Museums are one of the great holders of history and knowledge about the world and the universe circumscribing us. It is the house of detailed timeline about how the world and its inhabitants develo…
occasionally subtle
cherry valley forever

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"I'm Dorothy Gale from Kansas"

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if i look back, i am lost
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macklin celebrini has autism

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Monterey Bay Aquarium
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shark vs the universe
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Keni
we're not kids anymore.

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@wefreshdreamstudentworld
Museums are one of the great holders of history and knowledge about the world and the universe circumscribing us. It is the house of detailed timeline about how the world and its inhabitants develo…
http://www.nickguttridge.com/casson-mann-cit-du-vin/
La Cité du Vin is a museum based on wine culture the sensory adventure to discover the cultures and civilizations of wine. In an opening exhibition space occupying more than 3,000m2 nearly twenty different themed areas invite you to take a voyage of discovery and enjoy a unique experience exploring the many and varied facets of wine across time and space. La Cité du Vin’s Belvedere, where you can discover a 360° view of Bordeaux whilst tasting a glass of world wine. what is interesting about the museum is the design and the modern design which is minimalistic and very spacious which makes up with the different themed areas where u can use your five senses and using interactive technology.
https://micro.ooo
The micro museum is a miniature six-foot-tall museum squeezed down into boxes the size of vending machines. They replicate the museums and tend the out to the groups and venues in wanted communities. What I like about the museum that’s it practical because its portable and you easily change it to different themes.
https://tokyocheapo.com/entertainment/mori-building-digital-art-museum-teamlab-borderless/
Mori Building Digital Art Museum is a stunning installation and its 10,000 sqm space uses 520 computers and 470 projectors to create an experience that will stimulate all five senses. In just a few minutes, you can experience a change of scenery a burst of purple flowers here, a shower of sunflowers there even while standing in the same spot. Step back into that same flower forest a little later, and you’ll find that the seasons have changed. What I also like is the room is full of mirrors and colour led projection which makes the room bigger and more interactive and you can change the colours with the teamLab app. This museum has an area for kids the Athletics Forest is practically a digital art playground. Kids, as well as kids at heart, can create planets or a black hole with every bounce on the Multi-Jumping Universe trampoline, slide down a “fruit field”, or try bouldering in a “forest of light”. what I like about the museum is that it's visual and engaging and it suitable for all ages and it's always changing so you would never get bored.
Andrew Keenan-Bolger takes you through Inside THE LION KING. Get Tickets: http://www.lionking.com/tickets Subscribe to Disney on Broadway: http://www.youtube...
The lion king exhibit is celebrated their 15th anniversary one of their most popular Disney musicals. The exhibit gave fans the opportunity to get up-close and interact with 86 museum-quality artifacts including hand-made puppets, sculpted masks, elaborate artisan costumes and extraordinary sets that have appeared in productions from around the world. What I like about the exhibit is that it's got a close-up view and able to interact with the object which you could never do in most museums and I feel that have had that opportunity is amazing where to absorb all the detail and understanding how it’s made. Whereas working an actual theatre performance would never the handcrafted detail that they put in the objects. The exhibit was arranged in groupings, and not only took visitors backstage but also into the entire creative process including concept designs, modeling, set mock-ups and much more and this is the first of many photo-ops in the exhibit. In a series of special weekend workshops, Disney teaching artists were on-site to share an insider’s look into the music, dance, design, and story that form one the most successful musicals in Broadway history. In addition, they have cast members, located throughout the 5,000 square-foot exhibits, answered questions, encouraged guests to take photos, and unlike other exhibits where touching is not allowed, they encouraged visitors to step up on the platforms and touch just about everything.
Connectivity is now part of everyday life. From the moment we wake up, to the minute we go to sleep (and now even during our sleep), we’re continually connected.
‘We light, frame and stage, says Dinah Casson about the anarchic, sensorial and invisible world of exhibition design’ The Guardian’s Culture Professionals Network features Dinah&#…
Award winning Design
Tom Piper is a British theatre designer who regularly collaborates with director Michael Boyd. He became an associate designer with the Royal Shakespeare Company.
Renowned theater director and visual artist Robert Wilson
Robert Wilson is an experimental theatre stage director and playwriter. In addition to his work for the stage, Wilson creates sculpture, drawings, and furniture designs. on the Beach breaks all of the rules of conventional opera. Instead of a traditional orchestral arrangement, Glass chose to compose the work for the synthesizers, woodwinds, and voices of the Philip Glass Ensemble. Non-narrative in form, the work uses a series of powerful recurrent images as its main storytelling device shown in juxtaposition with abstract dance sequences originally by Andrew de Groat, and for the 2012 version by American choreographer Lucinda Childs. It is structured in four interconnected acts and divided by a series of short scenes, or "knee plays". Taking place over almost five hours, there are no traditional intermissions. Instead, the audience is invited to wander in and out at liberty during the performance.
We meet the women who use space as their medium. In between designing sets for Kanye, Adele, and Beyoncé, stage designer Es Devlin shows us her creative proc...
Es Delvin is an artist and designer whose practice ranges from solo gallery works to collaborations in opera, dance, concerts, and theatre. Also working in a range of media and often mapping lights and projected film onto a kinetic sculptural form. What I find interesting about Es Devlin is finding of what the client wants and incorporating their ideas into her design. How she is quick on her feet to create a design in a short amount and how she goes in depth in her research look for words that stand out and using it to create images.
TRUSSARDI’s Conveyor Belt
https://iart.ch/en/-/landesmuseum-zurich-die-interaktiven-bucher-der-ausstellung-ideen-schweiz-
National Museum Zurich- The Interactive Books of the exhibition
what I like about the interactive book if different its a more engaging way to read a book. By using projection to animate book it really makes the story come to life. you tap on the page and image would pop up and you are able to flick the pages to go on to a new which are pretty remarkable. the overall idea is fun, new and interactive and it suitable for all and it is also practical because you can tell any story or information and design in any way possible.
Saatchi Gallery (Tezi Gabunia)
saatchi gallery is an interactive art installation by Georgian artist Tezi Ganunia. The installation allows visitors to become part of the exhibition by putting their heads into miniature models of world-famous art galleries. I find the Saatchi Gallery quirky, it is very different and definitely something I never have seen before. however, because its something different and unusual it's more engaging and I feel having a mini gallery u can pop your head and looking a the art in a different perspective is interesting.
V&A
Evaluation
Evaluation
Our work is based on Martin Luther King and we was able capture the most significant moments in his life leading up to his death in 1968. We theme because it was one of biggest thing changed history, our audience would be teenagers and above they would better understand about the story. We looked at different types of puppetry to perform the story about Martin Luther Lither king, we went with shadow puppets because we thought if it was executed well if would effective. One of the problems that we have was coming up with the scenes. We have so many scenes which came to concern because, it would lead us into making a lot of shadow puppets which would have been a struggle due the most amount of time that we got, but we were able to overcome the problem and manage to get it down to eight scenes which was still challenge.
We started to focus on the design of theatre set for the shadow puppets, we didn’t know whether to have the screen for the shadow puppets and have two screens behind each side for the projection. However, we went with the idea of doing one big frame and spilt it into two and have the top half for the shadow puppet and have the bottom half boarded for the projection.
Then we allocated each other roles best suited to everyone’s abilities, the role we had were making the shadow puppets, props, making the vector to be laser cut, preforming, filming, editing and making the audio. Our idea was to mainly hand make the shadow puppets because it gives our personal touch however, we did decide to do some laser cut because we wouldn’t have enough time make them.
I experimented with different colour acetate seeing how it looks, I think it looks good, but I feel like if you add too much colour. However, it would get too distracting with all the different colours, and I feel we would have to be consistence with adding the colour which would add more time. We also experimented with different transitions for making more interesting when going to the next scene. We did a lot of zooming in and out, which was moving the shadow forward away from the light source to make the shadow bigger which, makes it blurry and moving it back to make it smaller sharper. We also tested the projection on the theatre set and it looked great and there was nothing that we needed to worry about.
Overall, we managed to get all our shadow puppets and props done which was ready to be filmed. We went to a discussion of filming in the shell because our theatre set was already down there, and we wouldn’t be able to move the studio upstairs because the set is too big. but it worked out because we had control of the light and positioning the theatre set which would give an idea where we need to put everything when we do the live performance.
We boxed apart of the theatre set so when we’re performing were also in frame with the camera, so we do need waste time cutting each frame to size, which would be making easier when editing the picture.
The concerns that we had was when we do the live performance were able to us behind the screen along with our shadows which was really distracting. So, moved the theatre set forward away from the light but it didn’t make huge different to we tired different coloured gels which change the light colour and that make more of a different however we need to change the contract because it was leaving strong coloured background. But we ended up changing the light level to 3 which was much better and didn’t see much the performers. In addition, I feel like we did a great job working together as a group and creating a strong concept and being able to produce it week before the deadline. I feel like I that could be improve on the structure the shadow puppets some of the arms needed to be bent. But overall I feel like we did a great job.
stage design layout
technical drawing of the shell