Lou Reed + Laurie Anderson + dog
AnasAbdin
styofa doing anything
KIROKAZE
I'd rather be in outer space đ¸

PR's Tumblrdome
trying on a metaphor

titsay

JBB: An Artblog!
RMH
noise dept.
Today's Document
i don't do bad sauce passes
let's talk about Bridgerton tea, my ask is open
Keni

oozey mess
Lint Roller? I Barely Know Her
Sweet Seals For You, Always

Andulka
Misplaced Lens Cap

Product Placement
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seen from Singapore
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seen from Australia
seen from Lithuania
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@warinababylon
Lou Reed + Laurie Anderson + dog
Discover the meanings behind some of the most recognised Aboriginal art symbols used by Western Desert artists. This visual guide explains waterholes, meeting places, tracks, campsites, hunting tools, animals, bush foods, Dreaming pathways, and connections to Country. Perfect for teachers, students, homeschoolers, Aboriginal studies, classroom displays, and anyone wanting to better understand Aboriginal Australian art and culture.
Haruki Murakami at home with his record collection
âThe key to writing is not the quality of the materialsâwhat's needed is magic. If that magic is present, the most basic daily matters can be turned into a device of surprising sophistication.â Excerpt from Novelist as a Vocation
CHARLES SHEFFIELD Its Your Voodoo Working
'Classic R&b monster on EXCELLO'
Listen/purchase: Fadoul - Bsslama Habiti by Various Artists
Bsslama Habiti - Fadoul
70âs
Casablanca underground vibes
Fadoulâs âBsslama Habitiâ is what happens when James Brown-style funk meets Moroccan garage rock.
Nocny Kowboj, Midnight Cowboy Designed by Waldemar Swierzy (Polish, 1931 - 2013) offset lithograph on wove paper; 82.6 à 58.5 cm (32 ½ à 23 1/16 in.)
Patti Smith
âBlue Moonâ before its lyrics were changed to enhance its commercial appeal.
The Throb - Believe in Me (1966)
Hypnotic, droning Australian modbeat. Producer Ted Albert signed the Throb after the Easybeats left for the UK.
I don't understand the reason for your cruelty
Omg đ
Always reblog
Cab Calloway and the amazing Nicholas Brothers, Fayard and Harold, in the 1943 20th Century Fox motion picture Stormy Weather. The dance routine was not part of the original script, but was added after the brothers presented it to the director, Andrew Stone. Even still, it was almost cut from the film because, at that time, studio executives were reluctant to feature African Americans in leading roles, and they thought it was too long. Stone fought to keep the routine in the film, and the performance became one of the defining moments of the brothers' career.