validation 5 & 6
c/o khushehnooney

ellievsbear
noise dept.
One Nice Bug Per Day
Doug Jones
d e v o n
taylor price
Show & Tell
Misplaced Lens Cap
Monterey Bay Aquarium
Cosmic Funnies

tannertan36
Game of Thrones Daily
occasionally subtle
★
Not today Justin

Origami Around
🩵 avery cochrane 🩵
let's talk about Bridgerton tea, my ask is open

PR's Tumblrdome

Discoholic 🪩
seen from Vietnam

seen from Bangladesh
seen from Canada
seen from Pakistan
seen from Germany

seen from United Kingdom
seen from Poland
seen from Japan

seen from Australia

seen from Pakistan

seen from Venezuela

seen from United States
seen from Türkiye
seen from Thailand
seen from Brazil
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
@whatwasthatidea
validation 5 & 6
c/o khushehnooney
Yoshida Tôshi - Camouflage (1985)
“Hiding in ____” - Liu Bolin (the invisible man)
Artist: Joseph Ford, Invisible Jumpers Project, 2018.
https://josephford.net/project/knitted-camouflage/3070
SS West Mahomet in dazzle camouflage, 1918. Unlike other forms of camouflage, the intention of dazzle is not to conceal but to make it difficult to estimate a target’s range, speed, and heading.
EMOPAT is a military camouflage pattern generator based on Emoji. It is inspired by other digital camouflage designs that combine various sizes of camouflage patterns to improve their effect over a range of distances.
EMOPAT processes previously prepared pixelated patterns by randomly assigning emoji to every pixel that matches their color values with adjustable tolerance. By replacing solid color fills with random emoji patterns, EMOPAT designs might actually work better at close range than non-Emoji-based counterparts.
Source: joriswegner.de
Serie: Pixeld – Adam Ferriess
Ornate Painted Patterns Conceal Photographer Cecilia Paredes Against Textile Backdrops
cammo plant (Dumb cane)
Great Grey Owl
source: unknown
“Protective mimicry among insects.” The new student’s reference work for teachers, students and families. 1909.
Internet Archive
maruvumaa dhirihurumaa dheytherey innanee isthashikolhe
Fluid reflections on keeping a solid center.
Thomas Zipp (German, b. 1966)
Fog 2009 Acrylic and oil on canvas, wood, rubber and lacquer via
Abigail Woods Anderson(American)
Shape System 1,2,3,4 2013 Gouache on paper here and here more
Detail; Aurora and Cephalus, 1769, by François Boucher (French, 1703 - 1770).