relationship goals tbh

blake kathryn
"I'm Dorothy Gale from Kansas"
Jules of Nature
Peter Solarz

if i look back, i am lost
PUT YOUR BEARD IN MY MOUTH

Product Placement
Cosmic Funnies
d e v o n
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titsay
One Nice Bug Per Day
he wasn't even looking at me and he found me
Acquired Stardust

Kaledo Art
let's talk about Bridgerton tea, my ask is open
No title available
Keni
occasionally subtle
I'd rather be in outer space đ¸

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@werdsmiffery
relationship goals tbh
The feminist critique is in the air now. If my rendition of Black Panther wasnât created by that critique, it breathed the same air. I canât really kill off or depower women characters without grappling with Gail Simone. I canât really think about how women characters are drawn anymore without thinking about the women in Bitch Planet, and how they seem drawn beyond the male gaze. This is why criticism is important. The job of criticism isnât to interrupt or encourage commercial prospects. (âBatman vs Superman smashes Box Office, despite critic complaints!â) Criticism should push our imagination and help us understand what is actually possible in art and, Iâd argue, even what is moral. Through much of my time collecting comic books I never took much issue with how women were drawn. I had a vague sense that there was something about, say, the reworking of Psylocke that bugged me. But I simply didnât give it much thought. It never occurred to me, for instance, to ask whether a superheroes pose was anatomically possible. It never occurred to me to ask why a super-hero would have DD cup-size. Was that for her benefit, or for mine? I never asked. The feminist critique of comics has made ânot askingâ a lot harder. That, in itself, is a victory. The point is not to change the thinking of the active sexist. (Highly unlikely.) The point is  to force the passive sexist to take responsibility for his own thoughts.
The Feminists of Wakanda, Â Ta-Nehisi Coats (via hellotailor)
The first time I met him was at a urinal at a nightclub in St. Paul. There he was, and I said, "Hey, what's up?" And he answered, "Life." One word: "life." And I can't say that we went on to be pals. But we did record a lot at Paisley Park, and he became comfortable enough to grace us with his presence, not bejeweled and not dressed up. He'd be wearing maybe his jammies and sweat pants or maybe a pear of jeans and sneakers. He could sort of just hang out. He may have been a little more normal than he would've liked people to know. That's the treasure that we got, to be able to sit in the big atrium where you're taking a break and Prince shuffles by in his slippers and makes some popcorn in the microwave. My sister's a disc jockey, and he would pass by and say, "Tell your sister hi for me." People like to paint him as a reclusive this or that; I think he was genuinely truly, truly shy. But one thing says a lot about him: I was there making a solo record a few years later, and I got a message that said that my friend had just died. I was truly rattled, and the next time I went back into the studio, he had filled it up with balloons. Now I'm gonna cry.
Paul Westerberg Remembers Prince: 'I Can't Think of Anyone Better' | Rolling Stone
Collections
KIRBY KIRBY KIRBY. (Machine Man #2, 1978.)
Today is the 10-year anniversary of the âShoesâ video
It may not seem like it, but 2006 was a different time. The concept of viral fame didnât really exist yet. Even the creators of YouTube hadnât quite figured out what it was for. (They thought it was going to be place where you could easily access âbig, newsworthy footage,â like Janet Jacksonâs nipple slip.)
It was into this online Wild West that comic and actor Liam Kyle Sullivan uploaded his massive hit âShoes.â The folks over at Noisey interviewed Sullivan to get his thoughts on âShoesâ a decade after its birth.
More at avclub.com
Were we ever so young
âI find it hard to sleep without you.â âPittsville, Maryland 2014
Using the publicly available GPS information embedded in Twitter feeds, photographers Nate Larson and Marni Shindelman photograph the exact location where Twitter users tweet. They caption the pictures with the tweets, and the result is funny and sad and poignant. Geolocation is published by Flash Powder Projects | See more photos at The Guardian
The original Batman series & BatLabels
SchrĂśdingerâs boys
simultaneously back in town and not back in town until observed
âSomeone sits on the shore and tells him how the waves have been there long before Bill existed, and that theyâd still be there long after heâs gone. Bill looks out at the water and thinks of all the wonderful things he will do with his life.â
(Itâs Such a Beautiful Day!, 2012)
the one white man who could never disappoint me
summary of mad men
Mount Fuji, falcon and eggplants (Ichi fuji ni taka san nasubi) / Eisen
RISD MUSEUM
ä¸ĺŻĺŁŤäşéˇšä¸čĺăć¸ćčąćłă
David Bowie called MTV out on its early exclusion of black artists
In 1983, David Bowie released his mega-selling Letâs Dance album and handily proved he could not only survive but thrive in the MTV era. Tracks like âModern Love,â âLetâs Dance,â and âChina Girlâ logged plenty of hours on the cable channel in those days, but the black artists who had so strongly influenced Bowieâs music were notably absent from the station. This frustrating discrepancy led to a rather tense conversation that year when Bowie sat down to chat with original MTV VJ Mark Goodman. In the wake of Bowieâs death, the decades-old clip has been getting some additional attention, as it still makes for riveting viewing today. As was his nature, Bowie is calm and well-mannered when making his case to Goodman, making sure to mix in some praise with his criticism
More at avclub.com
Robin Hardyâs The Wicker Man (1973).
Poster by Richard Wells via Film on Paper.
If you donât remember having these to watch your favorite episodes of your favorite shows and dreaded your mom/dad/legal guardians taping over it with something that bored you senseless, you have never known true dread.