hey everyone i got my old account back so follow me over there if you want

oozey mess
Not today Justin
trying on a metaphor
ojovivo
PUT YOUR BEARD IN MY MOUTH

祝日 / Permanent Vacation
NASA
taylor price

No title available

tannertan36

Origami Around

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if i look back, i am lost
occasionally subtle
Sweet Seals For You, Always
hello vonnie
Lint Roller? I Barely Know Her
we're not kids anymore.
Sade Olutola
AnasAbdin

seen from Finland
seen from Chile

seen from Chile

seen from United States
seen from China
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from Chile

seen from Türkiye
seen from United States
@wasrayliotta
hey everyone i got my old account back so follow me over there if you want
In response to this (x)
Damn Dwayne handed Jared Padalecki’s ass to him
no mercy
wow, good job Mr. Johnson
jared padawhatever deleted his tweet. how 'big' of him.
RIP Philip Seymour Hoffman | July 23, 1967 – February 2, 2014
i feel broken.
philip seymour hoffman better not be dead i swear to god
Badlands, 1973
Director - Terrence Malick Cinematography - Tak Fujimoto, Steven Larner, Brian Probyn
it's my brothers birthday and i'm too busy celebrating mick jaggers
Cinematography: Boogie Nights (1997)
It’s all happening.
Johnny Depp and Keira Knightley behind the scenes of Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Phoenix, who loved to catalyze and connect, found the low-affect Van Sant a challenge. “River was always doing things like saying, ‘I just love you,’ and lunging to hug me,” says Van Sant. “I’d freeze, maybe because my father used to grab my knee in a certain way. River didn’t like that, so he’d hug me again, and I’d freeze again, and he’d yell at me.” Hugging Phoenix could be complex. “When he was being aloof I’d impulsively try to trap him in an emotional gesture by hugging him, and he’d flip out of my arms,” says Alan Moyle, the script doctor for The Thing Called Love. “Ten minutes later he’d sneak up and hug me from behind. He wanted it to be his spontaneity, and more creative—he’d sidewind you, but you would consider yourself hugged.”
Excerpt from The Short, Happy Life of River Phoenix by Tad Friend (via riverandjoaquin)