validation 5 & 6
c/o khushehnooney
he wasn't even looking at me and he found me
Cosimo Galluzzi

Origami Around

JVL

❣ Chile in a Photography ❣
noise dept.
tumblr dot com
Peter Solarz
No title available

blake kathryn
PUT YOUR BEARD IN MY MOUTH

Kaledo Art

if i look back, i am lost
No title available
dirt enthusiast
Misplaced Lens Cap
Today's Document
I'd rather be in outer space 🛸

shark vs the universe
Three Goblin Art
seen from Saudi Arabia
seen from United States
seen from United States
seen from United Kingdom

seen from Türkiye

seen from Guernsey
seen from France

seen from Canada
seen from Belgium
seen from Netherlands

seen from Germany

seen from Georgia

seen from United States
seen from Saudi Arabia
seen from United Kingdom

seen from Türkiye
seen from United States

seen from Türkiye
seen from United States

seen from Thailand
@whatwasthatidea
validation 5 & 6
c/o khushehnooney
Yoshida Tôshi - Camouflage (1985)
“Hiding in ____” - Liu Bolin (the invisible man)
Artist: Joseph Ford, Invisible Jumpers Project, 2018.
https://josephford.net/project/knitted-camouflage/3070
SS West Mahomet in dazzle camouflage, 1918. Unlike other forms of camouflage, the intention of dazzle is not to conceal but to make it difficult to estimate a target’s range, speed, and heading.
EMOPAT is a military camouflage pattern generator based on Emoji. It is inspired by other digital camouflage designs that combine various sizes of camouflage patterns to improve their effect over a range of distances.
EMOPAT processes previously prepared pixelated patterns by randomly assigning emoji to every pixel that matches their color values with adjustable tolerance. By replacing solid color fills with random emoji patterns, EMOPAT designs might actually work better at close range than non-Emoji-based counterparts.
Source: joriswegner.de
Serie: Pixeld – Adam Ferriess
Ornate Painted Patterns Conceal Photographer Cecilia Paredes Against Textile Backdrops
cammo plant (Dumb cane)
Great Grey Owl
source: unknown
“Protective mimicry among insects.” The new student’s reference work for teachers, students and families. 1909.
Internet Archive
maruvumaa dhirihurumaa dheytherey innanee isthashikolhe
Fluid reflections on keeping a solid center.
Thomas Zipp (German, b. 1966)
Fog 2009 Acrylic and oil on canvas, wood, rubber and lacquer via
Abigail Woods Anderson(American)
Shape System 1,2,3,4 2013 Gouache on paper here and here more
Detail; Aurora and Cephalus, 1769, by François Boucher (French, 1703 - 1770).