hello vonnie

祝日 / Permanent Vacation

if i look back, i am lost
YOU ARE THE REASON
No title available
Game of Thrones Daily
art blog(derogatory)
Monterey Bay Aquarium
cherry valley forever
TVSTRANGERTHINGS

⁂
Sade Olutola
dirt enthusiast

No title available
styofa doing anything
tumblr dot com

shark vs the universe
Show & Tell

Origami Around
sheepfilms
seen from United States
seen from United States
seen from Germany
seen from Germany

seen from Malaysia
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seen from Malaysia
seen from China
seen from Portugal
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seen from United States

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@voidmoiselle
Children of The Grave | Black Sabbath
after two years I’ve got my claws back 💅🏻 trying to work now 🙈
A minha Primavera e a Primavera de Botticelli!
You never really see how toxic someone is until you breathe fresher air.
Nie tłumacz mi ptaków i roślin, ja z nich poczęty - rozumiem, tylko się krzywdy nauczyć i ludzi się uczyć nie umiem.
K.K. Baczyński
Silvan | @silvan_widmer
katzerrrina
I’d try to explain that it’s not really negativity or sadness anymore, it’s more just this detached, meaningless fog where you can’t feel anything about anything — even the things you love, even fun things — and you’re horribly bored and lonely.
Allie Brosh/Hyperbole and a Half, Depression Part Two
Untitled (TheArabLifestyle)
Grande galerie de paleontologie, Museum d'histoire naturelle, Paris
© Nona Limmen
Facebook / Instagram
Barthélemy Poignare - Two Waldensian Witches, “Le Champion des Dames”, 1451. This illumination depicts two women, one astride a broom and the other sitting upon a stick. The figures of the women adorn the margins of a fifteenth-century manuscript of Martin le Franc’s poem “Le Champion des Dames”, a defense of virtuous women. The inscription above their heads identifies them as vaudoises, or Waldensians. Named heretics in 1215, Waldensians followed the teachings of Peter Waldo, a layman who began preaching in Lyon in the late 1170s. Waldensians adhered to vows of poverty and, perhaps most threatening to church authority, allowed preaching and consecration of the sacrament by any layperson, including women. Conflict arose between the Church and Waldensian believers over the next two centuries, with the Church accusing Waldensians of practicing witchcraft and holding illicit Sabbath celebrations. Lorenzo Lorenzi suggests that this image of Waldensian witches represents a transition from imaging witches as demonic and hypersexual to a more disconcerting depiction as humble, everyday women whose depravity is not immediately perceptible in their appearance.