𝖋𝖔𝖗 𝖙𝖍𝖊𝖗𝖊 𝖎𝖘 𝖓𝖔 𝖈𝖍𝖆𝖓𝖈𝖊 𝖆𝖋𝖙𝖊𝖗

JVL
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styofa doing anything
Aqua Utopia|海の底で記憶を紡ぐ
AnasAbdin

izzy's playlists!
h
almost home
let's talk about Bridgerton tea, my ask is open

❣ Chile in a Photography ❣

Andulka

PR's Tumblrdome
ojovivo
dirt enthusiast

titsay
Today's Document
i don't do bad sauce passes
YOU ARE THE REASON

if i look back, i am lost
RMH
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@weirdeval
𝖋𝖔𝖗 𝖙𝖍𝖊𝖗𝖊 𝖎𝖘 𝖓𝖔 𝖈𝖍𝖆𝖓𝖈𝖊 𝖆𝖋𝖙𝖊𝖗
I GOT A FUCKING RAISE THE POTATO WORKED WTF
This potato works. Every. Fucking. Time.
Then bring me luck
the day after I posted this last time I was notified that I was selected for a really cool mentorship gig and got an unrelated glowing review at work
june's sticker club reward
JoliPoli
Anonymous painter (circle of Gerolamo Tessari), Saint Anthony Preaching to the Fish (detail), 1518, Basilica of Saint Anthony of Padua
Josephen Akuei by Natasha Kot for Número Magazine February 2026
Lavere (OC belonging to @bakehebi) This is the second piece of the triptych!
JoliPoli
Corey Alston, an American fifth generation sweetgrass weaver who owns Corey Alston Gullah Sweetgrass Baskets in Ladson, South Carolina, and a basket from his store.
“This art form, characterized by the use of sweetgrass, pine needles, bulrush, and palmetto, has been passed down through generations, with its roots tracing back to West Africa.”
Crystal Prosthetic Leg designed By Sophie de Oliveira Barata with direction from Viktoria Modesta for the Alternative Limb Project.
Frog pond ☘️💚
My photography, 9 V 2026
The student's room. The pink fairy book. 1897. Illustrated by H.J. Ford.
Internet Archive
Heartfruit
Flags of the funeral procession "Memento Mori" (19th-20th centuries)
This whole project was heavily inspired by the work of Lina Shamoon/ Mirrors by Lina (website here, check out her very cool and much higher quality work). My spin on things is definitely not made as well as her stuff, but I'm still loving the effect.
So cool, thanks for showing me@eloso !
traversing through the back country lanes of my homeland (cymru, 2025)
I've noticed a lot of social media has people saying the greathelm was the worst helm for the middle ages. Usually, the same people consider either the bascinet, sallet, or armet the best.
It seems odd to claim the greathelm was 'bad' when it lasted as a cavalry option from the high middle ages to the late middle ages (and evolved into the frogmouth into the renaissance).
All I'm saying is that if a HEMA version of a great helm existed, I'd probably be using it for the aura.
Knight, I know I can look these up, but without your expertise I'm at a loss. What do these look like and what are their (dis)advantages?
So, greathelms are actually quite varied as they evolved out of the need to protect the head and face better as cavalry became more significant. While infantry has always been the backbone of armies, during the high middle ages, the cavalry soldiers were essentially the game winning option in most cases, and needed to be well equipped.
The first type we really encounter is the enclosed greathelm.
They follow a pretty simple process, honestly. How do you stop the skull being split, and also prevent a blow to the face instantly ending you? Reinforce the skull, add a faceplate. But the issue here is the back of the head is exposed, the skull is still vulnerable to direct blows, and the neck is also a target. So, you enforce the helmet further.
Okay, now we're getting more protected. The flat top has a high ridge, so blows there are less of an issue. The ears, side of the head, and back of head are covered. But, the flat top does mean blows are going to rock your head around, and the neck is still kind of vulnerable. So you round things, and lower the face further...
Now we're getting somewhere. The neck is mostly covered by the faceplate now, while we have a small top that's less flat and more ovular. Direct hits to the top now slide away better. Visibility is pretty good. Looking up and down is a bit hard, but if you're doing that, are you really cavalry?
Still, we can make this even better. What about making the top more rounded for extra protection, and if the faceplate could move so we can see and breathe better?
Well, that's more like it! Now we have good cover, visibility, and airflow. And the pointed top is kind of stylish. Hey, wait a minute, isn't this...kind of a bascinet...?
Well, whatever works, works. So what if we made the whole helmet absolutely huge, to cover our head and allow us to just eat lances to the face?
At this point, I can wear a smaller, but complete helmet underneath this one. Go ahead, hit me, what the FUCK is a concussion??
But as cool as this is, I think we could make this even more outrageously protective. The visibility isn't quite as good as other options now (such as the bascinet and early sallets), but the protection when in the saddle is incredible. So what if we took this even further?
The frogmouth helmet, specialized for jousting. Visibility is poor when you lean upright, but nothing is getting into our faces. Lances will slide away from our neck. Debris will bounce off harmlessly. This isn't a helmet for mobility and vision, it's for absolute protection.
Essentially, the greathelm goes through a lot of phases, and is constantly improved upon. It's a super cavalry helmet, having some of the best forms of protection, but lowered visibility and often less neck cover (something the great bascinet did better, albeit largely by reinforcing itself akin to a greathelm). The pinnacle is the greathelm is the frogmouth, which gives the absolute best protection for a jouster, though little mobility and visibility, making it exclusive to mounted contests of arms.