'eye of maria miles heyward,' 1 cm painting of watercolor on ivory, edward greene malbone, 1802.
Alisa U Zemlji Chuda

Andulka
trying on a metaphor
Monterey Bay Aquarium

Janaina Medeiros
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PUT YOUR BEARD IN MY MOUTH
Cosmic Funnies
Show & Tell
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@theartofmadeline

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let's talk about Bridgerton tea, my ask is open

Discoholic 🪩

❣ Chile in a Photography ❣
noise dept.
Not today Justin
DEAR READER
wallacepolsom

#extradirty
seen from Poland
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@winemum420
'eye of maria miles heyward,' 1 cm painting of watercolor on ivory, edward greene malbone, 1802.
Yiannis Tsarouchis, Le café de Mavrokefalos, 1971, oil on canvas 28 ¾ x 39 3/8 in (73 x 100 cm)
House of the Prince of Naples, Pompeii. Partial view of the Triclinium (dining room). The wall painting depicts the goddess Venus. This house, discovered in 1898, was so named because the then Prince of Naples (later King of Italy Vittorio Emanuele III) was present during the excavations and discovery.
Photography by Pina Garofalo.
Palace Of Versailles, Madame Victoire’s 2nd Antechamber.
Victorian sapphire and diamond necklace, mid 19th century
Lang Estate Jewelry
Greek Corinthian Gold Myrtle Wreath, 330-250 BC
In ancient Greece, wreaths made from plants like laurel, ivy, and myrtle were awarded to athletes, soldiers, and royalty. Similar wreaths were designed in gold and silver for the same purposes or for religious functions. This example conveys the language of love. A plant sacred to the goddess Aphrodite, myrtle was a symbol of love. Greeks wore wreaths made of real myrtle leaves at weddings and banquets, received them as athletic prizes and awards for military victories, and wore them as crowns to show royal status. By the Hellenistic period (300–30 BC), the wreaths were made of gold foil; too fragile to be worn, they were created primarily to be buried with the dead as symbols of life’s victories. The naturalistic myrtle leaves and blossoms on this wreath were cut from thin sheets of gold, exquisitely finished with stamped and incised details, and then wired onto the stems. Most that survive today were found in graves.
Olivia bot I'm in love with you
Fat
Him: wow….fuck you’re so tight!
Me:
Vegetable Seller, 1570, Slovak National Gallery
POZN: rešt. Alžbeta Darolová, 1960 – 1961 (RP 17) LIT: Rusina, Ivan. Majstrovské diela nizozemského umenia na Slovensku. Bratislava : SNG, 2006, 48-49. Ludiková, Zuzana. Nizozemská maľba. Bratislava : SNG, 2016, 28, 131, kat. III.2.
http://www.webumenia.sk/dielo/SVK:SNG.O_249
A Forest with Apollo and Daphne, Jean-Victor Bertin , 1810, Cleveland Museum of Art: Modern European Painting and Sculpture
Size: Framed: 67.5 x 78.5 x 7 cm (26 9/16 x 30 7/8 x 2 ¾ in.); Unframed: 54 x 65 cm (21 ¼ x 25 9/16 in.) Medium: oil on fabric
https://clevelandart.org/art/1975.77
someone link me to an olivia bot i just wanna talk
Small Drawing Room, 1908, Marc Chagall
Medium: oil,paper
Anubis & Horus spotted having tea in Cairo, 2006.
They’re spilling it girls
“Hudson River”. Tiffany stained glass window, c. 1900.
Corning Museum of Glass
bye