibiotic Methicillin. And this goddamn Anglo-Saxon witches’ brew freakin murdered it.
Now, as an advocate for modern medicine and sound scientific method, I’m not about to say that we should go throwing this salve on everything in 2019, because it is, if anything, just a starting point for modern scientists. This salve is still incredibly crude by modern standards and comes with a lot of potential problems. But as a historian… it works, you guys, it really works.
Medieval physicians were not idiots. They believed in magic, they believed in all things supernatural, they believed in all those things that are ‘unreasonable’ or unpopular today, and they practiced them too. But they also interacted with the real world with brains and intellects as sharp if not sharper than yours and mine. They were smart, they studied, they talked to each other in Latin and Greek and Arabic and Anglo Saxon. They made old recipes better and came up with brand new ones. They tried dumb stuff and they tried smart stuff. They didn’t have access to even the smallest fraction of the information we have at our fingertips today, and yet they created things like this.
To this day, no one knows who created the eyesalve recipe. And no one truly understands why this is the only copy of it. If it worked so well, why isn’t it plastered to the headings of every medical textbook from Alfred to Victoria? Speaking personally, I would argue that it has to do with language. Not so long after Bald’s Leechbook was written, the French invaded England and took over. Latin and French became the language of the court, and while Anglo-Saxon lived on throughout the country, and certainly lay doctors would have used Anglo-Saxon books daily, the language of formal English medical education was Latin. Oxford and Cambridge were late to the medical ed game after Salerno, Bologna, Paris, and Montpellier, and naturally fell in step with continental schools as a result, using Latin almost exclusively, and sometimes Greek or Arabic.
Point being, by the time medical licenses and medical college degrees are a thing in England, not only does almost no one of university-eligible class speak Anglo-Saxon anymore, no one has use for those Old English texts, because they don’t get you your degree, and you can’t make a living as a doctor without a degree and doctor’s license. And no one’s going to translate an old Anglo Saxon text into Latin when Avicenna’s newest old hit, now in Latin, is fresh off the boat from France.
All that to say: Never write something off because it’s old. 1,000 years is a long time ago, but human ingenuity and intelligence are hardly modern inventions. The science of the world hasn’t changed; only our tools and our perspective.
Thanks for coming to my TED talk
Further reading:
The 2015 Ancientbiotics report: A 1,000-Year-Old Antimicrobial Remedy with Antistaphylococcal Activity
NPR: ‘Ancientbiotics’ Researchers Look For Old Fixes To Modern Ailments
Mental Floss: 20 Anglo-Saxon Remedies from Bald’s Leechbook
Read a paper about how scholars are building on the work of the Ancientbiotics project to better understand how to apply ancient ideas effectively to modern medicine.
Look through Royal 12 D XVIII for yourself! Bald’s eyesalve recipe is on f. 12v and looks like this:
The next person who tries to correct me when I say “Happy Holidays” is going to be told Happy Hanukkah instead. Very tired of hearing, “No, it’s MERRY CHRISTMAS.” I’m pretty sure Judaism was around a lot longer than your Buckstar’s boycotting butt, Karen.
My boss once shared a great story about that. This happened when he was in a layover in North Carolina back when the “War on Christmas” bullshit was first becoming prominent. He had gone to get a pack of cigarettes, and after he paid for it:
“Merry Christmas.” “Happy holidays.” “No. I said Merry Christmas.” “Do you know what Hanukkah is about?” “No, what?” “Some people tried to make us worship their ways, so we rose up and killed them. Happy Hanukkah.”
I celebrate Christmas, but generally avoid holiday themed greetings when working as a cashier unless the customer mentions their holiday specifically.
The other day, two older ladies were buying briskets and told me they was for their Hanukkah celebration that night, so I responded something like “Well Happy Hanukkah! It’s the third night, right?”
I shit you not these two old ladies were so tickled that someone at a store wished them a happy Hanukkah. One of them literally told me I was “the first one to do that”.
To those who think there’s a war on Christmas, please get the fuck over yourself and remember that not everyone experiences the world the way you do.
can i add that saying “happy holidays” doesnt mean “not merry christmas” it means “i hope that whatever you celebrate is joyful and peaceful and a good time” like back tf up if you think otherwise
So this is a thing that happened.
A woman was going on and on about her “heavy chihuahua” which was just a straight up corgi.
Family portrait goals :D Formal kimono portraits are usually so stiff and proper I really like when people have fun! (seen on)
“why bother writing bisexual characters if they just end up in a m/f relationship”
my dude
my guy
my pal
stop talking forever
Oh I have never reblogged faster in my life
Watching my bi friends’ identities get erased when they‘re in m/f relationships makes me think it’s even MORE important to write bi characters in m/f relationships and then be REALLY BLATANT about the fact that one or both of them is bi.
It just kills me when writers create franchises where like 95% of the speaking roles are male, then get morally offended that all of the popular ships are gay. It’s like, what did they expect?
#friendly reminder that I once put my statistics degree to good use and did some calculations about ship ratios#and yes considering the gender ratios of characters#the prevalence of gay ships is completely predictable (via sarahtonin42)
I feel this is something that does often get overlooked in slash shipping, especially in articles that try to ‘explain’ the phenomena. No matter the show, movie or book, people are going to ship. When everyone is a dude and the well written relationships are all dudes, of course we’re gonna go for romance among the dudes because we have no other options.
Totally.
A lot of analyses propose that the overwhelming predominance of male/male ships over female/female and female/male ships in fandom reflects an unhealthy fetishisation of male homosexuality and a deep-seated self-hatred on the part of women in fandom. While it’s true that many fandoms certainly have issues gender-wise, that sort of analysis willfully overlooks a rather more obvious culprit.
Suppose, for the sake of argument, that we have a hypothetical media franchise with twelve recurring speaking roles, nine of which are male and three of which are female.
(Note that this is actually a bit better than average representaton-wise - female representation in popular media franchises is typicaly well below the 25% contemplated here.)
Assuming that any character can be shipped with any other without regard for age, gender, social position or prior relationship - and for simplicity excluding cloning, time travel and other “selfcest”-enabling scenarios - this yields the following (non-polyamorous) possibilities:
Possible F/F ships: 3 Possible F/M ships: 27 Possible M/M ships: 36
TOTAL POSSIBLE SHIPS: 66
Thus, assuming - again, for the sake of simplicity - that every possible ship is about equally likely to appeal to any given fan, we’d reasonably expect about (36/66) = 55% of all shipping-related media to feature M/M pairings. No particular prejudice in favour of male characters and/or against female characters is necessary for us to get there.
The point is this: before we can conclude that representation in shipping is being skewed by fan prejudice, we have to ask how skewed it would be even in the absence of any particular prejudice on the part of the fans. Or, to put it another way, we have to ask ourselves: are we criticising women in fandom - and let’s be honest here, this type of criticism is almost exclusively directed at women - for creating a representation problem, or are we merely criticising them for failing to correct an existing one?
YES YES YES HOLY SHIT YES FUCKING THANK YOU!
Also food for thought: the obvious correction to a lack of non-male representation in a story is to add more non-males. Female Original Characters are often decried as self-insertion or Mary Sues, particular if romance or sex is a primary focus.
I really appreciate when tumblr commentary is of the quality I might see at an academic conference. No joke.
This doesn’t even account for the disparity in the amount of screen time/dialogue male characters to get in comparison to female characters, and how much time other characters spend talking about male characters even when they aren’t onscreen. This all leads to male characters ending up more fully developed, and more nuanced than female characters. The more an audience feels like they know a character, the more likely an audience is to care about a character. More network television writers are men. Male writers tend to understand men better than women, statistically speaking. Female characters are more likely to be written by men who don’t understand women vary well.
But it’s easier to blame the collateral damage than solve the root problem.
Yay, mathy arguments. :)
This is certainly one large factor in the amount of M/M slash out there, and the first reason that occurred to me when I first got into fandom (I don’t think it’s the sole reason, but I think it’s a bigger one than some people in the Why So Much Slash debate give our credit for). And nice point about adding female OCs.
In some of my shipping-related stats, I found that shows with more major female characters lead to more femslash (also more het). (e.g. femslash in female-heavy media; femslash deep dive) I’ve never actually tried to do an analysis to pin down how much of fandom’s M/M preference is explained by the predominance of male characters in the source media, but I’m periodically tempted to try to do so.
All great points. Another thing I notice is that many shows are built around the idea that the team or the partner is the most important thing in the universe. Watch any buddy cop show, and half of the episodes have a character on a date that is inevitably interrupted because The Job comes first… except “The Job” actually means “My Partner”.
When it’s a male-female buddy show, all of the failed relationships are usually, canonically, because the leads belong together. (Look at early Bones: she dates that guy who is his old friend and clearly a stand-in for him. They break up because *coughcoughhandwave*. That stuff happens constantly.) Male-male buddy shows write the central relationship the exact same way except that they expect us to read it as platonic.
Long before it becomes canon, the potential ship of Mulder/Scully or Booth/Bones or whatever lead male/female couple consumes the fandom. It’s not about the genders involved. Rizzoli/Isles was like this too.
If canon tells us that no other relationship has ever measured up to this one, why should we keep them apart? Don’t like slash of your shows, prissy writers? Then stop writing all of your leads locked in epic One True Love romance novel relationships with their same-sex coworkers. Give them warm, funny, interesting love interests, not cardboard cutouts…
And then we will ship an OT3.
I’m going to bring up (invent?) the concept of subjectification.
As in, people gravitate to the characters given the most depth, complexity, and satisfying interactions for their shipping needs, because those characters are most human, and we want the realest characters to play with.
In a lot of media, the most depth gets handed to male characters.
And, oftentimes, even when the screentime and depth and interactions are granted equally well to female characters, there can be a level of, for lack of a better word, dis-authenticity to those female characters: they are pared down, washed out, or otherwise made slightly less themselves than they could be, in the interest of making them decorative, or likeable, or “good,” or keeping them from upstaging or emasculating their male companions, or just that the writer whose job it is to write them doesn’t know how to write women the way they write men.
And you get the characterization equivalent of that comparison chart where so many animated female characters have the same facial features because the animators and designers are so worried about not letting them be ugly.
When you have a group that’s allowed to be themselves, warts and all, and another group that has to be decorative at all costs, the impression given on some level is that the decorative quality is making up for a shortcoming. That they wouldn’t be enough in their own right.
And sometimes that cost is authenticity. The interesting, striking, awe-inspiring, bold and glorious unapologetic selfhood that draws the viewer most particularly to those characters who are unapologetic in their particular existence, standing clear of the generic and bland and unchallenging “safe” appearances.
It is authenticity, not beauty, which powers subjectification. The love for a character, not because they are perfect, but because they are them.
They can be pretty, sure. They can be sweet. But being pretty and sweet is not a replacement, and too many female characters have been written by writers who think it is, while the interest—in appearance, in personality, in interactions, in plot development—goes to the men.
And when that happens, well. Surprise, surprise, that’s where the shipping goes.
Yeah I don’t really ship but I do write a fair amount of fanfic, and in most franchises working with the female characters is a chore.
You have to do so much of the work yourself, because the canon left them unfinished, with huge gaps or unexplored contradictions that you have to somehow resolve. Every female character you decide to integrate into your fanwork in some major role constitutes an undertaking in her own right as you patch together an understanding of her sufficient to model a consistent set of reactions and priorities &c.
The dudes just get handed to you. Even the ones whose canon is a mess have properly developed character cores.
That you don’t have to unearth and piece together like some sort of volunteer archeologist coming up with theories way more complex than the available artifacts truly support.
Guys read this this is an amazing breakdown of it
oh my god two words in that just UNIVERSAL LANGUAGE
All hope is lost so quickly I can’t stop laughing.
danish tv is the best thing ever
“Okay :(”
He went straight to Acceptance. He didn’t even go through the five stages of grief. He just started at Acceptance.
I can translate for anyone wondering what he’s saying. The dialogue roughly goes something like
“Hopefully the owner of the car behind me will next time consider if-oh shit. Okay.”
This is the first time anyone has led me to believe that wasn’t his car. Or the production crew’s car. I’M SO RELIEVED.
Proof curse words are universal.
In progress pics of my Gooliope Jellington repaint. The right side of her body has had the 'drips' carved off and sanded down.
YOU DO NOT UNDERSTAND THE LOVE I HAVE FOR FANFICTION WRITERS *eternally grateful for them sharing their amazing writing skills*
I still try to give kudos over and over again.
If there was a way to run SUPER MEGA AD BLOCKER on this website I fucking would
“Please oh please open up your computer to a porn virus! If you don’t you’re evil!”
Freeloader Comin’ through!
We didn’t start this war internet users have with ads - We might have moaned about banner ads, but it was only when they started making noises when we might be listening to music or a podcast or whatever, causing two sound sorces at once, that we started trying to block ads universally rather than just a specific type of ad (pop ups).
And since then ads have gotten worse - Actual malware rather than merely breaking one of the fundamental sins of web design - though shalt not autoplay anything with sound. And the more aggressive a website is with ‘please turn off adblock’ the less I trust it to bother to vet ads and advertisers to make sure they’re not installing malware.
Not to mention that the idea that avoiding ads is “freeloading” is hilariously backward. Advertisement is a transaction between the platform and the advertiser, the user has no obligation to provide the views/clicks the platform has promised. Using an adblocker isn’t freeloading in the same way that leaving the room to get a snack during a commercial break isn’t cheating the tv network.
Ok y’all, I work as a web developer and I’m here to tell you that you are 100% right and that it’s shit. SO I’m going to tell you how to get around websites that block you from using their website if you’re using an adblocker.
Every website uses a language called JavaScript; long story short it’s a website language that allows developers to do the crazy shit you see on websites. Now the easiest thing to do is to disable JavaScript to stop them from knowing you have an adblocker:
Oh no! I’m blocked from viewing the website. It would be a terrible shame if I were able to right click and select the “inspect” feature
Click the three dots in the top right and open the “Settings” Menu
And then scrolled down to “Debugger” and checked the “Disable Javascript Option”
And then just refreshed the page