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ENOUGH from Anna Mantzaris on Vimeo.

Moments of lost self-control.

This is my first-year film at the Royal College of Art.

'Enough' is this week's Staff Pick Premiere! Read more about it here: vimeo.com/blog/post/enough

Awards:

Lottie Reininger Award - Stuttgart International Festival of Animated Film 2018 Audience Award for Best Student Film - Anima Mundi 2018 Best Student Film - Anifest 2018 Best Student Film - Northwest Animation Festival Grand Prize - Best Student Film - SICAF 2018 Best European short film, City Council of Gandia - Cortoons 2018 Grad Prix - Best Student Film - Animakom 2018 Best Movie (Animation Film) - Cinemí Cinemá 2018 Audience Award - Best Seconds 2018 Audience Award - Extremely Shorts 2018 Silver Prize - 3 Minutes 3 Days Festival 2018 Audience Animation Award - Mecal Barcelona 2018 Best Animation Short film - FIAfest 2018 Special Mention - Imaginaria 2018 Third Prize (Animation Category) - Mecal Barcelona 2018 Special Mention - Anibar 2018

Selected Festivals

GLAS Animation Festival - Official Competition, US  Stuttgart International Festival of Animated Film, Germany ANIMA MUNDI, Brazil KLIK Amsterdam Animation Festival, Netherlands Odense International Film Festival, Denmark Fantoche, Switzerland Seoul International Cartoon & Animation Festival, Korea Cardiff Animation Festival, Wales The Smalls Film Festival , UK Amsterdam Independent Film Festival, Netherlands Edinburgh Short Film Festival, Scotland Cartoons Underground, Singapore Festival Stop Motion Montreal, Canada Film Festival of Madrid, Spain This is England Festival World Festival of Animated Film, Bulgaria Palm Springs International Animation Festival, US  Indielisboa, Portugal Anibar Animation Festival, Kosovo ZLÍN FILM FESTIVAL, Czech Republic Le Petit Cannes film festival, France Taichung International Animation Festival, Taiwan Big Cartoon Festival, Russia FIAfest, Colombia Short Sighted Cinema, UK Florida Animation Festival, US AninetFest, Czech Republic Women Make Waves Film Festival, Taiwan Insomnia International Open-Air Animation Festival, Russia CONSCIOUS CARTOONS, US  Athens Animfest, Greece  ANNY: Animation Nights New York, US  LAFF (Longwood Animation Film Festival), US  Best Seconds, Switzerland Copper Coast International Film Festival, UK  New York Int’l Children's Film Festival - NFK [NOT FOR KIDS] Competition, US Chester International Film Festival, UK  Cortoons Festival Gandia, Spain  Le Plein de Super, France Stop Motion Barcelona, Spain World Festival of Animated Film - Varna, Bulgaria Wiesbaden International Weekend of Animation, Germany Catford Film Shorts Night, UK Extremely Shorts Film Festival, UK Cefalù film festival, Italy  Stop Motion OUR FEST, Buenos Aires  Flatpack Film Festival, UK 

MAX COOPER - PLATONIC from Páraic Mc Gloughlin on Vimeo.

Listen to the new album 'One Hundred Billion Sparks': maxcooper.lnk.to/OHBS

onehundredbillionsparks.net/

maxcooper.net/

Max Cooper

Things got pretty mad on this one after I set the task of trying to visualise the Platonic realm of form underlying reality. And Páraic Mc Gloughlin has come up with something of a masterpiece I think, using a single day-long shot, whose time-based processing is linked to the more than 100 layers of audio I used to create the music…it’s fairly intense on the audio and visual as a result, but all so precisely carried out by Páraic. A huge amount of work has gone into this on all fronts, I hope you enjoy it.

This all links into my new album project, ‘One Hundred Billion Sparks’, about our hundred billion firing neurons which create who we are, all we know and experience (onehundredbillionsparks.net). As a sub-topic for one of the music/video projects, I’ve always found it fascinating how mathematicians and scientists talk about “discovering” laws of nature, never “creating” them, even when they’re working in entirely abstract realms with little or no link to the real world. The laws and structure are usually assumed to exist independently of us in a sense very much linked to Plato’s ancient idea of the realm of ideals, with only our minds giving us access to this realm.

I came across this idea delivered in stark form in the case of the “amplituhedron”, an entity whose structure encodes fundamental particle interactions, and whose creators claim it to yield space and time in an emergent manner, so that it can’t possibly exist out there in the real world that we’re familiar with. If it does exist, it is outside of time and space, whatever that means! All this might sound like I’m falling off the cliff a little in terms of anything to do with making music videos, but, as I often find to be the case with this sort of investigation of nature, it’s rich with beautiful visual forms and many ideas which are ripe for musical representation on emotive and structural grounds.

The general musical theme to attempt was that of a world of all (or at least as many as I could cram in) precise structures, with particular attention to the jagged complex form of the amplituhedron. Páraic also employed the same approach visually. It demanded a barrage of exact forms. Musically this was a lot of fun, and very much in fitting with what I like to attempt anyway, just requiring a greater devotion of time and more attention to detail than my norm.

Most of the 100-120 layers of different sounds were synthesised, each layer comprising a specific aesthetic musically, but with little repetition, so that I could have something like a world of independent forms, related, but each its own distinct entity, all mixed together to push the overall complexity in line with the concept. This included many layers of synth processing - I tried to take each part and force it into new, but related forms. I enforced strict quantisation, trying to keep everything rhythmically stuck to grid, to give that feeling of sharpness and precision despite the mess of many layers.

Páraic Mc Gloughlin

The idea for the Platonic video came from the thought of just how much is going on in one single day.

In the brief, Max wrote "Underneath all of this mess however, it needed a simple core, the constant chord progression." So I thought it was fitting to have a simple core running through the entire video and it being made from one location shot over the space of one day, keeping up with the music’s "messy" energy as the track developed.

Aesthetically I love the mix of abstraction and realism and this was a great place for me to explore this. Using a fundamental image (a time lapse) to mask and cut into, I tried to show the variable possibilities within a limited time span, maintaining the integrity of each individual photograph while dissecting and rearranging the overall image.

In order to get as close a relationship from audio to visual as possible I tried to allocate a certain time of day or shape to each individual sound in the track , experimenting with animated sequences using platonic shapes, and referencing images based on the amplituhedron, later using mats and directly masking over many layers of photographs.

I tried to incorporate and inject a feeling of possibility, the unknown, hidden truths, and what might be.

I wanted the main focus of the video to be on time and space but I also I wanted to have an underlying human element. Choosing a motorway with two way traffic fit nicely, and didn't over populate the scene.

Nineteen hours sitting on a bridge in Sligo town, and a good stint behind the computer and we're done.

Wonderlust Ident - Racing from Wonderlust on Vimeo.

When you approach life with a childlike sense of Wonder, it's never boring. For this series of personal idents, we are exploring just that.

Studio: Wonderlust Producer: Christian Rankin Creative Direction / Concept: Ryan Rumbolt Art Direction / Illustrations: Loris F. Alessandria Character Animation: Juan Pontaroli Compositing/Animation: Arm Sattavorn Original Music/Sound Design: Facundo Capece

SAUVAGE.TV SHOWREEL from SAUVAGE.TV on Vimeo.

Hugo & Marie — 2018 Artist Reel from Hugo & Marie on Vimeo.

Collection of art, image, campaign, and design work by Hugo & Marie creatives.

Artists: Santtu Mustonen, Kustaa Saksi, Merijn Hos, Tom Darracott, Mario Hugo, Hvass&Hannibal, MVM, Hisham Akira Bharoocha, Jesse Auersalo, Deanne Cheuk, Moonassi, Jules Julien, Elise, Lernert & Sander, Petra Börner, Leslie David, Thomas Traum

INFINITE WORLDS from philiplueck on Vimeo.

compilation of all the loops created in 2017. main focus was mainly learning and digging deeper into basic motion design principles and testing some weird abstract stuff in motion.

behance project: behance.net/gallery/60209901/INFINITE-WORLDS song: soundcloud.com/frequentaudio/alpha-state all gifs in one place: giphy.com/channel/philiplueck _____ instagram: instagram.com/philiplueck ello: ello.co/philiplueck twitter: twitter.com/philiplueck facebook: facebook.com/philiplueck

WHAT IS IT LIKE TO BE DYSLEXIC? - UNIVERSITY MINOR PROJECT from Josh Penn Design on Vimeo.

Song - Ludwig van Beethoven - Moonlight Sonata, 3rd Movement

This is a motion design piece I created for university minor project in Graphic Design: Visual Communication.

The video shown is an exaggerated representation of what it is like to be dyslexic, created by me, a dyslexic student; intended to communicate to those that do not have Dyslexia, taking them through a narrative like video describing and demonstrating what dyslexia is.

If you have any question, don't hesitate to leave a comment.

Facebook - facebook.com/JoshPennDesign/

Instagram- instagram.com/joshpenndes...

Twitter- twitter.com/JoshPennDesign

The Simpsons 600 Montage from BLOCK & TACKLE on Vimeo.

Directed by Block & Tackle Creative Directors: Adam Gault & Ted Kotsaftis Executive Producer: Michael Neithardt Producer: Michael Neithardt/Megan Anderson Lead Design: Gung-Kai Koo Design: Timothy Haldeen, Alex Mariscal Animation: Ted Kotsaftis, Adam Gault, Gung-Kai Koo, James Bartley, I-Cheng Lee

Music: The Simpsons Theme Song Trap Remix by CG5

Daniél Niederkofler

Daniél Niederkofler's playful designs for Italian club night Soul Juice

Italian club night Soul Juice receive’s designs from Daniél Niederkofler

Soul Juice club in Brunico, Italy, receives playful artwork design from Daniél Niederkofler. The ethos that Soul Juice follows for it’s club nights are:

“Forget the outside world and dance without worries“

However, this idea is the premise behind’s Soul Juice’s:

“founded in a necessity for an…

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#Artwork #Branding #Branding & Identity #Design #Graphic Design #Identity #Illustration #Moving Image #Poster Design #Typography

North

Southbank Centre receives redesigned visual identity from North

Southbank Centre’s in-house design team has worked with North on redesigning the institution’s visual identity. This whole new refreshed identity undergoes a new logotype, design framework and typographic expression. The new visual identity is applied to all aspects of the branding and identity of the institution, which includes…

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#Branding #Branding & Identity #Design #Graphic Design #Logo Design #Poster Design #Typography

"The Ultimate Guide to Inspiration" from BLND on Vimeo.

From time to time creatives reach that hard wall where they feel that inspiration has abandoned them forever. After some research and puffy eyes in the mirror we think we figured out: how to get inspired! But not really, I guess it depends on a lot of things, mostly your ability to cope with fear...

A film by BLND Music & SFX by Jimmy Flamante

The following scenes were designed by these awesome people (contact info in the credits):

00:00-00:24 - Jimmy Flamante 00:26-00:33 & 01:33-01:39 - Aron Vellekoop 00:33-00:43 & 00:57-01:02 - Ale Alonso

“What does it take to be happy?” @Jonwestenberg