This is how you were mine
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This is how you were mine
Marianne Faithfull on the set of The Girl on a Motorcycle, 1968.
Gael García Bernal, Y tu mamá también (2001)
Taipei Story (1985) dir. Edward Yang
Skin soft like petals * If men wanted to embody arousal to define their power over the world, they could have chosen the soft, colourful symbol of the flower. Small yet bewitching, pure organs of reproduction, attracting the whole natural world, stealing all the lights and colours, painted everywhere, carved, mathematically calculated; yet, they chose the wolf, alpha, beta, zeta, baba, domesticated into dogs, stinky, that no woman would wear in her hair. They could have chosen purely attractive, emergent, magnetic symbols — but took the forceful, submissive, fear-based ones.
Painters: Mia Tarney, Réatu, François Fabre, Alessandro Turchi.
A rolling wave. Painting details from: Arabesques, by Daniel Adel.
— Puck and Fairies (1850) by Joseph Noel Paton — SPIRITED AWAY 千と千尋の神隠し (2001) dir. Hayao Miyazaki
Bonjour Tristesse 2024 | Durga Chew-Bose
Fallen Angels (1995, dir. Wong Kar-wai)
Trois couleurs: Rouge (1994, dir. Krzysztof Kieślowski)
david hockney with his dachshunds stanley and boodgie
It was a dream, we live inside a dream.
TWIN PEAKS: FIRE WALK WITH ME (1992) dir. David Lynch
L'été (1968)
The Stendhal Syndrome - Dario Argento - 1996 - Italy
Scarlett Johansson during the filming of Lost in Translation photographed by Sofia Coppola.
Sculptures by Louise Bourgeois
“The spider is my mother, believe it or not.” — Bourgeois