The End of the Whole Mess

[topcat77]

flattened soda can encrusted in Swarovski crystal

Sam Keller

[opsena]

[voluptama]

© Daniela Astone

[sillysymphonys]

Silly Symphony - Funny Little Bunnies directed by Wilfred Jackson, 1934

[70spostergirls]

Shauna Grant, 1980s Porn Star

[ktron-8]

[palmandlaser]

[palmandlaser]

[thunderstruck9]

Ulala Imai (Japanese, 1982), Butter Toast, 2020. Oil on canvas, 24 x 33 cm.

[beautiful-contrast]

[butchtranssexual]

[mademoiselleclipon]

[voluptama]

mandatory puncture

© Iván Floro

[voluptama]

Barbie Lewis for Penthouse, July 1974

[exasperated-viewer-on-air]

Patricia Treib - Blue Enclosure, 2015

oil on canvas

167.5 x 127 cm

[deprincessed]

[alex-quisite]

Models wear regal gowns from Dolce & Gabbana Alta Moda Fall/Winter 2013 in the editorial ‘The HC’s Vagaries’ photographed by Paolo Roversi for Vogue Italia September 2013 (Couture Supplement)

(via the absolute FASHION blog…)

[artmastered]

Mathilde Roussel, Peau #1, 2013, cut rubber, graphite, thread, metal nails, 350 x 250 x 10 cm, exhibited at Galerie du Haut Pavé, Paris. Source

I’ve been a fan of Mathilde Roussel’s clean-cut sculpture work ever since I started researching for ArtMastered. She frequently uses graphite, either on paper or rubber, to create huge hanging pieces that resemble an armour-like skin. And I love how Peau #1 looks contrasted against the white walls of the Galerie du Haut Pavé in Paris.