George Bellows, Riverfront No. 1, 1915

bliss lane
TVSTRANGERTHINGS
Noah Kahan
todays bird

❣ Chile in a Photography ❣

Kiana Khansmith
noise dept.
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taylor price
"I'm Dorothy Gale from Kansas"
almost home
YOU ARE THE REASON

@theartofmadeline

gracie abrams
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Keni

Product Placement

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ojovivo
Show & Tell

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@windcrys
George Bellows, Riverfront No. 1, 1915
Edvard Munch Kiss on the Hair Pencil 1910
Daedalus and Icarus, Detail.
by Orazio Riminaldi, (c. 1625)
county clare, ireland
Jessie Homer French (US-American, 1940) - The Sunken Grave (2017)
As Sokrates tells it, your story begins the moment Eros enters you. That incursion is the biggest risk of your life. How you handle it is an index of the quality, wisdom and decorum of the things inside you. As you handle it you come into contact with what is inside you, in a sudden and startling way. You perceive what you are, what you lack, what you could be. What is this mode of perception, so different from ordinary perception that it is well described as madness? How is it that when you fall in love you feel as if suddenly you are seeing the world as it really is? A mood of knowledge floats out over your life. You seem to know what is real and what is not. Something is lifting you toward an understanding so complete and clear it makes you jubilant. This mood is no delusion, in Sokrates’ belief. It is a glance down into time, at realities you once knew, as staggeringly beautiful as the glance of your beloved.
Anne Carson, from ‘Eros the Bittersweet: An Essay’
https://www.instagram.com/p/BzKPT1RlTr8
Buttercream Joy Sullivan
“As imperceptibly as Grief...”
by Emily Dickinson
As imperceptibly as Grief The Summer lapsed away — Too imperceptible at last, To seem like Perfidy — A Quietness distilled As Twilight long begun Or Nature spending with herself Sequestered Afternoon — The Dusk drew earlier in — The Morning foreign shone — A courteous, yet harrowing Grace, As Guest, that would be gone — And thus, without a Wing Or service of a Keel Our Summer made her light escape Into the Beautiful.
Untitled , 2018 California St * - Eileen David , 1978.
American , b. 1952 -
Watercolour monoprint on paper , 12 x 16 in.
*San Francisco
snoopy of the day
Deck & Patio Styles, 1996
The Antiquary Shop, 1879 by William Merritt Chase (American, 1849–1916)
The power of limited palettes in pixel art: each section uses the same animation but different 4 colors.
I wish Nikki Freeman loved me more than anyone in the entire world.
OBSESSION (2026) dir. Curry Barker