ᚢᛚᚠᚱ ᚨᚾ ᛊᛖᛁᚦᚲᛟᚾᚢ

Sort of metalhead male who likes wolves, the morbid, the weird, witchy stuff and good music. Prog and doom metal mostly, also black and blacked death, as well as punk, gothic, stoner doom and some electronic. Non-theistic satanism, open minded, curious for everything life has to offer including quite a few sexual kinks. Vegan, pan, and a little shy. I'm here for fun and pleasure only; I don't like seeing politics or religious extremism of any shade on my dash. Nazis and that sort of right-wing vermin will be blocked on sight. I'm deeply in love with a beautiful witch I met on here, but we're both consentually open to meeting other people. Being shy, I rarely start a conversation myself. My colorful (and wildly random) sideblog is @wolflovesincolor

[heathengentleman]

Art by Tomás Boersner

[diana-andraste]

Naked in nature, I am at home, Etienne Renzo

[the-invisible-dress]

Karin Székessy

[vintage-tigre]

[vintagewildlife]

Red wolf By: Marty Stouffer From: The Order of Wolves 1976

[finita-la-commedia]

@Yasuhito Fujinami‏

[mona-l1sa]

[dreamyvixen]

nastyaspacey

[vocesycaos]

Do you fear the dark? Vol. 2

Source:

https://trazoscuro.com/

[more-than-ideas]

RUNA RUCKSTUHL

[cluster123456]

Louise Bourgeois, Fillette (1968-99)

Robert Mapplethorpe’s iconic 1982 portrait of Louise Bourgeois, who died recently at 98, speaks volumes about Bourgeois’ free-spiritedness, grace, tenacity and the kinky perversity of her work. In it, the 71-year-old sculptress looks like a shaman seductress, one of Munch’s vampiric castration queens, a maker of voodoo dolls and a diva grandmother rolled into one. Under her arm she casually cradles her 23-inch long, seven-inch circumference latex-over-plaster sculpture of a phallus, Fillette (1968). In French the term means “helpless little girl.” While Bourgeois was no little girl, there’s something radically vulnerable about how she’s holding the work – she almost seems to pull back the sculpture’s foreskin and give the thing a little tickle. Bourgeois said this gnarly abstract penis, with ovular testicles and a hook at the top, was “the shape of my husband, the shape of the children” (she had three sons). “I wanted to represent something I loved,” she said. “I obviously loved representing a little penis.” Little? Anyway, as Bourgeois later said, “It’s very complicated.” Indeed it was. As she said, “I have nothing against the penis. It’s the wearer.”

http://www.artnet.com/magazineus/features/saltz/the-heroic-louise-bourgeois6-4-10.asp

[unaliveish]

nkd intersection

[gravity-rainbow-deactivated2024]

Ruth Bernhard - Aura, 1974

[ghostlypetal]

ghostlypetal

[the-invisible-dress]

Konstantin Alexandroff

[solitaria]

by Navapol Eohpanich

[freelance-philosopher]

“A thought, even a possibility, can shatter and transform us.”

— Friedrich Nietzsche