oozey mess
let's talk about Bridgerton tea, my ask is open
Monterey Bay Aquarium
Discoholic 🪩
macklin celebrini has autism
Xuebing Du
Doug Jones
Origami Around
titsay
$LAYYYTER
Sade Olutola
almost home
if i look back, i am lost
Jules of Nature
No title available
Today's Document
Game of Thrones Daily
Keni
I'd rather be in outer space 🛸
todays bird
seen from United States
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@worrieddream
Eden | Aimee Newmarch
Eden is an exploration into our effect on, and coinciding manipulation of natural landscapes. Using digital manipulation, the photographs are intended to represent our involvement in the changing landscape, and act as a visual metaphor for the way in which technology allows us to change our surroundings and our relationship with the natural world.
website
All images & text © Aimee Newmarch
Portrait for Madame Matisse, 1905
Sin título por connie; Por Flickr:
concrete in the jungle por connie; Por Flickr: Tumblr/ Society6/ Instagram/
Sin título por connie;
arequipa scenes por connie; Por Flickr:
life beside bars por connie;
Beirut, Lebanon 1982, The Green Line demarcation zone, A. Abbas.
Sin título por connie;
12 wonderful analogue photos of ancient Tbilisi
Untitled by connie; en route to Machu Picchu
heat of the tropics by connie; Via Flickr: Tumblr/ Society6/ Instagram/
Untitled by connie; Via Flickr: "Toda mulher leva um sorriso no rosto e mil segredos no coração." - Clarice Lispector Sapirara, Bahia. August 2015
Untitled by connie; Via Flickr:
Naoya Hatakeyama - A BIRD/Blast #130, 2006
“A BIRD/Blast #130 offers the viewer a unique, close-up perspective on dynamite explosions. Many elements contribute to the resonance and complexity of this work. A peaceful scene is disrupted; quickly at first, as the ground charges are detonated, and then slowly the clouds of debris encompass the frame and settle. It is irresistibly cinematic: the narrative progresses evenly across the pictures in a climactic arc. Although the nature of what we see is eruptive the mood is quiet – almost silent. A bird passes through frame-by-frame and this chance intersection of nature and industry suggests metaphors on many levels.” [Lisa Sutcliffe, SFMoMA]
See more Naoya Hatakeyama posts here.
midnight snack by connie; Via Flickr:
