i want what they have

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i want what they have
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THE HANDMAIDEN (2016)
dir. Park Chan-wook
The Handmaiden (2016) dir. Park Chan-wook
The Favourite (2018) dir. Yorgos Lanthimos
Portrait of a Lady on Fire (2019) dir. Celine Sciamma
Ammonite (2020) dir. Francis Lee
actual video capture from the upper level of the NY stock exchange trading floor. this is where your money’s going folks.
I took some screenshots of this video, about “leftover women” in China, women who are unmarried and over the age of 25. I took screenshots every time someone said something that created a picture with the subtitles that just…. resonated with me. Something women can truly understand.
These women deserve to be heard.
I’m sure there are women from all backgrounds who can relate to the feelings of pressure, stigma, frustration, failure, and inadequacy the women in this video express.
But as a white person myself, reading all the comments on this post from white women saying they relate or that these feelings aren’t exclusive to Chinese or other Asian cultures, I need to say that I don’t think this is something white women should claim as their own.
Even if on the surface this seems relatable to you as a white person, this video is not the place for you to talk about your experiences. The concept of “leftover women” or “sheng nu” in Chinese culture and other cultures in East and Southeast Asia isn’t the same thing as having parents who disapprove of your decision not to marry or pressure you to find someone. It goes far beyond just one’s parents. It’s embedded in the culture at large, and represents a far greater stigma than anything a white person from Western culture can understand.
Women all over the world face stigma and judgment for their lifestyle choices, but this video isn’t about women all over the world; it’s about Chinese women. Part of being a feminist is knowing when another woman’s experience isn’t ours to claim, and sharing her voice anyway.
I encourage you to learn more about the concept of “sheng nu” if you’re interested in this issue in modern Chinese society. Some basic resources to get you started: (x)(x)(x)(x)
“But, here was a curious thing. The more I tried to give up thinking of her, the more I said to myself, ‘She’s nothing to you’, the harder I tried to pluck the idea of her out of my heart, the more she stayed there.”
The Handmaiden (2016) dir. Park Chan-wook
https://www.instagram.com/p/Bl8TGVJHVlS/?
Denholm Berry
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The Washington Bee, Washington DC, September 27, 1902
The Handmaiden (2016) dir. Park Chan-wook
On the set of The Handmaiden (2016) dir. Park Chan-wook
Scans from Korean and German editions’ photobooks
Park Chan-wook interviewed by Mouloud Achour for Le Gros Journal:
- “Many compared you to Quentin Tarantino because of the violence in your movies, but I prefer comparing you to Stanley Kubrick, because you always tackle issues of modernity, present and future times, and you explore the themes of domination by the rich and violence of the poor. - Your remark is very interesting. On the set of Stoker in the United States, Nicole Kidman made a similar comment. She said that I was often compared to Hitchcock, but that she would see more resemblance between me and Stanley Kubrick.”
The Handmaiden (2016) dir. Park Chan-wook