dear diary

  𝐓𝐡𝐞 𝐫𝐞𝐚𝐬𝐨𝐧 𝐭𝐡𝐚𝐭 𝐭𝐡𝐞 𝐦𝐨𝐧𝐬𝐭𝐞𝐫 𝐢𝐧 𝐅𝐫𝐚𝐧𝐤𝐞𝐧𝐬𝐭𝐞𝐢𝐧 𝐢𝐬 𝐬𝐨 𝐦𝐞𝐦𝐨𝐫𝐚𝐛𝐥𝐞 𝐢𝐬 𝐭𝐡𝐚𝐭, 𝐰𝐡𝐞𝐧 𝐢𝐭 𝐨𝐩𝐞𝐧𝐬 𝐢𝐭𝐬 𝐦𝐨𝐮𝐭𝐡, 𝐨𝐮𝐭 𝐜𝐨𝐦𝐞𝐬 𝐭𝐡𝐞 𝐯𝐨𝐢𝐜𝐞 𝐨𝐟 𝐚𝐧 𝐚𝐥𝐢𝐞𝐧𝐚𝐭𝐞𝐝 𝐭𝐞𝐞𝐧𝐚𝐠𝐞 𝐠𝐢𝐫𝐥.   // sideblog - do not reblog \\

[angelstills]

The Cutting Edge (1992)

[godswollen-deactivated20171014]

[inzika]

Don’t like it? Become God

[heavensghost]

A quick expression of my feelings recently!

[innocenterotica-blog1]

https://www.instagram.com/p/Bi9zRjDFCqE/

[apocryphics]

[lostrosegarden]

Halloween, 1984

[freakscircus]

[coldfruits]

1. the goldfinch by donna tartt

2. meaghan garvey on lana del rey’s lust for life

3. emma cline, for rolling stone

[weltenwellen]

Fernando Pessoa, The Book of Disquiet

[mango-season]

moms be like let me spend my whole life policing your behavior starting from childhood based on what will improve your appearance. anyway idk why young girls are so obsessed with beauty

[pathologising]

[stainedglassgardens]

Shirley (Josephine Decker, 2020)

[weltenwellen]

Margaret Atwood, Selected Poems: 1965-1975

[kxowledge]

Whenever you see flies or insects in a still life—a wilted petal, a black spot on the apple—the painter is giving you a secret message. He’s telling you that living things don’t last—it’s all temporary. Death in life. That’s why they’re called natures mortes. Maybe you don’t see it at first with all the beauty and bloom, the little speck of rot. But if you look closer—there it is.

The Goldfinch, Donna Tartt (via kxowledge)

[goneonline-deactivated20170919]

Léa Seydoux in Petit tailleur by Louis Garrel

[dkbatv2]

lonely? develop a god complex.