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todays bird
Keni
let's talk about Bridgerton tea, my ask is open
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Product Placement
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Kiana Khansmith
RMH
Xuebing Du

Andulka

izzy's playlists!

ellievsbear

pixel skylines
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Peter Solarz
Show & Tell

#extradirty
KIROKAZE
I'd rather be in outer space šø
he wasn't even looking at me and he found me
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@windandsalt
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Tag yourself
CONNIE PANZARINO at a pride march in Boston circa 1990
[ID: Connie is marching along in her sip 'n' puff (SNP) wheelchair. She is wearing a patterned poncho and sporting a green felt party crown on her head. She styles a pair of wire-rimmed glasses with her slicked back hair. She is smiling. Attached to the back of her wheelchair is a large green cardboard poster that reads "Trached Dykes Eat Pussy Without Comin' Up For Air!" followed by a pink upside-down triangle with a stick figure person in a wheelchair at the centre (a symbol for disabled women)].
the cyborg & the crip by Alison Kafer
[ID: āTrached dykes eat pussy without coming up for air.ā Connie Panzarino, a longtime disability activist and out lesbian, would attach this sign to her wheelchair during Pride marches in Boston in the early 1990s. Shockingly explicit, her sign refuses to cast technology as cold, distancing, or disembodied/disembodying, presenting it instead as a source and site of embodied pleasure. āTrachā is an abbreviation of tracheotomy, a medical procedure in which a breathing tube is inserted directly into the trachea, bypassing the mouth and nose. Someone with a trach, then, can, in effect, breathe through her throat, freeing her mouth for other activities (another version of this sign is āTrached dykes french kiss without coming up for airā). From a cyborgian perspective, this sign is brilliantly provocative and productive. It draws on the pervasive idea that adaptive technologies grant superior abilities,not merely replacing a lost capacity but enhancing it, yet it does so in a highly subversive way. The message here isnāt about blending in, about passing as normal or hypernormal, but about publicly announcing the viability of a queer disabled location. Itās disnormalizing, adamantly refusing compulsory heterosexuality, compulsory able bodiedness, and homonormativity. As Corbett OāToole argues, it challenges the perceived passivity of disabled women, presenting them as actively pleasuring their partners, thereby graphically refuting stereotypes linking physical disability with nonsexuality.]
renaissance in the 21st century
designsoftheinteriorš
Teen Vogue is out here literally teaching teens about communism in simple terms and I am so fucking proudĀ
COMRADE TEEN VOGUE?? HELLO???
Here are some more shots of the new Studio! Hereās the Studio Tour video that I made to show you around. Your environment is so important as an Artist so I tried my best to create a space iād be happy making art in. Hope you dig! So excited for the new journey š”š¾
Life goals tbh
Artist: Michal Lisowski Title: Suprematist Composition: White on White āKazimierz Malewicz if you ask me for details⦠2 evenings back to painting cheersā Great finishā¦
Studio Joy #3
Fantastic Mr. Fox (2009) dir. Wes Anderson
A rainbow of spray paint cans! š