19th French religious ex voto flaming sacred heart box reliquary.
Keni
will byers stan first human second
Claire Keane
TVSTRANGERTHINGS
Mike Driver
d e v o n
Cosimo Galluzzi
No title available
Peter Solarz
todays bird
macklin celebrini has autism
Show & Tell
art blog(derogatory)

⁂
we're not kids anymore.
trying on a metaphor

titsay
AnasAbdin
let's talk about Bridgerton tea, my ask is open
cherry valley forever

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@watchingthefish
19th French religious ex voto flaming sacred heart box reliquary.
there, as here, ruin opens the tomb, the temple; enter, there as here, there are no doors…
H. D., from The Walls Do Not Fall in Trilogy (via proustitute)
1900.
La Ronde, Max Ophuls, 1950.
Djuna Barnes, passport photo, March 1929
“It is not the object described that matters, but the light that falls on it, like that from a lamp in a distant room.”
Boris Pasternak (via theparisreview)
Wilsford Manor, Stephen Tennant’s house, photographed by Cecil Beaton, 1938
“A place where you hide from the wolves. That’s all any room is.” —Jean Rhys, from The Art of Fiction No. 64.
Marc Chagall (1887–1985)
The Mirror (Le miroir), 1915
Oil on Canvas
The State Russian Museum, St. Petersburg.
J’ai tant rêvé, j’ai tant rêvé que je ne suis plus d’ici.
Léon-Paul Fargue (via regardintemporel)
There are all kinds of silences and each of them means a different thing. There is the silence that comes with morning in a forest, and this is different from the silence of a sleeping city. There is silence after a rainstorm, and before a rainstorm, and these are not the same. There is the silence of emptiness, the silence of fear, the silence of doubt. There is a certain silence that can emanate from a lifeless object as from a chair lately used, or from a piano with old dust upon its keys, or from anything that has answered to the need of a man, for pleasure or for work. This kind of silence can speak. Its voice may be melancholy, but it is not always so; for the chair may have been left by a laughing child or the last notes of the piano may have been raucous and gay. Whatever the mood or the circumstance, the essence of its quality may linger in the silence that follows. It is a soundless echo.
Beryl Markham (via interneiti)
Jindřich Marco - Mannequins, 1945-1948
(via adski_kafeteri: Regina Relang - Shoes Walk around a Tree, Paris, 1936)
Colette and Willy, 1892
Mannequin dans la vitrine
by Brassaï (via)
La jambe rue d’Alésia, Paris, 1968 by Robert Doisneau