Promenade Sessions pics, Dec 1993
Various recording photos of the Promenade sessions from Darren Allison's Flickr. Special guest appearance by Stereo the cat! https://www.flickr.com/photos/darren_allison/with/7141912499
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Promenade Sessions pics, Dec 1993
Various recording photos of the Promenade sessions from Darren Allison's Flickr. Special guest appearance by Stereo the cat! https://www.flickr.com/photos/darren_allison/with/7141912499
mylène farmer - cendres de lune (1986)
withnail and i / the fear - pulp
why is this like high key lynchian like it could’ve been a scene from mulholland drive
I don’t know why but I only just really realized that in 1994 the Manics supported Suede on a Europe tour, which means a tour where every night you got the Manics (still including Richey Edwards) playing “The Holy Bible” followed by Suede with freshly-turned-18 super-new member Richard Oakes playing “Dog Man Star” and that is going to keep me awake at night.
@countingstolenchange here’s a photo story of that tour shot by Pennie Smith for in NME, 24-31 December 1994… have a good night! :)
An excerpt from the Suede biography by David Barnett: Suede were doing particularly well on the Continent where the music press had less influence. Many Suede fans didn’t even know Bernard had left until they turned up at the gigs. Some didn’t even notice then. Support on the first European leg of the tour came from Manic Street Preachers who, as well as covering “The Drowners,” had previously demonstrated their appreciation of Suede by making “Metal Mickey” single of the week in Smash Hits and complimenting Brett and Co on looking like rent boys. The Manics had also just released a brilliant but difficult album, The Holy Bible, and were suffering personal problems of their own due to the increasingly wayward behavior of troubled rhythm guitarist Richey Edwards. With a history of depression, drinking, eating disorders and self-mutilation, Richey had been in and out of hospitals and rehab clinics and had missed several of the band’s gigs that year, including the T In The Park and Reading festivals. “I remember Richey being very withdrawn,” says Brett. “He was the only one of the band who wasn’t very sociable. I think I spoke to him once. My memory of him is him just being withdrawn.” Richard Oakes remembers making an effort to speak to Richey after a gig in Oslo. “Richey obviously had all his problems and he was always quiet so nobody ever went near him,” remembers Richard. “We were on our bus waiting to go and the Manics’ bus was parked next to us and it was bitterly cold. And somebody from our crew came on and said, ‘That guy from the Manics is sitting outside in his pants!’ And everyone was like ‘Pffff, what a weirdo!’ and I thought to myself, ‘I’m going to go and talk to him!’” Sure enough, Richard found the Manics’ guitarist sitting outside in the Scandinavian winter dressed only in his pants and socks and a very thin cardigan. “I went down and said to him, ‘Aren’t you absolutely bloody freezing?’ and he said, 'Yes, but I want to be.’ So I was like 'Okay… are you enjoying the tour?’ And he had this laminate round his neck with a list of dates and he pointed to the ones he’d enjoyed, this one, this one and this one. And he said, 'This must be amazing for you, you’re so young, you’ve come straight from school, you’ve got your whole life ahead of you.’ And I was aware the whole time that while I’m having a great time on my first tour with Suede, this lot are on the point of breaking up, I’m speaking to the reason that they’re breaking up. It was a strange juxtaposition.” Despite Richey’s problems, Brett maintains the tour was an enjoyable one with the other band members getting on well with each other. “The rest of them were always very friendly,” he confirms. “I got on very well with James, I know James quite well still, I bump into him in Marks & Spencer’s quite a bit! I felt quite a kinship with the Manics at that time because I felt as though we were going through similar periods of our career. The whole cartoon Britpop world was just starting to happen and it felt like we were exiles. It was appropriate that we were touring Belgium and Holland and places like that, like weird deposed kings.” (x)
@kalluun-patangaroa @tiesandtea 💖💖💖
Richey about picking “Metal Mickey” as best new single in Smash Hits (1992):
“I like the idea of Brett (i.e. the lead singer) and I’m not worried too much about the music. I like his jackets, his haircut, the things he says and the fact he looks like a rent boy from King’s Cross. And I like the bags underneath his eyes. He’s quite literate and he thinks, y'know? On the last single there were the words “on the escalator we shook paracetamol/this ridiculous world passes me by”, that’s a pretty good lyric. This is intelligent and good-looking and that’s all that matters, that’s what makes great pop. 5/5″ (x)
@tiesandtea @countingstolenchange worthwhile additions are worthwhile :)) <333
John Cusack ca. 1980’s.
I don't really get why "Kangaroo" is supposedly so sad. I know Jeff didn't write it, but he said he cried everytime he listned to it. What is it about, that I'm not getting? Other than being a break-up song?
Well, he played it at the majority of his live shows and would change the lyrics almost every time, so it’s obviously just a song that spoke to his soul, perhaps because of events in his life. I don’t really have a simple explanation because I’d have to know what Jeff was thinking! So here are a few times Jeff mentions the song himself:“Why, wasn’t he [Alex Chilton] everybody’s hero? You know how Alex was at the time? Complete mental breakdown in the studio. Absolutely. I cry every time I hear it. It’s so simple. It blows away everything I’ll ever do.“ -Jeff Buckley“I did that one [Kanga Roo] because after this album, no more covers. It’s a personal growth issue I had with why I wanted to do things this way. And I suppose that people will want to request things in the future but I won’t want to do them. But ‘Kanga Roo’ came about because Sony wanted two B-sides for some reason. So I produced two songs live in the studio with the band. On of them was ‘So Real’ which is on the album actually, it was too good to be a B side - the other thing was ‘Kanga Roo.’ Micky and I bonded over 'Kanga Roo’ a long time ago. We were just playing at rehearsal and I kept on playing that guitar motif. So we ended up doing it. And I wanted Sony to have a fourteen minute piece so they would be satisfied.” -Jeff Buckley
Get to know Jacques and Françoise
60s and 70s
Françoise et Udo (1968), dir. Pierre Koralnik
Illustration by Vladimir Suteyev
Cell Phone Showcase in Kera Magazine (2001)
Jacques Dutronc photographed by Jean-Claude Deutsch, 1966.
Dossier reincarnation - Jean-Jacques Rousseau - 1977 (26min)
no one quite psychoanalyzes like daughters do when looking at their mothers
Josh Charles as Knox Overstreet in Dead Poets’ Society (1989)