Spock is not just canonically a slut who fucks, he has ALWAYS canonically been a slut who fucks going aaaalllll the way back to 1966 and imo we the fandom need to embrace that more
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@redhotchilies
Spock is not just canonically a slut who fucks, he has ALWAYS canonically been a slut who fucks going aaaalllll the way back to 1966 and imo we the fandom need to embrace that more
the brutalist public bathroom is definitely a top one tourist attraction across all of the US
Here's me (6'2) in front of the Women Monolith for scale
post so bad tumblr offers 5 delete buttons and no post button
[id: screenshot of broken tumblr queue footer ui with one reorder button, 5 delete buttons, one edit, and one unreadable button where post button should be./end id]
cat’s eye emerald
advil (ibuprofen) 200mg liquid capsule
i don’t usually get political here, but come on… are young people seriously regurgitating this boomer shit
took the 15 minutes to watch it and to be fair to this guy i think it's fine to point out the outrageous amount of sugar and caffeine that people take in without even seeming to realize it and that its kinda weird to normalize having such crazy drinks all the time. he's also commenting on the weird consumerism surrounding coffee and how each viral drink is determined to be more insane than the last. hes snarky about it sure but im inclined to agree with most of his points. maybe dunkin *shouldn't* be selling 48 oz of coffee in literal buckets. maybe it is bad for you to start your day with a large frappe. maybe (since he talks about crumbl) the fact that you can buy cookies with half your day's caloric needs in them is something to be concerned about. its not morally wrong and he doesnt imply that it is in the video so. his whole thing is commenting on weird trends.
no one is saying you cant have a fun dessert every once in a while, but he does take the time to say that these things are addictive and detrimental health wise. and i think that's fair tbh
So a couple days ago, some folks braved my long-dormant social media accounts to make sure I’d seen this tweet:
And after getting over my initial (rather emotional) response, I wanted to reply properly, and explain just why that hit me so hard.
So back around twenty years ago, the internet cosplay and costuming scene was very different from today. The older generation of sci-fi convention costumers was made up of experienced, dedicated individuals who had been honing their craft for years. These were people who took masquerade competitions seriously, and earning your journeyman or master costuming badge was an important thing. They had a lot of knowledge, but – here’s the important bit – a lot of them didn’t share it. It’s not just that they weren’t internet-savvy enough to share it, or didn’t have the time to write up tutorials – no, literally if you asked how they did something or what material they used, they would refuse to tell you. Some of them came from professional backgrounds where this knowledge literally was a trade secret, others just wanted to decrease the chances of their rivals in competitions, but for whatever reason it was like getting a door slammed in your face. Now, that’s a generalization – there were definitely some lovely and kind and helpful old-school costumers – but they tended to advise more one-on-one, and the idea of just putting detailed knowledge out there for random strangers to use wasn’t much of a thing. And then what information did get out there was coming from people with the freedom and budget to do things like invest in all the tools and materials to create authentic leather hauberks, or build a vac-form setup to make stormtrooper armor, etc. NOT beginner friendly, is what I’m saying.
Then, around 2000 or so, two particular things happened: anime and manga began to be widely accessible in resulting in a boom in anime conventions and cosplay culture, and a new wave of costume-filled franchises (notably the Star Wars prequels and the Lord of the Rings movies) hit the theatres. What those brought into the convention and costuming arena was a new wave of enthusiastic fans who wanted to make costumes, and though a lot of the anime fans were much younger, some of them, and a lot of the movie franchise fans, were in their 20s and 30s, young enough to use the internet to its (then) full potential, old enough to have autonomy and a little money, and above all, overwhelmingly female. I think that latter is particularly important because that meant they had a lifetime of dealing with gatekeepers under our belts, and we weren’t inclined to deal with yet another one. They looked at the old dragons carefully hoarding their knowledge, keeping out anyone who might be unworthy, or (even worse) competition, and they said NO. If secrets were going to be kept, they were going to figure things out for ourselves, and then they were going to share it with everyone. Those old-school costumers may have done us a favor in the long run, because not knowing those old secrets meant that we had to find new methods, and we were trying – and succeeding with – materials that “serious” costumers would never have considered. I was one of those costumers, but there were many more – I was more on the movie side of things, so JediElfQueen and PadawansGuide immediately spring to mind, but there were so many others, on YahooGroups and Livejournal and our own hand-coded webpages, analyzing and testing and experimenting and swapping ideas and sharing, sharing, sharing.
I’m not saying that to make it sound like we were the noble knights of cosplay, riding in heroically with tutorials for all. I’m saying that a group of people, individually and as a collective, made the conscious decision that sharing was a Good Things that would improve the community as a whole. That wasn’t necessarily an easy decision to make, either. I know I thought long and hard before I posted that tutorial; the reaction I had gotten when I wore that armor to a con told me that I had hit on something new, something that gave me an edge, and if I didn’t share that info I could probably hang on to that edge for a year, or two, or three. And I thought about it, and I was briefly tempted, but again, there were all of these others around me sharing what they knew, and I had seen for myself what I could do when I borrowed and adapted some of their ideas, and I felt the power of what could happen when a group of people came together and gave their creativity to the world.
And it changed the face of costuming. People who had been intimidated by the sci-fi competition circuit suddenly found the confidence to try it themselves, and brought in their own ideas and discoveries. And then the next wave of younger costumers took those ideas and ran, and built on them, and branched out off of them, and the wave after that had their own innovations, and suddenly here we are, with Youtube videos and Tumblr tutorials and Etsy patterns and step-by-step how-to books, and I am just so, so proud.
So yeah, seeing appreciation for a 17-year-old technique I figured out on my dining-room table (and bless it, doesn’t that page just scream “I learned how to code on Geocities!”), and having it embraced as a springboard for newer and better things warms this fandom-old’s heart. This is our legacy, and a legacy the current group of cosplayers is still creating, and it’s a good one.
(Oh, and for anyone wondering: yes, I’m over 40 now, and yes, I’m still making costumes. And that armor is still in great shape after 17 years in a hot attic!)
Hang on a minute. I recognize the name “penwiper”. Let me check– Ok, yeah, I’ve heard of this person.
OP also invented armsocks.
Y'all might have noticed that your friendly community moderator has been slacking a bit lately. No updates. No organizing. What the heck was
OP I have been thinking about YOUR IMPACT since 2011. Do you know what you did for Homestuck lmao
Another example of a foundational internet text that millions of people don’t know was so influential.
I’m Getting Adopted By… WHO? (tumblr parent poll round 1 poll 17)
Bilbo Baggins - The Hobbit
pukicho - Tumblr
Propaganda under cut
Come on now. He would prioritize the ring. I would prioritize my child.
That is no way to talk to your father
Untitled © Peter Solarz
Honestly, with all the tradwife cooking trash circulating, it only makes me love B Dylan Hollis more for baking vintage recipes while being openly gay, making sexual jokes, and screaming at the ingredients. He's the antithesis of every soft-spoken cishet woman cooking for her husband and children. You don't have to be an idyllic cottagecore housewife to cook.
if you love him you should check out albert_cancook, Chef Rush and IanKyo, these three are awesome as well
this man has the most potential to be a poor soaking wet sad little meow meow of a man, complete with being divorced and a little pathetic, and yall choose that fucking white boy???? i’m sick of you
As an art major, while I know Fountain is a valid piece of art that accomplished exactly what it set out to do, I also think it’s one of the stupidest things. We have a urinal in a museum display. I have yet to see a work I think is dumber.
The thing I love most about Duchamps urinal piece is that it was so “low cost” in terms of creative labour (compared to say, a large scale oil painting or sculpture for example), but it’s absolutely FULL of rage against the traditionalists and the world at that time and it’s SUCH a statement, it’s like, “oh just a mass manufactured item with a signature” but the reality of it is so many layers of meaning and without understanding the history at the time you don’t get it.
It’s an incredibly clever “fuck you” and I love it
An old professor of mine, an expert in Duchamp who has written several books, has a theory. In part, “Fountain” was a prank, a personal “fuck you” to the organization looking for artworks. It’s importance cannot be overstated, and this importance stems from the fact that “Fountain” is /ridiculous/. It is enraging, it is hilarious, and it is very fascinating.
Aside from Duchamp’s readymades, I love “Bride Stripped Bare By Her Bachelors Even”. Pictured below, the work invokes a complex machine, one my professor spent a great deal of time studying. Eventually, he reached his conclusion. My professor had been pranked. He believes “Bride Stripped Bare” is a joke about masturbation, hidden to all except those study it excessively.
At first blush, Duchamp’s works are stupid. Upon further study, they’re very complex. And, upon true understanding, Duchamp is laughing at you. To me, it seems the closer you come to truly understanding Duchamp, the more he slaps you in the face with a large fish.
Let me rage about “traditionalism revival” here. This is a dogwhistle.
As a lover of art, there are many complex and technically impressive works being created today, which both embrace different artistic traditions and break from them. To ignore those is to ignore contemporary art.
Here, OP is raging against conceptual art, which stimulates thought and challenges tradition. He wants his followers to believe that art has “degenerated”, because the West has “degenerated”. OP is intentionally engaging with fascist ideas of “degenerate art”.
If OP wanted to be accurate, he would seek to restore the Salon System, the Beaux Arts Academy, and classical training in the arts. The collapse of this specific system allowed for Modernism to evolve. Of course, that’s not what OP is talking about. He’s evoking beauty as a moral standard, telling his followers to “restore Western tradition”, to fight against aesthetic “degeneracy” in culture.
(By the way, Duchamp is commenting ON MODERNISM with “Fountain”. Duchamp submitted the work to the Society of Independent Artists’ salon in New York, who would accept any work by any artist, for a small fee. In part, Duchamp is saying, “Is this what you Modernists want? A urinal? Look me in the eyes and prove this is not art.”
If OP dared to use his brain, perhaps he would agree with Duchamp here.)
The thing is that it isn’t even a urinal! It doesn’t match any model manufactured at the time. Also Duchamp was an accomplished ceramicist. It’s likely that he made the sculpture and absolutely everyone is like “I know what a urinal looks like. This is sufficiently urinal-shaped for me to assume it is one without looking at it closely!”
Duchamp had other readymades, like his snow shovel, where if you actually look at the photos, the handle is square and the bowl is way too flimsy. Why would manufacturers make a snow shovel with a squared-off handle? It’s impossible to hold! Duchamp slapped the “readymades” label on all these items and the hoity-toity art people who were so good at looking at things didn’t see it (probably because they’d never had to do labor like shovel snow imo, amongst other things).
Marcel Duchamp. In Advance of the Broken Arm. Museum of Modern Art. (4th Version [Ed.!!!] after lost original of November 1915)
wait what. there… what?!?! IT ISN’T AN ACTUAL URINAL?!? or might not be anyway. what the fuck.
if the dude seriously did that, his troll game is out of everyone’s league except Leader Kibo.
My favorite thing about Fountain (besides the fact it has been pissing off fascists for over a century, natch) is that the original was lost and he made a bunch of official editions to sell to various museums (after the original was lost, possibly on purpose).
And they’re different! If it was a real “readymade” he could have just bought some more at his local hardware store, but no. He changed them in OBVIOUS WAYS.
See the triangle of holes?
Here’s the one from the Tate Modern:
Oh hello, cross-holes. Fancy seeing you here.
SFMOMA’s edition has the triangle holes, but it also has a line of holes at the top that are completely different from either other version.
Here’s one from Moderna Museet. Line and a circular set of holes!
Duchamp definitely intentionally made these different on purpose. It’s a “readymade” but it’s not, really, each of these is a specific custom creation.
It’s not even clear if he made it! He wrote a letter to his sister claiming that a female friend sent it to him, and he just enrolled it in the art exhibit under his own name. There’s also a possibility that that female friend was himself, since he later had a female pseudonym of Rrose Sélav.
This whole piece of art is a fractal troll, and it’s a beautiful one.
art is a creative statement.
sometimes that statement is ‘go fuck yourself’
Art has a message and sometimes that message is “die mad about it.”
Art has a message
and sometimes that message is
“die mad about it.”
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
what i find so funny is that Fountain is this asshole’s “how its going” despite the fact that its over a century old. its almost like people have been making challenging, transgressive art forever, including before your personal imagined “good old days”
You’re completely correct. Out of my way, able-bodied losers. Fuck you.
It's called an EZRide+ and you can learn where to find them here. They're about $1100 US as of June 2026, but you might need to buy additional parts to attach them to your chair, depending on the style of chair.
Remember to put links to products like this, they're usually hard to find and a lot of people need to know they exist.
THIS IS SO COOL
This looks like a fucking parody post, or an edgy edit, but it’s 100% official real Flintstones.
Clarification: I don’t hate this book, I love it, it’s amazing. It’s just that taking a step back and looking it out of context is still really funny. Especially the line “We participated in a genocide, Barney.”
ok but imagine them in their cartoon forms saying this dialogue i’m
can we have some context to this, perhaps?
Bedrock is having a mayoral election. One of the candidates is a violent war mongering asshole that riles people up against the lizard people. This reminds Fred and Barney of their time in the army.
Back then the father of said violent candidate was riling people up against the “tree people”. Fred, Barney, and other soldiers fought what they believed to be a defensive measure against the tree people. Turns out, it was actually an invasion, in order to kill off the tree people and take over their forest to build Bedrock.
That’s what Fred means when he says he and Barney participated in a genocide. They literally did.
(Extra fun fact, Barney adopted a tree person baby after the war, and his son Bamm-Bamm is the last tree person.)
just fucking read it
http://readcomiconline.to/Comic/The-Flintstones
There are a lot of interesting things about this post but the AK-47 shaped spear is what really got me
This is just as wild with the context
Some of my favorite moments in the series
From the foreword to 2021 print of the comic.
I’m glad people want to read it but don’t it on the pirate site linked above, though. It’s full of malware and annoying ads.
The omnibus of the full series is only about $30 online.
If you don’t have $30 going spare, check your local library. If they don’t have it, they can help you with interlibrary loan. Or they might just buy it - libraries want to carry books people will read!
Very Rare ‘Bionic’ Armor Discovered in a 2,500-Year-Old China Tomb
It’s only the second known ancient armor of its kind.
About 2,500 years ago, a man in northwest China was buried with armor made of more than 5,000 leather scales, a military garment fashioned so intricately, its design looks like the overlapping scales of a fish, a new study finds.
The armor, which resembles an apron-like waistcoat, could be donned quickly without the help of another person. “It is a light, highly efficient one-size-fits-all defensive garment for soldiers of a mass army,” said study lead researcher Patrick Wertmann, a researcher at the Institute of Asian and Oriental Studies of the University of Zurich.
The team called it an early example of bionics, or taking inspiration from nature for human technology. In this case, the fish-like overlapping leather scales “strengthen the human skin for better defence against blow, stab and shot,” said study co-researcher Mayke Wagner, the scientific director of the Eurasia Department of the German Archaeological Institute and head of its Beijing office.
Researchers unearthed the leather garment at Yanghai cemetery, an archaeological site near the city of Turfan, which sits at the rim of the Taklamakan Desert. Local villagers discovered the ancient cemetery in the early 1970s. Since 2003, archaeologists have excavated more than 500 burials there, including the grave with the leather armor. Their findings show that ancient people used the cemetery continuously for nearly 1,400 years, from the 12th century B.C. to the second century A.D. While these people did not leave written records, ancient Chinese historians called the people of the Tarim Basin the Cheshi people, and noted that they lived in tents, practiced agriculture, kept animals such as cattle and sheep and were proficient horse riders and archers, Wertmann said.
The armor is a rare find. Leather scale armor discovered in the ancient Egyptian tomb of King Tutankhamun, from the 14th century B.C., is the only other well-preserved ancient leather scale armor with a known provenance. Another well-preserved leather scale armor, housed at the Metropolitan Museum of Art in New York City, dates from the eighth to the third century B.C., but its origin is unknown.
It was a “big surprise” to find the armor, Wagner told Live Science in an email. The researchers found the garment in the grave of a man who died at about age 30 and was buried with several artifacts, including pottery, two horse cheek pieces made from horn and wood, and the skull of a sheep.
“At first glance, the dusty bundle of leather pieces [in the burial] … did not arouse much attention among the archaeologists,” Wagner said. “After all, the finds of ancient leather objects are quite common in the extremely dry climate of the Tarim Basin.”
A reconstruction of the body armor revealed that it sported 5,444 small leather scales and 140 larger scales, likely made of cow rawhide, that were “arranged in horizontal rows and connected by leather laces passing through the incisions,” Wagner said. The different scaled rows overlap, a style that prompted the Greek historian Herodotus to call similarly fashioned armor, worn by fifth century B.C. Persian soldiers, just like “the scales of a fish,” Wagner noted.
A plant thorn stuck into the armor gave a radiocarbon date of 786 B.C to 543 B.C., the researchers found, indicating that it was older than the fish-like armor worn by the Persians. According to the team’s reconstruction, the armor would have weighed up to 11 pounds (5 kilograms).
The discovery is one of a kind. “There is no other scale armour from this or an earlier period in China,” Wagner said. “In eastern China, armour fragments have been found, but of a different style.”
By Laura Geggel.