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How to Write a Confession of Love
Build the Emotional Tension Before the big confession, let the tension simmer between the characters. Maybe they share little glances across the room, or their hands brush accidentally but neither pulls away. Every shared laugh or lingering look should leave the reader wondering “Is this it?” When the confession finally happens, it’ll feel like the natural next step, as if both characters have been teetering on the edge of admitting their feelings for a while.
Inner Turmoil Leading Up to the Moment No one’s ever totally confident before saying, “I like you,” or “I love you.” Show the character’s inner freak-out. Maybe they’re wondering if they’re about to ruin everything, or if the other person feels the same. Let them overthink every detail, what if they mess it up? What if they say the wrong thing? This nervousness is super relatable and makes the confession way more intense and vulnerable.
Choose the Right Setting Where the confession happens can completely change the vibe. If it’s somewhere quiet and personal, like on the roof under the stars or sitting close on a couch, it adds a sense of intimacy. But maybe it’s in the middle of a party or a chaotic situation, where emotions are running high and everything’s on the line. The setting should fit the emotions—are they scared? Excited? Confused? Let the environment match their energy.
Don’t Make It Perfect Real life is messy, and confessions of love are no different. Maybe the character fumbles their words, says something awkward, or has to start over. Maybe they get interrupted, or they laugh nervously halfway through. These imperfections make the moment feel real. It’s not about saying the perfect words, it’s about what’s in their heart. Let the raw, unpolished feelings shine through.
Balance Between Show and Tell Obviously, they’re going to say something like “I love you” or “I can’t stop thinking about you,” but actions and body language speak just as loudly. Maybe their voice cracks, they shift closer without realizing it, or they can’t seem to meet the other person’s eyes. Maybe their hands are shaking, or their heart is pounding so loud they can’t hear anything else. Let those little details paint the full picture of how much this confession means.
The Other Person’s Reaction It’s not just about the person confessing, the other person’s reaction is a huge part of the scene. Are they completely shocked? Do they hesitate, or respond right away? Do they get teary-eyed or try to play it cool? The way they react adds layers to the moment. Even a pause before answering can make the scene ten times more intense. Their response shows how much they’ve been waiting for or dreading this confession too.
In short, make it messy, emotional, and real. Readers want to feel the build-up, the fear, the excitement, and the vulnerability of both characters. Don’t be afraid to make things a little awkward or imperfect, that’s what makes a confession unforgettable.
How to write smut ?
(@urfriendlywriter | req by @rbsstuff @yourlocalmerchgirl anyone under the appropriate age, please proceed with caution :') hope this helps guys! )
writing smut depends on each person's writing style but i think there's something so gut-wrenchingly beautiful about smut when it's not very graphic and vivid. like., would this turn on a reader more?
"he kissed her, pulling her body closer to him."
or this?
"His lips felt so familiar it hurt her heart. His breathing had become more strained; his muscles tensed. She let herself sink into his embrace as his hands flattened against her spine. He drew her closer."
(Before proceeding further, these are all "in my opinion" what I think would make it better. Apply parts of the advice you like and neglect the aspects you do not agree with it. Once again I'm not saying you have to follow a certain type of style to write smut! Creative freedom exists for a reason!)
One may like either the top or the bottom one better, but it totally depends on your writing to make it work. Neither is bad, but the second example is more flattering, talking literally.
express one's sensory feelings, and the readers will automatically know what's happening.
writing, "her walls clenched against him, her breath hitching with his every thrust" is better than writing, "she was about to cum".
here are some vocabulary you can introduce in your writing:
whimpered, whispered, breathed lightly, stuttered, groaned, grunted, yearned, whined, ached, clenched, coaxed, cried out, heaved, hissed
shivering, shuddering, curling up against one's body, squirming, squirting, touching, teasing, taunting, guiding, kneeling, begging, pining, pinching, grinding,
swallowing, panting, sucking in a sharp breath, thrusting, moving gently, gripped, biting, quivering,
nibbling, tugging, pressing, licking, flicking, sucking, panting, gritting, exhaling in short breaths,
wet kisses, brushing soft kisses across their body (yk where), licking, sucking, teasing, tracing, tickling, bucking hips, forcing one on their knees
holding hips, guiding the one on top, moving aimlessly, mindlessly, sounds they make turn insanely beautiful, sinful to listen to
some adverbs to use: desperately, hurriedly, knowingly, teasingly, tauntingly, aimlessly, shamelessly, breathlessly, passionately, delicately, hungrily
he sighed with pleasure
her skin flushed
he shuddered when her body moved against his
he planted kisses along her jawline
her lips turned red, messy, kissed and flushed.
his hands were on his hair, pulling him.
light touches traveled down his back
words were coiled at his throat, coming out as broken sobs, wanting more
he arched his back, his breath quivering
her legs parted, sinking into the other's body, encircling around their waist.
+ mention the position, how they're being moved around---are they face down, kneeling, or standing, or on top or on bottom--it's really helpful to give a clear picture.
+ use lustful talk, slow seduction, teasing touches, erratic breathing, give the readers all while also giving them nothing. make them yearn but DO NOT PROLONG IT.
sources to refer to for more: (will be updated soon!)
Dabi, walking into the hideout: “Guess what I have?!”
Toga: “Anger problems?”
Tomura: “Depression?”
Spinner: “Daddy issues?”
Dabi: “… a pizza, you fucking assholes.”
Describe your Main Character sheet
Skin
Tone: Pale, Rosy, Olive, Dark, Tanned, Alabaster, Ebony, Bronze, Golden, Fair
Texture: Smooth, Rough, Silky, Coarse, Flaky, Supple, Wrinkled, Calloused, Bumpy
Condition: Moles, Acne, Dry, Greasy, Freckled, Scars, Birthmarks, Bruised, Sunburned, Flawless
Complexion: Clear, Ruddy, Sallow, Glowing, Dull, Even-toned, Blotchy
Eyes
Size: Small, Large, Average, Tiny, Bulging, Narrow
Color: Grey, Brown, Blue, Violet, Pink, Green, Gold, Hazel, Crimson, Amber, Turquoise, Sapphire, Onyx
Shape: Doe-eyed, Almond, Close-set, Wide-set, Round, Oval, Hooded, Monolid
Expression: Deep-set, Squinty, Monolid, Heavy eyelids, Upturned, Downturned, Piercing, Gentle, Sparkling, Steely
Other: Glassy, Bloodshot, Tear-filled, Clear, Glinting, Shiny
Hair
Thickness: Thin, Thick, Fine, Normal
Texture: Greasy, Dry, Soft, Shiny, Curly, Frizzy, Wild, Unruly, Straight, Smooth, Wavy, Floppy
Length: Cropped, Pixie-cut, Afro, Shoulder length, Back length, Waist length, Past hip-length, Buzz cut, Bald
Styles: Weave, Hair extensions, Jaw length, Layered, Mohawk, Dreadlocks, Box braids, Faux locks, Braid, Ponytail, Bun, Updo
Color: White, Salt and pepper, Platinum blonde, Golden blonde, Dirty blonde, Blonde, Strawberry blonde, Ash brown, Mouse brown, Chestnut brown, Golden brown, Chocolate brown, Dark brown, Jet black, Ginger, Red, Auburn, Dyed, Highlights, Low-lights, Ombre
Eyebrows: Thin eyebrows, Average eyebrows, Thick eyebrows, Plucked eyebrows, Bushy eyebrows, Arched eyebrows, Straight eyebrows
Lips
Shape: Full, Thin, Heart-shaped, Bow-shaped, Wide, Small
Texture: Chapped, Smooth, Cracked, Soft, Rough
Color: Pale, Pink, Red, Crimson, Brown, Purple, Nude
Expression: Smiling, Frowning, Pursed, Pouting, Curved, Neutral, Tight-lipped, Parted
Nose
Shape: Button, Roman, Hooked, Aquiline, Flat, Pointed, Wide, Narrow, Crooked, Upturned, Snub
Size: Small, Large, Average, Long, Short
Condition: Freckled, Sunburned, Smooth, Bumpy
Build
Frame: Petite, Slim, Athletic, Muscular, Average, Stocky, Large, Lean, Stout, Bony, Broad-shouldered, Narrow-shouldered
Height: Short, Tall, Average, Petite, Giant
Posture: Upright, Slouched, Rigid, Relaxed, Graceful, Awkward, Stiff, Hunched
Hands
Size: Small, Large, Average, Delicate, Strong
Texture: Smooth, Rough, Calloused, Soft, Firm
Condition: Clean, Dirty, Manicured, Scarred, Wrinkled
Nails: Short, Long, Polished, Chipped, Clean, Dirty, Painted, Natural
Voice
Tone: Deep, High, Soft, Loud, Raspy, Melodic, Monotonous, Hoarse, Clear, Gentle
Volume: Loud, Soft, Whispery, Booming, Muted
Pace: Fast, Slow, Steady, Hasty, Measured
Expression: Cheerful, Sad, Angry, Calm, Anxious, Confident, Nervous, Excited, Bored
Small romance things that make me go FERAL
A very totally incredibly non-delulu list by Writerthreads
arm/shoulder/waist/SMALL OF THE BACK touches
HANDS BRUSHING, BUT TOO NERVOUS TO DO ANYTHING MORE
calling them by their name ("What's your opinion on this, X?") (they way they say their name makes their heart do funny things)
the way their voice goes heavy/breathy
CHIN RESTS ON THEIR SHOULDER
whispering into their ear and the way their breath tickles
non-affectionate nicknames just for them
recognising their laugh and trying to make them laugh just to hear it again
little private smirks/winks, watching their reaction when someone makes a joke
sniffing their hair/recognising their on their shampoo
eye contact so deep they feel like sinking
SMALL PECKS ON THE CORNER OF THEIR MOUTH/CHIN/FOREHEAD
recognising the sound of their footsteps
co-existing in the same space, acknowledging their presence and feeling safe
CARESSING THEIR CHEEK WITH THEIR THUMB
recognising their nervous ticks and comforting them, like putting a hand on their bouncing leg
tracing scars, freckles, moles, lines of their muscle, you name it (SCREAMS)
grinning when they blush
watching with pride as the other does a presentation/leads a mission/takes charge
making up private signals for each other
HAND KISSES
NECK KISSES
playing with their hair/brushing their hair/braiding their hair
Ah, love. That lingering warm, fuzzy feeling in your chest. I love love.
Sakura really thought he had a master poker face 💔
Do you have any synonyms for "flop"? I just wanna find a nicer word for it 😭
I'm not sure which definition of the word you're looking for, but I'll give you synonyms for these ones:
Flop—to throw or move oneself in a heavy, clumsy, or relaxed manner; to move or drop heavily or noisily; to fail completely
Bomb - to fall flat; to fail completely; flop
Collapse - to fall or shrink together abruptly and completely
Crash - to break or go to pieces with or as if with violence and noise
Crumble - to break down completely; collapse
Droop - to sink gradually
Fail - to be unsuccessful
Fling - to move in a brusque or headlong manner
Flump - to move or fall suddenly and heavily
Flunk - to fail especially in an examination or course
Fold - to fail completely; collapse
Plank - to set down forcefully—usually used with "down"
Plop - to allow the body to drop heavily—usually used with "down"
Plump - to drop, sink, or come in contact suddenly or heavily
Plunk - to drop abruptly; dive
Slump - to fall or sink suddenly; collapse
Hope you find the nicer word here. Do tag me, or send me a link if this helps you. I'd love to read your work!
More: Word Lists
Word List: Went
Went—past tense of go (i.e., to move on a course; proceed)
Actuate - to move to action
Avoid - to keep away from
Bolt - to move or proceed rapidly
Bound - to move by leaping
Depart - to go away; leave
Escape - to get away
Exit - to go out or away
Flee - to run away
Fly - to be moved with sudden extreme emotion; to flee
Forge - to move forward slowly and steadily; or with a sudden increase of speed and power
Hop - to move by a quick springy leap or in a series of leaps
Jaunt - to make a usually short journey for pleasure
Jolt - to move with a sudden jerky motion
Journey - to go on a journey; travel
Leap - to spring free from or as if from the ground
Leave - to go away from; depart
Lurch - to move with a lurch; stagger
March - to move in a direct purposeful manner; proceed
Mosey - to hurry away
Move - to start away from some point or place; depart
Pace - to move along
Parade - to march in or as if in a procession
Pass - move, proceed, go
Progress - to move forward
Retreat - to make a retreat; withdraw
Saunter - to walk about in an idle or leisurely manner; stroll
Scoot - to move swiftly
Skip - to move or proceed with leaps and bounds or with a skip
Split - to leave, especially: without delay
Step - to be on one's way; leave—often used with "along"
Stride - to move with or as if with long steps
Stroll - to walk in a leisurely or idle manner
Tour - to make a tour (i.e., one's turn in an orderly schedule)
Travel - to go on or as if on a trip or tour; journey
Vanish - to pass quickly from sight
More: Word Lists
Other Words to Use (Emotions)
Carefully chosen words have the power to bring a person or story to life and impact the readers' impression. If you’re like most people, though, you often use the same words when writing about emotions. Here are some commonly used words to describe emotions and feelings as well as many alternatives that may help your readers better understand what you're trying to convey.
Happy
HIGH excited, thrilled, ecstatic, elated, intoxicated, captivated, euphoric, joyous, jubilant, overjoyed MODERATE cheerful, upbeat, optimistic, enthusiastic, lively, gleeful, joyful, peppy, delighted, tickled, hopeful LOW merry, light, jolly, up, glad, pleased, blissful, chipper, content, perky, playful
Sad
HIGH grieved, crushed, gloomy, hopeless, heartbroken, devastated, despairing, distraught, heavy-hearted, miserable MODERATE dejected, dismayed, hurt, hurting, disillusioned, downcast, forlorn, glum, cheerless, melancholy LOW down, disappointed, blue, discouraged, low, somber, sorry, unhappy
Angry
HIGH furious, raging, irate, hateful, incensed, hostile, outraged, indignant, exasperated MODERATE aggravated, irritated, irked, upset, annoyed, offended, sulky, ticked off, fuming, sullen, provoked LOW perturbed, hassled, bothered, fuss, fret, displeased, peeved
Scared
HIGH: terrified, overwhelmed, panicked, petrified, alarmed, fearful MODERATE: worried, tense, dread, shaken, anxious, afraid, panicky, panicked LOW: startled, surprised, uneasy, edgy, apprehensive, hesitant, uncomfortable
words to use instead of running?
Running—to go faster than a walk
Barreling - to move at a high speed or without hesitation
Blazing - of outstanding power, speed, heat, or intensity
Bounding - to move by leaping
Cantering - to move at or as if at a canter (i.e., a 3-beat gait resembling but smoother and slower than the gallop); loping
Careening - to proceed or move quickly
Coursing - to proceed or move quickly
Dashing - to go at a pace faster than a walk
Galloping - progressing, developing, or increasing rapidly
Hastening - to move or act quickly
Hieing - to go quickly; hasten
Hurtling - to move rapidly or forcefully
Hurrying - to carry or cause to go with haste
Hustling - hasten, hurry
Jogging - to run or ride at a slow trot
Loping - an easy usually bounding gait capable of being sustained for a long time
Racing - to proceed or move quickly
Ripping - to proceed or move quickly
Rushing - to cause to move or proceed fast or faster
Scampering - to run nimbly and usually playfully about
Scooting - to move swiftly
Scurrying - to move in or as if in a brisk pace; scampering
Scuttling - scurry; a short swift run
Skipping - to move or proceed with leaps and bounds or with a skip
Speeding - to make haste
Springing - to make a leap or series of leaps
Sprinting - to run or go at top speed especially for a short distance
Tearing - to proceed or move quickly
Tripping - to go at a pace faster than a walk
Trotting - to proceed briskly; hurrying
Zipping - to move, act, or function with speed and vigor
Hope this helps with your writing. Do tag me, or send me a link. I'd love to read your work!
More: Word Lists
“Oh,” They giggled, cheeks pink.
“Oh!” They gasped, hands to their mouth in horror.
“Oh,” they whined, gripping their hair in frustration.
“Oh,” they breathed, head back and lashes fluttering.
“Oh,” they mumbled, shifting awkwardly.
“Oh,” they deadpanned, arms crossed.
“Oh?” they asked, brow arched and smile bitter.
“Oh,” they chided with a smirk.
“Oh?” they asked, head tilted curiously.
“Oh!” they hissed, scrambling away.
“Oh,” they mumbled, rubbing their neck.
“Oh,” they uttered, eyes wide in awe.
“Oh,” they muttered with an ill-impressed frown.
“Oh!” They cried, throwing their arms around them.
“Oh,” they goaded, smiling mischievously.
“Oh,” they taunted, skipping backwards.
“Oh,” they snarked, hands on their hips.
“Oh,” they breathed, putting it all together.
“Oh,” they said softly, hugging themselves.
“Oh,” they whispered, holding back tears.
“Oh!” they gasped, ducking out of the way.
“Oh,” they uttered, and smacked their forehead.
“Oh,” they laughed, brows wiggling.
“Oh,” they tittered, batting their lashes.
“Oh,” they hissed, gritting their teeth.
"Oh."
Tag your dialogue.
When not to tag your dialogue, in response to the post that surpassed all others as my legacy on this site. Not applicable everywhere, just some general guidelines where I think tags aren’t necessary.
1. During quick, comedic exchanges, or to convey deadpan
“We’re going to get caught,” A said. “We will.” “I told you so.” “You did.”
You’d probably know the personalities of the speakers by this point to be able to picture their tones and expressions for this exchange. Useful when there’s limited options to tone and delivery anyway—something like this is more than likely said either with snark or deadpan.
2. During action scenes where tagging everything would slow down the frenetic energy
“Get off your ass and run.” “But-” “Run!”
Unless you’ve got multiple characters interacting and the speakers are unclear, in which case, try to establish beforehand that the following exchange can only be between A and B.
3. In between short parts of a conversation, where the speakers are obvious
“I think it’s a decent plan.” “You came up with the plan.” “Am I not allowed to think my own plan competent?”
Tends to also be intended for quips, but it doesn’t have to be comedic. Tagging here might be too cluttered—making the narrative oversaturated by tags or movement when the dialogue alone can carry the moment.
4. When the lack of emotion is the point
“You’re just going to sit there and do nothing?” A scolds, hands on their hips. “Yes.” “Well fuck you then.” A storms off.
Either by withholding the tag because there’s only one viable emotion in the moment, or the phrase physically standing by itself on the page is more impactful, or the speaker is also robbing the narrative of an emotional reaction, utterly stone-faced.
5. When the tone is clear in narration
A lot of reblogs have addressed this, but there is a difference between a tag and implied tag through the surrounding narrative.
“Yes,” she giggled, hiding her smile. “Yes.” She hides her giggle behind her hand.
6. When the format and punctuation makes up for it.
“Ohhhh.” “Oh.” “...Oh.” “….ohhhhh.”
Or, the missing ohs from my original post.
—
‘A said’ isn’t necessary every time, but what is necessary is effectively communicating how you want your dialogue to be perceived. Tonality is important, especially for sarcasm. I read a book with a passive-aggressive character, a suspect in a who-dun-it, and I got so, so frustrated with the book for intentionally omitting crucial dialogue tags and cues to be manipulatively vague.
Stuff like “I think that looks great on you” can either mean “omg I love it” or “you look like a pig in stripes” depending on the tag or associated expressions or gestures.
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