Dushko Petrovich Córdova and Mark Greif for Western Pole
Mike Driver
cherry valley forever
AnasAbdin
Today's Document
Cosimo Galluzzi
todays bird

PR's Tumblrdome

Origami Around
trying on a metaphor
styofa doing anything
sheepfilms
I'd rather be in outer space 🛸

★
No title available
RMH
Lint Roller? I Barely Know Her

Discoholic 🪩
dirt enthusiast

shark vs the universe

❣ Chile in a Photography ❣

seen from United States

seen from Türkiye
seen from Belgium

seen from Malaysia

seen from Malaysia

seen from United States
seen from Taiwan
seen from United States

seen from France

seen from United States
seen from United States

seen from Germany
seen from Germany
seen from United States

seen from Australia
seen from United States
seen from Slovakia
seen from Australia
seen from Germany

seen from United States
@westernpole
Dushko Petrovich Córdova and Mark Greif for Western Pole
Anonymous Neighbor for Western Pole
Laura Paul for Western Pole
Jessica Zawadowicz for Western Pole
Elizabeth Allen-Cannon for Western Pole
Craighton Berman for Western Pole
Isla and Ember for Western Pole
Gil Tighe for Western Pole
POST POST POST: A Decade of Western Pole
Limited Time Engagement, Unsanctioned Sign Co. and Compound Yellow for Western Pole
Juntos, Together for Western Pole
Roman Susan for Western Pole
Gemma Paolo and Randi Stone for Western Pole
Jesse Malmed for Western Pole
olivier for Western Pole
Joel Ross for Western Pole
Collectively Published Bootlegs for Western Pole
When our friends Public Collectors started to notice these excellent, anonymous posters around on their garage and in their neighborhood—which so perfectly mimic the ubiquitous contractor and fix-it flyers left on garages and in alleys across our beautiful and diverse city—we of course took notice. Marc is a friend and his practice is a longtime favorite, for its concerns for the spectra and spaces of public/private, global/local, sincere/silly.
The projects are always deeply grounded in specificity and locality, allowing the multiversal themes and ideas to emerge through the collecting, culling, collating and, dare we say, curating. Cultural politics emerge as the front and are often at the front, functioning as a fulcrum for the vernacular and the overlooked, giving sweet sense of the world’s vastness for the attentive. A patient, curious and capacious approach brings into focus the id of the archive(s).
Abutting and cribbing a practice grounded in rangy authorship, these bootlegs of bootlegs quintuple their impact through a literal reposting in another gentrifying, working class, immigrant neighborhood: the thing is and isn’t the thing.
We hope someday the anonymous artist will come forward to receive their laurels (and update their CV).