Gravity Painting
I lift the canvas where the paint has pooled. It leads into the next work. Unexpected events are always full of potential and hope.
空 / Emptiness
Acrylic on canvas
130.3 × 97 cm (51 1/4 × 38 1/4 in.)
2026
YOU ARE THE REASON
almost home

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Xuebing Du
sheepfilms
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Monterey Bay Aquarium
TVSTRANGERTHINGS

blake kathryn
Alisa U Zemlji Chuda
Stranger Things

@theartofmadeline
Jules of Nature

shark vs the universe
Sade Olutola

PR's Tumblrdome

★
One Nice Bug Per Day
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Game of Thrones Daily
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@vjtechnova
Gravity Painting
I lift the canvas where the paint has pooled. It leads into the next work. Unexpected events are always full of potential and hope.
空 / Emptiness
Acrylic on canvas
130.3 × 97 cm (51 1/4 × 38 1/4 in.)
2026
Gravity Painting
I lift the canvas where the paint has pooled. It leads into the next work. Unexpected events are always full of potential and hope.
空 / Emptiness
Acrylic on canvas
162 × 130.3 cm (63 3/4 × 51 1/4 in.)
2026
Gravity Painting
I lift the paper where the paint has pooled. It leads into the next work. Unexpected events are always full of potential and hope.
不在の魂 / Absent Soul
Acrylic on paper
153 × 140 cm (60 1/4 × 55 1/8 in.)
2026
by Robert Motherwell, 1967
Karolina Jabłońska (Polish, 1991) - Covering (2023)
test
💬 0 🔁 17 ❤️ 21
💬 1 🔁 637 ❤️ 1147 · Mark Rothko, in his studio,1964 (Likely East Hampton) By Hans Namuth, Courtesy Center for Creative Photography, The University of Arizona. © 1991 Hans Namuth Estate / Rothko…
Mark Rothko, in his studio,1964 (Likely East Hampton)
By Hans Namuth, Courtesy Center for Creative Photography, The University of Arizona. © 1991 Hans Namuth Estate / Rothko family archives
Giving this picture a significant upgrade, as the original was scanned from a magazine. Rothko did not have a studio in East Hampton but it is likely he was working there while his 69th street studio in NYC was being renovated to accommodate the massive chapel pictures he would be working on
谷田一郎 / Ichiro Tanida 現代美術家 1980年代後半よりイラストレーター、グラフィックデザイナー、CGクリエイター、CMディレクターなど様々な分野で活躍の場を広げ、2022年 Akio Nagasawa Galleryにて現代美術作家としてデビュー。
Turkey vultures By: Michael P. L. Fogden From: Wildlife of the Deserts 1980
Paul Cézanne
Philip Guston
Graffiti Buddha / 結界, 2022
仏教をテーマに制作を始めたのは2019年。2022年の初個展「Graffiti Buddha」では、当初3Dプリントなどの立体作品を中心に構想していた。しかし、個展の約1ヶ月前に1枚のキャンバス作品「KEKKAI / 結界」が完成したことをきっかけに、展示作品はすべて抽象画のペインティングへと移行した。
Robert Motherwell, Blue Elegy, 1987
Richard Diebenkorn, Clubs - Blue Ground, 1982