top 25 electronic albums of the decade: 25-21
[yeah I know the decade technically isn’t over yet depending on who you ask, but everyone else is doing their retrospects right now so shhh]
in the last ten years electronic music in the US has truly flourished and has continued to rapidly evolve - from brostep, to kandi kids jumping around to big room house to warehouse techno vibes. there’s no sign of it slowing down and I’m all for it.
undoubtedly, this music has been an integral part of my life and it will continue to be. with that in mind, I thought I’d share my top 25 albums of the past ten years. all art is subjective, and with that in mind these are the most impactful albums to me - ones that have shaped these years, pushed boundaries and influenced me and others. I limited myself to one album from each artist to give more variety and make things more difficult for myself.
I’ll be continuing this list over the weeks and be adding the must listens to this spotify playlist: Top 25 Electronic albums of the Decade
25: Skrillex - Recess [2014]
hate him or love him, Skrillex’s impact is undeniable over the last 10 years. while purists will say his screechy, laser-filled, head-banging sound isn’t true dubstep, the sound certainly hasn’t gone anywhere in the US. his only solo LP (for now) has many of these cuts, but also is influenced by the jungle/reggae the genre emulates, deep house, and plenty of the choppy goodness that was so prevalent in his early releases. pure rocket fuel with some fun features, and now with some distance from the brostep era, the album stands the test of time.
Must Listens: Stranger, Coast is Clear, Dirty Vibe, Fuck That
24: Great Dane - Beta Cat [2014]
some artists find a sound that works for them and they stick with it, and Great Dane is one of those artists. while many other trap producers were rushing to change their sound to “festival trap” or *shudder* screechy dubstep trap, he fine-tuned his stripped back, percussion heavy sound with his second album. feeling closer to the hip hop instrumentals the style originally emulated, the bay area bounce is strong with this one. the thundering 808’s & skittering hi-hats will have you wanting to cruise the town throwing trap arms, while the more emotionally-driven cuts are perfect for a late night smoke sesh. if it ain’t broke..
Must Listens: Swinger, Killum, Descent, Down
23. Boys Noize - Mayday [2016]
the sound of tossing a molotov cocktail through a police station window or driving a sleek black BMW at 120 mph on the autobahn. 90s acid rave for the new kids – hard-hitting kicks, pounding dark techno with moments of light house for balance – the enigmatic German producer does not let up. like being strapped to rocket destined to explode and you’re psyched to be on the ride.
Must Listens: Overthrow, Rock the Bells, Euphoria, Los Ninos
22. G Jones – The Ineffable Truth [2018]
the opposite of easy listening – G Jones has established himself as a wizard of complex, multi-textured experimental bass soundscapes that are overwhelming. despite being difficult to digest on even multiple listens, it’s hard not to be blown away by the sheer amount of creativity and ingenuity in his productions. nobody really makes music like G Jones. his first LP is brimming with these massive anxiety-inducing walls of bass, but also more melancholy and introspective compositions – and this contrast only makes the heavier tracks heavier.
Must listens: Aribiter’s Theme, In Your Head, Time, Iridescent Leaves Floating Downstream
21. Gramatik – The Age of Reason [2014]
most producers draw their inspiration from other electronic artists, but Slovenian-born Gramatik was most influenced by hip hop, American funk and soul. After releasing a very successful string of trip-hop tapes, he went back to these genres that drew him to the United States and melded them with electronic music. the result is a record that is bluesy and soulful with a heavy nod factor from the funk/dubstep vein that runs through it. the album takes many unexpected turns (French house with killer guitar solo? chill jam sesh with vocoder? vaudeville?) but it’s all done with a swagger and improvisational flair that somehow pulls it together.
Must Listens: Brave Men, Bluestep, Obviously, It’s Just a Ride