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One Nice Bug Per Day
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PUT YOUR BEARD IN MY MOUTH
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❣ Chile in a Photography ❣
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YOU ARE THE REASON
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@wildfirebursts
People who are considered normal enjoy putting those who aren't on trial, you know.
The Haunting of Hill House, Shirley Jackson // Hangsaman, Shirley Jackson // Carrie 1976 // Anne Carson // Earthlings, Sayaka Murata // The Outsider, Marina // Convenience Store Woman, Sayaka Murata // Stoker (2013) // The Road Through The Wall, Shirley Jackson
River & Loey & Adam— ʟᴜᴄʏ ᴅᴀᴄᴜs,ᴅʀᴇᴀᴍ sᴛᴀᴛᴇ...//sᴜsᴀɴ ʜᴏᴡᴇ, sɪɴɢᴜʟᴀʀɪᴛɪᴇs//ғʀᴀɴᴢ ᴋᴀғᴋᴀ, ʟᴇᴛᴛᴇʀ ᴛᴏ ᴍɪʟᴇɴᴀ//ᴛʜᴇ ᴛʀɪᴀssɪᴄ ᴄᴜᴅᴅʟᴇ//ᴇᴛʜᴇʟ ᴄᴀɪɴ, ᴛᴡᴏ ᴄʜɪʟᴅʀᴇɴ ɪɴ ᴀ ᴍᴏᴛᴇʟ ʙᴇᴅ//ɪsᴀᴀᴄ ᴍᴀʀɪᴏɴ, ᴡᴀʀᴍ ʙᴏᴅɪᴇs//ᴍᴀʙᴇʟ, ᴇᴘɪsᴏᴅᴇ 𝟸𝟾: ᴍᴀᴛʀʏᴏsʜᴋᴀ//ᴇʀɪɴ sʟᴀᴜɢʜᴛᴇʀ, ɪ ᴡɪʟʟ ᴛᴇʟʟ ᴛʜɪs sᴛᴏʀʏ ᴛᴏ ᴛʜᴇ sᴜɴ ᴜɴᴛɪʟ ʏᴏᴜ ʀᴇᴍᴇᴍʙᴇʀ ᴛʜᴀᴛ ʏᴏᴜ ᴀʀᴇ ᴛʜᴇ sᴜɴ.
Transitory, Subhaga Crystal Bacon
— César Vallejo, ‘The Poet to His Lover’, Selected Writings of César Vallejo, tr. Joseph Mulligan
Original:
Amada, moriremos los dos juntos, muy juntos; se irá secando a pausas nuestra excelsa amargura; y habrán tocado a sombra nuestros labios difuntos. Y ya no habrá reproches en tus ojos benditos; ni volveré a ofenderte. Y en una sepultura los dos nos dormiremos, como dos hermanitos.
The power of what is not there.
Margaret Atwood, Morning in the Burned House; from ‘Shapechangers in Winter’
“Sameness, resemblance, repetition are not negatives in Brontë’s world: they are the expressions of desire.”
— Eugene Goodheart, “Family, Incest, and Transcendence in Brontë’s Wuthering Heights”
Angela Carter: “Wuthering Heights [is] an impossible novel that ought not to exist, a novel that makes us believe the world can crack apart like an egg when its shell is blown apart by the irrepressible force of human desire. […] It is a love story that takes for granted, that takes a perverse pleasure, an insane joy, in fact, in the way desire rips through the fabric of society and demands the sacrifice of status, family, honour. And finally of life, probably.”
Angela Carter: “Wuthering Heights [is] an impossible novel that ought not to exist, a novel that makes us believe the world can crack apart like an egg when its shell is blown apart by the irrepressible force of human desire. […] It is a love story that takes for granted, that takes a perverse pleasure, an insane joy, in fact, in the way desire rips through the fabric of society and demands the sacrifice of status, family, honour. And finally of life, probably.”
This violent and extraordinary romance is about a desire that is stronger by far than death, that does not acknowledge death as in any way an impediment to passion. If the price of the lovers’ desire is damnation—and there is a strong suggestion that this is so, for, if God is dead, then surely the Devil has been left in charge—then Heathcliff and Catherine will delight in being damned.
Augustín Gómez-Arcos, The Carnivorous Lamb
“Everyone You've Loved,” Susannah Irene
“Maybe a vampire is just someone who wants to take over someone else, to see their reflection not in a mirror but in another person’s face.”
Rachel Klein, The Moth Diaries
Marina Tsvetaeva, from Earthly Signs: Moscow Diaries, 1917-1922 (trans. Jamey Gambrell)
[Text ID: "The desire to go deep: to the depths of the night, the depths of love. Love: a gap in time."]
The Fireman's Daughter, Jonathan Kinsman
Janelle Tan, from "Claude Glass as Night Song
A BROTHER IS A BROTHER
1. Cain and Abel, Alexandre Falguière // 2. House of the Dragon (s1, ep8) // 3. Fire & Blood, George R. R. Martin // 4. Clara Ortega // 5. You are Jeff, Richard Siken // 6. A Brother Named Gethsemane, Natalia Diaz // 7. Adam Raised A Cain, Bruce Springsteen // 8. The World at its Beginning, Dustin Pearson // 9. House of the Dragon (s1, ep4)
“Wouldn’t it ask for worship, just like any God? And wouldn’t its demand be plain, and real? Not ambiguous like those of the Lord he’d served up ‘til now. That was a fine thought: to give himself up to this certainty that beat on the side of the door, and lie open in front of it, and let it ravage him.”
— Clive Barker, ‘Rawhead Rex’, Books of Blood
