CHANGBIN & HAN / TOPLINE (231214)
Xuebing Du
KIROKAZE
taylor price

Janaina Medeiros
Lint Roller? I Barely Know Her
wallacepolsom

祝日 / Permanent Vacation

blake kathryn

No title available
NASA

⁂

Kiana Khansmith

titsay
Jules of Nature
he wasn't even looking at me and he found me

★
cherry valley forever
"I'm Dorothy Gale from Kansas"
occasionally subtle

#extradirty
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@writergrrrl29
CHANGBIN & HAN / TOPLINE (231214)
BANG CHAN x W KOREA
HYUNJIN :: VERSACE FOR W KOREA (JUNE 2024)
SHORESY 2x04 | Players Only
Behind the scenes at the biggest NXT ever
Elliot Page has the chance to do the single funniest thing in the history of Hollywood.
FLAPPER FANNY SAYS, by Anericn cartoonist, Ethel Hays (1892-1989).
I do not understand why Flapper Fanny has turned into a Lovecraftian Elder God in the Sugar Daddy cartoon.
this and this: same he’s not human vibe
can’t leave out this one
• An Oxford comma walks into a bar, where it spends the evening watching the television, getting drunk, and smoking cigars.
• A dangling participle walks into a bar. Enjoying a cocktail and chatting with the bartender, the evening passes pleasantly.
• A bar was walked into by the passive voice.
• An oxymoron walked into a bar, and the silence was deafening.
• Two quotation marks walk into a “bar.”
• A malapropism walks into a bar, looking for all intensive purposes like a wolf in cheap clothing, muttering epitaphs and casting dispersions on his magnificent other, who takes him for granite.
• Hyperbole totally rips into this insane bar and absolutely destroys everything.
• A question mark walks into a bar?
• A non sequitur walks into a bar. In a strong wind, even turkeys can fly.
• Papyrus and Comic Sans walk into a bar. The bartender says, "Get out -- we don't serve your type."
• A mixed metaphor walks into a bar, seeing the handwriting on the wall but hoping to nip it in the bud.
• A comma splice walks into a bar, it has a drink and then leaves.
• Three intransitive verbs walk into a bar. They sit. They converse. They depart.
• A synonym strolls into a tavern.
• At the end of the day, a cliché walks into a bar -- fresh as a daisy, cute as a button, and sharp as a tack.
• A run-on sentence walks into a bar it starts flirting. With a cute little sentence fragment.
• Falling slowly, softly falling, the chiasmus collapses to the bar floor.
• A figure of speech literally walks into a bar and ends up getting figuratively hammered.
• An allusion walks into a bar, despite the fact that alcohol is its Achilles heel.
• The subjunctive would have walked into a bar, had it only known.
• A misplaced modifier walks into a bar owned by a man with a glass eye named Ralph.
• The past, present, and future walked into a bar. It was tense.
• A dyslexic walks into a bra.
• A verb walks into a bar, sees a beautiful noun, and suggests they conjugate. The noun declines.
• A simile walks into a bar, as parched as a desert.
• A gerund and an infinitive walk into a bar, drinking to forget.
• A hyphenated word and a non-hyphenated word walk into a bar and the bartender nearly chokes on the irony
- Jill Thomas Doyle
A zeugma walked into a bar, my life and trouble.
That shirt should be illegal
About the parking lot matches
J "What was the differences between the two when you're putting one together with Santana, Ortiz, you're putting one together with Claudio and Mox?"
T "Well, Mox is such a wild man, he's such a unique man, I love him, but uhh calling things with Mox, he doesn't like to call as much as some guys, which is fine"
J "Mox also chooses his words wisely, he'll sit there for like five minutes and not say anything and you're like ...does he like this? Does he not like this? Does he..."
T "Does he hate me right now?"
J "And then he'll just go ....okay"
The thing is I DO consider men who hate the Barbie movie and think it was unfair to men a red flag, because Ken is treated SO sympathetically even though what he does is pretty damn bad. His hurt feelings are validated, his self-worth and healing are encouraged, he's basically immediately forgiven, and Barbie even apologizes for neglecting him and taking him for granted.
And I gotta wonder if what the manosphere really doesn't like is that Ken doesn't get what he originally wanted in the end. Ken's story isn't resolved by Barbie realizing that actually, she's been in love with him all along. She hasn't been, and she doesn't change her mind.
Instead, Ken's story is resolved by realizing that he isn't defined by how Barbie feels about him, and that he is enough (or "Kenough") on his own. He gets forgiveness, support, and validation, but he does NOT get the girl in the end. The girl has her own, separate journey and resolution that has nothing to do with him. And that's GOOD.
But it isn't surprising at all to me that it didn't go over well with a crowd that defines themselves almost entirely by their ability--or lack thereof--to possess and control women.
what really got to me about the barbie movie is how the movie is really about how there is still a little girl inside all of us, and when you walk around the movie theater and see all these grown women dressed in pink and visibly excited, it's a reminder of that. but moreso, it's how your mother is a little girl too. and that all comes together in the end when barbie meets her creator. barbie was made so ruth's daughter could be anything she wanted to be, and she named her after her. in the end when ruth helps barbie become human, she is her mother. and when in the end barbie introduces herself as barbara, she is her daugher again. you can be anything, but being human and mortal and imperfect is the greatest gift of all.
I can’t stop thinking about how perfectly Barbie portrays girlhood and growing up… How you’re born in a perfect pink world, where you make the rules and get to prioritise whimsies and friendship and beauty, and then you notice something has changed, you discover that something is wrong with you, and you’re offered an illusion of choice, but even if you’d rather keep wearing your heels and go home and be safe and comfortable, you have to choose the Birkenstock, you have to leave your home, you have to grow up. So you’re thrust into this gritty, unfeeling world, where you’re scrutinised and suppressed, where you want to disappear into yourself, because everything is harsh and big and you are tiny and fragile and inadequate. And as overwhelming and impossible as it seems, you survive it. You find truth in the things you believed in when you were young, the inherent good in humanity, connection and love; your friends who look at you while you are crying, and tell you that they cannot imagine what it is that you do not like about yourself.
One thing that tickled me about the Barbie movie was how Gloria's husband is (imo) a 'Real World' Ken.
We see very little of him in the movie. In both of his scenes, he's trying to speak/learn Spanish. He does nothing important or if consequence in terms of the plot... But he's trying to learn a language his wife and daughter speak. He's not excelling, I'm not even sure if he's succeeding. But he is kensistently trying.
For all of the 'Real World' men who are antagonists or opponents to Barbie, El Esposo de Gloria (as he is listed in the credits) has true Kenergy.
Also (SPOILERS FROM HERE ON NOW DONT READ UNDER THE LINE IF YOU DONT WANT SPOILERS)
Can we appreciate how Gloria just brought a whole ass grown woman back home and told her husband this stranger was gonna be living with them and his response was like "alright, welcome to the family barbara, im gonna treat you like a daughter" like what a man