
shark vs the universe
I'd rather be in outer space đ¸
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gracie abrams
Cosmic Funnies

⣠Chile in a Photography âŁ
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hello vonnie

ellievsbear

Origami Around
Cosimo Galluzzi

Product Placement
occasionally subtle

oozey mess
"I'm Dorothy Gale from Kansas"
Today's Document

romaâ
taylor price
Interview Vampire Daily
seen from Germany

seen from Malaysia
seen from United States
seen from United States

seen from Netherlands
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seen from Australia
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seen from United States

seen from United States

seen from United States
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seen from Finland
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seen from United States
@vortexirl
âPerhaps the moon is a frozen tear,â
â Anne Sexton, from The Poet Of Ignorance in âThe Complete Poems Of Anne Sextonâ (via adrasteiax)
Phases of the âmewnâ
Artist//Daniel Ryan !
Because the sunset, like survival, exists only on the verge of its own disappearing. To be gorgeous, you must first be seen, but to be seen allows you to be hunted.
Ocean Vuong, On Earth Weâre Briefly Gorgeous
https://www.instagram.com/p/BYBeJvADu4z/?taken-by=shulian95
âDespite my strange life ⌠I donât want everything to bog me down. With kindness ? I feel myself laugh. I am guilty of being me, of not dying. If you know what I mean. I am me, this is the way it is, and I pay for it, and I agree to pay for it, why not laugh? My gaiety is like an arrow shot with incomparable strength.â
â Georges Bataille (1897-1962), from âNotesâ (20 June, 1940) in: âGuiltyâ, translated from the French by Stuart Kendall
âHelp me, I donât want to weep for myself. Iâm not giving up.â
â Susan Sontag, from I, etcetera: Stories
Ousmane Sembène
June Jordan, from âHaruko: Love Poems,â originally published c. July 1993
âI keep my tattered memories of being a refugee close to me. I cultivate that feeling of what it was to be a refugee, because a writer is supposed to go where it hurts, and because a writer needs to know what it feels like to be an other. A writerâs work is impossible if he or she cannot conjure up the lives of others, and only through such acts of memory, imagination, and empathy can we grow our capacity to feel for others.â
â Viet Thanh Nguyen, from his Introduction to The Displaced: Refugee Writers on Refugee Lives
âBeyond myself / somewhere/ I wait for my arrival.â
â Octavio Paz, from âThe Balconyâ, A Tale of Two Gardens
So many people from your past know a version of you that doesnât exist anymore.
Jacques-Laurent Agasse, Studies of Flowers, 1848
Oil on canvas,
Yale Center for British Art, Paul Mellon Collection
savage x feny bralette (ÂŁ49)Â