wood iron & wrap

[enchantedbook]

“Couple and Window Open to the Sea” (Couple et fenêtre ouverte sur la mer) George Barbier, 1926

[image-plus-official]

Utagawa Hiroshige - Kingfisher and Iris (ca. 1840s) [1458x3960]

[redlipstickresurrected]

Takahashi Hiroaki (Shōtei) aka Takahashi Shotei, b. Matsumoto Katsutaro aka 高橋松亭 (Japanese, 1871-1945, b. Mukoyanagiwara, Asakusa, Tokyo, Japan) - Fireworks at Ryogoku, Woodblock Print: Ink, Color on Paper

[the-evil-clergyman]

Lullaby for Titania, from Rainbow Gold by Dugald Stewart Walker (1926)

[artistprovocateur]

Alphonse Mucha, 1860–1939

Au Quartier Latin, 1898; DETAIL

[diana-andraste]

Out of the earth you came, Cardwell Higgins, 1930

Pen and ink

[enchantedbook]

"Innamorato della Luna" (In Love with the Moon) Antonio Rubino, 1907

[enchantedbook]

"Boy from Treasure Island" by John Rea Neill (1914)

From 'Treasure Island 'by Robert Louis Stevenson.

[thekimonogallery]

This woodblock print is a celebrated modern masterpiece by the Shin-hanga virtuoso Shiro Kasamatsu (1898–1991). Titled "Spring Night - Ginza" (Ginza no haru no yoru), 1934, Japan. The artwork captures the modan (modern) romanticism of Tokyo’s premier shopping and entertainment district. Kasamatsu orchestrates an exquisite nocturnal palette of deep indigo blues, muted teals, and soft charcoal greys, dramatically illuminated by the warm, radiant glow of artificial streetlights and commercial signs.

[enchantedbook]

"Shrouded Figure at Tomb's Entrance", 1913 by Kay Nielsen

[weepingwidar]

Ryan Driscoll (British, 1992) - Hound (2026)

[kayflapper]

Illustration by Georges Vald'Es for the French magazine "La Vie Parisienne" 1920.

[the1920sinpictures]

1925 "Automobile Traffic in Gothersgade" by Paul Gustave Fischer, a Danish painter. From Awesome Attic, FB.

[boobookittenartblog]

Ohara Koson - Monkey in a Persimmon Tree,

woodblock print, 1935

[enchantedbook]

'The Little Mermaid' by Hiroaki Ikeda, 1971

[utilityclassic]

[philosophybits]

“Society cares about the individual only in so far as he is profitable. The young know this. Their anxiety as they enter in upon social life matches the anguish of the old as they are excluded from it.”

— Simone de Beauvoir, The Coming of Age