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@whatcolorissaturn
TAKE ME BACK.
'Older sister' and its my entire childhood ff
I liked this post, scrolled for like another minute before I went “SHIT FUCK SHIT” and scrolled back to reblog it
I always reblog this one when I see it on my dash. When someone posts their own art, writing, or music here they are really hoping you will share it.
The video camera is plugged into the VCR, allowing it to record itself being poked and prodded.
GIF’d version of Vide-Uhhh! (2005)
"no trust me even if you were a girl as a teenager it would've sucked, when I was a teenage girl I had shitty friends and mediocre sex and constantly had to deal with drama, it was awful"
the trans woman hearing this, in her teenage years:
I mean, old trek had Seven of Nine in costumes where the actress couldn't BREATHE ... but yeah. I'm sure that was better than today, where she can actually breathe and the actress is comfortable.
Likewise, T'Pol and Seven's costumes are treated seriously and not like sexual objects.... unlike past Trek... but lmao. Yes, I'm sure that's because of the "capitalist militarization of a socialist dream you see."
This is slander on SNW's costume department, how dare these ppl
Even in scenes with darker/more monochrome tones, the lighting & colors pop
"'its the capitalist militarization of a socialist dream'" shut the fuck up you cherry-picked 2 images from a whole show full of color, good lighting, and fun costumes.
Snw also still notably made the enterprise flat, chrome, and angular. Made it completely sterile and sucked all the charm out of it. Oh and also the insane centrist take at the end of every episode.
do you agree?
listen to her honks!!!
No I fucking meant civil defivil
wash him he smely
here’s how the other Eeveelutions react to bathtime 🛁🫧
The power of the shower 🫧
Obsessed with how Frankie and Andi literally treat Guinevere more like a human woman as a destroyed husk falling to decay that then we've seen Orville or Olivia treat her in what seems to be a very long time, if ever.
Andi putting a jacket on her, seemingly to keep her warm. How Frankie seems genuinely disgusted at the idea of selling her. That they both agree they need to help her (outside the elevator), they just don't know how.
It’s interesting how Olivia originally had black hair like Orville before becoming a platinum blonde as early as her little childhood. Was this the color of her mother’s hair?
There’s some Loss of Innocence vibes I’m feeling with this pilot as a whole. Not just LoI for our protagonists disillusioned by Park Planet but also with Gwen as well. It’s clear Gwen was created as… some sort of replacement for Olivia’s mother.
But how can you be a mother to the one who made you? That’s not how it works. Perhaps some commentary on adultification. Gwen’s entrails almost resemble an umbilical cord here and the way she clutches her abdomen as the cord trails all the way to her “child” at the end. Blood leaking. It almost feels like a metaphor for childbirth? For breaking the water? At the same time, if Olivia is the actual mother and Gwen the actual child, then the direction of the umbilical cord is reversed; Either way the cord is still there.
She was just made and already she’s being made to bear children and be a mother. It’s implied, at least by Frankie (Why else would she call clients “nasty” for dabbling in scavenging and animatronics like she and Andi do?), that Sparky’s plan was to sell Gwen as a sex doll. Something something the way young girls are thrust into womanhood immediately. Sexualized at a young age. Olivia becoming a mother to her own machine at a young age.
And now she’s an elderly lady raving on about Gwen like she’s her daughter who’s run from home, who will be exposed to the dangers of the outside world! The loss of innocence for her daughter! The daughter fleeing from the isolated tower where she was meant to be a mother. I’m thinking of how early Disney had Snow White as a teenager and yet she was almost like an adult in her portrayal and being all but set up to marry Florian at the end.
I dunno just this like. Sense of perversion of childhood innocence and the transition to adulthood. Gwen has escaped Olivia yet Frankie and Andi are still seen by her as these two girls to take care of. But they’re adults now. Frankie protecting Gwen because she represents her childhood innocence which makes the refusal to hand her over as an implied sex doll. But Gwen has already been “tainted” and she’s already lost that innocence and Frankie and Olivia don’t recognize it? Frankie’s fondness involved fixing Gwen as a kid, she’s supposed to repair and fix her to hide the blemishes to be happy again!!!
And I feel there’s going to be tension with Frankie and Andi wanting Gwen to be that older figure of their childhood but she’s not!!! She can no longer be and never was!!! It arguably wasn’t even her but another animatronic, but who can say with how this hive mind works and the way all these women have been commodified and made the same. Will Andi be more equipped to recognize Gwen while Frankie doesn’t and they both pull at her from different ends like a toy they don’t want to share as Gwen is used to it all over again??? The obsession with childhood nostalgia as a form of infantilization.