[random-brushstrokes]

John Bauer - "He took him over roads and paths, over mountains and hills. And all the time he slept" (1909)

[screen-studies]

Audrey Hepburn as Jo Stockton in Funny Face (1957)

[whiteheather]

Photo ancienne de Barrie et de son ami James Robb trouvée dans un vieux livre acheté chez un bibliophile. Coupelle A Window in Thrums d'époque. https://www.instagram.com/p/CM-FzwpDnAw/?igshid=1aambr9huluqq

[whiteheather]

(via https://www.youtube.com/watch?v=EDaFTWTW7yw)

[whiteheather]

(via https://www.youtube.com/watch?v=pMg0ebH86PY)

Pleurer de la première image à la dernière.

[whiteheather]

#AndreaMarcolongo #lapartduhéros

[whiteheather]

(via https://www.youtube.com/watch?v=VNcV_33omAw)

[whiteheather]

[lewis-carroll]

Alice in Wonderland (1966)

[absencesrepetees]

le genou de claire (eric rohmer, 1970)

[whiteheather]

Happy Birthday #CaryGrant

[grantcary]

The Philadelphia Story

[thehollywoodcanteen]

Current mood.

The Awful Truth (1937)

[dialnfornoir]

His Girl Friday (1940)

[newyorker]

The most enduring subject of Lee Friedlander’s personal photographic memory palace is his wife, Maria, whom he married in 1958. Over sixty years, he made portraits of her—sometimes with their children, and later, their grandchildren—that compel with their air of casual inevitability. They are artful but not arty, imbued with sentiment but not sentimental. 

Read the full story, “Lee Friedlander’s Intimate Portraits of His Wife, Through Sixty Years of Marriage,” here. 

[realityayslum]

Michael Schlegel 

Black Church, Iceland 2011

[barcarole]

Sixth edition of The Poetical Works of John Keats, 1898. Illustrations by Joseph Severn.