I believe that it’s true what they say about new beginnings: it’s a wonderful chance to start afresh and become better. As another year comes to a close, we can use what remaining time we have to reflect on everything that’s happened to us. There’s something pleasant about nearing the final months as we begin to celebrate Christmas with those who matter to us. And later on, we’ll be looking forward to the fireworks that light up the sky as we begin again with the new year. A good way to do so would be to look into three important questions we ask ourselves when we examine our conscience. It’s worth contemplating the significant moments that this year brought to us, and wrap things up as we move into the season of joy and hope.
What did I do wrong this year? It’s important that we recognize the shortcomings we’ve come across these past few months. Being aware of our mistakes is the first step we should make so that we can grow. It is only through accepting our faults and learning from them that we can improve ourselves. Aside from this, we should take this time to strengthen the bonds we have with our loved ones. As we move into a time of celebrations and gatherings, it’s vital that each one of us makes the effort to mend the wrongs we’ve committed. In doing this, we can set foot into the new year with connections that are closer and greater than ever.
What can I do better next year? Now that we’ve looked into the joys and misgivings of this year, it’s time we take action to make this coming year a better one. Following the tradition of listing down a few resolutions would be a good way to start. Having several goals in mind that you can focus on as a new year emerges is a wise approach. It’s important to make these goals attainable and realistic so that you don’t lose sight of them as time goes by. These goals should be placed where you can access it anytime should you need to. Once you have established these goals, you can start creating plans to make sure that you will be able to fulfill them in the coming year.
It may be quite common for people to forget about the goals that they’ve strived to fulfill as the months go by. I myself have had a few slips as the weeks line up one after the other. With the many things happening in each of our lives, it’s no surprise that we tend to set our goals aside. In a world with lots of things happening all at once, we can lose sight of the resolutions that we promised to fulfill. But instead, we should make these goals a central part of our daily activities. A good practice we can carry out would be to list down small-scale to do’s that we can accomplish each day that contributes towards the main goals that you wish to make a reality.
In the end, true change comes from our willingness to make it happen. We must take action to improve our lives by committing ourselves to the resolutions we promise to fulfill. And this New Year is the perfect opportunity for each one of us to make our lives better. Now that we're nearing the end of another year, it's time we focus our attention towards what is to come
This December 20 we join Kuya Jopert Repia, a caretaker of the school grounds, as he reveals his holiday traditions with his family.
Kuya Jopert celebrates Christmas with his beloved wife and son. They use Christmas as a time to bond and spend time together. They typically eat out in restaurants for Christmas. Most importantly, they go to mass together.
This December 18 Ate Ginesa Admodiel, a member of the Junior High School auxiliary staff, talks about how she spends Christmas with her family.
Ate Ginesa celebrates Christmas with her husband and two daughters. Christmas is an especially festive time for them because their family celebrates their youngest daughter’s birthday on Christmas. During this time, her daughters go caroling in their neighborhood.
This December 17 Woodrose Rosette discusses the tradition of Simbang Gabi.
What exactly is Simbang Gabi? Simbang Gabi is a tradition where families hear mass on Christmas Eve. It is a very important part of the Christmas celebration in the Philippines. It originated during the early Spanish Colonial period as a direct result of the propagation of Christianity in the Philippines. The following images show the hustle and bustle in the St. Jerome Emiliani and Sta. Susana Parish during Simbang Gabi.
Christmas preparations continue with Marvin the Goose this December 16 as he and his best friend set up decorations around the house. Stay tuned for more!
Ate Shirely Bautista, a member of the Junior High School auxiliary staff, talks about how she spends Christmas with her family this December 15.
Ate Shirely spends her Christmas with her three children. They go to different places or as Ate Shirely puts it, “Nagmamasyal kami.” On Christmas Eve they practice Noche Buena and have Mass together as a family.
This December 14 Ate Analyn Caneo, a member of the Junior High School auxiliary staff, reveals how she spends Christmas with her family.
Ate Analyn used to go caroling with her parents when she was a young child. Nowadays, she celebrates Christmas with her husband and three kids. They go to mass together to receive God’s blessings. Afterwards, they practice Noche Buena or have a salo-salo.
With the Intrams season in full swing after its opening on October 12, it is high time to revisit our favorite teams in a new context! Now, it is time to answer a burning question that lingers in the back of everyone’s minds: Which team corresponds to each of the Harry Potter houses?
Red - Hufflepuff
Hufflepuff, the house of the loyal and hardworking, and the spirited Red team prove to be the perfect pair. Believed to be the “nicer ones” among the others, their good-nature is often overlooked. According to some, they have kindest mommies and the most united pep squad. Though they may seem soft, Red is a team you shouldn’t mess with. They are driven by their passion and are willing to do anything for their team. Year after year, each member of the team place their best efforts to give the triumph that their leaders have worked so hard for. Their kindness doesn’t make them vulnerable or weak, rather it’s one of their greatest strengths.
Green - Gryffindor
Gryffindors are bold and courageous and the Green team is no stranger to that. Green team always wowed the crowd year after year with their daring formations and costumes. Much like Gryffindors, they are willing to take risks if it means securing victory. Along the way, they are able to work past challenges and succeed. Green has always been a very strong-willed team. Despite all of the hurdles that come their way, the fire in them never ceases to burn. They continue to strive for victory. The Green team is one that you definitely shouldn’t underestimate.
Blue - Slytherin
With their ambitiousness and (extremely) competitive spirit, the Blue team practically screams Slytherin. As the house of Draco Malfoy and Severus Snape, Slytherin is often given a bad reputation. Don’t get it wrong, people from this house aren’t evil like many make them out to be. They are simply driven by their cunning minds and willingness to do whatever it takes to achieve their goals. In this sense, Blue proves to be very similar. From their parades to their games, you can see just how much they want to win. They have what many consider to be the strictest and most intimidating HS Pep Squad and you always see them huddled in a circle, devising a plan for all their games. This is why Blue is a force to be reckoned with.
Gold - Ravenclaw
Ravenclaw is home to the intelligent, creative and those who pride themselves with the ability to think out of the box. What better match for this house could there be, other than the Gold team? Their sass and confidence go hand in hand with the sometimes seemingly know-it-all Ravenclaws. However, their self-conviction is not founded on just about anything. Their unique props and choreography are things they should definitely be proud of. Each year they present us with something new and refreshing, whether it be in their mix or the extravagant props and costumes. Just like the Slytherins, Ravenclaws can be a bit ambitious too. Their faith in their own capabilities fuels their competitive spirit. Gold has this ambition and drive to succeed. As their famous cheer goes, “Go hard or go home!”
7 Contemporary Philippine Literature Writers to Look Out For
Edited and abridged by Karmella Tapia
In the spirit of celebrating the power of language and our beloved nation’s cultural identity, our grade 12 students recently submitted BioNotes describing the Contemporary Philippine Literature writer of their choice (as part of their requirements for 21st Century Literature class). Here are but seven of the many talented authors highly recommended by some of Rosette’s contributors for your perusal. From experienced writers long in the business, to breakout ones fresh on the scene, our list explores a wide-range of Filipino men and women who brought their ideas and experiences to life.
1. Katrina Therese F. Olan
Submitted by Jean Denise Duran
Background of the Author
Born on May 28, 1996, Katrina Therese F. Olan is an award-winning Filipino filmmaker and contemporary writer. She was very creative, open-minded, and strong-willed as a child. At the age of seven, she started writing chapter books. By the time she reached the age of twelve, she won a Cinemalaya award. One of her astounding traits is her ability to use her great imagination to create art. She has the gift of giving colour and light to the most monotonous things and being able to get others interested in it. Her love for storytelling prompted her desire to publish. Thus, she began her pursuit of creating a great story which took over a decade to create. She is now a full-time copywriter. Though she is full of wisdom and experience, she has an unquenchable thirst for knowledge. Olan has yet so much to learn about the world and herself. With all this passion, knowledge, and grit, she hopes to become a great writer that will touch the hearts of her countrymen.
Overview of Literary Works
Katrina Therese F. Olan has only published one book entitled Skies Above. The sci-fi fantasy novel touches on the themes of courage, truth, and humanity. She has yet to write more books. Olan said that she has done a lot of worldbuilding in fantasy. However, she has yet still to touch on local Filipino literature and themes. She has not completed a piece on the Philippines but is working on a Filipino sci-fi novel called Tablay that will hopefully be in materialization soon.
2. Rica Bolipata-Santos
Submitted by Karmella Tapia
Background of the Writer
Raised in a large, arts-inclined, and sometimes financially-struggling family, Rica Bolipata-Santos discovered a love for books, words, and teaching as early as 4 years old. True to her passions, she ended up graduating from Ateneo de Manila, first with a Bachelor’s degree in Humanities, and later a Master’s degree in English Literature. After a brief stint teaching at St. Paul’s Pasig, she joined Ateneo’s English Department in 1994 and has been teaching Creative Writing and English Literature at her alma mater ever since. Though she is credited as Ateneo’s University Communication and Public Relations Director, Assistant Professor, Alumni Magazine Editor-in-Chief, and Library of Women’s Writings Director at present, Rica is most known for her detailed, reflective, and expressive essays drawn straight from her experiences as a wife, daughter, mother of three, and Filipina. With regards to her writing career, Rica became publicly recognized for her first collection of essays, Love, Desire, Children, Etc. released in 2005, which received the Madrigal-Gonzales First Book Award. She has since published more books of a similar nature, become a columnist in The Philippine Star and Female Network, and conducted creative writing workshops to hopefully inspire the next generation of Filipino writers.
Overview of Works
The writings of Rica all are short and auto-biographical in nature. To be specific, her published books include Love, Desire, Children, Etc. (2005), Lost and Found and Other Essays (2011), and Navel (2017). Looking at online works, some of her brief column pieces featured in The Philippine Star and Female Network are Beautiful habits (2012), Falling (2013), A valedictory address (2014), and more recent works like Beginnings and endings (2018) or Graduation thoughts (2018). All her essays use conversational, memoir-like prose to bring forward abstract and familiar themes like womanhood, the passage of time, love, childhood, family, and everyday human suffering through her own reflection on the topics. It should also be noted that it is characteristic of her works to pinpoint exact moments of time, viewed through the lenses of her different roles. As she wrote in one article for The Philippine Star, “I am aware of my vanity, clued in by the fact that I remember so much physical detail from a moment that occurred 35 years ago.”
3. Samantha Sotto-Yambao
Submitted by Alexia Dagondon
Background of the Author
Little is known about her early life but it was at age 16 that Samantha Sotto-Yambao first set foot in Europe due to her father’s expatriation by his company. That magic moment would later serve as the backdrop of her novels. When her family returned to the Philippines, Sam enrolled in Ateneo de Manila University as a Communications major and became the editor of The Guidon, the university’s student-run publication. After graduation, she followed in her father’s footsteps and worked in the marketing department of a multinational company. This job required her to travel often and after awhile, she quit in order to be a full-time mom. It was with this extra time that she used to begin writing. Before Ever After, her first novel was a product of watching Doctor Who and the backpacking trip she took to Europe in her early 20’s. She finished writing the book in one school year, an impressive feat for someone with no formal training in writing.
Overview of Literary Works
Sotto joins the modest line-up of internationally-published Filipino authors with her two novels, both published by a division of Random House New York. Before Ever After tells the story of a widow, Shelley Gallus, who after three years still mourns for the loss of her husband, Max. Love and Gravity is Sotto’s second and most recent published novel, detailing the tale of a young Isaac Newton defies the laws of physics in order to connect with his love, a music prodigy living in modern-day San Francisco. It is Sotto’s affinity with time as well as her rich knowledge of Europe that makes both of her published novels remarkable. One sees Sotto’s use of words is masterful, in the way she paints vivid scenes of Europe, the tastes, smells and colors melding together to create one symphony. Her characters are not just fiction but emotions so intricately layered that you take delight in seeing them slowly expose their inner self. Her style is distinctly Filipino, a different flavor from other romance novels, as noted by her foreign critics and reviewers.
4. Paul Arvisu Dumol
Submitted by Annika Ramento
Background of the Author
Paul Arvisu Dumol is a man of many titles. He is considered a playwright, a historian, an educator and a writer. Today, he is a member of the Philippine Center for Civic Education and Democracy, as well as, a member of the board of trustees in the University of Asia and the Pacific. Before he became the renowned academician he is today, it should also be recognized that he graduated as Valedictorian and summa cum laude in the Ateneo de Manila. He continued his studies to attain his master’s degree at the University of Navarra, and, from the Pontifical Institute for Medieval Studies, he attained his licentiate in Medieval Studies with specialization in Philosophy. Finally, he gained his doctorate in Philosophy from the University of Toronto. Due to his multiple writings, he has received many awards including the Pambansang Alagad ni Balagtas in the field of drama from the Unyon ng Manunulat ng Pilipinas, Centennial Honors for the Arts in the field of drama from the Cultural Center of the Philippines (1999) and an award for best translation of The Handbook for Confessors of the Synod of Manila of 1582.
Overview of Literary Works
Dumol created the classic Ang Paglilitis ni Mang Serapio, considered by many to be the first Philippine modernist play and the most frequently performed one-act play in Filipino. This play centers on an underprivileged man named Mang Serapio who was unjustly accused of an irrational crime, with no means to defend himself. After writing this, he wrote many other plays entitled Kabesang Tales in 1974, Felipe de las Casas in 1983, Libretto of Ang Pagpapatay kay Luna in 2002 to name a few. He insists to use Filipino as the medium of language in all his plays. While he is more known for writing in this literary form, he also has written multiple books, such as A History of the Filipino People for High Schools, Beyond the "Trapo" Society: Saint Josemaría Escrivá's Concept of Citizenship and The Metaphysics of Reading Underlying Dante's Commedia: The Ingegno. It is clear that when Dumol writes, it is because he wants to shed light to a certain issue or topic in the Philippines. He also uses multiple historical figures when writing, such as Kabesang Tales from the Philippine classic, Noli me Tangere and Antonio Luna, an army general during the Philippine-American War.
5. Barbara Jane Reyes
Submitted by Maria Katrina Rocha
Background of the Author
Barbara Jane Reyes is a Filipino author born in 1971 in Manila, Philippines but was raised in the San Francisco Bay Area. She studied Ethnic Studies at the University of California, Berkeley and received her MFA in Creative Writing from San Francisco State University. As well as being a poet and author, Reyes was a professor at Mill’s College for a graduate poetry workshop, San Francisco State University for Filipino American Literature, and University of San Francisco’s Philippine Studies Program. She currently serves on the board of Philippine American Writers and Artists (PAWA) and is co-editor of Doveglion Press, an “independent publisher of political literature and orature”. Some of her works include Diwata (BOA Editions, 2010), Gravities of Center (Arkipelago Books, 2003), Poeta en San Francisco (Tinfish Press, 2005), Easter Sunday (Ypolita Press, 2008), and Cherry (Portable Press at Yo-Yo Labs, 2008). Reyes was the winner of the Global Filipino Literary Award for Poetry and James Laughlin Award of the Academy of American Poets and was a finalist for the California Book Award.
Overview of Literary Works
Barbara Jane Reyes’ writings try to reach towards young Filipina women because she feels that she needs to honor how Filipina-Americans do and do not fit in with the Asian-American communities and the Latino communities due to the complicated history with the Americans in the Philippines as well as being Asian with Spanish names and traditions. She has five full-length poetry collections, three chapbooks, and a few poems online. In an interview with Rebecca Sutton, Sutton talks about Reyes being able to incorporate “multiple languages, multiple cultures, and multiple meanings” into her work. Reyes responded that it was due to being surrounded by people who spoke different languages such as Tagalog, Ilocano, and English and who spoke what language. She states, “I've always thought about where these words come from, what do they sound like, who uses them and for what purpose, to speak to whom or to speak about whom”. This can be seen in one of her works entitled Diwata, which is a “hybrid of Filipina and Western storytelling” that includes the bilinguality of embroiling Tagalog and English.
6. Dean Francis Alfar
Submitted by Therese Ravalo
Background of the Author
Born on January 2, 1969, Dean Francis Alfar grew up surrounded by books. As a child, his mother introduced him to fairy tales, reading them to him as bedtime stories. In a 2017 interview, he said, These stories inspired my imagination. When I ran out of books, I promised myself that one day, I’d tell my own stories. Indeed, Alfar went on to tell his own stories. In his early days, he established himself as a playwright, writing plays that garnered various accolades. A ten-time Palanca Awardee for Literature, he authored many short stories, some of which were compiled and published in one book. In addition, Alfar won in the 2006 Palanca Memorial Awards for Literature, specifically the Grand Prize for Novel with his entry, Salamanca. Additionally, Alfar has edited anthologies of speculative fiction, which is also known as spec fic for short. Since 2005, he has been collating works of fellow speculative fiction writers in the Philippine Speculative Fiction (PSF) series. Recently, though, he chose to step down as editor, since he felt that it is vital to get other editorial perspectives.
Overview of Literary Works
Through the years, Alfar developed his illustrious writing career, primarily delving into speculative fiction. While he is known for his short stories such as How Rosang Taba Won a Race and Saturdays with Fray Villalobos, as well as the PSF anthologies he spearheaded, two of his more notable works are Salamanca and The Kite of Stars and Other Stories. His first novel, Salamanca, is a story of two lovers intertwined with elements of fantasy and it includes a myriad of characters as well. On the other hand, The Kite of Stars is originally a play that bagged the second prize in the One-act Play category. A tale about unrequited love and reaching for the stars, it has since been transformed into prose form and is part of a collection of short stories.
7. Lualhati Bautista
Submitted by Natalie Roque
Background of the Author
Lualhati Bautista was born on December 2, 1945, in Tondo, Manila. From early on she has already displayed a flair for writing, as her parents Esteban Bautista and Gloria Torres were into composing and poetry-writing. She studied Journalism in the Lyceum of the Philippines but at some point stopped to pursue writing. At the age of 16, she began writing and her first works were published in the magazine Liwayway. As her writing career began to flourish, she garnered positions in writing organization such as vice-president of the Screenwriters Guild of the Philippines and the chair of the Kapisanan ng mga Manunulat ng Nobelang Popular. In the course of her life, several of her works won awards. Her novels Dekada ‘70, ‘GAPÔ, and Bata, Bata, Pa’no Ka Ginawa? all won Don Carlos Palanca Memorial Awards for Literature. It is certain that Bautista has truly carved a mark in the field of writing, as she has also gained recognition from the Philippine's Don Carlos Palanca Memorial Awards for Literature and the Surian ng Wikang Pambansa in 1987.
Overview of Literary Works
Lualhati Bautista is well-known for her novels, but she has also penned several poems and short stories. Additionally, she is also a movie and television scriptwriter. In her works, one of Bautista’s trademark is her use of the Tagalog language, despite how critics of her time saw the use of native language as unacceptable to the elite. She is also known for her brutal honesty in tackling controversial issues. In fact, Bautista’s several compositions were banned and censored at the time of the Marcos Regime. Moreover, she is recognized for incorporating political themes in her works. According to Veritas (as cited by Peletz & Ong), “Where other writers simply hinted by using vague metaphors and parallel cases in other countries, Lualhati Bautista...named names, cited actual atrocities, and pointed an unerring where the blame lies.” (1998, p. 217). An example of this is her first screenplay named Sakada (1976), for the military confiscated copies of the script since it talks about the troubles faced by Philippine peasants. Another distinct feature of her writing is her exploration of female themes through the portrayal of female protagonists who undergo trials both at home and in the workplace.
Article written by Ella Navarrete
Photos taken by Audrey Habacon and Thea Saria
Time and time again, articles about the latest trends surface up on our social media feeds. Lists enumerating the signs that you’ve conformed to these fads are not uncommon, and this does not exclude PAREF schools. PAREF, as a whole, introduces a new kind of culture that is, in fact, taught in the words and teachings of St. Josemaria Escriva. So here are ten things that every PAREF student can relate to!
1. Your first language is, most definitely, English.
2. Chats with your mentor are the best.
3. You often reference Catholic things to no avail.
4. Accessories: Rosary bracelets? Check. Scapulars? Check.
5. You can’t get all the Mass songs out of your head.
6. It was forbidden to have your uniform just a little bit off—socks NEED to be ankle-length, no more and no less, haircut rules for the boys, and most importantly, you cannot go to school without a sando!
7. As January rolls in, you start noticing that the old case of the infamous intrams fever starts taking a toll on your body.
8. You see RED BRICKS and the first thing that comes to your mind is “Wow, how PAREF”.
9. Your first soiree was/will be with the opposite gender PAREF in your area. If not, drama between the the two batches may (but will most likely) ensue.
10. Anyone with an older sibling or relative who went to the same school would be asked, “Do you know [name]? Are you related?”
Now that you know these 10 signs, spotting a PAREF student at large is as easy as ABC!
Note: This article is based on the exaggerations of the opinions and observations of the writers.
Extended to the current high school students of PAREF Woodrose School, this contest aims to promote school pride and creativity through the students’ written works. Those who wish to participate in this contest must narrate their favorite memory in Woodrose through the use of a short story.
Writing Contest Submission Guidelines, Rules and Regulations
No entry fee is required.
Entries must be written in English.
Entries must include a title and the author’s full name.
Entries must not exceed 1,500 words in length (not including the title).
Entries must be written in the font Times New Roman, in the font size 12 and the font color black.
Entries must be on a letter-sized paper, double-spaced with 1-inch margins all around.
Entries must be submitted in the PDF format via the submission link.
Each entrant may submit only one entry. All entries are final, and no revisions are accepted.
Entrants may begin submitting their works on February 26, 2018 at 7 pm. Deadline of entries is on March 16, 2018 at 11:59 pm. Works submitted after the specified deadline will not be taken into consideration.
Entries that do not comply with the rules will be disqualified.
Entries will be judged by the Rosette editors and moderator according to the rubrics. First, second and third place winners will be chosen by the judges. Complete copies of their stories will be published in Rosette Online.
An excerpt of the short story that wins first place will be included in the next issue of Rosette.
Winners will be individually notified of the results by email.
Rosette reserves First Rights on all submissions. All other rights to the story remain the property of the author.
All entries must be original works. Plagiarism, which includes the use of third-party poetry, song lyrics, characters or another person's ideas, without written permission or proper acknowledgment will result in disqualification.
Entries containing material that is considered to be against the school’s morals and principles will result in disqualification.
Standards/Criteria
Should the entrant have any questions, she may contact the Rosette editors via their email, [email protected].
Written by Ashley Abalos, Anna Almeda, Sophia Barretto, Patti Fermin, Bea Fernandez-Cuervo, Raya Franco, Ria Rivera, Kat Selvaggio, Ilanna Tacad and Jacqui Tiongco
Art by Sophia Barretto and Jacqui Tiongco
Loud voices and hearty laughter broke through the silent night on the cobbled streets of Paris, France. Surrounding shops’ windows reflected the warm glow of the party down Rue Vieille du Temple. Glasses clink and toasts are made. In Au Petit Fer a Cheval, Henri Aubigny raised his glass.
“À votre santé! Thank you for all coming tonight, your presence is much appreciated.” Everyone in the small, cozy bar raised their beer glasses, cheering along with Henri.
“Get down, you drunken bastard!” said one of Henri’s friends. Henri chuckled and stepped down from the bar table.
“Ma chérie, when you’ve reached the top in this world, you do not know how to step down.” Henri beamed at his friend and offered her another drink. The mood in the party was infectious, loud bursts of laughter echoed and could be heard down the street. Henri looked at his guests, thankful.
Henri Aubigny was just recently promoted to be the overseer of a large cotton plantation in the South of France, particularly a large area of paysage de l’aveyron. This was the one chance Henri Aubigny needed to finally build the life he envisioned for his life: wealth and power, to see the respect in his colleagues’ eyes.
“Come here, Henri! Explain to Monsieur Gabriel what you plan to do to the cotton plantation,” said Monsieur Raphael. Henri’s brow was slicked with sweat, for it was Monsieur Gabriel who handed him the promotion.
He was a large, stout man, who had a thick mustache. He smelt of foreign cigars and cheap perfume and his bush of hair on his round head always seemed to be slicked back. He never seemed to smile, and dressed as if the richest in the town, for he was.
He grumbled and said, “Yes, Monsieur Henri, tell me, what do you plan to do?” Henri’s throat bobbed up and down, but before he could open his mouth to speak, Louis Moreau cuts in. “Monsieur Gabriel, I believe Henri should increase the number of slaves in the plantation to increase the rate of cotton production. They are lacking arms and legs there.”
Henri shot Louis a glare and bit back his anger. Louis Moreau has always been his rival, in any aspect of his life, whether it be work, friends or women. Henri despised the oily grin Louis always gave him, and never appreciated his attitude.
Henri plastered a bright smile and said, “Yes, that is exactly what I plan to do. Louis will be accompanying me to aid me in this great promotion you handed to me.”
Henri saw the flash of annoyance streaked on Louis’ face and took pleasure in it. He had to remind Louis who was being celebrated in the party right now. Monsieur Gabriel merely nodded, and moved on to his surrounding group of businessmen, forgetting Henri and Louis. Henri grabbed the arm of Louis, and tightly held it.
Louis hissed, “What’s the matter, Henri? Is the spotlight too much for you?”
Henri pushed away his arm, ‘You’re lucky that you’re my business partner. If you were not, you would be out of a job and dead already,” he retorted. Louis softly chuckled.
“Look, Monsieur Aubignyㅡ” Henri bristled at his tone. “ㅡI am happy for you. You deserve that position. The position of an insignificant overseer of a cotton plantation. But for now, forget all of that! Let loose, and party.”
Henri remained silent, but his mind was racing. He would show them, he would show Louis how important this job is. He will see Louis reveling at the mere ground that Henri steps upon. He grabs his beer glass and enters the kitchen to open a fresh new bottle of whiskey. Opening the cabinet, he is bumped and feels hot, searing pain. He whips around and sees a fragile, dainty woman shaking, her mouth open in shock.
“M-Monsieur! Désolé, désolé! I did not see you there. Are you all right?’
His eyes burn with anger at the woman, a negro, nothing but a slave in his eyes.
“You did not see me? Do you know who I am? Do you know how many of your kind’s worth does not compare to mine?”
The woman remained silent, shaking with fear. He grabbed her arm, and she whimpered in protest.
He weaved through the party, exiting the bar. He threw her outside the bar on to the cold pavement and said, “You are fired. Go look for another job.”
After the slave issue, all Henri wanted was to rest. He whistled for a carriage, which brought him to his dingy apartment along Rue de Bac. Tucked in the corner of the street, his apartment was a shade of the brown that made you tired once setting a sight on it. The door creaked as he opened it, and the smell of mildew entered his nose. Climbing up the wooden stairs and skipping the loose step, Henri opened 315 and trudged in. He burped, tasting the sour taste of alcohol. Without changing his clothes, Henri crashed onto his bed. Hard as a rock, his bed served as a painful reminder of how much he has less of. He was sick and tired of this life, frustrated about being stuck in the same place repeatedly. Before this promotion, nothing seemed to work for him. He would do his best at work, handling the slaves properly and returning in reports on time. No matter what he did, nothing seemed to get better. His eyelids were slowly closing, and the last thought on his mind was the thought that not in a million years, is he throwing away his shot at success. Henri Aubigny fell asleep on the rockhard bed and cold night for the last time.
The week after, Henri and Louis were finally at Aveyron. The heat from the sun bit at their backs, and heated their heads as well as their attitudes. Both had a bitter argument whilst traveling there, because Louis decided to brag about his daughter, Victoire. Henri could not take it anymore and snapped at him. They left the train in silence, grudgingly forgiving each other. Henri looked at the beautiful landscape before him and took in the sight. The rolling green hills seemed to contrast with the deep blue of the sky. The grass was finer here, the air was cleaner, it filled his lungs and cushioned down all his thoughts about the business. The trees were tipped with roasted leaves, which rustled like the harmony of nature. The smell of wild lilies perfumed the air, and for the first time in a long time, Henri was at peace.
“Stop being a woman and smelling the flowers, Aubigny. We need to meet with the chief of the tribe of slaves. Apparently, we need to lay down rules. Ha! Those stupid negroes. They think they can set down rules?” said Louis. Henri removed his gaze from the enchanting view and steadied his heart.
“If they want to meet with us, they can. But I won’t assure you that I will take it easy on them,” said Henri.
Louis snickered. “For once, there’s something we can agree on. Let’s get moving.” They both trod the vast hills down south, to the site. When they emerged past this particularly large hill, Henri’s breath was taken away once again. The site, in one word, was beautiful. The fields of white cotton spread everywhere like snow drizzled all over the earth. The cotton swayed in sync with the gentle breeze, dancing along with the whispers of Mother Nature. They created a pattern so mesmerizing that even Louis was speechless. Quaint wooden houses lined the edges of the cotton fields, where the slaves slept in. Louis, Henri and their crew arrived at the center, a large clearing where all the slaves were gathered. A towering, dark brown cabin stood in front of the clearing, seeming to draw the attention of everyone in the clearing. Louis and Henri stepped up to the porch of the cabin, surveying the crowd of blank, empty faces. Henri felt a surge of pride, his cheeks turning red at the sight of a great number of people at his command. There was one woman, who stood out. Not because of her appearance, for she was the same skin tone as everyone there. No, perhaps it was the way she cocked her head at him, looking vitriolic. Her eyes struck him, for they were not empty. They were full of something he could not get a hold on, but he couldn’t take his eyes off her. Louis cleared his throat, but Henri stepped in front of him. He was not going to let Louis steal his moment.
“As of now, you are under my administration. You do not speak unless spoken to. You do not rest or have a break unless we allow you to. I am the overseer of this operation, and I do not want any issues. These people, the men to my left are your superiors. And I am their superior. If you have a problem, take it up with me. Is that clear?” Henri paused, to let the air of authority linger.
The slaves’ gazes were downcast, and they muttered under their breath words of agreement. But again, the woman in the center stared directly at him, and it sent goosebumps all over his body. Why was he feeling this way?
The following weeks were challenging, especially for Henri. He did not know any inkling of how to run a plantation. Every minute there would be an issue; the weed whackers were broken, there was no water, slaves stopped to rest or quota was not filled. Swallowing his frustration, Henri tried dealing with each of the problems professionally. His only remedy was writing letters to his mother, Arielle. His mother was the only driving force that kept him going. She did not raise him to let other people in this world push him around. He was raised to push back. She was never kind to him; she was more of a guide. She never spoiled him, and expected the most from him. Even if he was treated harshly, he unconditionally loved his mother. He picked up his favorite fountain pen given to him by his mother, and began to write:
“Dear Mama,
The cotton plantation is not doing so well. To be truthful, I miss the old streets of Paris. I miss the luxurious life I had there. The water for baths here is muddy, I can hardly move because I sleep in a cot. Louis is being a thorn in my side, shouting orders here and there as if he was the one handling the operation. But something gnaws at me, Mama. It seems as if Louis is the better overseer. The slaves are terrified of him, he commands with fear and respect. The slaves do not even look at me. What am I to do? I miss you. Please write soon.
Love, Henri”
One must think that Henri would be receiving a letter as heartwarming as the one he wrote. But instead, the following week, Henri received a harsh letter from his mother.
“Dear Henri Cheney Aubigny,
Do not be such a woman. I raised you to be better than this. Do not let Louis undermine your certainty, for I am quite certain in you. About the environment, you are lucky you have a place to sleep at night. Do not be a whining pig and complain, because the job you were given, the job you wanted requires you to live in places like this. Do you not want a lavish life? The people at the top of the society now did not go through life in a velveted cushioned carousel. If Louis is doing a better job than you, you are not trying hard enough. I am quite bothered by the fact that you are in the same place as those dirty scum. The sight of them sickens me, but I know you have a stronger will than I. Personally, Henri, I believe that as well respected that job is, you should not be exposed to those type of people. I expect more from you, Mon caneton.
Wishing you well, Arielle Aubigny”
Expecting nothing less, Henri stands up to tidy up his desk. But something caught his eye outside the window. A small fleeting figure, running towards the woods. A slave trying to escape? This cannot happen. But a dawning realization came over Henri. This was his chance to establish respect among the slaves. To put Louis in his place. If he publicly punished the slave, it would spread terror among the hearts of everyone. Grabbing his coat, he rushed out of the cabin. Fighting through the tall weeds of cotton, Henri struggled to find the figure. After a few minutes of trudging through the field, Henri approached the entrance of the woods.
No sound was heard as he gazed at the woman. The same woman in the crowd, who had such a confusing impact on him. But, instead of doing what he was supposed to do, Henri froze and watched. The woman, barely lit by the moonlight, laid a handful of wild lilies down beneath a tree. In a slab of bark, the name ‘Raziya’ was carved. Henri held his breath. The woman’s shoulders raised as she sang a song of sadness and mourning. Each word sung was not French, rather it was in African, but harsh and unforgiving. Her words were like the leaves, moving at a different pace. There would be lines with short pauses and rapid words sung. Other times her words would be slow and moving. It made Henri’s heart dance around in his chest. He saw the way her eyes were brimmed with tears, her voice old and mournful and was shot in the heart. She abruptly stood up, and Henri’s heartbeat quickened. He ran back to his cabin at full speed, never stopping until he was at his front door. He turned around to see her slim figure dart through the fields like a doe. He slowly walked in and took a deep breath. He pushed down his feelings for whoever this woman was, and reminded himself of what he was there to do. That was the moment when Henri Aubigny decided to punish the woman he fell in love with.
The slaves were quite confused when they were called to have a meeting in front of Henri’s cabin. But Henri stood on his porch, looking down at each of them. He scanned their faces until he found her.
“You, come up here and into my office. The rest of you, proceed to work. We have a quota to fulfill.”
Henri let the woman in and offered her a seat. She did not reply. Instead, she took in the office, slowly turning. Her brown eyebrows were furrowed, and again those eyes, those beautiful eyes captivated Henri.
He blinked and said, “Alright. If you’re not going to sit, then fine. But I want to know, why were you outside your quarters late at night? Did you plan to escape?”
If the woman felt shocked, she did not hide it. She took a deep breath and spoke. “I have a name. My name is Chiamaka. I was outside to honor my mother. She died two years ago, at the hands of your kind.”
Even if her words were harsh, Henri was pleased to hear her voice. It sounded like flowing honey, and she spoke with determination and clarity.
“What do you mean by my kind? Are you suggesting something?” he replied.
“I mean, that your kind is ruthless and brutal. My mother, Raziya died because of starvation. The men overseeing us were drunk, and they seemed to have forgotten to bring out the food for the slaves. Even a piece of bread would be all right. But instead, the men laughed in our faces and refused to give us anything for weeks. Children were dropping in the fields because they were seeing black spots. Our mothers and fathers grew weak every day. And what did your kind do? Nothing. Absolutely nothing. So, I am sorry, my fine Monsieur, for having offended you by simply remembering the only person in my life who loved me who I lost at your hands. For once, I’d like you to place in mind that we are humans too, and we share the same world as you.”
Henri saw the angry tears flowing out of her eyes, yet she remained straight-faced. He considered those eyes, and saw storms raging within them.
“Leave my office now.” He said quietly.
She turned on her heel, opened the door and closed it gently. For the first time in his life, Henri had mixed feelings about who he was.
For weeks, Henri did not eat. He did not get a wink of sleep and instead stayed locked up in his room, contemplating on what Chiamaka said. Everything he thought that was real, was all based on lies. His whole life is a lie. Men neglecting simple needs of a human being? Chiamaka’s words resonated in his head: ‘We are humans too’. One afternoon, Henri was sulking in his office. He refused to get up when someone was knocking at the door. But then, he heard loud noises and shouting outside his cabin. Startled, Henri went outside. What he saw disgusted him. Louis had a leather whip in his hand, poised to hit an elderly slave who dropped the bucket of cotton. As the whip went down, Chiamaka emerged and stood in front of the elderly man. Henri held his Louis’ arm, furious.
“What do you think you’re doing?” shouted Henri.
“Punishing this stupid old man. He dropped the cotton bucket.”
“No slave dies under my administration, Louis. Is that clear?”
Louis muttered under his breath. But Henri did not care. He pulled Chiamaka aside and looked if she had any injuries. She gave him a questioning look.
“Chiamaka, I am so sorry for everything my kind did to you. I hope we can make amends. I have been thinking about it, and I would like to apologize on behalf of the men who did not care to think about your mother. Slaves are not being treated right, and it makes me sick. Is there any way to possibly make up for what they did?”
“There will be nothing that you can do to make up for your kind’s sins. I appreciate the apology, but I am not accepting it.”
His heart sinking, Henri returns to his cabin. The next day, Henri didn’t stay in his cabin. He went out and worked with the slaves. He whacked the cotton plants, harvested the cotton, and carried the buckets of cotton all the way back to the site. Every single person there shook their heads as if to say, ‘This man will not last a day.’ But Henri Aubigny did not listen. He soon got used to the heat of the sun, enjoyed the landscape, and took time to play with the slave children. He thought that this was the only way to show and prove how sorry he was. He took care of the elderly slaves and took their places if they were tired. All the while, Louis watched with gritted teeth. He did not approve of Henri’s ways. Chiamaka became less antagonistic towards him and started to mentor him on how to work in the fields properly.
One night, Henri walked into his cabin, exhausted. He heard a small rap on his door and headed to open it. Chiamaka stood there, dressed fully in an African dress, beaming.
“Follow me.”
“Where are we going?”
“You’ll see, Henri.”
His heart pounding in his chest, Henri took Chiamaka’s hand for the first time. His fingertips felt sparks course through his veins and his thoughts were running wild. She brought him to the woods, where all the slaves surrounded by a bonfire.
“What’s this?” Henri asked.
“Lake of Stars is today. This is when we celebrate the special alignment of the stars, and legend says that this night is the night when lovers meet.”
They spent the night dancing and singing traditional African songs. Chiamaka then brings him to the cotton fields, alone.
“Henri, I saw how you really wanted to make up for everything your kind has done, even if you haven’t done anything wrong. I appreciate how you see us as equals. Thank you for that.”
“Chiamaka, I need to tell you something.” Henri knew what this would mean, but he did not care anymore. It was now or never. “I believe that I am falling in love with you.”
She whispered, “Henri, you know it can’t be. The circumstances are far too restricting.”
“We can make it work. Believe me, I have never felt this way for anybody. You are the first person to show me something real, and it scares me yet exhilarates me.”
Chiamaka pulled him into a tight embrace, sighing heavily. Her body was warm, like the hearth in the fire. Henri could stay here all day, but Chiamaka pulled away. Her eyes were bright and she was silent. But the silence between them carried words unspoken.
The following weeks Henri spent were pure bliss. Every day he would help the slaves among the fields and at night, he would sneak off with Chiamaka. They’d frequently send letters to each other at night. His letters would explain how she took his breath away, and drove him mad. Her letters contained African poems she made herself, expressing how much she loved him. One night, the moon particularly bright, Henri left his cabin. He waited outside Chiamaka’s cabin. She crept out slowly, grinning at him. Tonight, Henri would ask something very special. He took her hand, once again feeling those sparks and brought her to the clearing where her mother was buried. A cloth was set on the ground, with a candle and a basket filled with bread and wine. Chiamaka’s face grew warm.
“What is all this, Henri?” she asked.
Henri did not reply and instead gently let her sit down on the cloth. They ate the bread and drank the wine, conversing about how the stars seemed to shine so brightly. Finally, Henri took Chiamaka’s hands and stared into her warm brown eyes. He brought out his makeshift ring, made from parts of equipment he could gather. Instead of a diamond, a small cotton flower rested on the top of the ring. He drew a breath.
“Chiamaka, please. Make me the happiest man in the world. Will you marry me?”
Stunned in silence, Chiamaka answered gently.
“Henri, you know I love you. But what about your mother? Your crew? Everyone here? What will they think of you?”
Henri grabbed her arms and shook her frantically.
“Chiamaka, my beloved, do you not understand? You are the one I want to wake up next to, the one I want to spend the rest of my life with. I do not care what my mother thinks, what Louis thinks or what your tribe thinks. All I know is that I cannot live a day without you.”
Henri wrote a letter to his mother explaining why he cannot return home, but leaving out the details of who he was engaged to.
“Dear Mama,
I cannot return home to America for quite some time. Business here is booming, so I cannot leave once his operation reaches its peak. I’m becoming rich, mama. I have finally broken through and gained so much more than I expected. Recently I have been seeing someone who lives nearby, and I proposed to her. I will soon return, but I miss you terribly. Do not visit me.
Love, Henri”
Henri took a deep breath and gave his letter to the messenger. Now that his mother was dealt with, Henri was assured of the life he wanted to live. He gathered the slaves once again to the clearing, along with his crew and Louis. The moment Henri announced his marriage proposal, the slaves cheered for joy. Tears were shed, and they decided to hold a wedding. Louis Moreau, however, did not find this amusing. The wedding was held in front of the cabin, a simple one yet beautiful. Henri dressed up in his best suit, with one of his crew members at his side. Chiamaka walked down towards him in a wreath of cotton and one of the elders’ cultural dresses. The eldest slave headed the wedding. Henri and Chiamaka beamed at each other. Everyone witnessing the marriage knew and saw that the way they looked at each other was like nothing else. Henri could not believe that this was happening, and he smiled at the one person he was missing in his life, finally in his arms. As they pronounced their vows, Louis Moreau left to hatch a plan.
As the months passed by, everyone in the cotton plantation learned how to accept Henri and Chiamaka’s love. The slaves adored Henri and praised him for being such a fair master. He never raised his voice or lost his patience with them. Louis, however, seemed to have been locked in his room every day. Louis was writing to the one person Henri would dread to see. One blazing hot afternoon, Henri was tending to the cotton fields when he heard a shriek.
“Henri Cheney Aubigny! Come here right this instant!” said a shrill voice.
Henri turned to see his red-faced mother, sweating profusely in a tight maroon dress. She climbed over the large heel and tripped, landing on her face. She bantered on about how Louis mailed her that Henri married a slave, and she came there as soon as she could. Her glare was ice cold, expressing her disappointment.
“You have forever tainted our name, the Aubigny name. You are such a disappointment. After all I have done for you, sent you to the right places for education. I even provided you with good quality clothes so that you may fit in with the wealthy businessmen! And what do I get? Betrayal.”
Henri’s hands were shaking as he pulled Louis in his office.
“What were you thinking? Mailing my mother? Do you know how frustrated she is?” shouted Henri.
“You, Henri, were drooling over that dirty scum you call your wife! I just wanted your mother to know, perhaps she will bring you back to America.”
Henri raised his fist and struck Louis across his face. Louis stood up, massaging his jaw. But before Louis could return the punch, someone knocks at the door. Henri opens it to see a pale-faced messenger.
“Monsieur Moreau? We have urgent news for you. Your daughter, Victoire, she’s gone missing! Someone broke into your house in America, and took your baby. You need to return right away.”
Forgetting everything about their fight, Louis rushed out of the cabin and headed with the messenger, leaving dust in his wake. Arielle Aubigny stayed with Henri in his cabin constantly berating him for tainting their name, for choosing someone so dirty to fall in love with. Henri explained the way he felt about Chiamaka, and pleaded for his mother to understand. At the end of the night, Arielle pleaded him to return home with her in America. Henri could not accept the idea. Seeing his mother’s desperate face, he reluctantly agreed. But there was something Arielle did not know. Chiamaka Aubigny was pregnant with two babies, twins. Arielle agreed to wait so that Henri would be there once she gave birth.
Chiamaka’s screams were so loud that the robins in the trees flew away. Henri clutched Chiamaka’s hand, steadily encouraging her. When the babies were finally out of the womb, everyone was shocked. The twins were of different color. One had skin as white and creamy as snow with stone grey eyes, identical to Henri, the other was of a deep rich brown, with a nose straight and flat. He looked exactly just like Chiamaka. They named the twins Armand and Philippe. Arielle decides to only bring Armand, for he will blend in more with his skin. Henri slowly packs his bags and belongings. Chiamaka enters his office with a longing look in her eyes.
She handed him a letter and said, “Open this once you have returned home safely. Goodbye Henri.”
Heartbroken, Henri bade goodbye to Chiamaka. “Goodbye my dear, and I hope that in another life or time we would have found each other again. The months I have spent with you felt as if I was already in heaven.”
Taking Armand in her arms, Arielle brought her son and grandson to the train bringing them to the city port, headed directly for America. On the boat, Henri felt the salt water hit his face as he stared out into the dark waters of the sea. From thinking about money and wealth, he finally found someone who taught him that love is the most important thing in this world. Arriving in Louisiana, Henri could not even look at his mother.
The weeks in Louisiana were not good for Henri. He drowned his thoughts with the familiar taste of alcohol, constantly writing letters to his wife. Each letter he received from Chiamaka smelled like her, which made his heart pang with sadness. For the first few months of their separation, they exchanged letters with each other. But suddenly, they stopped coming.
“Henri. I need to talk to you. Your wife, Chiamaka has died. She was brutally attacked by one of the crew members,” said his mother to him late at night in his office
Henri did not know how pain felt until this moment. It felt as if someone had grabbed his heart, ripped it out of his chest and smashed it. He sunk further into a cycle, weeping every night, and even forgetting his son, Armand. Arielle took care of Armand, determined to not make the same mistakes she did with Henri.
This is the winning story of Grade 9’s Chapter Zero Literature Activity (Term 1) for the American short story Desiree’s Baby by Kate Chopin. The Grade 9 students were tasked to write a prequel to Kate Chopin’s fascinating short story, and a winner was chosen from the entire batch by Grade 9 Literature teacher, Mrs. Abygail P. Magbag. You may read Desiree’s Baby at this link: http://www.katechopin.org/pdfs/desirees-baby.pdf.
Article written by Pilar Fernandez
Photos taken by Martina Reyes
The Christmas party is right around the corner, and you know what that means: it’s time to go shopping! Every Woodrose student is bursting with the Christmas spirit of giving, and there is no way that we are letting any of our friends go home without a gift. Naturally, we all have our own way of showing our appreciation, especially if we’re under budget constraints, but we can always spot these five kinds of gift givers during the Christmas season.
1. The Santa Claus
She has a gift for everyone. Never missing anyone, she makes it a point to give to all her teachers and classmates. You can usually spot her with a bag full of presents when she comes to school on the morning of the Christmas party or when she hands them out from one classroom to another throughout the day.
2. The “Sobrang Bongga”
She knows exactly what her friends want for Christmas, and can even fill up their wish lists for them. She gives them everything that they want, from the cutest gift bag possible to the prettiest ribbons. Because the only thing that she cares about is seeing her friends squeal with joy at the sight of these gifts, the price doesn’t even matter to her at this point, and she grabs the perfect present the minute she sees it.
3. The Sweet Tooth
Christmas is also the time when everyone indulges in sugar (and regrets it only after). There will always be at least one person in class who hands out candy canes or Christmas tree–shaped chocolates as gifts. If you are lucky, she might even give out homemade Christmas cookies, which are everyone’s favorite (after having eaten a decent amount herself).
4. The DIY Everything
This gift-giver can do anything you can possibly imagine, from writing all the gift tags in her own calligraphy style to wrapping the presents herself in her handmade wrapping paper. The DIY Everything makes everything from scratch and literally gives her all in making her own gifts (which is probably why she has darker eye bags on the day of the Christmas party). As she always says, “Who needs Christmas shopping when you can do it yourself?”
5. The Sentimental One
The Sentimental One writes letters to her friends and gives out small trinkets to make them reminisce all the memories that they’ve made in the past year. She pours her heart out for these special gifts and makes Christmas a lot more meaningful by showing loads of gratitude to her loved ones.
All of these gift givers remind us of one thing this holiday season: Christmas is a time to give back to the ones we love the most. No matter what kind of gift giver you are, you have to give from the heart and, in turn, truly appreciate whatever you receive. In the end, what makes this season truly memorable is love, and we must always remember to share it in whatever way we can. Whether this love is in the form of a simple handwritten letter or in a tiny box of chocolates, it makes any present priceless.
Note: This article is based on the exaggerations of the opinions and observations of the writers.
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