KIROKAZE
TVSTRANGERTHINGS

gracie abrams

Andulka
we're not kids anymore.
taylor price
$LAYYYTER
Misplaced Lens Cap
I'd rather be in outer space 🛸

@theartofmadeline
Sweet Seals For You, Always
Noah Kahan
Xuebing Du
Today's Document
Sade Olutola
Aqua Utopia|海の底で記憶を紡ぐ

ellievsbear
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seen from United States
seen from United States

seen from Poland
seen from United States
seen from United States

seen from United States

seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from Ecuador
seen from Tunisia

seen from Germany
seen from Libya
seen from Germany

seen from United States

seen from South Korea
seen from Netherlands
seen from Türkiye
@xchelone
“I am eternally, devastatingly romantic, and I thought people would see it because ‘romantic’ doesn’t mean ‘sugary.’ It’s dark and tormented — the furor of passion, the despair of an idealism that you can’t attain.”
— Catherine Breillat
Zendaya wearing MATIERES – New York premiere of The Odyssey
Men look at women. Women watch themselves being looked at. This determines not only most relations between men and women but also the relation of women to themselves. The surveyor of woman in herself is male; the surveyed female. Thus she turns herself into an object—and most particularly an object of vision.
Helena Goscilo, Dehexing Sex: Russian Womanhood during and after Glasnost.
Guo Pei Spring 2026
instagram | photos are my own, reblogs fine, do not repost/reuse
chanel iman for the christian dior a/w haute couture (2008)
Childhood does not end in one fell swoop, as we wished it would when we were children. It lingers, crouching silently in our adult, then wizened bodies, until one day, many years later, when we think that the heavy burden of bitterness and despair we've been shouldering has turned us irredeemably into adults, it reappears with the force and speed of a lightning bolt, wounding us with its freshness, its innocence, its unerring dose of naivety, but most all with the certainty that this really and truly is the last glimpse we shall have of it.
Guadalupe Nettel, from The Accidentals (tr. Rosalind Harvey)
Roses Farm, a cottage dating back to around 1285 (via).
“… but I have a particular tenderness for you, and one I have never felt for anyone, up to now.”
— George Sand, dans une lettre à Gustave Flaubert, le 11 Novembre, 1866 (via afroui)
Flower Knows - code: PAMMY